Arts & Entertainment

Comment of the Day: “In Which I Call Ann Althouse’s Expressed Hatred Of ‘The Little Drummer Boy’ & Raise My Hatred of the Bing Crosby-David Bowie Duet”

/ Jack Marshall / 8 Comments

In fairness, the spirit of Christmas, and because it’s just an excellent post that interprets the song in a fresh manner that I have never encountered, here is Dwayne Zechman’s rebuttal of the criticism by me and others of the popular Christmas song written by American composer Katherine Kennicott Davis in 1941. Did you know that the song was first recorded by the Trapp Family singers of “The Sound of Music” fame? That alone raises it a bit in my estimation. I also note that Dwayne, wisely does not defend the wretched lyrics in the David Bowie-Bing Crosby version. That would be impossible.

Here is Dwayne’s Comment of the Day on the post, “Comment of the Day: ‘In Which I Call Ann Althouse’s Expressed Hatred Of ‘The Little Drummer Boy’ & Raise My Hatred of the Bing Crosby-David Bowie Duet'”…

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I have to take issue with all the dunking on “The Little Drummer Boy” that I’m reading here. It’s a favorite of mine, and the reason has nothing to do with the ridiculous scenario.

The reason is that this song is a microcosmic allegory of the Christian experience.

I don’t normally speak of my faith and religious beliefs here. I’m a firm believer in the notion that Truth stands on its own; it doesn’t need the support of religion in order to be true. So this post is definitely a bit of a departure for me.

“Come, they told me.” “A newborn King to see”

This is how it begins. We learn from others about the Gospel of Jesus. We are encouraged to come along on the journey.

“Our finest gifts we bring” “to lay before the King”
“So to honor Him” “When we come”

We begin the journey and quickly learn that, to those who invited us on this journey, it’s a big deal. There are songs we may or may not have heard. There are responsive readings that we almost certainly don’t know. There are people here whose whole lives are dedicated to their faith and their church. Am I expected to do that too? What IS expected of me? What does Jesus actually want from me?

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The “Other Woman” Scorned Asks The Ethicist: “Is It Ethical To Wreck the Bastard’s Marriage?”

/ Jack Marshall / 33 Comments

I’m surprised she didn’t ask if she could cook his little girl’s bunny too, like Glenn Close did in “Fatal Attraction.”

It amazed me that someone like this reads a NYT column called “The Ethicist.” She’s sounds like she’s never heard of the concept. She writes,

Last summer, I was dating a man in our weekender community outside New York City who seemed like a wonderful guy. A month after we became intimate, he told me that he was married but that he had been separated from his wife for a year. He explained that the reason he has not gotten a divorce is that she has cancer and is on his health insurance. He said she had just had surgery and was recovering. Naturally I felt compassion and said I wouldn’t push him. Eventually, I ended the relationship, because I started feeling I wasn’t getting the full story. When I mentioned our relationship to a friend who also knows him, I learned that my instincts were correct. Apparently, he is very much still with his wife, and she is healthy. I am so shocked by this. Should I contact his wife and let her know this is what he is doing and saying? Given that they are both journalists, I would think veracity would be a priority.

Translation: “I hate this lying bastard and want to hurt him, and his wife too. That’s OK, right?”

Uh. no. I haven’t even read The Ethicist’s answer, but Prof. Appiah, for all his faults and weaknesses, surely can get this one right. Let’s see…

Yup. In a mealy-mouthed way, but he agrees.

The Song “White Christmas” Is Sad, and It’s Meant To Be

/ Jack Marshall / 7 Comments

I’m rewriting a post from last Christmas that I liked, in part because the ethics news is ticking me off, in part because I am once again having a non-Christmas because I miss my late wife Grace too much to celebrate anything, and in part because the song means a lot to me. I foolishly posted the first version of this last year on Christmas day, guaranteeing that few would read it. I’ll try a bit earlier this time.

I co-wrote two Christmas revues for my late, lamented (by me, anyway) professional theater company in Arlington, Virginia, The American Century Theater. The most popular of the two (though not my personal favorite) was called “If Only In My Dreams,” a title taken from the lyrics of another wistful Christmas song, “I’ll Be Home For Christmas,” by lyricist Kim Gannon and composer Walter Kent. It was introduced by Bing Crosby in 1943—it’s amazing how many of our secular Christmas songs were first recorded by Bing. Well, maybe not so amazing: what was amazing was the range and warmth of his voice. 

“If Only In My Dreams” was constructed around the letters written by GIs overseas during World War II to their families or  girlfriends as Christmas loomed. They were published in an issue of American Heritage, a wonderful magazine now, sadly, in the company of Life, Look, and the Saturday Evening Post, gone and nearly forgotten. I alternated those letters with narration and the popular Christmas songs of the period. The brilliant Jacqueline Manger directed the show, which was being written as she rehearsed it. 

