Month: July 2020

Today’s Featured Media Anti-Trump Smear [Corrected]

/ Jack Marshall / 3 Comments

During a violent storm here in Alexandra, with the internet going in and out, my wife and I gave up and watched “Spotlight” again, an ethics movie, and a genuinely heroic story about journalists doing their jobs, informing the public, exposing popular institutions. Those were the days. The ending speech, where the Boston Globe’s editor talks in high-minded terms about the reason journalism is worth the effort, made me physically nauseous. The profession he described is virtually unrecognizable from what I see on CNN, Fox News, NPR, the Washington Post and the New York Times.

Almost immediately after, I read a column in the Times from two days ago, in the Arts section. It’s a periodic feature by John Williams where he interviews an author, “5 Things About Your Book.” This time he was talking to Larry Tye, whose biography of Joe McCarthy has just been published. The cut line read that Larry Tye “discusses his biography of that American bully, and an eerie echo.”

Having read the Times for the last four years and watched with admiration how it can toss gratuitous insults and sinister innuendoes about President Trump in any context no matter how remote, from book reviews to cooking columns to fashion essays.  I was certain what the “eerie echo” would be. Joe McCarthy was a bad guy, so the article would show how much Donald Trump is like Joe McCarthy.

For the nonce, I will ignore that salient fact that it is “the resistance,” the Democrats and the anti-Trump media, which is to say, the media, that have been using relentless McCarthyite tactics against the President from before he was elected.

So where was this eerie echo of Trump in the life of “Tail-gunner Joe”? Here’s Tye’s  shocking illumination of that question:

I knew there was a general link between Senator McCarthy and President Trump, but I didn’t realize how eerily echoing it was.

Huh? What “general connection”? The Senator died in 1957, when Trump was 10. How can you have a “general connection” with someone who isn’t in your family, you never met, and whom you didn’t know anything about at all until well after he died?

That’s smear #1. Here’s smear #2: Continue reading →

Baseball Ethics The Dodgers’ Insane, Incompetent, Mookie Betts Contract

/ Jack Marshall / 1 Comment

It is being reported that the Los Angeles Dodgers are about to sign an extension with new right-fielder Mookie Betts, acquired over the winter in a stunning trade with the Boston Red Sox, for an estimated 12-13 year contract at about 35 million dollars a year.

When I was giving my lecture to the Smithsonian about baseball this week, I mentioned writer Bill James’ argument that baseball is not “just a business” as detractors like to say. He has pointed out that because baseball’s market does not treat it as a business, but as a pastime, entertainment, a cultural touchpoint and a community institution, baseball teams are not run as rational businesses. Indeed, they are frequently run irresponsibly and incompetently, based on emotion and sentiment.

‘Twas not always thus. In the early days of professional baseball right up the end of the Calvin Griffith era in Minnesota, many teams were run as the sole sources of income by their owners, though by the time Griffith died, he was the last of that species. Beginning with Tom Yawkey’s purchase of the then perennial doormat Red Sox, however, the baseball owner as community philanthropist was born. Yawkey was a rich lumber tycoon, and he spent money lavishly on Boston teams to win games and make fans happy. He certainly increased the value of his sports franchise asset, but from a business standpoint his management was often irrational.

The Dodgers contract with Betts is in this tradition. Betts is a free agent after this year; that’s why the Red Sox traded him, because he was going to put himself up for sale to the largest bidder. The Dodgers sensed that the virus-truncated season changed the equation for them and the player: Mookie, one of the most talented, productive and likable players in the game, would not have a chance in 60 games to enhance his value, and each year passed  for a player is depreciation. Betts will be 28 this season, and most players peak at that age. Continue reading →

Mid-Day Ethics Meanderings, 7/22/2020: Relax, The Duke Is Safe.

/ Jack Marshall / 10 Comments

1 .Another shoe drops: The Boston Red Sox announced that they would “support” any players who chose to kneel during the National Anthem when The Strangest Baseball Season since World War II, when teams fielded 16-year-old infielders and one-armed outfielders, commences tomorrow. The announcement was no surprise, and this team in particular had little choice.

Boston’s AL team is forever viewed with suspicion on race issues because it was the last major league team to break the color line, and because it passed on opportunities to sign some of the early black stars. Last season a visiting player claimed to hear a racist slur hurled his way from the Fenway Park bleachers, and the Red Sox management has been ostentatiously “woke,” cancelling Tom Yawkey  from the Fenway environs  though the team owes its existence to the long-time owner’s beneficence. He was rumored to be a racist, however, and that was enough to justify erasing his name (except from his initials in Morse Code on the scoreboard).

