Arts & Entertainment

Unethical Cartoon of the Month

/ Jack Marshall / 7 Comments

This is one of the times I miss our once-frequent cartoonist commenters, the apparently retired King Kool and the now completely Trump Deranged Ampersand. What a snotty, insulting, arrogant and stupid cartoon that is. I’m not sure where it cane from: my guess would be The New Yorker.

Just because the unethical assertion that voting for Donald Trump (or against the spectacularly awful Kamala Harris, the totalitarianism, censorship and anti-Semitism-supporting party she represented or the incompetent Biden administration) means you are deplorable, “garbage,” a racist, a sexist or a fascist comes in a cartoon doesn’t mitigate the vile nature of the statement. I’m sure the cartoon will be defended by the claim that it is mocking people like the speaker in the drawing.

Sure.

Stop Making Me Defend Katy Perry!

/ Jack Marshall / 18 Comments

Pop singing star Katy Perry has one of the longer and less complimentary Ethics Alarms dossiers among overly-influential celebrity types. Let’s see: her last appearance was as an Ethics Dunce in 2023, when she freaked out on “American Idol” over the fact that a contestant had survived a school shooting. Katy screamed, “This is not OK!,” announced that the country had “fucking failed us” and that she was “scared too.” I wrote, in part,

“That’s fine, Katy. Now go along with these nice men in the white coats, and they will help you. This is just the latest example of how celebrities degrade both the level of civic discourse on important issues and the intellectual abilities of anyone foolish enough to take them seriously. I’m pretty sure that no one, literally no one, believes that mass shootings anywhere, not just in schools, are “OK;” Perry was seeking virtue-signaling points for stating the screamingly obvious. Moreover, I am 100% certain that Perry doesn’t have the tiniest clue about how the U.S. has “fucking failed us” because of this school shooting or any schools shooting. What do you want, Katy? Martial law? No Bill of Rights? Everyone stuck going to school via Zoom forever? And if Katy Perry is ‘scared too,’ she should hire better bodyguards.”

Now Katy is being attacked from the conservative side because of a trademark dispute she won in Australia. The Daily Caller wrote in an editorial that Perry had “successfully bullied a woman in court and won, marking another unfair victory by a pretentious celebrity.” The story: An Australian woman named Katie Perry launched a fashion label using her name. Katy Perry’s real name is Katheryn Elizabeth Hudson, which the Daily Caller seem to think is significant. (It isn’t.) Perry also had a trademark for clothes using Katy Perry, and sued Katie for trademark infringement, not for, as Katie describes it, using her own birth name for her brand. Katie beat Katy in the initial round, but Katy filed an appeal and won. “Now the designer has lost everything she worked so hard to build,” sobs Tucker Carlson’s news and commentary site. “This is everything that’s wrong with Hollywood.”

No, this is everything wrong with conservative media. “An innocent person can no longer operate her long-time business with her own legal name. Fake Katy Perry for the win — seriously?” says the Caller.

Ugh. The Daily Caller chose to leave out some rather important details, I’m guessing because it’s open season on show biz celebrities now that Donald Trump’s win has them seeking exile, BlueSky, or rest homes. Among the relevant facts absent from the editorial:

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Weenie of the Week: Disney [Pointer Corrected]

/ Jack Marshall / 18 Comments

Is it too much to ask Disney to at least have the courage of its oppressively woke convictions?

An episode of the new Disney animated show “Moon Girl and Devil Dinosaur” that centered on a transgender character was pulled from the series and there are no plans to broadcast it.

The Disney Channel will not show the episode in 2025 apparently because of its LGBTQ storyline, which involves a transgender character named Brooklyn who is on the girl’s volleyball team and faces discrimination from the opposing team’s coach. The evil coach uses a magic key to lock Brooklyn and her teammates in the girl’s locker room so they can’t play. Brooklyn, who wears pride-themed kneepads and has a “Trans is beautiful” sticker on her water bottle, tells her team mates, “I’m trans, my very existence breaks Greer’s rules.”

Although Disney claims that the timing of the cancellation notice is a coincidence, it seems that all of the artists involved in creating the episode believe that the Presidential election results motivated the decision. Emmy Cicirega, a storyboard artist, wrote on X, “Disney should be ashamed of themselves for canning this episode. You don’t get to approve approve approve something and then destroy it at the last minute, shattering the crew’s hard work and hopes.” Another animator tweeted, “If an episode got this far, it was approved multiple times by multiple divisions, only to suddenly be struck down at the last second? Total breakdown of process and spitting on your team’s careful/thoughtful work…The action being preemptive makes it so much worse to me. The absolute cowardice and second guessing when actually this is when this content is needed most.”

