As many predicted and others dreaded, the Academy Awards last night did it: they anointed the pro-domestic terrorism, anti-American, Hollywood woke fever dream “One Battle After Another” with the Best Movie award. Starring the usual far-left suspects Leonardo DiCaprio and Sean Penn, the film is deliberately offensive to anyone who wasn’t convinced that Kamala Harris was a wonderful Presidential candidate; I made the mistake of starting to watch it and “walked out” (that is, changed channels to a “Chicago Med” re-run) after about 20 excruciating minutes. “The Critical Drinker’s” review above registered as fair and accurate based on what I saw: a well-acted, well-produced piece of political propaganda.
You know, like “Triumph of the Will.”
The fact that it was nominated told me what the annual awards broadcast would be like and that Hollywood is determined to alienate at least half the country. Good plan. If I had been producing the show, I would have told all participants that political grandstanding was strictly forbidden and that anyone who started blathering about Trump, trans activism, I.C.E. or “illegal wars” would have a trap door open under them like they used to have on “Rowan and Martin’s Laugh-In.”
But no, there were the predictable rants by narrow-view artists trying to suck up to future employers in their bubble. Even Conan O’Brien succumbed to the suck-up vibe, though he was obviously chosen as M.C. because he harkens back to the days when late night hosts mocked all parties and not just Republicans, and the producers wanted to trick Americans tired of being called racists and fascists into tuning in. And a trick it was.






