Shut up, Chris.
“You say the wrong thing — you see what happened to [Donald Sterling],” Rock said. “I’m not defending what Sterling said at all, but if that’s not the First Amendment then what the [bleep] is? And what did he say, ‘I don’t want my girlfriend hanging out with black basketball players’? Me neither!”
—Black comic and “truth-teller” Chris Rock, discussing the fear in Hollywood as a result of the Sony hacks.
Gee, Chris, that’s courageous, fair, perceptive and true.
What a shame you didn’t have the integrity or guts to condemn what happened to Sterling while every other black pundit, columnist, athlete, and celebrity was comparing him to Satan. You just allowed everyone to pile on the old, rich white guy, take away his team and make him the face of racism for telling his slutty black girlfriend—in his own bedroom!—not to flaunt the fact she was only hanging with him for the money by showing up at his teams’ games with her real boyfriends. You Hollywood types are hilarious–as in disgusting— in your selective belief in rights, privacy and fair play. First Aaron Sorkin, who didn’t object to the media feeding frenzy over Sterling’s private remarks, suddenly argues that his friends and business associates’ equally damning comments shouldn’t be reported because they aren’t about crime and corruption, and thus aren’t news. Then you suddenly decide to defend Donald Sterling’s rights of privacy and free speech now, when there is no cost to you at all, and the damage is done and irreparable.
Here’s what’s unethical about your statement, Chris: it’s too damn late.
[Part I is here; Part II is here]
“Today’s lecture is on WHAT???????”
This belongs in an emerging sub-category: future legal weenies. We have already seen black law students insisting that they be able to defer exams because the Eric Garner death has them too preoccupied to concentrate, and other law students protest an “insensitive” exam question involving the Ferguson riots. This trend does not bode well for the ability of citizens to receive competent representation in years to come. The latest entry was revealed by Harvard law professor Jeannie Suk, who registers her observations in the New Yorker. Suk says rape law is becoming impossible to teach and may be dropped from criminal law courses because many students can’t handle the stress of the subject matter. Criminal law professors at several schools confirmed that they are no longer teach rape law because they fear student complaints. Suk writes, “Many students and teachers appear to be absorbing a cultural signal that real and challenging discussion of sexual misconduct is too risky to undertake—and that the risk is of a traumatic injury analogous to sexual assault itself.” Continue reading
Or maybe not…
[Part I is here]
Regal Cinemas, Cinemark, Cineplex, Bow Tie Cinemas, Carmike and AMC Theatres will not show “The Interview” because the North Korea-based hackers that breached Sony Pictures Entertainment e-mail security threatened movie theaters and moviegoers who attend screenings of the satire. More theater circuits are expected to follow, because terrorism works especially well against weenies.
Leading the way for this disgusting weenieism display were first, Sony itself, which reportedly toned down the film in response to earlier threats from the group, and then the stars of the comedy, James Franco and Seth Rogan. They both cancelled all their publicity appearances and are evidently hiding under their beds, caving to the dictates of unknown critics who are almost certainly not in the country. Oooh, but they’re so scary!
First they stole emails from Sony executives to retaliate for the comedy’s story line, which involves an assassination attempt on the life of North Korean leader Kim Jong-Un by two morons. Then the group issued a warning referencing 9-11 and warning Americans, to stay away from theaters showing “The Interview”:
“We will clearly show it to you at the very time and places The Interview be shown, including the premiere, how bitter fate those who seek fun in terror should be doomed to. Soon all the world will see what an awful movie Sony Pictures Entertainment has made. The world will be full of fear. Remember the 11th of September 2001. We recommend you to keep yourself distant from the places at that time. (If your house is nearby, you’d better leave.) Whatever comes in the coming days is called by the greed of Sony Pictures Entertainment. All the world will denounce the SONY.”
Or “All your base are belong to us.“
For breedism read racism, for the illogic, bias and cruelty is the same. PetSmart, the nation’s predominant retailer of animal companion products, and one that has built its image, brand and success on being dog-friendly (customers can bring their furry pals on leashes into the stores), engages in the ignorant and deadly practice of anti-pit bull prejudice. Their customers should make it very clear to the company that its unethical and irresponsible stance will not be tolerated.
