The Russian Figure Skating Olympics Scandal Finally Is Resolved After Everyone Stopped Paying Attention.

I’m thinking about establishing an organizational version of The Julie Principle. When an entity, company, organization or government has shown that its culture is sufficiently corrupt and unlikely to change for the better, maybe it’s a waste of time and ethical analysis to keep complaining about the inevitable misconduct. “Fish gotta swim, birds gotta fly.” Either just give up on trusting that entity, company, organization or government, or resolve to live with its flaws. Like Hollywood. The National Football League. Or, as in this ridiculous episode, the Olympics and Russia.

Kamila Valieva, the teenage Russian figure skating star, was banned from competition for four years yesterday by a three-member arbitration panel at the Swiss-based Court of Arbitration for Sport. The reason was her positive doping test that messed up the 2022 Beijing Winter Olympics beyond all reason, confusing everyone and keeping more than a dozen other athletes from receiving their medals.

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How Do You Solve A Problem Like Rep. Omar?

I was actually going to begin this post with a parody of the cheery song from Rodgers and Hammerstein’s “The Sound of Music,” “How Do You Solve a Problem Like Maria?,” but decided against it for two reasons. First, no English words rhyme with “Omar,” so you’re stuck with fake sort-of rhymes like “home are” and “sonar,” and second, this is too serious a problem to cover in a song parody.

Among Donald Trump’s myriad offensive, stupid and gratuitously inflammatory comments while President was when he said in 2019 that the members of “the Squad” should “go back to where they came from.” This was particularly inept since most of that group of radical, socialist, anti-Semitic and or dumb-as-bricks Democrats are “from” the good ol’ USA, but in the case of Rep. Ilhan Omar (D-Minn.) at least, Trump may have had a valid point that he, as usual, chose the worst possible way to express.

In 2019, Omar declared as part of the anti-Semitic theme much of the Squad vocally embraces, “I want to talk about the political influence in this country that says that it is OK for people to push for allegiance to a foreign country.” Her message was that a lot of U.S. officials—you know, Jews— allowed a conflicting fealty to Israel to blunt their duty to pursue what is in the best interest of the United States. But yesterday, a video surfaced on Twitter/X showing Omar rousing a Somali-American crowd in her district by saying in part,

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Unethical Quotes of the Month: The University of North Carolina’s Faculty Council

This is not an encouraging situation.

Last week, the University of North Carolina’s Faculty Council met to consider, among other matters, a resolution condemning anti-Semitism on school’s campus. An on-campus event in November included a speaker who said, referring to the barbaric terrorist attack on Israeli civilians, that “October 7 was for many of us from the region a beautiful day.” No one at the event did or said anything to reject that sentiment. The proposed resolution stated, “We strongly condemn the antisemitic statements made during a Unity roundtable event No Peace Without Justice held on November 28, 2023.”

That wouldn’t seem too difficult to agree with or too controversial, would it? Yet the resolution failed to pass. The Faculty Council voted 32-29, with six abstentions, to table the resolution for the foreseeable future. Here are some of the most striking comments made by those who objected to the resolution:

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“Ick or Ethics” Ethics Quiz: The Robot Collaborator

As Jackie Gleason, aka. “The Great One,” used to say to begin his popular variety show on CBS (“Jackie Gleason? Who’s he?”), “And awaaaaay we GO!”

Rie Kudan, accepting the prestigious Akutagawa Prize for promising new Japanese writers, told the audience that her novel, “The Tokyo Tower of Sympathy,” was co-authored by ChatGPT and other AI programs. She revealed that her novel, which is about artificial intelligence, had approximately 5% of its dialogue composed by the popular bots and added by her “verbatim” to the text. “The Tokyo Tower of Sympathy” has met with unanimous raves by critics: “The work is flawless and it’s difficult to find any faults,” said Shuichi Yoshida, a member of the prize judging committee. “It is highly entertaining and interesting work that prompts debate about how to consider it.”

It seems clear that the author’s public admission (“I made active use of generative AI like ChatGPT in writing this book. I would say about five per cent of the book quoted verbatim the sentences generated by AI.”) was designed to fuel that debate.

I think we can all agree that this was shrewd on the author’s part. But is what she admitted to ethical?

Your Ethics Alarms Ethics Quiz of the Day is…

Is having an AI program write all or part of your book or novel ethical, or merely something that feels wrong right now that we’ll eventually accept?

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Update: We Can’t “Trust the Science” Because We Can’t Trust the Scientists

…or the politicians and untrustworthy elected officials who use both for unethical ends.

Further reinforcing his Ethics Alarms status as an Ethics Villain, the now retired Dr. Anthony Fauci blithely told lawmakers on the House Select Subcommittee on the Coronavirus Pandemic this week that “social distancing guidelines”—warning the public to keep six feet apart from anyone else supposedly to limit the spread of the Wuhan virus — “sort of just appeared” without scientific input, and was “likely not based on scientific data.”

