Author: Jack Marshall

Thoughts and Musings While Re-Watching “It’s a Mad, Mad, Mad, Mad, World,” Continued: Yes, It’s An Ethics Movie

/ Jack Marshall / 1 Comment

Before I leave the first installment of this post and move on to the film’s ethical significance, I should mention that “It’s a Mad, Mad, Mad, Mad, World” caught a cultural wave perfectly, accounting for its box office success. In this it was just lucky, and that moment in time is now long gone, which is why the film appeals to me from a historical perspective more than as entertainment.

There have been many attempts to mine the same property for laughs, and none of the offspring of IAMMMMW have equaled its model in reputation or box office success. Blake Edward’s “The Great Race,” just two years later, was billed as the most expensive movie comedy ever made, and bombed. (Peter Falk is in both IAMMMMW and “The Great Race.”) In 2001, the “Airplane!” gang made “Rat Race,” which was obviously inspired by Kramer’s opus. It had a less starry cast (of course) and made a profit, but was generally regarded as a second rate (second rat?) version of the original. “Scavanger Hunt was a 1979 rip-off with a more IAMMMMW-like ensemble cast, and was a flop. Lesser attempts to recycle the film’s formula, “Midnight Madness” and “Million Dollar Mystery” (note the “m” alliterations) were even more embarrassing failures.

On to the ethics…Much was made of the fact that director Stanley Kramer had never directed or produced a comedy before. In fact, his career output was ostentatiously serious, and often criticized as preachy and overly preoccupied with moral-ethical conflicts. Among his most famous movies are “Judgement at Nuremberg,” “Guess Who’s Coming to Dinner,” “Inherit the Wind,” “The Defiant Ones,” “On the Beach” and “Ship of Fools.” I’m sure that part of Kramer’s motivation for directing a huge slapstick comedy was to show his versatility, just as Spielberg felt that he needed to direct a movie musical with “West Side Story.” However, viewed in light of the times and Kramer’s artistic sensibilities, IAMMMMW now seems schizophrenic, a silly comedy with serious social commentary…and both parts undermine each other.

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Comment of the Day: “Enough Trivia and Silly Stuff: This Is Incompetence That Can’t Be Ignored”

/ Jack Marshall / 49 Comments

This story has been officially designated an Ethics Train Wreck, and I may have to post further on it yet. Once again, we are at the infuriating point where it is impossible to get an un-spun, un-distorted, straightforward explanation of what the issues are, with most conservative news sources downplaying the episode and most Axis sources gleefully “pouncing.” Meanwhile, the Trump Administration has hardly been candid, with the White House Paid Liar being particularly egregious in that respect.

The Humble Talent Comment of the Day that follows is the first of two I will post today. HT has been on fire: these is his observations regarding the post, “Enough Trivia and Silly Stuff: This Is Incompetence That Can’t Be Ignored”:

***

While I generally agree with the flow of the commentariat here, I think there is a massive difference between what Hillary Clinton did, and what Pete Hegseth did, and that progressives are ethically estopped from being smug about this. I’ve shifted even more on this since the hearing yesterday.

First off, I think it’s helpful to articulate what people actually did:

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Friday Open Forum! (Help!)

/ Jack Marshall / 20 Comments

I was a couple posts short yesterday: sorry. A lot was happening, but then a lot is always happening since the election: if I spent every waking hour at Ethics Alarms, I couldn’t keep up with all the events, stories and quotes that deserve posts. I checked out early yesterday because it was, after all, the beginning of the 2025 Major League Baseball season, which has disproportionately and illogically dominated my time and passion for at least six months of the year since I was 12. In return the game has taught me much about life, right and wrong, faith, loyalty, courage, chaos and the universe, so I am convinced the obsession has been worth all the lost hours, pain and distraction. (The Red Sox won in stirring fashion in Texas, 5-2.)

I find myself depending on the forum more than ever (and I still am looking for guest posts). There were at least two mind-blowing ethics items in the news yesterday, well, early this morning and yesterday. Elon Musk tweeted,

“On Sunday night, I will give a talk in Wisconsin. Entrance is limited to those who have voted in the Supreme Court election. I will also personally hand over two checks for a million dollars each in appreciation for you taking the time to vote. This is super important.”

