Arts & Entertainment

Ethics Quiz: The Controversial Photo

/ Jack Marshall / 8 Comments

 

WORLDPRESS

Sometimes cheating isn’t cheating at all, but a just a different interpretation of the rules. And sometimes, it’s just cheating.

The World Press Photo contest just stripped “The Dark Heart of Europe,” a 10-photo series by Giovanni Troilo about life in Charleroi, Belgium, of a first prize after the judges decided that he had misrepresented the location of one of the  images. But before proof of the mislabeling of one of the photos settled the matter—Troilo had taken one of the images in the artist’s studio outside Brussels and not in Charleroi as the series titles had represented—another of the images in his entry had caused a rules dispute.

 Troilo had photographed his cousin having sex with a woman in the back of a car, using a remote-control flash to illuminate the steamy back seat. By putting a flash in the car, the stickers said, Troilo had effectively staged the photo, violating the ethics of  photojournalism and the rules of the contest.

The original caption on the photo posted on the World Press Photo website was, “locals know of parking lots popular for sexual liaisons.” The photographer said he had made it clear to World Press Photo that he had followed his cousin on a night when his cousin had planned to have sex, and had his cousin’s consent to place the flash device in the car. World Press Photo rules state that “staging is defined as something that would not have happened without the photographer’s involvement.”

Troilo argues that his photo of the sexual liaison qualified under this definition. He didn’t tell his cousin to have sex in the car, and it would have happened whether he photographed it or not. “This is not a stolen photo of a couple caught unawares,” the photographer said, explaining that his goal was “to show voyeurism through voyeurism. The camera becomes active; it becomes the sense of shame.”

Other photojournalists argue that by conspiring with one of his subjects to illuminate the event, Troilo left the realm of photojournalism and entered that of .  portraiture. One of the harsher critics wrote on Facebook, “The photojournalists we want to represent do not call upon their cousins to fornicate in a car.”

Your Ethics Alarms Ethics Quiz is:

Did Troilo cheat under the photojournalism rules by planting a flash in the car where his cousin was planning to have sex?

Continue reading →

Ethics Quote of the Week: Christiane Amanpour

/ Jack Marshall / 105 Comments

“It was a very dark Strangelovian speech painting the picture of a dystopian world, raising the spectre of a genocidal nation, a genocidal regime spraying nuclear weapons to annihilate the whole world and the whole region. Now, obviously many people are very concerned about Iran and there is a deep lack of trust, but surely the same was said of the Soviet Union all those years ago.”

—-CNN reporter Christiane Amanpour, commenting to Wolf Blizter on Benjamin Netanyahu’s controversial address to Congress.

That's funny...he doesn't LOOK Jewish...

That’s funny…he doesn’t LOOK Jewish…

This is a propitious opportunity to clear up a question I have been asked a few times, namely, “What is the distinction between the Ethics Alarms “ethics quotes” as opposed to the unethical and ethical quotes of the week or month. Sometimes, it’s a close call, like now. An ethics quote either illustrates, in a positive or negative fashion, an ethics principle or raises an ethics issue. Unethical quotes are those that are themselves harmful, dishonest, or that promote ethics misconceptions and unethical conduct. Ethical quotes are those that display ethical values or accomplish something that is objectively good.

Amanpour’s quote is, not to be overly blunt, stupid, ignorant, and disturbingly lacking in historical perspective. It raises ethics issues, but does not rise to the level, quite, of an unethical quote. It does raise the ethics issues of incompetence in the media, political bias robbing us all of IQ points, irresponsible journalism, and what happens when one is incapable of placing oneself behind another individual’s eyeball.  She is trying to be descriptive, so I would not term the quote itself unethical, just shocking. She has long been respected as a reporter on international events, but this statement is so devoid of its proper context that I think her credentials need to be reconsidered. Continue reading →

Painter Nelson Shanks, Art Fick

/ Jack Marshall / 46 Comments
Shanks. (The photographer hid a tiny image of an asshole in the photo, Nelson. He knew you'd approve.)

Shanks. (The photographer hid a tiny image of an asshole in the photo, Nelson. He knew you’d approve.)

A “fick” is an individual isn’t just unethical, shamelessly unethical, or openly unethical. Fick is the Ethics Alarms term, created in honor of the horrible Leroy Fick, who is proudly and cheerfully unethical. Fick sightings are mercifully rare, but we have a true giant of the species: Philadelphia portrait artist Nelson Shanks. Shanks, who was the artist commissioned by the Clintons to paint the portrait of Bill that hangs in the National Portrait Gallery, just gave an interview to the Philadelphia Inquirer, and without a gun pointed to he head, told them this:

“Clinton was hard. I’ll tell you why. The reality is he’s probably the most famous liar of all time. He and his administration did some very good things, of course, but I could never get this Monica thing completely out of my mind and it is subtly incorporated in the painting.

If you look at the left-hand side of it there’s a mantle in the Oval Office and I put a shadow coming into the painting and it does two things. It actually literally represents a shadow from a blue dress that I had on a mannequin, that I had there while I was painting it, but not when he was there. It is also a bit of a metaphor in that it represents a shadow on the office he held, or on him.”

