Last December, right before New Year’s Eve, there was a blow-out Broadway celebration of the 80th anniversary of the memorable Rodgers and Hammerstein musical partnership that produced the acclaimed musicals “Oklahoma!,” “Carousel,” “South Pacific,” “The King and I,” “The Sound of Music,” and a couple of clunkers. It was a manufactured event to say the least. Why the 80th anniversary, for example? The team’s first successful collaboration was “Oklahoma!” in 1943, but it opened on March 31 of that year, so they were celebrating the so-called anniversary a full nine months late. (Try THAT with your wife!) But the real anniversary of the team’s formation was when Rodgers and Hammerstein collaborated on the 1920 Varsity Show, Fly With Me when the two were at Columbia University together. Nobody remembers that show, however, but Broadway could have celebrated the 100th Anniversary of R&H in 2020 right before the stupid pandemic lockdown almost killed live theater.
PBS has been showing the event on its “Great Performances” series, and it’s not that great. I was tipped off that the thing would drive me crazy when for some perverse reason the opening number, after the 40 piece symphony orchestra performed an overture that was a medley of well-known R&H tunes, featured a group of gay young men singing “There Is Nothing Like a Dame” from “South Pacific.” There might have been one straight guy among them, but my Gaydar meter almost blew up. Whose idea was that? If you’re going to have gays singing that lament supposedly belted out by horny, sex-deprived sailors in WWII, at least tell them to butch up, or better yet, pick a different song.