The most famous and important of these songs was, of course, “White Christmas.” Bing Crosby’s version is still the best selling single of all time, and deserves the title. When Irving Berlin handed the song over to the musician who transcribed his melodies (Irv could not read music and composed by ear, just like another brilliant and prolific tune-smith, Paul McCartney), he  famously announced that he had written, not just the best song he had ever created, but the best song that anyone had ever written.  Continue reading →

Rob Reiner’s Legacy, Part II: Madness

/ Jack Marshall / 10 Comments

Major Tipton is an appropriate host to this post, because, like the main character in the movie the Major memorably closes with that word, Rob Reiner was a good man turned in-side out ethically and rationally by powerful influences he was unable to resist. In Part I of this series inspired by the great director’s terrible death along with his wife at the hands of their son, I explained why I felt that Reiner’s decent into extreme and often humiliating Leftist cant should not diminish our regard for him as an artist, and why his political activism is best seen as a cautionary tale about how bias, implanted by one’s culture, can make one stupid unless eternal vigilance and self-examination are regularly applied.

To illustrate the extent of Rob Reiner’s deterioration inflicted on him by the Hollywood progressive culture, I am re-posting two essays from the Ethics Alarms archives, one from 2022, and the final post involving Reiner before the sad ones today.

First up, From The “Res Ipsa Loquitur”Files: Rob Reiner Provides A “Bias Makes You Stupid” Case Study (8/27/2022):

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Rob Reiner’s Legacy, Part I: The Artist

/ Jack Marshall / 36 Comments

Great movies. Classic movies. Movies that will have people laughing, crying and thinking for decades, and maybe centuries. That’s his legacy.

Reiner, a brilliant director and entertaining comic character actor died horribly with his wife last night, apparently murdered by their troubled son. Rob Reiner is the second Hollywood great whose end this year will always cast a shadow over his brilliant career, Gene Hackman being the other. It is so unfair when this happens, and it happens too often. I can’t watch Natalie Wood in a movie, not even “Miracle on 34th Street, ” without wondering if her husband Robert Wagner (I try not think about him at all) drowned her; I can’t watch Phillip Seymour Hoffman, one of the best actors in my lifetime, in any of his performances without my mind flashing back to his death from binging on heroin after seemingly conquering that addiction. Maybe it’s just me: I hope so.

I also hope conservative pundits and bloggers display more compassion, humanity and common sense than progressives and Democrats did when activist Charlie Kirk was assassinated. Reiner was an artist first and foremost, but he used his celebrity and resources to play at being a progressive activist and was really, really, really bad at it. Everyone will be doing him a great favor if they just ignore that embarrassing part of his life. Remember him for “THis is Spinal Tap,” “Stand by Me,” “When Harry Met Sally,” “The Princess Bride,” “A Few Good Men,” or one of his other films. Don’t let his Leftist craziness diminish your respect for his artistry. I regard his addiction to extreme progressive cant the equivalent of Hoffman’s addiction to heroin, or Spencer Tracy’s alcoholism.

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Prof. Turley Calls “False Light” on House Democrats Sleazy Epstein Photos Smear

/ Jack Marshall / 4 Comments

I hate that I am tempted to write this every day now, often several times a day, but how can anyone of good character and admirable values continue to support a political party, whatever its claimed beliefs are, that behaves this way?

Yesterday EA discussed the desperate Democratic Party tactic of picking 19 photos (out of thousands) that showed a young Donald Trump (and other progressive hate-objects, like Alan Dershowitz and Steve Bannon) in the company of sex-trafficker Jeffrey Epstein when he was known as just another billionaire on the celebrity party circuit or in the company of unidentified women. These were described in some of the Axis media as “bombshell” and “explosive” photos, though it is unclear when and where most of the photos were taken, many of them had been publicly released before, and none of them suggested any criminal, illicit or even unethical activity.

Despite that, political hack Rep. Robert Garcia (D-Calif.) had the gall to say, “These disturbing photos raise even more questions about Epstein and his relationships with some of the most powerful men in the world. We will not rest until the American people get the truth.”

He might as well have added, “And we won’t stop lying about this phony Epstein scandal either until we Get Trump!”

Today Professor Jonathan Turley, a one-time Democrat who is obviously disgusted with Democrats, pointed out that what his former party has done with the photos is a classic example of a tort known as “false light,” where true photos are presented in a misleading and harmful way to damage a reputation or otherwise harm an individual via innuendo . It is essentially photographic deceit. He writes,

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Friday Open Forum: It’s a Marshmallow World!

/ Jack Marshall / 13 Comments

Ironically, the very song that triggered my blue Christmas reflexes as described in last night’s post (I heard it on Sirius-XM’s Christmas Traditions channel, where 99.6% of the artists featured are dead and most of them are dearly missed) became relevant this morning, as we Northern Virginians woke up to a snow-covered landscape and big, fluffy flakes falling. (Climate change, you know!) The song was written in 1949 by Carl Sigman (lyrics) and Peter DeRose (music), and Bing Crosby—of course!—introduced it. Bing’s recording was a hit, but over time it is Dino’s version that has become iconic, and it’s easy to understand why. It’s a frivolous song about enjoying snow, and Martin’s inimitable slurry, cheery rendition is perfect for the mood. Another Christmas song in the canon is all Dean’s: he aced “Let it Snow!” as well.