Disney denies it all, but why should anyone trust Disney these days? It does seem spectacularly stupid to self-censor a work of art because of a Presidential election and a close one at that. It seems just as stupid to pull an episode that everyone will think became too controversial because of Trump’s win. If Disney believes as fervently in its all-in support of LGBTQ issues as its much maligned output in recent years suggests, then the company should show some integrity and guts, stick to its metaphorical guns, and tell Brooklyn’s story. One thing you could count on Walt for: if he had a vision, he didn’t care whose ire it aroused. Like all great artists, innovators and creators, if where he was going was into a headwind, he wouldn’t turn back. The decision to red pencil Brooklyn’s story reeks of a company without principles just trying to go where the winds seem to be blowing. Weenies.

Now watch everyone blame the lost episode of “Moon Girl and Devil Dinosaur” on Trump.

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Pointer: Willem Reese [This is a correction: I initially credited JutGory for the tip, who quickly disavowed. EA apologizes to all concerned.]

America’s Pop Culture May Save Us Yet: The “Trump Dance”

/ Jack Marshall / 18 Comments

This is the most wonderfully strange country, isn’t it? I have mentioned here before how the United States “won” the World’s Fair called “Expo 67.” A huge, imposing Soviet Union pavilion displayed threshers, tractors and other farm equipment, tanks and satellites, perfectly capturing the harsh gray gravity of life in the USSR. Not far away was the United States pavilion, housed in a giant transparent geodesic dome (courtesy of Buckminister Fuller), filled with joyful explosions of American pop culture: Raggedy Ann dolls, artifacts from the baseball Hall of Fame, cool cars, rock ‘n roll and classic movie clips running on loops. There was Gary Cooper alone in the dusty street; Cary Grant being shot at by that crop duster; Julie Andrews spinning on the mountain top at the start of “The Sound of Music,” Gene Kelly singing in the rain. Tough choice for the international visitors: which country would you want to live in?

And now, after one of the bitterest Presidential campaigns in our history, following almost a decade of a constantly widening breach in our politics, values and discourse, the essential light-heartedness (and habitual triviality) that has always been a feature of our national character is pulling us together.

I didn’t see this coming.

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Rita Moreno Thought She Was Justifying Hollywood and Broadway’s Woke Casting, But Instead Proved Its Hypocrisy

/ Jack Marshall / 11 Comments

Last December, right before New Year’s Eve, there was a blow-out Broadway celebration of the 80th anniversary of the memorable Rodgers and Hammerstein musical partnership that produced the acclaimed musicals “Oklahoma!,” “Carousel,” “South Pacific,” “The King and I,” “The Sound of Music,” and a couple of clunkers. It was a manufactured event to say the least. Why the 80th anniversary, for example? The team’s first successful collaboration was “Oklahoma!” in 1943, but it opened on March 31 of that year, so they were celebrating the so-called anniversary a full nine months late. (Try THAT with your wife!) But the real anniversary of the team’s formation was when Rodgers and Hammerstein collaborated on the 1920 Varsity Show, Fly With Me when the two were at Columbia University together. Nobody remembers that show, however, but Broadway could have celebrated the 100th Anniversary of R&H in 2020 right before the stupid pandemic lockdown almost killed live theater.

PBS has been showing the event on its “Great Performances” series, and it’s not that great. I was tipped off that the thing would drive me crazy when for some perverse reason the opening number, after the 40 piece symphony orchestra performed an overture that was a medley of well-known R&H tunes, featured a group of gay young men singing “There Is Nothing Like a Dame” from “South Pacific.” There might have been one straight guy among them, but my Gaydar meter almost blew up. Whose idea was that? If you’re going to have gays singing that lament supposedly belted out by horny, sex-deprived sailors in WWII, at least tell them to butch up, or better yet, pick a different song.

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What Was Whoopi Thinking?

/ Jack Marshall / 17 Comments

Or was she thinking? Or can she think any more? To be fair, having to be on “The View” and deal with that panel of idiots might drive anyone crazy. Still, this was a gratuitous, self-inflicted wound, and there will be consequences. Good.

Goldberg celebrated her 69th birthday on “The View” this week, and told her fellow panelists and viewers that her order for several dozen Charlotte Russe cup cakes at an unnamed bakery was initially refused because, she surmised, they objected to her politics. Goldberg didn’t mention the name of the bakery, taking defamation off the table, particularly since the Staten Island bakery in question, Holtermann’s, a 146-year-old institution in Great Kills on Staten Island, went on the offensive. The owner denied refusing the pre-order because of politics, explaining that she was dealing with a broken boiler and couldn’t commit to the large advance order.

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Most Insincere Apology Of The Month: “Snow White” Star Rachel Zegler

/ Jack Marshall / 6 Comments

This over-opinionated actress even looks like a smug jerk, doesn’t she? And she is! But not so smug that she is willing to accept the consequences of what she says when it jeopardizes her career. Like so many jerks on the Left, Zegler had to vent her poisoned spleen at everyone who didn’t vote her way—guess which!—on November 5. She took to Instagram and wrote,

“I find myself speechless in the midst of this. another four years of hatred, leaning us towards a world i do not want to live in. I shouldn’t be this shocked. but i am. i am heartbroken for my friends who awoke [in] fear this morning. and i am here with you. to cry, to yell, to hug. to wax poetic on how the left continues to fail us in forging a new path forward. this loss should not have been. and it certainly should not have been by so many votes. May Trump supporters and Trump voters and Trump himself never know peace. Another four years of hatred, leaning us towards a world I do not want to live in. Leaning us towards a world that will be hard to raise my daughter in.”

