Arts & Entertainment

Ethics Quiz: The National Cathedral’s New Windows

/ Jack Marshall / 12 Comments

The stained glass windows in the National Cathedral show different scenes from American history. Someone made the dunderheaded decision when the cathedral was being designed to have windows honoring Robert E. Lee and Stonewall Jackson, which seemed, in a setting with limited opportunities to highlight American heroes, an odd choice even back when the structure was opened to the public.

After a gunman shot and killed nine Black worshipers at a church in South Carolina in 2015 and the movement began to ban all things Confederate, the cathedral management decided that Stonewall and Lee had to go. Six years after the glass’s removal in 2017, National Cathedral has unveiled their replacement, which you can see above. The new windows , titled Now and Forever, show black protesters holding protest signs bearing the words “No,” “Not,” “Fairness” and “No foul play.”

Your Ethics Alarms Ethics Quiz of the Day is…

Is this a responsible, appropriate, ethical decoration for the National Cathedral in Washington, D.C.?

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Language Ethics: Hollywood Writers Are Insulted That Their Work Is Being Called “Content.” Tough.

/ Jack Marshall / 8 Comments

New York Times critic James Bailey takes offense on behalf of his pals in the Writer’s Guild, whose expensive strike is about to end, with a lament called “Emma Thompson Is Right: The Word ‘Content’ Is Rude.”He took off from a statement by Oscar-winning actress (and apparently now screenwriter—at least enough to put her in the union) Emma Thompson, who told the Royal Television Society conference in Britain last week,“To hear people talk about ‘content’ makes me feel like the stuffing inside a sofa cushion.” She continued, “It’s just a rude word for creative people.I know there are students in the audience: You don’t want to hear your stories described as ‘content’ or your acting or your producing described as ‘content.’ That’s just like coffee grounds in the sink or something.”

You see, the main impetus of the writer’s strike is the threat of artificial intelligence generating “content” and putting “creative people” out of work.

Writes Bailey (in part), applauding her indignation,

 She’s right about the real-world impact of what is, make no mistake, a devaluing of the creative process. Those who defend its use will insist that we need some kind of catchall phrase for the things we watch, as previously crisp lines have blurred between movies and television, between home and theatrical exhibition and between legacy and social media.

But these paradigm shifts require more clarity in our language, not less. A phrase like “streaming movie” or “theatrical release” or “documentary podcast” communicates what, where and why with far more precision than gibberish like “content,” and if you want to put everything under one tent, “entertainment” is right there. But studio and streaming executives, who are perhaps the primary users and abusers of the term, love to talk about “content” because it’s so wildly diminutive. It’s a quick and easy way to minimize what writers, directors and actors do, to act as though entertainment (or, dare I say it, art) is simply churned out — and could be churned out by anyone, sentient or not. It’s just content, it’s just widgets, it’s all grist for the mill. Talking about “entertainment” is dangerous because it takes talent to entertain; no such demands are made of “content,” and the industry’s increasing interest in the possibilities of writing via artificial intelligence (one of the sticking points of the writers’ strike) makes that crystal clear.

Perhaps the finest example of this school of thought can be seen at Warner Bros. Discovery…The “content”-ization of that conglomerate’s holdings is the only reasonable explanation for the decision to rename HBO Max as simply Max — removing the prestigious legacy media brand that most clearheaded, marginally intelligent people would presume to be an asset. It lost 1.8 million subscribers in the process, but that’s merely the battle; it won the war, because when you visit Max now, the front-page carousel is a combination of scripted series, HBO documentaries, true crime and reality competition shows. It’s all on equal footing; it’s all content. But “Casablanca,” “Succession” and “Dr. Pimple Popper” are not the same thing — and the programmers of a service that pretends otherwise are abdicating their responsibility as curators...

The way we talk about things affects how we think and feel about them. So when journalists regurgitate purposefully reductive language, and when their viewers and readers consume and parrot it, they’re not adopting some zippy buzzword. They’re doing the bidding of people in power, and diminishing the work that they claim to love.

This is, to quote a word that arose from past Hollywood “content,” gaslighting. Reality show writers marched shoulder to shoulder with the “artists” Bailey is extolling, and what they were striking over is money, not art, as the unionized writers try to fend off the threat of robots who are either capable or soon will be of producing the kind of swill I see in 80% of the TV and Hollywood content I watch ….and I watch a lot.

