And That’s The Rest Of The Stupid Story: Finally, Apu Is Officially Toast. Or A Somosa. Whatever.

Hank Azaria, who has performed the voice of the Indian convenience store owner Apu since  1990, now says the series will capitulate to The Woke and Widiculous, and eliminate the character, who represents a stereotype. You know, unlike all the other characters on “The Simpsons.” “All we know there is I won’t be doing the voice anymore,” Azaria told the website SlashFilm. “We all made the decision together… We all agreed on it. We all feel like it’s the right thing and good about it.”

OK, what’s right and good about it? Hank is a Hollywood actor, so I don’t expect much nuanced ethical analysis from him, or any kind of analysis, really, but if an animated satire show can’t defend using stereotypes in a cartoon, then it might as well just give up.

I’m embarrassed to say this is the fourth post on this silly story, but like so many others, it is canary dying in the mine stuff. Yes, it’s just one canary. Still, the mine is looking awfully toxic.

A recap: The controversy was launched when a new documentary debuted Nov. 19, 2017  called “The Problem with Apu.” It reveals that Indian-Americans….well, at least some,  viewed Apu as a charged stereotype, and were especially upset that a non-Indian actor (Azaria), did the voice. I responded,

Move through the muck and emerge in the bright sunlight of reality,  and one sees that there is no problem with Apu. There are problems with lacking a mature reaction to humor and satire, being deliberately hyper-sensitive, power-grabbing using group-identification politics, and cynically looking for offense to justify claiming victim status,  but there is no problem with Apu.

I would love to know why Indian-Americans feel all the other characters in the show can be  outrageous stereotypes and extreme caricatures,  but Apu is unacceptably offensive and insensitive. This is contrived victimization. One cannot reasonable compare the Indians feasting on bugs and chilled monkey brains in “Indiana Jones and the Temple of Doom” to Apu because 1) Apu is entirely benign: he is one of the smartest, sanest and nicest characters in “The Simpsons,” and 2) he’s a cartoon.

“The Simpsons”writers initially took the responsible approach to this contrived controversy: they ridiculed it, taking my route and  noting that it was a cartoon, meaing to sane people that the accusation that the show was marginalizing human beings was not worth  arguing about, being box of rocks dumb. Here was the woke rebuttal to that, from a white female critic offended on behalf of cartoon Indians everywhere: Continue reading

Lunchtime Ethics Snack, 1/17/2020: Dirty Money, Dirty Baseball, And “Parasite”

Yum or Yecchh?

1. And the baseball cheating scandal is still roiling! I feel sorry for ethics enthusiasts who are missing out on this fascinating episode because they shut down when baseball is mentioned. One emerging issue that focuses on “woke” (and in some quadrants, sadly, female) leadership models has become evident. The two managers fired in the sign-stealing scandal were part of the “new wave” of “collaborative” baseball managers that teams embraced in recent years. They are sensitive to the players’ needs; they don’t give orders as much as set flexible boundaries; they are not confrontational, and they absorb and guide the culture of the clubhouse rather than dictate it. Then we learn, in MLB’s report on its investigation, that when Houston’s A.J. Hinch discovered (in 2017) that his bench coach and his players were operating an elaborate sign-stealing operation that he knew violated the rules , he made it known that he disapproved, but never ordered them to stop. Now baseball commentators are saying that the Astros need to hire an “old school” manager (like the ones who have been put out to pasture over the last five years) who will be leader, who will lay down the law, and who won’t shy away from confrontation for fear of not being “collaborative.”

Duh. How did anyone come to think effective leaders should do otherwise? Leaders need to lead. Leading doesn’t have to be autocratic, but a leader who acts like Hinch did in this matter is no leader at all.

In another revelation regarding the scandal, the report by Baseball Commissioner Rob Manfred states that when Manfred put teams on notice in a Sept. 15, 2017 memo that using electronic means to steal and relay opposing teams’ signs during games would henceforth be  severely punished, Houston General Manager Jeff Luhnow “did not forward the memoranda and did not confirm that the players and field staff were in compliance … Had Luhnow taken those steps in September 2017 it is clear to me that the Astros would have ceased both sign-stealing schemes at the time.”

