At the New Yorker, star writer Jonah Lehrer has resigned after it was shown that he fabricated quotes from Bob Dylan for his well-reviewed book “Imagine: How Creativity Works.”
This was the final shoe dropping that began with one untied shoelace, the discovery in June that Lehrer had plagiarized from himself, lifting a section of a piece published earlier in one publication to include in a piece written for The New Yorker. This is a minor ethical incursion—-Lehrer had represented the second essay as original, so using prior published material was dishonest even if he was the author—but it launched his employers on a mission of scrutiny, investigating to see if the one transgression was part of a trend.
When it comes to professional ethics, you see, it often is. The principle of signature significance holds that in some pursuits just one episode can be enough to make certain conclusions. A writer of true integrity never borrows from his own published work without flagging the fact. Doing so even once indicates shaky integrity, and a willingness to cut corners. It may well indicate a proclivity to cheat in more egregious ways. Continue reading