Oh…what? What is that?

Then there was this, an Executive Order directing “the Vice President, who is a member of the Smithsonian Board of Regents, to work to eliminate improper, divisive, or anti-American ideology from the Smithsonian and its museums, education and research centers, and the National Zoo.”

Again: WHAT? What is “improper” ideology? What is “divisive” ideology? (What isn’t divisive ideology?) How does one measure “working” to do something? Has any previous executive order ever ordered a Vice-President to do something? I haven’t been to the National Zoo for a long time: is something sinister going on there?

(Thank you, Dana…)

Help me out here…

Unethical Quote of the Week: Rep. Dan Goldman (D-NY)

/ Jack Marshall / 14 Comments

“This is the political weaponization of the DOJ. Trump uses his official authority to defend his benefactor Elon Musk. The FBI then creates a task force to use our law enforcement to ‘crack down’ on adversaries of Musk’s. Where are the Republicans so opposed to ‘lawfare’?”

—Rep. Daniel Goldman (D-NY), mounting his challenge to be the most irresponsible and dishonest hack in Congress.

Just when I think I’ve figured out who the most disgracefully unethical member of Congress is after the merciful departures of George Santos, Cori Bush and Jamaal Bowman, another contender says “Hold my beer!”

I thought the current run-away champ was shaping up to be potty-mouthed, jive-talking Rep. Jasmine Crockett, who padded her lead yesterday during the House Oversight Committee’s Subcommittee on Delivering on Government Efficiency hearing titled “Anti-American Airwaves: Holding the heads of NPR and PBS Accountable. ” Demonstrating once again that she either doesn’t understand the Constitution or wants to make sure the public doesn’t understand it, she said in one of her characteristic rants, “To be clear, free speech is not about whatever it is that y’all want somebody to say, and the idea that you want to shut down everybody that is not Fox News is bullshit. We need to stop playing, because that’s what you all are doing here, you don’t want to hear the opinions of anybody else,” Crockett said.

I don’t understand why someone, maybe even a Democrat with some self-respect and integrity, didn’t have the sense or guts to point out to this demagogue that the First Amendment doesn’t require the government to subsidize political speech, only to avoid restricting it. PBS and NPR will be free to be as biased, partisan and dishonest as they please, but someone other than taxpayers should pay for it. Goldman’s idiocy, however, was even more flagrant. Let me turn the metaphorical mic over to Professor Turley, who already has neatly described what Goldman is doing:

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Institutional Ethics Dunce: The University of Maryland

/ Jack Marshall / 7 Comments

It’s not precisely an example of Poe’s Law, but it is close enough to be ominous. American society and culture seems to be finally ripping the metaphorical blinders off and recognizing how thoroughly our colleges and universities have abandoned their core mission of education, or at least seem incapable of pursuing it. The schools are indefensibly expensive. They may graduate students without essential skills and knowledge. They seem to place political and ideological indoctrination above intellectual curiosity and critical thinking as their emphasis. Many of them tolerate campus cultures that are hostile to men, Jews, and conservatives. Some of them now pay their student athletes, and demonstrate more passion over sports than academics.

So the University of Maryland decides that this is an ideal time to name Kermit the Frog as its commencement speaker.

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Thoughts and Musings While Re-Watching “It’s a Mad, Mad, Mad, Mad, World”

/ Jack Marshall / 3 Comments

There were three distinct stages in my consideration of the sui generis Cinerama feature from 1963, “It’s a Mad, Mad, Mad, Mad, World.” The movie’s gimmick was that it collected more comedians and comic actors in a single Hollywood production than has ever been featured before, which meant, naturally, that it had to be the funniest movie ever….or so we were told.

I first saw IAMMMMW at Boston’s Cinerama Theater when I was 12. It was the first of the new, improved, seamless Cinerama features, which meant it was inferior to the original format, which wrapped around the audience. There were few effects in the movie that took advantage of the giant screen, either. But like all boys under 20 or so, I thought IAMMMMW was very amusing and a lot of fun. Girls didn’t get it, for the most part, and that has never changed. It’s physical comedy and slapstick throughout, and often cruel slapstick. This is a real male-female divide that appears to be timeless.