This is gross managerial negligence, and it puts Lahlow’s self-serving statement that he had no involvement in his team’s cheating in perspective. Continue reading

Ethics Quiz: Alternate History Ethics

In 2017, “Game of Thrones” creators David Benioff and D.B. Weiss announced that HBO  would carry their new original series “Confederate,” an alternate history show taking place in  an alternate reality where the South won the Civil War, creating a new nation in which slavery remains legal and continues as a modern institution. (yes, presumably they knew this was unlikely, bordering on impossible. )Their release added, “The story follows a broad swath of characters on both sides of the Mason-Dixon Demilitarized Zone — freedom fighters, slave hunters, politicians, abolitionists, journalists, the executives of a slave-holding conglomerate and the families of people in their thrall.”

While I generally dislike alternate history fiction (unless it involves extravagant revenge on unequivocal villains, like in “Inglorious Basterds” or “Once Upon A Time In Hollywood,)” the genre, done well, has the potential to be enlightening and provocative, like Amazon’s The Man in the High Tower,” a series based on Philip K. Dick’s novel about a world in which Germany and Japan defeated the U.S. in World War II.

Now, however,  we learn:

…. HBO president Casey Bloys officially confirms to TVLine that the…long-gestating, controversial slavery drama Confederate will not be moving forward.

The 2017 announcement was greeted by the same people who want to see all statues of slave-holders and Confederate soldiers melted down (and the Confederate flag regarded with the same revulsion as the Nazi swastika) as a dangerous white supremacy plot. Benioff and Weiss even felt they had to make it clear in interviews that they knew “slavery was wrong.” Here’s an example of the social media brickbats the announcement of the series spawned in 2017: Continue reading

Morning Ethics Warm-Up, 1/13/2020: Oh Oh! The Oscars Are Racist And Sexist Again!

 

“I love the smell of napalm in the morning!”

1. Thoughts on the announced Oscar nominations. Well, very few African Americans made it, and no female director despite all the blatant lobbying for “Little Women” director Greta Gerwig.  Thus I have to conclude that the Academy of Motion Picture Sciences DOES have a measure of integrity after all,  because it will catch all sorts of hell for this. Even after adding many voters “of color” and kicking out some ancient, unwoke voters members, it’s still a mostly white field, maybe because the most deserving candidates happened to be the wrong color this year. It doesn’t matter: the Academy will be beseiged again for implicit racism. Watch. And it will seek “reforms.” The problem is that race-based categories looks like apartheid. The only other alternative is to have secret quotas, which is what I thought were already in effect.

It doesn’t help that both Al Pacino and Joe Pesci were nominated as Best Supporting Actors for, in Pacino’s case, standard issue Al, and in Pesci’s case, an embarrassingly  flat performance. If the Academy is going to give out legacy nominations, why not some token nominations for minorities? I bet there were 50 “of color” performances this year objectively superior to these two from the dead-fish “The Irishman.”

2. It amazes me that so many Americans defend Meghan Markle’s “Megxit.” I know, I already wrote about this, but her conduct appears to be a continuation of the Obama phenomenon, where a prominent individual exploits her race to declare all criticism as based on racial bias. “Black Britons” as the New York Times calls them, are lining up to support Markel because they allege she was “savaged” by the British tabloids because of her race. Similarly, the Times finds dark implications in the fact that the Royal Family didn’t rally to her side when she came under fire: they must be racists too. All the evidence I’ve seen suggests that they didn’t support Markel because she’s an annoying jerk: Occam’s Razor applies.

If she really married into the Royal Family and didn’t know that the tabloids would be dissecting her every word and move, she was negligent and foolish. Did she consider chatting with Sarah Ferguson, or did Markle think the Duchess of York was attacked because of media bias against redheads?

For once I agree with ex-CNN talking head Piers Morgan, who wrote, “I’ve seen some disgraceful royal antics in my time, but for pure arrogance, entitlement, greed and willful disrespect, nothing has ever quite matched the behavior of the ‘Duke and Duchess of Sussex.’

