Yahoo Sports posted an infographic on polling results regardingthe ongoing national anthem protests following the example of San Francisco 49ers quarterback Colin Kaepernick. Part of it shows that 44 percent of NFL fans would likely stop watching NFL games if more players protest the movement.
This suggests that 44% of NFL fans have more ethical objections to a sport that panders to hypocritical, Black Lives Matter-supporting dim bulbs like Kaepernick than to the fact that the same sport pays young men to cripple themselves while raking in billions and denying that there is a “causal link” between the concussions it routinely inflicts on players and the debilitating brain disease that is being found in autopsies of more former NFL players than not.
This month a class-action lawsuit was filed against Pop Warner, the nation’s largest youth football league. It alleges that the organization knowingly put its young players in danger by ignoring the risks of head trauma. The complaint also accuses USA Football, the youth football arm of the N.F.L. that creates football helmet safety standards, of failing to protect football-playing kids from the long-term consequences of repeated head hits, while ignoring medical research (as described in the documentary “League of Denial” and the film “Concussion”) that has raised serious concern about whether football is a safe sport, especially for children.
The suit was filed in federal court in California by Kimberly Archie and Jo Cornell, whose sons played football as youngsters and were found to have chronic traumatic encephalopathy or CTE, a neurological condition linked to repeated blows to the heads. In March, Pop Warner settled a lawsuit with a family whose son played Pop Warner football and later committed suicide. He was found to have CTE. Continue reading
What does Jackie Robinson’s autobiography have to do with Colin Kaepernick, you ask? Well…nothing at all, really.
It also represents a rationalization for unethical conduct that is not currently represented on the Ethics Alarms Rationalization List.
Someone sent Craig this quote, from Jackie Robinson’s autobiography, as baseball’s color-line breaker thought back to the first game of the 1947 World Series:
“There I was, the black grandson of a slave, the son of a black sharecropper, part of a historic occasion, a symbolic hero to my people. The air was sparkling. The sunlight was warm. The band struck up the national anthem. The flag billowed in the wind. It should have been a glorious moment for me as the stirring words of the national anthem poured from the stands. Perhaps, it was, but then again, perhaps, the anthem could be called the theme song for a drama called The Noble Experiment. Today, as I look back on that opening game of my first world series, I must tell you that it was Mr. Rickey’s drama and that I was only a principal actor. As I write this twenty years later, I cannot stand and sing the anthem. I cannot salute the flag; I know that I am a black man in a white world. In 1972, in 1947, at my birth in 1919, I know that I never had it made.”
This naturally made Craig, whose mind sometimes cannot help itself from shifting into progressive cant autopilot, think about Colin Kaepernick’s incoherent grandsitting as he refuses to stand on the field with his team for the National Anthem. He wrote,
“Colin Kaepernick is not Jackie Robinson and America in 2016 is not the same as America in 1919, 1947 or 1972. But it does not take one of Jackie Robinson’s stature or experience to see and take issue with injustice and inequality which manifestly still exists…the First Amendment gives us just as much right to criticize Kaepernick as it gives him a right to protest in the manner in which he chooses. But if and when we do, we should not consider his case in a vacuum or criticize him as some singular or radical actor. Because some other people — people who have been elevated to a level which has largely immunized them from criticism — felt and feel the same way he does. It’s worth asking yourself, if you take issue, whether you take issue with the message or the messenger and why. Such inquiries might complicate one’s feelings on the matter, but they’re quite illuminative as well.”
Let’s begin with the fact that there is nothing similar about Jackie Robinson and the 49ers quarterback, except their race and the broad occupation of “sports” that they shared. Continue reading
Why yes, this IS the thanks you get, General!
From the New York Times (Aug. 18):
Pressed by the F.B.I. about her email practices at the State Department, Hillary Clinton told investigators that former Secretary of State Colin L. Powell had advised her to use a personal email account.The account is included in the notes the Federal Bureau of Investigation handed over to Congress on Tuesday, relaying in detail the three-and-a-half-hour interview with Mrs. Clinton in early July that led to the decision by James B. Comey, the bureau’s director, not to pursue criminal charges against her.
From Page Six:
Colin Powell has broken his silence about his alleged involvement in the Hillary Clinton email scandal, saying her team is falsely trying to blame him.When asked by the FBI about her email use at the State Department, Clinton reportedly told investigators that former Secretary of State Powell had advised her to use a personal email account at a private dinner. But Powell, who had said last week in a statement that he had no recollection of the conversation, told Page Six at Saturday’s Apollo in the Hamptons event, “The truth is she was using it (her personal email) for a year before I sent her a memo telling her what I did [during my term as secretary of state]. “Her people have been trying to pin it on me.”
When asked why Clinton’s team were attempting to blame him, he responded, “Why do you think?”
Conclusion: Hillary Clinton lied to the F.B.I.
Ethics musings: Continue reading
Rebecca Brass, who who works with victims of sexual assault, was stunned to see an alcoholic beverage called “The Willie Pickton” on the drink menu of a British Columbia restaurant called “Surrey Wings.” It wasn’t the drink itself, which contains blue curacao, blackberry, melon, orange juice and cranberry and sounds yummy, that troubled her, but the fact that the name honored local serial killer Robert “Willie” Pickton, currently serving a life sentence at Kent Institution in the Fraser Valley.
Though Willie was convicted of killing only six women, the remains and DNA of 33 more were found on his farm. He also confessed that he had murdered 49 women total, many of them Vancouver prostitutes. Brass, in her role as a sexual assault counselor with Women Against Violence Against Women, personally knows people with family members murdered by Pickton. Continue reading
Marni Nixon died last month at 86, and I have been intending to write about her ever since. An accomplished soprano with perfect pitch and a rare gift for mimicry, Nixon secretly dubbed in the songs for Deborah Kerr as Anna in “The King and I,” Natalie Wood as Maria in “West Side Story” and Audrey Hepburn as Eliza Doolittle in “My Fair Lady,” three of the most successful and honored Hollywood adaptations of Broadway musicals. In doing so she was assisting in the perpetration of a fraud on critics and audiences, but one that had, and indeed has, some legitimate ethical arguments, and rationalizations too, to justify it. Why is using a stunt singer any more dishonest than using a stunt man? Isn’t film about making the audience accept illusions in pursuit of art? If an audience member will be more likely to enjoy a film thinking that a major star can really sing, why is it wrong to make it possible for them to believe that, at least for a while?
The reasoning would have more power if long before Marnie did her secret singing Hollywood hadn’t already made a classic musical, “Singin’ in the Rain,” that pronounced the practice fraudulent. Marni Nixon was a real life Cathy Seldon, the Debbie Reynolds contract player forced to supply the singing and speaking voice for a talentless silent film superstar, Lina Lamont, whose real voice would make dogs run for refuge and men claw off their ears, and whose continued status as a money-making asset for the studio depended on making her successful in talkies.
Ironically, even “Singin’ in the Rain” engaged in the same fraud it was ridiculing. Debbie Reynolds was a competent singer, but a richer, more mature voice was needed to match the image of Jean Hagen, the terrific comic actress playing Lina. So when Debbie was shown secretly replacing Lina’s nightmarish singing voice with her own, another singer was secretly used, uncredited, to dub Debbie. Her voice fit Lina perfectly, because the voice put in Debbie’s mouth while she was supposedly putting her voice into Lina’s was the real voice of… Jean Hagen. Continue reading