I can’t be too hard on “Blue Bloods.”
The CBS series is an amazing phenomenon, surviving for 13 seasons (it’s been renewed for 14th) in the teeth of an anti-police, anti-law and order, anti-traditional family, anti-American political and cultural upheaval. The Tom Selleck-starring vehicle—Selleck himself is a member of the NRA board of directors–follows the adventures and careers of the devout, white, Irish Catholic Reagan family that considers New York law enforcement the “family business.” Frank (Selleck) is the Police Commissioner, Granddad was too, one son is a Manhattan police detective and the other a police sergeant whose wife is a patrolwoman. Erin, the sole daughter, is Manhattan ADA, and this season is running for District Attorney. Every Sunday the whole family gathers for dinner, and prays. There are no LGTBQ members of the Reagan family, and, so far, no bi-racial marriages.*
Back when I compiled detailed year-end awards, “Blue Bloods” was a repeat winner of the coveted “Most Ethical TV Series.” It regularly has examined complex ethics dilemmas in the work place, law and family settings, while dealing with the most extensive interlocking conflicts of interest imaginable, usually competently.
Maybe Selleck, who is reportedly retiring from the show after this season and is an executive producer, is just tired of fighting.