She has provoked a crisis in the monarchy to further her own goals of unearned mega-celebrity. I have a Facebook friend who argues that since royalty is unethical, Meghan should be praised for setting out to bring it down in England. (Yes, he’s a Communist.) The real Markle is already becoming more apparent. She has said that she will only move back to the U.S. after President Trump is out of office, already pandering to the Angry Woke. Disney announced that it had a voice-over deal with her, with her compensation to be donated to a charity….but she made that deal as a Royal, not a rebel. Disney has the right, but not the guts, to void the arrangement. Continue reading

Sunday Ethics Warm-Up, 1/12/2020: Broken Ethics Alarms, An Ethics Conflict, And “Who Are You Going To Believe, Me Or Your Own Eyes?”

Well, Hel-LO!

“Seinfeld” fans remember Jerry’s Uncle Leo, whose trademark was an over-enthusiastic, “Hel-LO!” The recurring character was played by the late Len Lesser, an obscure Hollywood bit player until the “Seinfeld” gig made him a familiar face. Well, I was watching “Bells Are Ringing, the 1960 film version of the hit Broadway musical known for the standards “Just in Time” and “The Party’s Over” (one of my Mom’s favorite songs), on TCM. The film is a reminder of just how luminous Judy Holliday was; she had won the Tony for playing the musical’s starring role on Broadway, and attention should be paid. Tragically, his was her last movie—during filming she was fighting the cancer that eventually killed her —-and I don’t know if there has ever been a female musical comedy star of greater range and presence. Anyway, there’s a number in the film where Judy tells Dean Martin that New York’s grim mass of humanity during rush hours will thaw if strangers only say “hello” to each other. Dean is skeptical, but he tries it on a dour-looking man waiting in the mob, whose face instantly breaks into a brilliant smile at the greeting. “Hel-LO!” the man responds to a surprised Dino, and soon everyone is happily saying hello to each other. You guessed it: the dour-looking man was played by “Uncle Leo” himself, Len Lesser. His catch phrase in “Seinfeld” was a deliberate reference to that bit, one of the very few memorable moments in the elderly actor’s career.

This is really a long introduction to a different point: I get a lot of ethics ideas from watching old movies. For example, I watched 1967’s “The St. Valentine’s Day Massacre, one of schlockmeister Roger Corman’s few films with an A-list cast and a big budget. The film’s solemn narrator is uncredited, but he is obviously meant to make the casual audience member think it’s Orson Welles. It wasn’t Welles, however: it was master vocal artist Paul Frees, who had a great, and often used, Welles impression. I assume he was uncredited so no one would realize that the narrator wasn’t the weighty Welles, but the voice of Boris Badinov from “Rocky and Bullwinkle.”

I don’t know how Corman got away with this.

1. Ah, the accurate, trustworthy news media. Reuters reports, “A South African military plane crash-landed on Thursday at the Goma airport in eastern Democratic Republic of Congo, a U.N. spokesman said….two sources at the airport, speaking on condition of anonymity, said there did not appear to be major damage to the plane.”

Here’s the plane:

2. Apparently the Democratic Party’s strategy regarding the economy is to just flagrantly lie about it. “The U.S. economy is working just fine for people like me. But it is badly broken for the vast majority of Americans,” Mike Bloomberg said this week. That counter-factual statement echoes Joe Biden, Elizabeth Warren, Bernie Sanders…pretty much the Democratic field, and it is demonstrably false.

The Atlanta Federal Reserve Bank’s monthly Wage Growth Tracker shows that Americans in the lower wage brackets are making more money, and at a better rate than they have for a very long time. Here’s a graph: Continue reading

Morning Ethics Warm-Up, 1/9/2020: As Fact Begins To Imitate Outrageous Fiction, For Some Reason

Be careful out there…

People appear to be going nuts….in many cases, the exact same people who have, in the recent past, pressed Impeachment/Removal Plan E, ”Trump is mentally ill so this should trigger the 25th Amendment.” Ironic.

This week I stumbled across a comedy now playing on Netflix starring Stephen Yeun, most memorably seen on “The Walking Dead” with half his head caved in and his eyeball hanging out. The movie is called “Mayhem,” and is about a kind of flu that removes people’s impulse control, causing them to do and say whatever they feel like doing or saying, no matter how inappropriate or illegal. The illness strikes a BIgLaw firm, which is quarantined and locked down while its employees go bananas. It’s an excellent metaphor for what is going on right now, but much funnier.

And so far, at least, bloodier.

So far.