Fick.

Bill Clinton chose Shanks for this prestigious task, paid him, patronized him, posed for him, and trusted him. And Shanks not only does this trick with the dress shadow, which is bad (making a disguised uncomplimentary reference to a career scandal in an official portrait is a betrayal of the subject whether it is discovered or not —See Rationalization #10, The Unethical Tree in the Forest, or “What they don’t know won’t hurt them.” ), but then makes his conduct public, instantly transforming the portrait from an honor into an indictment. He was not hired to paint an indictment.

Fick

He is using this now to his own advantage, gaining fame and name recognition, possibly enhancing the value of his work, definitely increasing interest in the painting itself. He knows there will be TV interviews and controversy; he knows enemies and critics of the Clintons, Republicans, and many of those–like me— who find Bill Clinton’s continued currency among Democrats, women and feminists infuriating will applaud him, defend him, and even reward him in various ways.

Fick.

He knows what he did was wrong, and knows announcing it is wrong. He’s still pleased with himself.

Fick.

________________________

Pointer: Tim Maher
Facts: Washington Post, Philly.com

SNL’s ISIS Recruitment Commercial

/ Jack Marshall / 42 Comments

There is supposedly a big social media controversy over this gag SNL ad, starring Dakota Johnson, that simultaneously parodied an Army recruitment promo and satirized the disturbing trend of brainless teens running off to join that terrorist organization that has nothing to do with Islam.

It’s not a controversy when one side is ignorant, censorious, politically correctness- addled, humorless and wrong and the other side isn’t.

The ad is brilliant black comedy and satire, one of SNL’s all-time best. Those who object to it don’t get black humor and satire, which makes their objections as irrelevant as someone allergic to shellfish saying that Legal Seafoods stinks. Nobody’s making them eat there, and they don’t have to watch Saturday Night Live or think it’s funny either. But I don’t care about their opinion, which is uninformed and useless to anyone who understands and appreciates the issues.

Here’s what was good and funny—and ethical– about the parody:

1. It caught the saccharine tone of its model exactly.

2. Its ending was a surprise.

3. It ridiculed ISIS, which deserves ridicule. President Obama claims that the way to withhold respect for the group is to lie about it being a group of Islamic extremists. This is much better, ethical, and doesn’t mislead anyone.

4. Making fun of evil is a time-honored activity, healthy, useful, and effective. I don’t recall anyone saying that Spike Jones was treading on sacred ground with this song:

or that The Three Stooges were trivializing the death camps with this…

5. The satire even cuts two ways. You know, that sweet young girl is also being sent off to kill people when she’s joining the military in the real ad. Like all great satire, this one is subversive and layered. Continue reading →

Downton Abbey Ethics: Evil Barrow’s Ethics Lesson

/ Jack Marshall / 24 Comments

Downton-abbey-season-5

If some of your PBS watching friends are unclear on those essential ethics analysis tools, the concepts of moral luck and consequentialism, the season finale of “Downton Abbey”( which you can view here) provided a wonderful example of both in action.

Now, settle down, because this takes some table-setting: Continue reading →

March 1 Is “Remember What Drugs Cost Society Day”

/ Jack Marshall / 18 Comments

Belushi

The District of Columbia is poised to completely legalize pot, which will be the most ringing of government endorsements of  societally destructive personal conduct, in a malfunctioning culture that should not be placed at further risk. This overwhelmingly black, poor, educationally-challenged and struggling population needs competent, trustworthy leadership and an injection of values.  It is a community, after all, that idolized the late Marion Barry, a mayor who smoked crack on the job, and never apologized for it. It’s not surprising that the adults in the District would tell the young African-Americans that it’s cool to spend their your money to get stupid, to avoid clear thought rather than practice it.

Every March 1, I watch this old clip (below) from Saturday Night Live  (it’s not on YouTube, so I can only link to it) , featuring the great, and thanks to recreational drugs, late John Belushi. It unfailingly makes me laugh out loud. It also makes me furious that a talent like this gave himself so little time to entertain us, because he killed himself with an insatiable appetite for illegal drugs.

For me, March 1 is “Remember What Drugs Cost Society Day.” Those arguing for our government placing a societal  seal of approval on these costs have yet to persuade me that it is ethical, wise or even sane to not just accept them, but to multiply them by a number unknown.

Here’s John Belushi (1949-1982), enlightening us about March around the world.

More Oscar Ethics: Ethical Quote (Graham Moore) and Unethical Quote (John Legend) Of The Month

/ Jack Marshall / 45 Comments

“When I was 16 years old, I tried to kill myself because I felt weird and I felt different, and I felt like I did not belong. And now I’m standing here, and so I would like this moment to be for this kid out there who feels like she’s weird or she’s different or she doesn’t fit in anywhere: Yes, you do. I promise you do. Stay weird, stay different, and then, when it’s your turn, and you are standing on this stage, please pass the same message to the next person who comes along. Thank you so much!”

—-Graham Moore, 2015 Oscar winner for best adapted screenplay for the movie “The Imitation Game,” in his acceptance speech.

…

“We live in the most incarcerated country in the world. There are more black men under correctional control today than there were under slavery in 1850.”