She didn’t stop there. In subsequent Instagram posts, she added that added there is a “deep, deep sickness” in the United States because so many citizens voted for a “man who threatens our democracy.” Harris’s loss, the keen political analyst wrote, was “one that should not have been… and it certainly should not have been by so many votes,”  Later she wrote, “It is terrifying the number of people who stand behind what this man preaches. it is a foolish subscription to a false sense of security, of masculinity, of intelligence, of patriotism, and of humanity. there is no help, no counsel, in any of them. i could go on. i won’t. i feel sad. you probably do, too. fuck this.”

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A Ballad For Veterans Day

/ Jack Marshall / 10 Comments

I saw Marlene sing that song, which always ended her concerts, in her penultimate performance in the U.S. That time, she shouted out “Gone to graveyards every one!” I have never felt such a jolt of emotion in any live performance I have ever attended. A woman near me broke into tears. It was particular effective because of Dietrich’s personal history, and her work for the Allies, some of it covert, during World War II.

We will never see her like again.

The Final Scene in “Michael Clayton” As a Metaphor For the 2024 Election And A Lesson For Democrats Which They May Be Incapable Of Learning…

/ Jack Marshall / 8 Comments

In the scene above, which has already made it onto many lists of American cinema’s best ending scenes, Michael Clayton, a law firm fixer who has survived a murder attempt paid for by the general counsel of a chemical company that presents its products as boons to civilization but which is really covering up a massive pollution scandal, confronts the general counsel with his survival, knowledge of her and her company’s crimes. Unknown to her Clayton is wearing a wire, and her incriminating responses to the confrontation will bring down the company. Arthur, Clayton’s friend whom he refers to, was the whistle-blowing lawyer that the general counsel had murdered to prevent him from revealing the smoking gun company document Clayton is holding, evidence of the company’s knowing contamination that harmed or killed millions.

It is ironic that George Clooney, in what is easily his best movie and best performance, played a central role in the failed Democratic Party palace coup that resulted in the disastrous campaign and defeat of Kamala Harris. The unhinged and folish reactions of the now re-loading “resistance,” Democrats and their corrupt media allies (“The Axis of Unethical Conduct” in Ethics Alarms parlance) brought this scene to mind. You should show it to your deranged Facebook friends and relatives, but here’s a guide for you to use if they are incapable of grasping the lessons it holds…

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Obama’s Clever Fake Magnanimity

/ Jack Marshall / 9 Comments

I’m sorry, but to those who are saluting the allegedly classiness of our 44th President, I say “Fool me once, shame on him, fool me 2,576 times, he can bite me.”

Now make no mistake: Obama know how to fake virtues he doesn’t have, and that’s an important leadership skill. Most Americans probably think he really was trying to be a “President for all Americans,” when he was in fact one most disastrously divisive Presidents in our history. He knew how to act Presidential: if only Donald Trump had that skill (or wanted to have it), he might be far more effective. On the other hand, enough people figured out Obama’s act (and Hillary’s, and Biden’s, and Bill Clinton’s, and Joe Biden’s, and Kamala Harris’s…) that they decided that an open vulgarian that didn’t pretend to be something he isn’t (like nice, kind, respectful, dignified, civil, even-tempered…well, ethical, frankly).

There are several tells in the statement, which, of course, is being fawned over as if Michelle and BO didn’t attack Trump personally when they played cavalry to Kamala’s ill-fated metaphorical wagon train to the White House. Obama suggested that Trump was senile, which takes quite a bit of gall for any Democrat, considering that they pretended that Joe Biden was solving Rubik’s Cube blindfolded for years when he really belonged in a home with a drool cup. I don’t call that “good faith and grace.”

But my favorites were the words he used on Kamala and her pathetic campaign.

In the theater world, a constant ethical dilemma is what to say when you go to a friend’s show and the show, or the friend’s performance, stinks on ice. Books have been written about this problem. “I’ve never seen you better!” is a classic response; pure deceit, of course, but effective. “That was memorable!” is another. Obama chooses his words carefully, and the carefully chosen deceitful word he used for Harris’s disastrous campaign was “remarkable.” It was remarkable all right: remarkably inept and ineffective. Before that, Obama calls Knucklehead and Harris “extraordinary.” Same trick. Actually, in theater circles, using more than one of these deliberately two-edged superlatives is considered risky, but I don’t think Obama cares: he has plausible deniability.

Finally, he says, “he couldn’t be more proud.” That one’s a version of the theater classic, “I couldn’t have enjoyed the show/your performance more!” (My personal favorite variation, “I’ve never seen you better!”)

Oh yeah, this guy’s good.