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When Ethics Alarms Don’t Ring, Or Are Busted, Or Something: The Palm Springs AIDS Memorial

/ Jack Marshall / 24 Comments

Damn Palm Springs, California: I was about to quit for the day, but I had to return to the blog for this ridiculous story.

The Palm Springs AIDS Memorial Task Force is now backtracking after revealing its preliminary choice for a memorial to the victims of AIDS. The memorial is being funded privately with an expected cost of approximately $500,000. After considerable study, the winning design, planned for erection (Stop it!) in the Downtown Park near the Marilyn Monroe statue is a nine feet tall limestone structure with concentric carved circles, symbolizing, we are told, “the diverse impact of AIDS on the community” and ” intended to evoke feelings of connection, reflection, and hope.”

It also looks a lot like an anus. Not that there’s anything wrong with that….

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How Public Ignorance Grows: Two Case Studies

/ Jack Marshall / 10 Comments

People who don’t adequately research what they write about as pundits, experts or authorities spread their own biases, ignorance and misconceptions like a virus-infected audience member coughing in a crowded theater. Two annoying examples of the phenomenon have surfaced in the last week, but the phenomenon is widespread and frequent.

Here was a collaborative effort: “The World’s Fair beats the hell out of Disney…” is the link currently displayed on the conservative news aggregator Citizens Free Press. That link takes you to an essay by Randy Tatano called “Bring back the World’s Fair.”

“Sadly, time machines don’t exist, or I’d transport you back a few decades to a wonderful tradition this country has abandoned: the World’s Fair,” Tatano writes. “This piece of Americana sadly made its last appearance in New Orleans in 1984. The event moved every few years from one major city to another, and there was always something new to experience….I was fortunate enough to grow up a 30-minute drive from the 1964-65 World’s Fair in New York. It ran from April to October both years, and we made plenty of visits. Combining entertaining rides with a time travel element, it blew away anything you could experience in Orlando…The fair was so big there was an actual cable car called the “Swiss Sky Ride” which took you airborne from one end of the fair to another…It’s been almost 40 years since the last World’s Fair. I find it sad that an entire generation never got to experience one and wonder if we’ll ever see such an amazing event again.”

Tatiano bashes Disney several times in his article, but I found myself wondering, “Has this guy been to Walt Disney World?” and “Did no one tell him that the 1964 World’s Fair was substantially a preview of Walt’s last great project?” About half the New York World’s Fair major attractions Tatiano nostalgically marvels at were designed by Disney engineers and transferred to the new theme park as soon as the New York World’s Fair closed. He doesn’t mention others Disney contributions, like the G.E. “Carousel of Progress” and the audio-animatronic Abe Lincoln, who starred at the Illinois state pavilion. The experience at Flushing Meadows in Queens in 1964-65 didn’t “blow away anything you could experience in Orlando,” it was exactly what Disney World visitors a couple of years later experienced in Orlando: I was at the ’64 World’s Fair, and the similarities were the first thing that struck me when I finally got to Disney’s mega-park ten years later.

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More Hall Of Fame Ethics: The Jann Wenner Problem

/ Jack Marshall / 8 Comments

The last time Ethics Alarms discussed the Rock and Roll Hall of Fame’s standards was ten years ago, as I chided a conservative blogger for wanting to block Cat Stevens’ enshrinement on the grounds that during his activist days he qualified as an Islamic radical. Following a common theme here, EA pointed out that when a Hall of Fame mission is to honor artists for their art, no other considerations are relevant. Baseball’s Hall is unusual in that it actually has a character requirement, something that would empty out the Rock and Roll Hall sufficiently to have tumble weeds rolling through the Hall’s halls. So I applauded the RRHOF for admitting Cat, who was worthy, regardless of Cat’s politics.

Now comes the news that Jann Wenner, co-founder of Rolling Stone magazine and rightfully enshrined in the Hall as a major figure in the business and culture of Rock and Roll, has been kicked off of the Rock & Roll Hall of Fame Foundation’s board for comments he made in a New York Times interview. Wenner was speaking to the Times about his upcoming book “The Masters,” which features interviews he conducted with artists like John Lennon, Bob Dylan, Mick Jagger and others in the past. Queried about why there are no interviews with female and black artists, Wenner’s ethics alarms broke down entirely and he actually said that the reason was that women and blacks aren’t articulate.

