Arts & Entertainment

First May Open Forum, or “The Ethics That Bloom In the Spring (Tra-La)”

/ Jack Marshall / 16 Comments

Suddenly there are more stories and events of interest ethically than I can handle, so your contributions to the weekly free-for-all are even more needed than usual.

This is especially true because I am still picking bits of brain and skill off the walls, ceiling and computer screen after the jolt generating today’s first post.

So please, emote here early and often.

Where’s that Windex?

Post Script: That version of the famous song from Gilbert and Sullivan’s “The Mikado,” by the late, lamented D’Oyly Carte Opera Company in 1966 is 1) way, way too slow 2) exactly the kind of stodgy staging that killed the Victorian pair’s original production company and that gives G&S a bad reputation. I’ve played Ko-Ko in that number four times, and it should be a romp. (When I played the part in high school, I did an Adolf Hitler imitation in one of the encores…)

KABOOM! Well, My Head Just Exploded, and If You Read This, Yours Will Too…

/ Jack Marshall / 7 Comments

Unbelievable. Outrageous. Disgusting. Amazing.

And yet, oddly satisfying and welcome!

That “60 Minutes” segment on Kamala Harris in which CBS and the once-respected new magazine tried to influence the 2024 election by editing a Harris interview to make her seem like less of a babbling, intellectually-challenged fool — the subject of Trump’s $20 billion lawsuit against CBS — was nominated yesterday by Emmys for “outstanding edited interview.”

The revelation that the television industry approves of deceptive partisan propaganda that helps Democrats and advances progressive agendas isn’t the shocking aspect of the nomination. Anyone paying attention know that already. What is head-blowing is that the Emmys would be so open about its bias and rejection of ethics.

The nomination is a direct and flagrant gesture of defiance to President Trump. It is not merely political and partisan, but openly and intentionally political and partisan. Trump sued CBS for $20 billion as a result of this all-time low-point in fair, unbiased, and trustworthy journalism, and should have, if only to make sure the smoking gun “Nah, there’s no mainstream media bias!” episode wasn’t jammed in a metaphorical memory hole as the Axis media continues to pretend that it is interested in informing the American public rather than manipulating it.

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This Would Be an Ethics Quiz If I Weren’t So Sure of the Answer…

/ Jack Marshall / 7 Comments

Is it ethical for the Kennedy Center to cancel its “Pride Month” productions?

Yes, it is. Next question?

Oh, let’s bat this one around for a while. The AP reports that “Organizers and the Kennedy Center have canceled a week’s worth of events celebrating LGBTQ+ rights for this summer’s World Pride festival in Washington, D.C., amid a shift in priorities and the ousting of leadership at one of the nation’s premier cultural institutions. Multiple artists and producers involved in the center’s Tapestry of Pride schedule, which had been planned for June 5 to 8, told The Associated Press that their events had been quietly canceled or moved to other venues. And in the wake of the cancellations, Washington’s Capital Pride Alliance has disassociated itself from the Kennedy Center.” The more Trump-deranged and woke “Rolling Stone” put it this way: “The Kennedy Center’s war on the performing arts continues to wage on under the Trump administration as a series of events planned around Pride Month have quietly been canceled or relocated.”

“War on the performing arts”! Nice. It’s “war” when a theater venue that is supposed to represent and entertain all Americans stops pandering to group identity and propaganda.

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Mis-Remembering the Mutiny on the Bounty, a “Print the Legend” Classic

/ Jack Marshall / 4 Comments

Today, April 28, is the anniversary of the famous mutiny on board the H.M.S. Bounty, when Fletcher Christian, the ship’s “master’s mate,” seized control of the ship and set its captain, William Bligh, adrift in the Pacific with a small group of sailors who refused to join Christian’s rebellion. The story of the mutiny and its aftermath has become a romantic cautionary tale that inspired three major Hollywood treatments, each with star-studded casts. If you ask the average American what happened on The Bounty, he or she will probably reply that a cruel captain who abused his crew was challenged by an honorable and courageous officer who took over the ship from a monster, and met with tragedy himself. Virtually no accounts of the event support that version of events, but that is the legend, and it persists to this day.

Why? It’s a better story, at least a clearer and more morally uplifting story than the truth, that’s why. Real life is messy and our heroes and villains tend to be more complicated than our emotions can handle, and this is especially true of the Bounty story. You see above the most famous moment from the great John Ford film, “The Man Who Shot Liberty Valence,” when the old newspaper editor refuses to report the shocking discovery that the heroic deed leading to the successful political career of a famous statesman and U.S. Senator never occurred. Ethics Alarms has discussed the “Print the legend” phenomenon so many times that it has its own tag. None of the examples that I have examined deserve that tag more than the mutiny on the Bounty.

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“Cornell Just Doesn’t Get That Freedom of Speech Thingy” and Other Observations On a Campus Fiasco

/ Jack Marshall / 7 Comments

Read this whole jaw-dropping NYT article (Gift link!) and see if you can find evidence of anyone ethical in the entire story. It’s kind of like “Where’s Waldo?”

1.The headline is “Cornell Cancels Kehlani Performance Over Alleged Antisemitic Statements.” The caption under the photo (above) adds, “Kehlani, a popular R&B singer, is being replaced as the headline act at Cornell University’s annual concert.”

Observation: If she’s a popular performer for her singing ability and presentation, her “alleged Anti-Semitic statements should be irrelevant. This pure cancel culture stuff. Still. How can Cornell teach anybody if its administrators learn nothing?

2. “In a 2024 music video for the song “Next 2 U,” Kehlani danced in a jacket adorned with kaffiyehs as dancers waved Palestinian flags in the background. During the video’s introduction, the phrase “Long Live the Intifada” appeared against a dark background.”