2.  Bad service only matters for drug stores, apparently. State regulators in Oklahoma cited and fined CVS for conditions found at four of its pharmacies, including inadequate staffing and errors made in filling prescriptions. Staffing just about everywhere is unfriendly to consumers—indeed, most stores were understaffed even before the lockdown, now half-lockdown while the teachers extort the country.

Our local CVS, where I have many ethics adventures, now has minimal staff, including in the pharmacy,  because there are so few customers lately. Hilariously, the store’s auto-scan checkout option is one of the features that requires staff: the damn things don’t work half the time, or a staffer has to lead some confused senior through the process.

3. Unfortunately, it’s more difficult than ever to believe sexual harassment allegations. #MeToo so egregiously overplayed its hand and has been so schizophrenic in its standards that I have to look at any high-profile allegations as potentially motivated by politics. In an action that must have been well underway before the Washington Redskins  suddenly caved and agreed to change the team’s name (yet another poll, a new one, has indicated that the vast majority of football fans and Native Americans have no problem with “Redskins”), 15 female ex-employees told The Washington Post that they were sexually harassed while working for the organization. Shortly thereafter, a Fox News staffer and periodic on-air guest filed suit in federal court alleging they had been harassed or raped  by Ed Henry, the Fox News reporter who was fired for “willful sexual misconduct in the workplace,”  The suit also alleges harassment by  Tucker Carlson and Sean Hannity, the latter perpetually on “the resistance’s” hit list and the target of boycotts, and Carlson recently becoming a force as a pundit. Therefore he must be destroyed.

Do I find it hard to believe that the Redskins, or any NFL team, has a culture hostile to female employees? No. Do I think that Fox News has effectively banished its pervasive workplace sexism and misogyny since the forced exits of the late Roger Ailes and Bill O’Reilly?  Absolutely not. Do I think weaponizing sexual harassment allegations has become a predictable and unethical tactic on the Left, (See: Mathews, Chris) thus making the timing of both of these sets of complants suspicious?

Is Bismark a herring?*

4. More things  now as predictable as they are indefensible. The University of Southern California’s School of Cinematic Arts will remove its John Wayne exhibit as part of the school’s efforts to address “systemic racism” in society with obnoxious, shallow and foolish gestures.

The Duke graduated from USC, of course (he was raised in Iowa), and the justification for his dishonoring was an admittedly dumb interview he gave Playboy in 1971, where he was obviously (to me, anyway, at the time) trolling a liberal and hostile magazine by saying exactly the kinds of things  the Wayne haters expected him to say. (I always assumed he was drunk during that interview.) This move by USC was expected—California, universities: you know, morons. As Spiked noted, Wayne’s importance to the culture and the history of film by virtue of his on-screen portrayals should not be diminished by any interview the actor did.

As an actor and a director,Wayne was careful to portray characters who respected blacks and other minorities as human beings. In “The Cowboys,” for example, he is routinely reprimanded and shown up by his black cook, played by the great Rosco Lee Browne. In many movies, like “McClintock!,” “Hondo” and “Fort Apache,” he demonstrated sympathy and respect for Native Americans; Wayne also prominently featured Chinese-American actor H.W. Gim in his films whenever feasible from 1942 on, notably as his landlord Chin Lee in “True Grit.”

If his character was a racist, Wayne didn’t hesitate to represent racism negatively, as when he opposed his black ranch hand (Woody Strode) learning to read in “The Man Who Shot Liberty Valence” because Wayne’s character is hostage to archaic traditions, or when he seems determined to murder his white niece (Natalie Wood) because she has lived with Native Americans and presumably had sex with a chief.

All of John Wayne’s wives were also Mexican, meaning that his four children are “Persons of Color.”

Never mind. Wayne’s legacy and hold on the culture is unbreakable. Just last week I stumbled about four of his films on cable. They’ll get Mt. Rushmore before they shoot down the Duke. [Pointer: Pennagain]

__________________________

*Cultural literacy bonus points for identifying the source.

Ethics Dunce ( And Irresponsible, Grandstanding Jackass): San Francisco Giants Manager Gabe Kapler

/ Jack Marshall / 26 Comments

Yecch, yuck, ugh, gag, pittooie!

Yeah, I knew it was probably coming, and I even should have been able to guess the team and the manager, but nonetheless, this is nauseating. I assume the craven response from Major League Baseball in the coming days and weeks will be even more nauseating. Great. Welcome back, baseball!

