One of the many reasons political correctness is unethical is its attempt to not only exercise speech and thought control, but thought distortion and fantasy. In “Entertainment” magazine, Karen Valby scolds journalists and fans who keep mentioning the weight of actress Melissa McCarthy….you know, the morbidly obese comic who has made her career playing funny obese characters. According to Valby, this is sexism. After all, she says, heavy actors aren’t constantly hectored about their girth. Then she cites a group of actors who are usually heavy but do not play “fat” characters, and mixes in a few who do (John Goodman, Kevin James), hoping we won’t notice. John Goodman’s weight never discussed? Tell us another. Kevin James? James’ body fat percentage was a punchline approximately ten times a week on “The King of Queens.” Moreover, of the men, only Goodman is obese. Like McCarthy. Oops, I said it.
McCarthy is one of those comic actors, like Kathy Kinney, Jackie Gleason, Fatty Arbuckle, Lou Costello, Curly Howard, and Wayne (“Newman”) Knight, whose rotundity is inseparable from their character’s comedy. In “Mike and Molly,” a sitcom about a blue collar, obese married couple, the fat is the gimmick. McCarthy is funny and talented, but playing the funny fat woman is her niche. Valby (or McCarthy) can argue that she would still rake in starring turns if she was 130 pounds, but who is she kidding? A thin McCarthy would be thrown into a large, competitive pool of comic actresses, and there would be no guarantee that she could prevail. McCarthy is no fool: Valby says she is comfortable with her body, and maybe she is, but she is especially comfy with the income her unique body type generates. Continue reading
Did an intern snap???
I was going to shut down the blog for today, but I’m alone in a hotel room in Lincoln Nebraska, and I just saw this, to which I must respond..
Over at Mirror of Justice, Robert George posts a report which he says is from a close friend: Continue reading
Pitcher Yu Darvish is 7-4 with a 2.62 ERA in 14 starts this season. The ace of the Texas Rangers pitching staff has amassed 118 strikeouts in 96 1/3 innings, and is undeniably one of the top hurlers in the American League. He would be chosen for the All-Star game, beyond question, except that he says he doesn’t want to play, and won’t.
He’s a jerk and an ingrate. The reason Darvish is paid the millions of dollars he is to work once every five days is the support and interest of baseball fans and the huge sums television pays Major League Baseball for its premium attractions, the World Series, the play-offs, and the All-Star Game. The latter is a gift to the fans, an exhibition that purports to be a “dream game,” and once was how the players, with the help of the game’s turnstile receipts, replenished the tills of the players’ retirement fund.
Being selected to the game is an honor, as well as a chance to show the fans that these throwing and batting tycoons play for something more than money, and for someone other than themselves. Virtually every player would love to have the four days off, but they show up anyway, to give their team’s fans someone to root for, to show loyalty to their league, and respect to the game.
Not Darvish…he says he would rather go shopping.
“I’ve been mystified by this. You have to understand that we’re not writing foreign policy. This is a dramatic television show, and Jack threatening to blow someone’s knees off because he wants information is a dramatic device to show how urgent or desperate a situation is. It should not be taken as this is what we think the CIA should be doing.”
—–“24” star, as “Jack Bauer,” Kiefer Sutherland, expressing his bewilderment at criticism of his show for depicting a hero who resorts to torture repeatedly, in an interview with United’s in-flight magazine, “Hemispheres.”
We shouldn’t criticize actors for not being rocket scientists, or even ethicists. Nonetheless, this comment shows a remarkable ignorance of how a society passes on values and virtues, and the role played by literature, legends and pop culture.
Sutherland is the hero of his show, one of the good guys. What our society depicts the good guys as doing, the values they hold, the virtues they display, the goals they seek and the methods they use to achieve them, both reflects the values of our culture and sends the message that these are the kinds of conduct that the culture wants to encourage. Celebrating as heroes individuals who routinely kill when they are not protecting themselves or the innocent, engage in cruelty, theft, or the abuse of others, or unapologetic law-breaking encourages our younger generations to regard such anti-social conduct as defensible, or even the norm. Continue reading
It is certainly in part a case of tweeking a rival, but the Washington Post and its “Factchecker,” Glenn Kessler, properly exposed a New York Times columnists’ perpetuation of a popular historical misconception, and worse, that paper’s adamant refusal to correct it.
The columnist was Thomas Friedman, one of the Times’ stable of liberal pundits, and the quote was this, in the opening sentence of of one of the many Obama foreign policy reclamation columns that have appeared lately from the President’s journalistic Maginot Line:
“There was a moment at the height of the Cuban missile crisis in October 1962 when Soviet ships approached to within just a few miles of a U.S. naval blockade and then, at the last minute, turned back — prompting then-Secretary of State Dean Rusk to utter one of the most famous lines from the Cold War: ‘We’re eyeball to eyeball, and I think the other fellow just blinked.’”
Kessler gives Friedman a full “four Pinocchios,” for the simple reason that this is untrue, a myth, a proven historical inaccuracy that has been enshrined in film, print, and Kennedy hagiography. He writes… Continue reading