Observation: So what? The event organizers can tell her not to perform that number.

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Friday Open Forum: Trying to Remember

/ Jack Marshall / 46 Comments

Ugh. I woke up this morning, immediately got into a substantive discussion, and found myself unable to think of not one but two names I believe are important to remember. The most important of the two was Kurt Gödel, whose “Incompleteness Theorems” led me to the Ethics Incompleteness Theorem, which is an important concept I haven’t discussed lately but is in the Ethics Alarms concepts and special terms list above.

The other name that I had to dig into my neurons to locate was Jill Corey, whom I had vowed to remember because it is so unfair that she has been almost totally forgotten. I wrote about her in 2023, here, on the occasion of Corey’s death.

Try to remember what you have been thinking about in the world of ethics over the last week and share it with us, will you?

(Incidentally, almost nobody except musical theater geeks remember that before he starred in “Law and Order,” Jerry Orbach was the star of “The Fantasticks,” the longest running musical ever. That’s him singing in the video above, when he was in his twenties, in the original Off-Broadway production.

Ethics Dunces: The Breakthrough Prize Organizers

/ Jack Marshall / Leave a comment

The lesson here: Even when speech is stupid and inconvenient it is unethical to censor it.

The 2025 Breakthrough Prize ceremony, sometimes called the “Oscars of Science,” was attended by many of Silicon Valley’s major players, including Jeff Bezos. The event had comic actor Seth Rogen as its host: that was ethics dunce move #1. Rogen is only slightly less Trump Deranged than Robert DeNiro, and, though a talented performer, is no more astute in political and governmental matters than the ladies of “The View,” and just as biased. What did organizers think Rogen was going to say while having an open mic all night during a full Trump-hate freakout?

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Weenie of the Week: “White Lotus” Star Aimee Lou Wood

/ Jack Marshall / 2 Comments

Oh, suck it up and laugh, you spoiled celebrity snowflake.

Aimee Lou Wood, one of the stars of HBO’s “The White Lotus,” is whining about how “Saturday Night Live” cast member Sarah Sherman impersonated her in a sketch wearing silly fake teeth as a spoof on the actress’s trademark gap-toothed smile. Wood called it “mean and unfunny.”

Awww. Were her wittle feelings hurt? Saturday Night Live made fun of Katherine Hepburn’s shaky voice, Dana Carvey played Paul McCartney as a smarmy ass, the show cast obese actor John Goodman as Linda Tripp, portrayed President Gerald Ford as a bumbling boob virtually every week for a full yea, and styled George W. Bush as a moron, and you’re upset because they kidded your teeth?

Your front teeth look like Bugs Bunny’s, kid. Own it.

“I have big gap teeth not bad teeth,” she wrote. Yeah, it’s called “satire.” SNL did a CNN sketch spoofing then anchor Bobbie Batista, who had a slightly askew eye, with the actress crossing her eyes for the whole sketch. Batista didn’t complain.

“I am not thin skinned,” Wood wrote in one of a series of posts on her Instagram account, proving that she is thin-skinned and doesn’t comprehend the celebrity phenomenon or that satire thingy.

This is why comedy is dying in the Age of the Great Stupid. Incredibly and foolishly, the show apparently has apologized for mocking her, which, if I were planning on ever watching the show again after all these years, would have caused me to junk the idea.

‘The Great Stupid’ Marches On: “Good Morning” Is Racist, Apparently

/ Jack Marshall / 9 Comments

Here is woman beyond help, miserable because she sees racism in everything, and is actively searching for features of daily life to make her feel insecure, unsafe, and angry:

What can you say about such a poisoned individual? How did she get this way? Does she think Gene, Donald and Debbie are sending racist “dog whistles” to white supremacists in the audience? Oh probably. But now she can solemnly lecture anyone who greets her with “Good morning!” about their racial insensitivity.

There has to be a clinical name for this proclivity, but for now, “The Great Stupid” will just have to suffice.

_______________

Pointer: Moonbattery

KABOOM! Ethics Dunces: George Clooney and Any Audience Member Who Doesn’t Jeer the End of “Good Night and Good Luck”

/ Jack Marshall / 8 Comments

I honestly thought this was a joke. As a stage director, I couldn’t believe that a Broadway show—a drama, supposedly— would stoop this low. My head has been in a continuous state of eruption since I found out the report was accurate.

George Clooney has a vanity project on Broadway, a stage adaptation of his well-received 2005 movie about Edward R. Murrow’s high stakes showdown with demagogue Joe McCarthy at the height of his power. He co-wrote the screenplay and directed while also playing a supporting role. Now, twenty years later, Clooney has moved himself into the starring role as Murrow (previously played by a better and more Murrow-like actor, David Strathairn).

The play has been getting luke-warm reviews, but none of the ones I read mentioned this little detail: At the end of the play, which is supposed to be about the importance of a courageous press that “speaks truth to power” and is trusted by the public to be fair and uncorruptible, a giant photo of Elon Musk giving the alleged “Nazi salute” is projected on the backdrop.

It was not a Nazi salute, and the Axis news media that represented it as such proved just how far the profession of journalism has fallen since the halcyon days of Edward R. Morrow. But the photo surely isn’t intended to convey that message. Clooney, or some lunatic, with Clooney’s approval, was trying to equate McCarthyism with the Trump administration, and McCarthy’s totalitarian methods with Musk. It’s such a bizarre and idiotic analogy that I can’t properly critique it because I don’t comprehend the thinking behind it. It is lizard-brain level at best, and I always thought Clooney was smarter than that. (My dog Spuds is smarter than that.)

But reports are that the Trump Deranged Broadway audiences gasp and react as if this is brilliant commentary. I would have walked out. Any decent American or responsible theater-goer should walk out.

I still am hoping this is a hoax.