I was also, even back then, an omnivore of popular culture. Seeing so many familiar comedy icons of the era (and the previous one) in one movie was a thrill; of course, that was one of the main goals of the film. Sid Caeser, Milton Berle, Jimmy Durante, Jonathan Winters, Phil Silvers, Buddy Hackett, Mickey Rooney and more, with well-conceived cameos by the likes of Jack Benny, Jerry Lewis and Don Knotts—in the waning period of Hollywood all-star cast spectaculars, the idea of doing one with comedians was irresistible.

I saw the movie a second time in my thirties, and was shocked how different my reaction to it was. To be fair, I recalled many of the sequences that would have been funnier as a surprise, but the film seemed over-long, abrasive and, most surprisingly, sad. The subplot in which Spencer Tracy plays an aging police captain who becomes disillusioned with his professional and family life to the extent that he tries to steal the money that has set off an insane race among the assorted loonies is more tragedy than comedy, and, oddly, Tracy didn’t play any of his role for laughs. Grace, my wife, hated the movie in 1963 and hated it just as much when I made her watch it again with me.

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Incident At Wells Fargo

/ Jack Marshall / 18 Comments

The day was already crashing and burning, as my monthly travails paying my power bill (Dominion Energy’s website is impossible) had lasted even longer than usual and I was finally talking to a human being when the electricity went out, killing my phone, the computer, everything. I ran outside and found two yellow helmeted guys messing around with wires, and asked, “Did you just shut off my power?” Yes, they said. “Gee, did it occur to you to let me know in advance?” I asked. “Oh, sorry, we didn’t know you were home,” was the lame response. There were and are literally six cars and a motorcycle parked outside my house.

After being told that in addition to having my last hour of work wiped out there would be a 45 minute wait before power was restored, I decided to deposit a check I had received from a client. I was about to pull into an empty space in the parking lot in front of my bank when aI had to slam on the brakes: a car was driving speedily into the lot using the EXIT ONLY ramp and looked like she was heading for the same space I was. But no, she parked in a non-space instead, a striped area reserved for bank and other official vehicles. The driver, a woman got out of the car and rushed ahead of me to use the automated teller.

“Are you in the habit of entering places using the exits?” I asked her. “I don’t appreciate your tone,” she said. When did this become the default response when someone is caught in obvious misconduct? “I don’t appreciated having to avoid vehicles coming into a parking lot the wrong way,” I said.

“Well, I’m not familiar with the area and got confused,” she said, unconvincingly. (Ethics Tip: This was the place for a sincere “I’m sorry.”) “What was so confusing about the “Exit Only” sign?” I asked. “I didn’t see it,” she answered, not even glancing where I was pointing.

Suuure.

Then a woman pulling out of a space stopped and admonished me. “You should be kind,” she said. “What does kindness have to do with anything?,” was my exasperated reply. “She was ignoring signs and breaking the rules. It’s not “kind” to ignore that. It’s irresponsible.”

Here was her response: “You must be a Trumper!“

1. What the hell is that supposed to mean?

2. The cheating driver was black: am I supposed to engage in social reparations when black neighbors act unethically?

3. Hey, if supporting the President means that one is not in favor of letting scofflaws and cheaters get away with their conduct while they lie about, that would be wonderful. I don’t think that is clear at all, however.

I was so stunned by her non-sequitur that all I could think to say to the interloper was, “You’re an asshole!” because my “Bite me!” button was frozen for some reason.

But she is an asshole. Just like the woman who drove in through the exit.

It’s Official: “A Nation of Assholes” Has Come to Pass, and Its Herald is Jasmine Crockett

/ Jack Marshall / 27 Comments

The U.S. now has a member of Congress who is regarded as a rising leader of a major political party who talks like this…

“Y’all know we got Governor Hot Wheels down there. Come on now! And the only thing hot about him is that he is a hot-ass mess, honey!”