— John Legend, accepting the 2015 Oscar for Best Song for “Glory” from “Selma.”

Legend’s statement is technically accurate, but misleading in many ways, inflammatory, destructive, and irresponsible.

When you heard it, did you make the distinction between “in prison” and “under correctional control”? Most didn’t—I didn’t— and that was intentional. This is deceit. Correctional control  includes those in prisons, but also those in jails awaiting trial or serving short local sentences; those on parole; and others on probation.  Like all the fake and misleading statistics that fly around, this one is inflated to induce a “Wow!”  A person under probation or parole can live a completely normal and free life, if he or she can avoid breaking the law and some extra rules. Slavery it’s not. Continue reading →

Oscar Ethics 2015: The Unforgivable Dishonoring Of Maureen O’Hara

/ Jack Marshall / 25 Comments

maureen ohara

Usually I follow the Oscars telecast with a post on the recently deceased actors and actresses the Academy unfairly snubs in its annual “In Memoriam” session. There is no excuse for robbing anyone of a last bow and farewell, despite the repeated claim that there “just isn’t enough time” to squeeze everyone in. Last night that dishonest excuse for disrespect and incompetence was rendered more absurd than ever: If there’s time for the longest, slowest, most repetitious speech yet by an Academy official, if there’s time for not one but two inappropriate political rants on the podium by award-winners, if there’s time for so many songs that the show seemed more like the Grammys than the Oscars, then there’s time to flash a couple more faces for a second or two.

This year, the omissions were minimal compared to recent years. I noticed the absence of Richard Kiel (1939-2014),

Jaws

…the giant actor who was best known for playing the James Bond villain “Jaws” in two films, as well as less celebrated monsters, aliens and goons. Marcia Strassman, (1948-2014),

Strassman

who made few films (she was predominantly a TV actress (“Welcome Back, Kotter”), but who was the co-star (with Rick Moranis) of the Disney hits, “Honey I Shrunk the Kids” and “Honey I Blew Up The Kid,” also deserved inclusion, and Polly Bergen (1930-2014)

Polly Bergen

…who played the terrorized lawyer’s wife in the original “Cape Fear”(portrayed by Jessica Lange in the Scorsese re-make) and had significant roles in several other films, was a bad omission.

Because Twitter users are about 12 or have the memories of mayflies, there was much indignation last night over the absence of Joan Rivers and former SNL standout Jan Hooks. I’d leave the appreciations of both to the Emmys, especially Rivers. A couple cameos and doing the voice of the C3PO parody in “Spaceballs” doesn’t constitute a film career, and snarky red carpet interviews are not movie-making.

Those snubs pale in significance, however, to the disrespect shown by the academy not only to one of its all-time great stars, but to its own history, in the treatment of actress Maureen O’Hara. Continue reading →

Best Ethics Movie Of The Year: “Whiplash”

/ Jack Marshall / 19 Comments

I doubt that it will win “Best Picture” at the Oscar (though the consensus seems to be that J.K. Simmons, who dominates the film, has “Best Supporting Actor” in the bag), but “Whiplash” is the best film of the year that explores an ethics conundrum of long standing.

Without spoiling the film for those of you—the odds say a majority—who haven’t seen it, let me explain why.

“Whiplash” is ostensibly about a gifted music student’s quest to become not merely a good but a great jazz drummer. On the way, he encounters a fanatic, merciless, manipulative and demanding teacher (Simmons) who sees the young man’s passion and potential and is determined to either make his greatness bloom or break him trying. The movie raises the eternal question of the ethical obligation of the gifted to use their gifts to enrich society, culture and mankind. Arturo Toscanini once berated Bing Crosby for “wasting” his once-in-a-lifetime voice on popular music rather than opera. Is possession of a remarkable ability or talent something that forces the possessor to live an altruistic existence, subordinating his or her own desires to what will most benefit others? Is it unethical to refuse, to choose another path, one that is less daunting, easier, more relaxing, surer, without the stress, without the burden of chasing perfection and extraordinary success? Continue reading →

Ethics Dunce: Jillian Michaels

/ Jack Marshall / 29 Comments

Jillian

There’s no boor like a celebrity boor.

Especially a strong celebrity boor.

The Washington Post reported yesterday that the ex-trainer for TV’s unethical reality show “The Biggest Loser” visited the Northern Virginia locale of The Palm, an up-scale “go to be seen” D.C. steakhouse over the weekend.

She reportedly arrived at the restaurant around 8:30 p.m. and joined a couple in a booth. Witnesses told the Post that Michaels soon began speaking loudly and obscenely, using the vulgarities fuck and cunt repeatedly, as well as multiple variations.   “She used the word ‘f—er’ in just about every variation — noun, verb, adjectives,”diner told the Post.  When another patron finally went over to the table to complain, noting that she was glad she didn’t have her kids with her, Michaels  ridiculed the complaint, saying, “It’s fucking ten o’clock!” Michaels said, according to the witnesses. Then one of her companions told the diner, also using vulgarities, to go listen to someone else’s conversation.

I am glad I wasn’t there. There would have been trouble. Continue reading →