San Francisco Giants manager Gabe Kapler led several coaches and team members as they did a Kaepernick during the National Anthem before their first exhibition game in the Bay Area Monday. And I had just finished my Smithsonian presentation that night explaining why baseball has been a vital unifying influence in communities and the nation throughout its nearly 200 year history. How ironic.

Rookie manager Kapler, coaches Antoan Richardson and Justin Viele  joined players Mike Yastrzemski (Yes, Yaz’s grandson), Austin Slater, and Jaylin Davis in taking a knee, according to NBC Bay Area. Shortstop Brandon Crawford stood between Richardson and Davis, who are both black, and placed his hands on their shoulders in an apparent sign of support.

Although the Giants did not announce before the game against the Oakland A’s at Oakland Coliseum that some members would kneel,  Kapler said he had informed the team of his plans. Then he blathered out his explanation, which while considerably more coherent than what Colin Kaepenick said after the first time he imposed his political views on his team, the game, and spectators were offensive nonetheless.

None of those cardboard cut-out people in the stands would go on the record later, but reportedly they were not pleased.

Here’s Gabe:

“I wanted to share what my plans were and I did that because I wanted them to know that I wasn’t pleased with the way our country has handled police brutality. I told them that I wanted to amplify their voices and I wanted to amplify the voice of the Black community and marginalized communities as well. I told them that I wanted to use my platform to demonstrate my dissatisfaction with the way we’ve handled racism in our country. I wanted to demonstrate my dissatisfaction with our clear systemic racism in our country. And I wanted them to know that they got to make their own decisions and we would respect and support those decisions. I wanted them to feel safe in speaking up, and so we had these kinds of discussions for the last several days and will continue to have them.”

Asked if he and other Giants would continue kneeling, Kapler said, “We’re going to have 60 chances during the regular season to make the same decision that we made today, to either stand or kneel or do something different.”

I can’t wait. Continue reading →

I Nearly Killed Someone Tonight. Then I May Have Saved Her Life….

/ Jack Marshall / 48 Comments

I am still furious about this, and it happened more than 90 minutes ago. Fortunately, I’m not David Banner.

I was returning at dusk from a grocery errand, and as I reached our secluded North Virginia neighborhood, I stopped at the STOP sign at a side street, then took the tight turn onto a main drag. Exactly as I did that, a young jogger whipped around the same corner, in the street. I had to swerve to miss her.There are no sidewalks in that part of the road complex,…which only means that it is an irresponsible place to jog.

I was just a few blocks from home and almost proceeded directly to my house. But she really scared me, and the woman appeared oblivious to how close she came to being clipped. Then my father’s ghost kicked in: I was with him several times when he chased people down for the sole purpose of telling them they were idiots and why.

So I drove around looking for the jogger. She had a potentially deadly habit, other than jogging, and I had an obligation to warn her. Continue reading →

How Popular Culture Makes Us Misinformed And Stupid: Gunfights And Sub Battles

/ Jack Marshall / 10 Comments

I recently perked some interest here in a comment when I mentioned how my dad, who taught various forms of weapon use while a trainer in the Infantry, railed at every example of a “Mexican stand-off” represented in a movie or TV show. “First one to shoot wins, or both quickly realize that there’s a mistake, and put down the guns,” he said. I was inspired by the Netflix Western “The Ballad of Lefty Brown,” which is very good, but the writer really liked Mexican stand-offs.

Another example is the old, dusty street showdowns Westerns have featured for a hundred years. They just didn’t happen, except for a few anomalies. One of them occurred this date  in 1865, when Wild Bill Hickok faced off in the Springfield, Missouri city square against a former Confederate soldier named Davis Tutt in a dispute over a watch.  Wild Bill won—his skill with a pistol was no myth—but the dime novel writers used the episode and Hickok’s colorful persona to create the impression back East that Wild West gun fighters were having quick draw showdowns daily. In fact, the Hickok-Tuttle affair was the first one documented.

The classic western showdown, also called a walkdown, was far rarer than drunken men shooting at each other spontaneously, ambushes and sneak attacks. The showdowns aren’t even as common in the movies as some people think who should know better. One article on the History Channel site talks about showdowns “like in ‘High Noon.'” Despite the title, there is no classic showdown in “High Noon.” And once he stopped making two-reelers as a B-movie star, John Wayne’s characters were never in any “middle of the street” duels either. Continue reading →

Ethics Batting Practice, 7/21/ 2020: Baseball Zoom Hangover Edition.