That was Rep. Crockett speaking at a human rights event over the weekend. The intentionally vulgar, street-talking Texas representative (she was raised in a wealthy family and attended private schools, so her Samuel L. Jacskon imitation is pure cynical artifice) was already being justly criticized for telling Democrats to “take out” Elon Musk, at a time when her party’s loonies are looking for an excuse to move from domestic terrorism against Tesla owners to more direct forms of violence. Now this member of what styles itself as the sensitive, caring party is mocking a man, Texas Governor Abbott, who has been in a wheelchair for decades by calling him “Hot Wheels.” Be proud, Democrats, Texans, women, homo sapiens.

Crockett’s excuse after her cruel ad hominem attack was properly condemned tells us even more about the character of the latest “rising star” of the Left:

“I wasn’t thinking about the governor’s condition—I was thinking about the planes, trains, and automobiles he used to transfer migrants into communities led by Black mayors, deliberately stoking tension and fear among the most vulnerable. Literally, the next line I said was that he was a “Hot Ass Mess,” referencing his terrible policies. At no point did I mention or allude to his condition. So, I’m even more appalled that the very people who unequivocally support Trump—a man known for racially insensitive nicknames and mocking those with disabilities—are now outraged.”

She’s beneath contempt, but Crockett’s “Whataboutism” (#2 on the Rationalization List) argument following her self-evident lie is not without validity. How far is calling a governor in a wheelchair “Hot Wheels” from calling a President obviously suffering from progressive dementia “Slow Joe”?

I’ll accept the utilitarian conclusion that electing Trump President twice was, on balance, important for the nation; I might even agree with it. However, I don’t think it is possible to credibly argue that the destructive decline in civility and decorum in society, and especially in political discourse, should not be laid at Donald Trump’s feet. It is a major cultural wound with implications for democracy as well as social relations in our society generally.

I warned about this on September 10, 2015.

Signal Chat Ethics Train Wreck Update…

/ Jack Marshall / 26 Comments

With Trump officials, the President, his paid liar Karoline Leavitt stating, and both John Ratcliffe and Tulsi Gabbard swearing under oath that top US officials discussing operational details of plans to bomb Yemen before the operation miraculously did not contain any, classified information, The Atlantic today released much of the transcript as collected by editor Jeffrey Goldberg in a new article. I haven’t read the whole thing because I will not give a cent to The Atlantic, now one of the most notorious Axis allies. But the excerpts I have read elsewhere are hardly the discussions of favorite recipes for guacamole.

The Guardian, another hack Axis member, calls the texts “disastrous leak of sensitive information.” Fake news, via deceit. Because of dumb luck, the sloppy and unforgivable way an approaching attack was discussed had no “disastrous” effects except for the degree to which it showed incompetence and recklessness by Trump’s national security leaders, and the fact that the reaction of the Administration, including the President, has been to emulate the Democrats’ “It isn’t what it is” playbook should set off ethics alarms coast to coast.

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Lizzo, Fat Championing Hypocrite

/ Jack Marshall / 7 Comments

I hadn’t followed the Lizzo dieting scandal because, frankly, I couldn’t care less about the in-your-face obese pop star who has been the current champion of the “love your body”/”fat is beautiful” mob. Lizzo, who performed with svelte female dancers to emphasize her proud flab, made defiant fatness part of her brand, wearing costumes that normally would be taboo for any woman not a size 6.

Well, if it works, it’s show business! But somehow toward the end of 2024, Lizzo started slimming down via Ozempic, dieting and a personal trainer, so she is now sporting a more conventional model of female beauty. Predictably, her fat fans feel betrayed, and they should.

We’ve seen this so many times before that I hesitated to even post on it, but no previous fat celebrity so aggressively asserted that she loved her extra pounds and that society’s obsession with fit female bodies had to be rejected. All of these photos…

…accompanied past features about how the singer insisted that fat was “normal” and that she “loved her curves.” And now what is she saying? She doesn’t need to say anything; her conduct speaks for her. She decided to exploit being fat as a gimmick, not caring how it would encourage unhealthy lifestyles among her female fans, then as soon as losing weight and becoming more typically attractive seemed like a wise career move—reinvention!—she discarded “fat is beautiful” like a house guest who had stayed too long.

We shall see if a performer of Lizzo’s rather unremarkable talents can stand out among all the other comely female pop singers. If not, don’t be surprised if she starts hitting the all-you-can-eat buffets again.