1. And now for something completely stupid...Even after being warned at the Golen Globes by Ricky Gervais that they know nothing about the real world and should avoid making political pronouncements, Best Actor winner Joaquin Phoenix announced after the award show that in order to help save the planet from climate change, he would wear the same tux to all the awards shows this year. He really said that. No, seriously, he really did, and he was not engaging in satire (but if the Babylon Bee used that as a story, everyone would assume it was satire.) Then designer Stella McCartney company, also apparently seriously, tweeted (because that tux the actor will be wearing is one of theirs), “This man is a winner… wearing custom Stella because he chooses to make choices for the future of the planet. He has also chosen to wear this same Tux for the entire award season to reduce waste. I am proud to join forces with you.”

I’ve worn the same tux for ten years. Phoenix doesn’t even pay for his tuxes (I pay for mine!), like his female colleagues who get their designer gowns free. There have been some funny jokes about the actor’s ridiculous virtue signaling, many involving underwear, but never mind: what I want to know is, how can anyone take people who think like this seriously, or respect anyone who solemnly nods when they hear about such pompous nonsense, “Hey, right on, man. Save the planet”? Yet a substantial chunk of an entire political party appears to be this far gone.

2.  Wait—are they trying to make our heads explode like those robots and computers that Captian Kirk would destroy by making them think about a contradictory statement? Is that their plan? I admit: I don’t understand this at all. A “Saved by the Bell” reboot, sequel, whatever you want to call it, is on the way. Starring original stars Mario Lopez (who now hosts celebrity gossip shows) and Elizabeth Berkley (whose career never recovered from her starring in the camp classic “Showgirls,” the plot sounds nauseatingly ‘woke,” as it involves now California Govetnor Zack Morris (the gown up character in the original played then by Mark Gosselaar, who actually has a career and doesn’t need to stoop this low) being criticized for closing too many low-income high schools, so he announces that the affected students will be sent to the highest-performing schools in the state, including  his old stomping grounds, Bayside High. Hilarious! I smell a hit! But here’s the beauty part: playing the role of the cutest, most popular cheerleader at Bayside, the role originally played by Tiffany Amber Thiessen, will be played by Josie Totah, a transgender female ( transgender male? I’m still unsure of the right terminology. She began life as a male). Isn’t this just a stunt? On one hand, I’ll fight to the death for the right of any actor to play any role, wear any make-up, use any device, as long as the vehicle itself doesn’t suffer. On the other hand, by casting a transgender actress who has made a point of publicizing her biological origins, the production guarantees that nobody will be able to watch “Lexi” without thinking about things that have nothing to do with “Saved by the Bell.” Continue reading

Now THIS Is Pathological Race Obsession.

How does someone get like this?

Track with me ,if you will, the fevered discourse of some poor social justice warrior named Stephen Galloway, who authored what apparently is intended as a serious critique in the Hollywood Reporter titled, “The Whiteness of ‘Toy Story 4.”

He begins,

Was there any movie this past year as exuberantly entertaining, as creatively conceived as Toy Story 4? Ever since the franchise was launched in 1995, it’s been a cornucopia of riches, from its indelible characters to its unparalleled animation…The picture … left me in awe.

Well, that’s the end of the matter, isn’t it? It should be. This was, the the other three films, a vehicle of entertainment. Virtually everyone who saw it was entertained, even me, and I found it the least of its three predecessors and annoying for its blatant pandering to feminists (Bo Peep suddenly morphed into Lara Croft).

But alas, no..

So why did a slightly bitter taste linger, a sense that something was naggingly wrong? Because in many ways TS4′s worldview seems like an Eisenhower-era fantasy, a vision of America that might have come from the most die-hard reactionary: lovely if you’re wealthy and white, but alarming if you’re black or brown or gay or a member of any other minority — in other words, more than half the U.S. population.

Oh, bite me. The characters are toys. Toys don’t have races. They don’t have sex. I wonder if a single child saw this film and spent one second wondering about why there wasn’t a gay or Hispanic toy, or thought about whether the Potato Heads are “of color,’ being brown, or if “Bunny,” voiced by African-American actor Jordan Peele, is “of color” because he’s blue. Nobody normal, of any age, thinks like that, unless they have been brain-washed into a miserable world view….like the author, who really complains that one of the new characters is “a very white fork.” Oh! Right! The second I saw “Forkie,” I thought, “Another white guy!” Continue reading