/ Jack Marshall / 13 Comments

Isn’t that only TWO feet??

Last night’s Smithsonian Associates presentation on baseball and American culture went well, I guess. Presenting on Zoom is like acting in a closet: no connection to the audience, no way to gauge what is working and what isn’t, or whether the invisible viewers are engaged. It did give me  a chance, during the section on baseball cheating, to read one of my favorite passages from Philip Roth’s baseball allegory/satire,”The Great American Novel.” Roth’s narrator, mad sportswriter Word Smith, tells the sad tale of the legendary “Spit” Baal, a master of the spitball, the mucous-ball and other trick pitches aided by surreptitiously applied substances. After such adulterations of the ball were banned in 1920, Baal found his career in tatters, since he could no longer use his signature pitch. (In the real world, the National league and American league allowed acknowledged spitball specialists to continue to throw the pitch legally under a grandfather clause, but Roth’s fantasy  is about a third major league, wiped from history and record books in the Fifties following the discovery that it had been infiltrated by Communists.) One day, again seeing his dry pitches clobbered and realizing that he could no longer get batters out legally, “Spit” has a psychotic break on the mound that ends his career in spectacular if unsanitary fashion:

And so before twenty thousand shocked customers  including innocent children — and his own wide-eyed teammates, the once great pitcher, who was  washed up anyway, did the unthinkable, the unpardonable, the inexpiable. He dropped the flannel  trousers of his uniform to his knees, and proceeded  to urinate on the ball, turning it slowly in his hands  so as to dampen the entire surface. Then he hitched  his trousers back up, and in the way of pitchers,  pawed at the ground around the mound with his  spikes, churning up then smoothing down the dirt  where he had inadvertently dribbled upon it. To the  batter, as frozen in his position as anyone in that  ball park, he called, “Here comes the pissball, shithead — get ready!”

For years afterward they talked about the route that ball took before it passed over the plate. Not  only did it make the hairpin turns and somersaults  expected of a Baal spitter, but legend has it that it  shifted gears four times, halving, then doubling its  velocity each fifteen feet it traveled. And in the end,  the catcher, in his squat, did not even have to move  his glove from where it too was frozen as a target .Gagging, he caught the ball with a squish, right in  the center of the strike zone…

1. So this graph would seem to indicate that the news media is scare mongering, right? Continue reading →

Comment Of The Day: “Comment Of The Day, Part 2: ‘Ethics Warm-Up, 7/19/2020: And The Hits Just Keep On Coming!’”

/ Jack Marshall / 30 Comments

The epic, two-part Comment of the Day by Steve-O-In-NJ spawned a another Comment of the Day of perception and edge, this one by Humble Talent. His topic is the slogan “Silence is violence,” another example of a deft Comment of the Day saving me time, for I was going to have to post on it if someone else didn’t. That bumper-sticker line irritates me almost as much as “No justice, no peace,” “Black lives matter,” “Believe all women,” Give peace a chance,” “Better Red than dead,” and “Go Yankees!”

Here is Humble Talent’s Comment of the Day on the post, “Comment Of The Day, Part 2: ‘Ethics Warm-Up, 7/19/2020: And The Hits Just Keep On Coming!’”:

One of the tropes coming from the left in this latest bout of medical withdrawal guised as activism is that “Silence is Violence”. This in the latest variation on the theme of the left’s stretching to unrecognizability the definition of violence. No, silence is merely inconvenient for people looking to uproot the status quo.

Similar to that is speech. “Free speech” is one of the most commonly misused terms on the internet. The first amendment doesn’t protect you prom private individuals. A principled free speech position doesn’t require the right to an audience. There is no duty to listen. I actually think that “Free Speech” would be better understood if it were also approached from the inverse: Free speech includes the right to hear what someone wants to tell you.

Alizia made a comment recently, predicting that I would eventually speak in favor of the suppression of free speech because I wouldn’t speak out against Viacom firing a fellow after said fellow spouted anti-Semitic rhetoric on the air. I don’t think I’ll ever get there. But I do think we all need to take a step back and re-evaluate what things mean.

For instance, a “counter protest” is speech, but if the counter protest is designed not to respond to speech, but to drown it out and to prevent people from hearing the speaker they want to hear, not only does that violate free speech principles, but hiding behind free speech to conduct a counter-protest is hypocritical. A principled position is not a suicide pact. I don’t think we have a duty to humor the calls for free speech from the people actively violating yours. Sure, a protest is speech, but what’s going on here isn’t simply a protest, and it’s not just speech. Continue reading →

From The Dead Ethics Alarms Files: Wait, WHAT? Why Was This Court Decision Even Necessary?