Oh! That’s nice! Schools remained closed well into 2021 substantially as a result of the social distancing guidelines that he stood by and allowed to be issued without scientific data. I was screamed at in several public places because I knew the social distancing edicts were garbage from the beginning, just like the “don’t touch your face!” nonsense and 95% of all masks. My sister has been a phobic about physical contact ever since March of 2020: she has yet to allow me into her house, and will only speak to me at my home ten feet away on the front yard. Research studies and other health officials pooh-poohed the social distancing mandates early on while media scaremongers—-after all, it was vital to wreck the Trump economy if he was going to be brought down—were quoting some “experts” saying that we should all wear masks and socially distance forever. Fortunately my pop culture addiction served me well: I recognized all of the CDC recommendations from the 2011 pandemic movie “Contagion.” They were exactly the same, proving to me that “social distancing” and the rest were just boiler plate “Do something!” measures off the CDC shelf. (They didn’t work in the film, either.)

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From the “The Trouble With Protesters” Files…

The trouble with protesters, to cut to the chase, is that a large percentage of them in virtually every protest and demonstration don’t know what they are chanting about and are just happy mob participants. I remember when my college was shut down by a student strike my freshman year, several of my friends were happily raising their fists and carrying signs despite the fact that they weren’t interested or informed on the matter being protested. They all reassured me that they were involved to meet girls. Later, in my first job after law school, the PR director I worked with in D.C. seemed to be attending a protest or rally every weekend. When I remarked that she was unusually politically active for someone who never discussed politics at all, she assured me that she just enjoyed the energy of crowds…and found it a good way to meet guys.

Since yesterday was “Capitol Insurrection Day,” which I predict will be made a national holiday as soon as Democrats get control of Congress, it seems a propitious opportunity to ponder an equally stupid protest in Clifton, Bristol (Great Britain). A resident reported that his Tesla’s tires were deflated, and on the windshield was this message:

Other automobiles on his street were also victims of tire-deflating. The group behind the mass flattening calls itself “the Tyre Extinguishers.” ( The play on words would work better if the Brits spelled “fire” as “fyre.”)

The annoyed Tesla owner told reporters, “It’s ironic, because I was trying to do the right thing by buying an electric car. It’s ridiculous and inconvenient. I get why [climate activism] is happening, but I’m not seeing the point of this.”

The point he ought to derive from the incident is that most climate change protesters know almost nothing about climate science and related matters, like the full environmental effects of electric vehicles. They are passionately protesting what they don’t understand sufficiently to have an informed opinion about, and therefore shouldn’t influence anyone beyond persuading observers that they are passionate, unethical dolts and blights on society.

One more point: deflating the tires of Teslas is a brilliant climate change protest compared to gluing oneself to a famous painting.

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Pointer: Curmie

Curmie’s Conjectures: The Belfry Theatre’s Crisis of Nerve

by Curmie

[ JM here: I want to let Curmie’s Conjectures stand on their own, so I apologize at the outset by intruding with a brief introduction. Lest anyone be dissuaded from reading the whole post because the author’s scholarly tone and apparent focus at the start suggests that this will be a narrow discourse on topics rather more relished by Curmie and me than by the majority of EA readers—theater and the performing arts—fear not. The tags on the article will be “Canada, censorship, the Hamas-Israel War Ethics Train Wreck, and political theater.” The post also involves some of the same considerations as one of mine two days ago. ]

There is a theory, one to which I subscribe, which suggests that the Dionysian Festival of classical Athens began not really as a religious observance in honor of a demi-god but rather as a means of consolidating the political power of the tyrant Peisistratus.  Whether or not this is true, there is no doubt that by 458 BCE Aeschylus’ Oresteia, widely acclaimed as “the world’s first dramatic masterpiece,” offers commentary on the reforms of the Areopagus enacted by the strategos Ephialtes some three years earlier.

There is no question that since that time the theatre has often—not always, but often—been political.  The 20th century offered more than a few examples of playwrights and production companies who, often at personal risk, critiqued the power structures around them: Jean-Paul Sartre took on the Nazis; Lorraine Hansberry, racism in the US; Athol Fugard, apartheid; Václav Havel, communism in Eastern Europe.

Not all such efforts were for causes most of us would endorse, of course.  Socialist Realism was a Stalinist policy under which all art had to support The Revolution: not just avoid criticism of the regime, but actively and explicitly endorse it.  More recently, the Freedom Theatre of Jenin (on the occupied West Bank) has been in the news.  A few weeks ago, one of the student organizations at my university posted an encomium to the company, which they described as “an example of creating liberating theatre and serving communities through theatrical pedagogy and profound performance.”  I remembered having written about that theatre a dozen or so years ago.  If I might quote myself for a moment: “Turns out that the Freedom Theatre was pretty damned proud of having turned out alumni who engaged in armed insurrection, and at least one of whom, a suicide bomber, richly merited description as a terrorist.” 

