Ed Moser, a sound designer, technical director and all-around theater pro (he produced and designed sound for my recent staging of “Twelve Angry Men”…he’s also a friend), enlightens us with some insider observation relevant to Donald Trump’s recent denigration of a sound tech. It also reveals an unattractive side of an earlier GOP presidential candidate. Here is Ed’s Comment of the Day on the post, In Search Of A Tipping Point: Trump, The Microphone, And Thomas Dewey’s Ghost:
I have a friend who engineered the sound for a large church back when McCain was a candidate. He visited the church for a “town meeting”.
My friend locked all the unused gear away, and for the event distributed only freshly batteried hand held wireless mics for the event with screw on caps on the bottom. Such caps are specifically designed to prevent clumsy performers from accidentally touching the controls on the bottom of the mic– where one could turn the mic off, change the battery, or worst of all, change the frequency. Then color coded the mics with bright spike tape, so that while he was at the sound board he could instantly tell which mic/channel he was dealing with.
The plan was for McCain to give a speech, then take questions from the floor. Runners would carry one of three hand helds to the person with the query, so the question could be heard throughout the house. There was a fourth back up.
If all of this sounds pretty standard for people who know what they’re doing and have done many such events before: well, it is.
That evening, during the event, the question and answer session occurs. The first mic, it develops, is dead. A quick check reveals that ALL FOUR are dead. Irked at having to come the the edge of the stage and get close to an actual person to hear an actual question, or perhaps just trying to infuse humor at an awkward moment, McCain points to the back of the house, right at my friend, and says to the crowd, “Fire that guy!”
He gets a laugh. Except from my friend, of course.