“Nyad,” the Unethical Ethics Movie

I had been torn over whether to see “Nyad,” the acclaimed 2023 biopic about distance swimmer Diane Nyad’s quest to complete the first “unassisted swim” from Cuba to Florida. On the pro- side was that the two stars, Annette Bening and Jodie Foster are among my favorite actresses in Hollywood. On the anti- side is my long-time problems with Nyad herself, so I thought the movie might drive me crazy. I also suspected that the critical raves were based more on the progressive movie reviewer mob’s determination to extol a movie about a lesbian couple than the actual quality of the film.

It is an ethics movie, however, so last night I finally viewed it on Netflix. As I expected, both Bening and Foster are excellent, but Bening more than Foster: Jodie plays Nyad’s galpal pretty much like she’s Jodie Foster. Hardly a stretch. Bening, in contrast, is doing one of those against-type portrayals requiring a dramatic physical transformation that is always irresistible to critics and Oscar voters, like Robert DeNiro playing Jake Lamotta, or Chalize Theron playing serial killer Aileen Woronos.

It’s a stunt and not a completely successful one: the real Nyad was and is a beefy mesomorphic athlete, and Bening, despite filling out her usual long and lean frame a bit, doesn’t look like either a swimmer or an athlete. She is ultimately convincing, however, nonetheless. She also plays Nyad as a self-obsessed, narcissistic jerk, which she is.

We are still supposed to admire Nyad as a heroic figure, despite the fact that she abuses Foster’s character who is as loyal and loving as cocker spaniel, and everyone else Nyad encounters. The movie seems to be saying that the ends justifies the means when you have a grand mission.

But what a stupid, pointless mission it is! Nyad is dedicated to becoming the first woman to swim “unassisted” from Cuba to Florida, having already received accolades and publicity for other, less extreme feats of long-distance swimming. Big whoop. Will this “achievement” help another human being? Advance civilization? Save a life? Add anything of value to society or the culture? No, all that succeeding in this quest will do is make Nyad more famous, get her speaking gigs and endorsements, sell her books, and get a movie made about her. Making that swim is exactly like the “achievement” of climbing to the top of Mt. Everest, or getting into the Guinness Book of Records by eating a Ford. Kim Kardashian has contributed more to the world than Diana Nyad. Kamala Harris. Pee Wee Herman. Me.

In order to make this completely useless swim, Nyad raised and spends more than a million dollars, all of which could have been used to send dying children to Disney World, or something. She uses dozens of people to assist in helping her realize her “dream,” and, as Foster’s character and others point out, seldom expresses any appreciation or gratitude.

When she finally, after four unsuccessful attempts, completes the swim, surviving jellyfish, sharks, hallucinations and exhaustion, we are supposed to be overcome with admiration. Why? What good did she do for anyone but herself?

Then there are the inconvenient details that the filmmakers, documentations in their first dramatic feature, choose to omit or gloss over. The film shows Nyad with only one boat tracking her; there were several vessels and extensive crews. The movie shows her completing a swim of the English Channel, which she never did. More significantly, Nyad’s crossing from Cuba to Florida lost its formal recognition from the Guinness Book of World Records after a controversy over whether the swim was what Nyad claimed it to be.

Her attempts to get official recognition of her feat in 2013 led to questions about the equipment she used, how much her crews assisted her in the water, and why her speed doubled in some portions of the swim. In 2018, Nyad petitioned the World Open Water Swimming Association (WOWSA!) for official recognition, but failed.

It didn’t help that Nyad has lied about her swimming record in the past. She claimed to have placed sixth at the 1968 Olympic trials, which she never attended. She stated in her 2015 memoir “Find a Way,” on which “Nyad” was based, that she was the first person to swim around Manhattan. Six swimmers had done it before her.

Marathon swimmer and journalist Elaine K. Howley wrote, “Nyad lovers always throw back at us that we’re anti-female, anti-gay, and that couldn’t be further from the truth. I have found marathon swimming to be incredibly LGBTQ+ friendly and welcoming to older women. That is all a straw man. Just because somebody is part of a marginalized group doesn’t mean you can’t ask questions when they make extraordinary claims.”