I’m not going to tolerate it, not because it will make a difference to PetSmart, but because I couldn’t look my dog in the eye again if I didn’t. Continue reading
Here is a strong candidate for teacher/blogger Rick Jones’ annual Curmie Awards on his blog Curmudgeon Central. He recognizes the most despicable conduct by teachers and school administrators, and while this year’s award may go to some fourth grade teacher who sets autistic kids on fire, I know he will share my disgust at this story.
The theater club at Maiden High School in North Carolina was in production of John Cariani’s newly-popular stage dramedy “Almost, Maine,” a series of vignettes about bittersweet love and romance. A brief scene touches on a budding same-sex relationship, and this so worried school administrators that before green-lighting the production, Principal Rob Bliss and Catawba County Schools Superintendent Dan Brigman decreed that every student wishing to audition or assist with the production must turn in signed parental permission letters. Only one student was prevented from auditioning through this screening process, and production commenced. The club to reserved the rights, rented the scripts, cast the parts and began rehearsals. The local churches learned that that the show contained (Ewww!) gay people, and the school abruptly reversed course, cancelling the production. Principle Bliss issued this weasel-worthy statement:
“In regards to the request for students to perform the play “Almost Maine,” careful review and consideration was given to the contents of this play. The play contained sexually-explicit overtones and multiple sexual innuendos that are not aligned with our mission and educational objectives. As principal of Maiden High School, I have an obligation to ensure that all material, including drama performances is appropriate and educationally sound for students of all ages.”
He did not mention that the production had already been approved, and that he and the school caved to community censorship by right-wing bullies, intolerant religious jerks, or local jerks who didn’t have the resources to go to New York City and picket “The Death of Klinghoffer.” He had one, and exactly one, response available to him once complaints began rolling in from anti-gay, anti-same sex marriage citizens of fair Maiden. It would be this... Continue reading
The American culture’s grim determination to raise a race of wimps, weenies, hysterics and delicate snowflakes continues apace. Or is this a necessary adjustment to our growing incivility?
In Ohio, the Thunder United Metro Futbol Club, a kids’ soccer league, held an experimental “silent soccer weekend.” Parents and fans were told that there would be no shouting or cheering at the games. Clapping was permitted, but not whistling or using noise makers. Team coaches were instructed to keep shouted instructions to a minimum. Printed signs and rally towels got a green light, since they are quiet.
The objective, of course, was to combat negative shouts and other demonstrations by parents and fans that might bruise youthful egos and squash self esteem.
Your Ethics Alarms Ethics Quiz for today:
Is banning crowd commentary at youth athletic events responsible, or irresponsible?
Then the question is: would this happen here?
The performance art piece “Exhibit B” evokes the spectacle of “human zoo,”in which Africans were put on show for the entertainment and gawking curiosity the 19th and early 20th Century Americans and Europeans. Visitors tour a room in which black actors portray the human exhibits as well as portrayals of what modern-day equivalents would might be like. Created by white South African theatre-maker Brett Bailey, “Exhibit B” has recieved rave reviews in several venues. In Edinburgh, The Guardian’s theatre critic Lyn Gardner saw the results as “both unbearable and essential”:
“Creator Brett Bailey has been fearlessly uncompromising in his approach. The experience in the exhibition hall is entirely without comfort. Confronting us with the appalling realities of Europe’s colonial past – the stuff I definitely wasn’t taught at school – isn’t just some kind of guilt trip. It reminds us that most history is hidden from view; it reminds that Britain’s 21st-century ways of seeing are still strongly skewed by 18th-, 19th- and 20th-century colonial attitudes. The masterstroke comes at the end: the pictures and the biographies of the ordinary black Edinburgh men and women who are taking part. Tomorrow, history will look a little different.”
Never mind: Sara Myers, as well as others, don’t want to see it, so they have conspired to stop the work from being seen, at least in England, by anyone else. In her petition at Change.org, she writes: Continue reading