Where’s that woodchipper? I’m thinking about sending a copy of “The New Face of Child Labor?” in The Harvard Gazette to child actor advocate Paul Petersen, but I’m afraid the essay will send him to a woodchipper too.

Leah Plunkett, the Meyer Research Lecturer on Law and a faculty associate at Harvard’s Berkman Klein Center, is the author of the book “Sharenthood” (What a cute title! Yecchh!) warning of the risks of parents sharing their children’s lives online. She’s also the reporter for the Uniform Law Commission’s Child Digital Entertainers Act drafting committee. Hillary Robinson, an associate professor of law and sociology at Northeastern University School of Law, is the principal investigator on a National Science Foundation research project on the digital platform economy. Both have suddenly had a “Eureka!” moment and want to let the world know that putting one’s kids’ images and activities online for all to see forever might not be responsible parenting.

Ya think? Ethics Alarms has been beating that particular metaphorical drum repeatedly over more than a decade.* A recent post (2024) on the topic is here. This is the Harvard Gazette today (in part) reporting on this sudden discovery as if the perpetual motion machine had finally been invented, beginning like this:

“A mother posts her toddler’s first steps on Instagram. Children gather around the kitchen counter to help their father make sourdough bread in a YouTube video. On TikTok, a young gymnast performs a backflip atop a balance beam. These intimate snapshots of family life may look spontaneous and wholesome, but they are also often the raw material of a $30 billion (or more) influencer industry — one in which children’s lives are packaged, promoted, and monetized, often by their own parents. When does sharing family life online become child labor — and what protections do children have when it does?”

My answers of long-standing: 1) Immediately, and 2) Ethics literacy, if the parents have any, and most don’t.

But those aren’t the two experts’ answers. They muse “whether a child being paid to play with a toy on camera should be regulated like manual labor in a factory,” pose “the alarming parallels between influencer culture and the adult entertainment industry,” and ponder “the real-world harms that can result when images and video of children are posted online — either by themselves or by adults.” Then—and here’s the path progressives follow as surely as night follows day, the two professors wonder “what what policymakers can do today to better protect kids.” They ask, “Does the platform economy upend one of contract law’s most basic assumptions? Traditionally, mutual assent precedes production. Online, however, people may create the product, generate its value, and expose themselves to its risks long before any contract — or meaningful consent — exists.”

Ugh. I answered those questions 16 years ago when PBS was peddling the child exploitation and abuse “reality show” “Kate and Jon plus 8.” That show’s EA dossier is here. The current social media abuse of children is the same social contagion, just on a different platform and a far more widespread infection. I was substantially guided in my posts by the genuine expert on the subject of show biz child labor exploitation Paul Petersen, my friend who was a famous child star himself.