Following the premiere of “Nyad” at the Telluride Film Festival, WOWSA again rejected the validity of Nyad’s 2013 Cuba to Florida swim based on nine hours that went undocumented in designated observer logs during the course of the swim, conflicting accounts from crew members,and GPS data showing her reaching swimming speeds of up to 4.0 miles per hour. (Michael Phelps’s 2002 world-record Olympic 400-meter swim was about 3.7 miles per hour, in a pool, with no waves. And he wasn’t 64 years old). After this final ruling got her swim dinged by the Guinness Book of Records, Nyad said, “Maybe I had too much hubris, like, ‘I don’t need to prove this to anybody.’ That’s my bad.”

Hubris she’s got. Ethics? Not in my book.

11 thoughts on ““Nyad,” the Unethical Ethics Movie

  1. ”Unassisted.” They keep using that word, but I don’t think it means what they think it means. I’m sure that various degrees of assistance could be established, but unassisted seems to be self-evident.

    • I’m a former marathon swimmer and current Nyad skeptic (as are most other experienced marathon swimmers).

      The term “unassisted” has a specific meaning in the sport. An unassisted swim is one completed following English Channel (EC) rules, the same rules that have been in place since the 1920s.

      Nyad knows these rules as well as anybody. “A legal marathon,” she told Esquire in 1975, “may be undertaken only in a regular racing suit, cap, goggles, and grease—no flotation devices, no insulating suit.”

      The term “assisted” is more vague. The category includes many other kinds of swims as long as they follow the cardinal rule of marathon swimming: No touching a boat or another person. Doing either one instantly disqualifies the swimmer.

      Nyad’s crew members touched her throughout her crossing. She initially claimed she hadn’t been touched, and she made a big show of fending off potential touchers as she walked ashore. But Nyad eventually admitted she’d been touched.

      She has been clear that she never intended to follow EC rules during her Cuba–Florida crossing. Her crossing was so poorly documented that we’ll likely never know whether she was touched or got out on a boat.

      When she declared her crossing “unassisted,” she depended for acceptance on public and media ignorance of the sport’s rules. She also relied on her crew’s ignorance; she didn’t bring along anyone with experience in marathon swimming. And she reaped the dividends of having spent 50 years conditioning the public to accept her lies. For a few of those, see nyadfactcheck.com.

  2. Thanks for this excellent description of the ethical disaster we call Diana Nyad. The Nyad filmmakers missed a magnificent opportunity to tell Diana Nyad’s real story: How the daughter of a patent medicine heiress and step-daughter of a Greek con artist/smuggler/career criminal became one of the greatest frauds in sports history.

    And they could have told the world why that matters: Nyad’s lies erase from history deserving but unheralded women athletes — like the six pioneering swimmers who swam around Manhattan before she did, the great backstrokers who swam in the Olympic Trials she lies about, and the legitimately great marathon swimmers of the 1970s, the decade Nyad falsely claims to have dominated.

    Unfortunately, the filmmakers couldn’t do what Alex Gibney did when he changed his Lance Armstrong comeback film, “The Road Back,” into “The Armstrong Lie.”

    Instead, the Nyad filmmakers parroted her fabrications and made up some of their own. One of the directors indirectly acknowledged this when she told Vanity Fair:

    “We don’t say, ‘[Nyad is] based on a true story.’ We don’t say, ‘It is a true story.’ But it is a true story. It’s about this idea of truth.”

    Someday, someone will make a legitimately true film about Diana Nyad.

      • I’m glad you didn’t see it, too.

        Here’s another. This one’s from high-powered publicist Kelly Bush Novak. She worked with Nyad when the film was released. (The Los Angeles Times article that cites Elaine Howley also mentions Novak.)

        In 2021, The Hollywood Reporter asked her for the worst PR move she’d seen in her career. “Lying,” she said. “I’ve seen people do it. I’ve seen publicists do it on people’s behalf. It always catches up to you. You can’t get away with lying.”

        Diana Nyad has proven her wrong.

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