So no, propagandistic theatre isn’t always a good thing… but engaging with the world is.  Even subtle messages matter.  Under normal circumstances, Aunt Eller’s wish that “the farmer and the cowman can be friends” doesn’t amount to much.  But Oklahoma! hit Broadway after the declaration of war against the Axis powers and before D-Day.  “Territory folks” need to put aside their petty grievances when there’s a guy with a funny mustache who’s far worse than any of your neighbors will ever be.

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On James Bond, The BFI’s Trigger Warnings, and “Poisoning the Well.”

And now for something completely stupid…The British Film Institute, which screens classic films in its Southbank location in London and has the mission of preserving British cinema, has slapped a ridiculous trigger warning on the early James Bond movies, along with some others from the same period. It reads,

“Please note that many of these films contain language, images or other content that reflect views prevalent in its time, but will cause offence today (as they did then). The titles are included here for historical, cultural or aesthetic reasons and these views are in no way endorsed by the BFI or its partners.“

The “Look out! You’re going to be offended if you are right-thinking Brit!” is offensive itself for many reasons, as that description might suggest. The BFI is for adults, not children; there’s no need to warn grown-ups about characters smoking, naughty bits, violence and the terminology of the time. The date should be enough: “Oh, right, this film is six decades old! Things were different then!” The BFI is treating viewers like idiots, as well as imposing its woke, nanny sensibilities on others.

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Scary and Unethical Reactions to the Hamas-Israel War on the Left and Right.

I don’t want to end the year on a down note, I really don’t, but…

The ugly head of anti-Semitism or, giving some of the reaction a more charitable spin, the callousness and lack of sufficient concern for the fate of Israel has been a revelation for me. I’ve never understood anti-Semitism, and being forced to acknowledge that this contagion that once was at the heart of the evil plunging the world into a catastrophic conflict is still thriving came as a shock this year. Over at Simple Justice, liberal (but not progressive) criminal defense attorney Scott Greenfield neatly assesses the significance of the anti-Jew and anti-Israel sentiments erupting on college campuses, in the black community, in the Democratic Party and other places where the woke run free. He writes in part (today),

“….the Hamas terrorist attack of October 7th and its ensuing war in Gaza has bubbled up the fundamental differences between a liberal democratic nation and the swell of simplistic authoritarianism of the young.

Others in my position have adopted the woke view of the world, some because they needed the validation that comes from espousing the popular views of progressives, and others because they were never quite as serious as I thought. Or hoped. But how many more marches by  the young and unduly passionate who justify terrorism and suddenly find rape and murder acceptable when done by those their tribe tells them to favor?

Will 2024 be an inflection point, where people finally come to grips with the fact that they’ve become the enemy they righteously believed they were fighting? At first, it seems there might be an epiphany, a realization that dividing the world into the oppressed and oppressors was an infantile way to deal with the many problems facing society. But since then, it’s become apparent that the young and unduly passionate have fallen back into their tribal ways, enjoying the fresh air of sowing misery on blocked highways for an irrational and destructive cause.

I never would have believed in my old man head that we would be back to open Jew hatred again. Yet here we are, and tens of thousands of people who would claim the mantle of progress fully embrace the end of Jews. Never in its wildest dreams would Hamas have believed that raping and beheading Jews would turn them into progressive darlings, but here we are.

Will this cause young progressives to recognize the error of their ideology? Will they realize that their sudden existential concern for Palestinians when they cared nothing about them until it meant they could openly hate Jews, proves that they are just another flavor of haters, of authoritarians, of racists?”

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CNN’s Brianna Kellar and the News Media’s “Think of the Children!” Refrain in Support of Hamas

Yes, it’s “Imagine” time again. Mainstream media talking heads and hacks have apparently been playing the John Lennon’s sweet and fatuous ode to nonsense over earbuds as they sleep, judging from the angle they repeatedly return to as they push anti-Israel propaganda on the public.

CNN’s Breanna Keilar had a typical “Think if the children!” exchange with Israeli spokeswoman Tal Heinrich yesterday.

Keilar (talking over and interrupting her guest as she Heinrich expressed regret that children in Gaza were being placed in harm’s way): “Tal, when you see those pictures coming out of Gaza, do you see why some people don’t have hope looking at those pictures?”

Heinrich: “Well, we are in the middle of a war that Israel did not start, and did not want.”

Keilar: “It is prosecuting it forcefully, and you see the pictures here.”

Heinrich: “When Hamas started this war — hope and peace and a better future for the region — that is the greatest enemy of terrorists. Once we eliminate these terrorists, we eliminate the rule. We hope that there will be other voices, pragmatic ones that want to work with us towards peace. This is what we want. We want to live in this region peacefully. That’s what Israelis have always wanted. But first, Hamas must be gone, and then we hope that the Palestinian society will de-radicalize. We can’t have — you know, what our troops are finding right now, on the ground, in certain neighborhoods in Gaza, pictures of children, women with guns, Hamas uniform tailored for children. And Hamas terrorists that we have arrested—”

Keilar (interrupting): “Does that make the children justifiable enemies to you? Is that what you’re saying? Does that make all of the children justifiable enemies to you? I mean, you’re raising the specter of them being used in military uniform.”

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