/ Jack Marshall / 15 Comments

Uri Rafaeli owed $8.41 in unpaid property taxes. That’s eight dollars and change. The amount gradually increased to $285.81 from added interest, penalties and fees. Oakland County in Michigan  confiscated and sold his property for $24,500, thenkept all proceeds above the past due amount.  Meanwhile, Andre Ohanessian owed about $6,000 in unpaid taxes, interest, penalties and fees to the same Oakland County, and the county sold his property for $82,000. It kept all proceeds of that sale too.

Seems fair to me!

Kidding. Actually, that seems so wrong that I don’t understand how any public officials could do such a thing, or argue that it was defensible rather than obvious theft. The Michigan Supreme Court ruled last week that the takings clause in the state constitution prevents counties from selling homes for unpaid tax debts and keeping all surplus proceeds.

Because, you know, it’s wrong. Continue reading →

Is It Unethical To Use HIV Transmission As A Plot Element In Drama?

/ Jack Marshall / 18 Comments

In an essay in The Body, an HIV-AIDS community website, Abdul-Aliy A Muhammad argues that it is unethical and exploitive for writers to use the disease as a plot point in TV shows and movies. His argument is pitched at black writers particularly. (In case you are not familiar with the term he uses, the “down low” refers to apparently heterosexual black men who secretly have sex with males.) He argues in part,

Last week’s episode of the popular show on the Oprah Winfrey Network (OWN), Greenleaf, provided a storyline that’s become all too familiar—the disclosure of HIV status as a spicy and scandalous plot twist.

…During this season, at the end of episode three, a shocking reveal happens: AJ was raped in prison, and the person who raped him transmitted HIV to him. AJ is now suffering from HIV disease and finally tells Grace. That’s how the episode ends. As an HIV-positive Black person, my heart sank, because again, the failure to hold any nuance with HIV emerged, 16 years after the “down low” and HIV plot twists of the early 2000s. It’s as if we’re frozen in time.

… I want to say this to the writers and producers of Greenleaf, and other Black creatives: HIV is not a plot twist device. HIV is not a caricature, and HIV is not predatory. Yes, there are the very real stories of people contracting HIV after being raped, and yes, there are some people who are not fully open to their partners and who may have transmitted HIV. But the narrative of HIV as a hidden monster and prison rape are not what drive the epidemic in Black communities.

…[T]here have been many harmful representations of HIV stories in the media. Let’s start with Tyler Perry’s 2010 film…For Colored Girls Who Have Considered Suicide / When the Rainbow is Enuf. In his film adaptation, Janet Jackson’s character, “Lady in Red,” is married to a man named Carl Bradmore…His character is struggling with sexual desire and can be seen cruising for other men in the film, and ultimately there is a scene where oral sex is performed in a car. Hardwick’s character Carl Bradmore is in a BMW under a bridge and gets head from another Black man.

…Throughout the film, Lady in Red has a scarf tied around her neck, and toward the end, the scarf is red. She coughs frequently and drinks tea, ostensibly to soothe her throat. The drama erupts toward the end of the film, when they are both sitting on a bed and not facing each other. She says something to the effect of, “You can keep your sorry and your HIV”—which is saved as a grand reveal, to provide shock and melodrama to the story. Shange’s original play includes no “down low” men, and it was written before HIV, so these aspects were specifically added by Perry.

I watched this film in shock…. My mother was a Tyler Perry fan; she thought his desire to (and practice of) giving leading roles to Black actors was something to celebrate. I on the other hand felt… here again is another media representation of the [down low] monster as a viral operative to drive the drama of the plot, and to both titillate and disgust. There is data that suggests that Black people aren’t doing anything behaviorally different than white people when it comes to intimacy or other vulnerable ways to become HIV positive. The difference in disproportionate infections comes from anti-Black racism that discourages trust of systems and incarcerates and criminalizes Black people. Our vulnerability is undergirded by the lack of infrastructures of care and the breakdown of food systems in the hood and in the rural South.

Until we truly consider the truth about HIV and not the easily propagated myths, we are doing more harm to our communities and aren’t standing in solidarity with HIV-positive Black people…. Isn’t it time for TV and film catch up and stop with the same tired use of HIV as plot twist or cautionary tale. Continue reading →