So many of the modern seasonal songs have truly terrible lyrics (and some traditional carols too), but “Marshmallow World” has a lyric for the bridge I regard as excellent, and also ethically inspiring:

Oh, the world is your snowball, see how it grows
That’s how it goes whenever it snows
The world is your snowball just for a song
Get up and roll it along!

Today let the open forum be your snowball, and see how it grows…

The Most Ethical Christmas Carol

/ Jack Marshall / 15 Comments

Well, unfortunately I started thinking that it’s beginning to look a lot like Christmas this week, so I’m depressed and miserable.

It’s my favorite time of the year because its the most ethical time of the year, but my wife, who was a Christmas fanatic, is dead; my son, who now insists that she’s my daughter, barely speaks to me though I have been nothing but supportive (because that’s my job); my sister is going to be across country for the holiday; and my mom, who was the center of every Christmas in my life as long as she was breathing, breathes no more. I have neither the time to decorate a tree properly (like I used to) nor the resources to  purchase one, and half-hearted decorations will only remind me of 2702 Westminster Place glories past. But I can’t avoid Christmas, just as I can’t avoid ““It’s a Wonderful Life”” as you know.  So I’ll be celebrating my favorite holiday here, on Ethics Alarms, with my five loyal readers and the other visitors who drop in, and pretty much nowhere else. That means, among other gifts, I will be bestowing various Christmas-related post from the Ethics Alarms Christmas attic. Like this one…

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Why Are People Like This Teaching In Colleges…or Anyplace?

/ Jack Marshall / 2 Comments

Like all holiday movies, “Planes, Trains and Automobiles” has ethics at the core of its metaphorical heart, though not to the extent of “It’s a Wonderful Life,” “White Christmas” or “Miracle on 34th Street,” the objects of the three Ethics Alarms holiday ethics companions. (Is there another film I should add to the series?) But it really takes effort—and pernicious bias—to claim that the John Hughes classic contains a “dangerous” pro-capitalist message, as SUNY Purchase College Professor Mtume Gant claimed on the insane leftist podcast “Millennials are Killing Capitalism” with host Jared Ware. 

The podcast describes itself as a “platform for communists, anti-imperialists, Black Liberation movements, ancoms, left libertarians, LBGTQ activists, feminists, immigration activists, and abolitionists to discuss radical politics, radical organizing and share their visions for a better world.” Great. And it has to dig so deep for topics that it stoops to searching for sinister messages in a formulaic holiday movie?

Steve Martin plays an up-tight ad exec whose asshole tendencies emerge regularly when he gets involved in holiday travel hell as most of us have. He is desperately trying to get home to spend Thanksgiving with his family because it’s what you do, that’s all: he’s also especially sentimental about it. But circumstances conspire to force him to battle his way from Manhattan to Chicago with a gregarious shower-ring salesman (John Candy) who is his emotional and intellectual opposite.

It’s “The Odd Couple” crossed with “A Christmas Carol,” as Martin learns the values of empathy, kindness and good will by the end of the movie, while Candy, who has no family, is embraced by Martin’s in the misty-eyed finale.

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Ethics Quiz: HBO’s “John Adams”

/ Jack Marshall / 19 Comments

I just have to boycott Ken Burns’ new documentary on the Revolutionary War (that all of my friends are watching). Burns has become so partisan and his editorializing so blatant in his recent production that i won’t trust him any more. Instead, I decided to view HBO’s acclaimed “John Adams” series, which originally watched in 2019. At the time I wrote here,

“I watched this seven part HBO series for the first time since it premiered. I’d love to know how many public school students are shown the series in class, or at all. It is an superb civics lesson, despite some historical liberties. Come to think or it, I wonder if any of the “Squad” has seen it; or any of the Parkland anti-gun shills, or, for that matter, President Trump. The series vividly shows what a miracle the creation of the United States was, the ethical values that formed its philosophical foundation, and the brilliance of the Founders that by the sheerest moral luck, the infant nation, happened to be in the right place at the right time, over and over again. Now, 240 years later, lesser patriots with inferior minds think it is wise to undo their unique and fortunate creation.”

I pretty much hold the same opinion today after seeing the series again last week. But have some new doubts about the showing of the series in public schools. It still is inspiring and justly so; the acting (and casting) is impeccable, and the personalities of the Founders portrayed are vivid and generally accurate. Among other contributions to historic literacy, the series demonstrates how remarkable Adams’ wife and advisor Abigail Adams was, and how essential she was to his success. In historian Joseph Ellis’s book “Founding Brothers,” he includes Abigail as a Founder, so influential was she on Adams, his public speeches and his writings.

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