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Ethics Dunce And A Tie With Rep. Broebert For Worst Apology Of The Week : Drew Barrymore

/ Jack Marshall / 8 Comments

[Note: This post takes no position regarding the validity and justness of the Hollywood writers’ strike.]

Tough choice: is the now middle-aged former child star turned talk show host’s apology even more unethical than Broebert’s discussed here? It’s certainly more ridiculous, even though Drew’s was teary and seemingly sincere, unlike the Republican’s. In fact, this apology is unique in my experience: Barrymore was apologizing for something she had announced she was doing, then she went ahead and did it anyway. What is that?

The Writers Guild of America (WGA) has been on strike since May over more equitable wages and working conditions. Even though it is a talk show and theoretically shouldn’t require writers, “The Drew Barrymore Show” does employ some, and thus is officially being struck. Nonetheless, Barrymore announced that her show would metaphorically cross the picket lines to premier tomorrow as scheduled. Her announcement predictably attracted a “scab” response from the WGA and others on social media. Then Barrymore posted the mea culpa video excerpted above on Instagram.

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Ethics Dunce (And A Tie For Worst Apology Of The Week): Rep. Lauren Boebert (R-CO)

/ Jack Marshall / 19 Comments

One of Donald Trump’s proteges, Rep. Lauren Boebert, behaved so outrageously at a a Denver theater last week during a performance of the Broadway musical “Beetlejuice,” that she was asked to leave by the theater managers. She was loud, sang along with the performers in places, got in arguments with audience members, was ostentatiously groped by her male companion, and perhaps most objectionably, vaped during the performance, which is what you see her (in the middle of the frame, second from the aisle) in the act of doing—see the little puff?— in the security camera shot above. She also took a selfie during the second act. As she and her date were ushered out, the distinguished member of Congress actually uttered the magic phrase I regard as signature significance for an insufferable celebrity jerk, “Do you know who I am?” and threatened consequences for the staff.

That’s not all. She had her office deny that she had been vaping, not realizing that security cameras memorialized it. And still that’s not all. Here is her head-exploding “apology” for acting like a 17-year old raised in a barn who had never been at a live theater show in her life:

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Ethics Quiz: Oprah’s Surprise

/ Jack Marshall / 22 Comments

I did not see this coming at all. Obviously, neither did Oprah Winfrey.

On August 31, Winfrey and Dwayne Johnson united on their Instagram and TikTok accounts to promote their People’s Fund of Maui, which they had co-launched with a combined $10 million donation. The fund would support the victims of the Maui wildfires, and O joined with The Rock to call on the public for more contributions. The following accompanied their joint video, shot in Hawaii, naturally:

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Friday Forum, Open For Business

/ Jack Marshall / 36 Comments

It’s come to this.

I’m playing “The Learned Judge” in a lightly staged concert version of Gilbert and Sullivan’s “Trial by Jury” this weekend at the Georgetown Law Center. (That’s a different production of the show above.) The cast is made up of current students and alums from the past 50 years. Gilbert’s resolution of the musical law suit in which a jilted bride is suing a rogue for breach of promise of marriage is that the judge (me) decides to marry the plaintiff himself, a decision that she is delighted with. In announcing this “judgment,” I came down to the young woman, a first year law student, playing the plaintiff “Angelina” and placed my arm around gently around her waist, then transitioned to holding her hands in mine as we sang the final bars of the show.

The director asked that I only place my hand on Angelina’s shoulder rather than around the waist, because the production might be criticized for endorsing sexual harassment.

But you all chat about whatever ethics matters are making your lives interesting, exciting, or miserable.

When Ethics Alarms Don’t Ring: The Education Secretary’s Play List

/ Jack Marshall / 7 Comments

Wow. What an idiot.

Here are some sample lyrics from the songs our Education Dept. Secretary loves:

“Out o’ town, put it down for the Father of Rap And if yo’ ass get cracked, bitches, shut your trap. Come back, get back, that’s the part of success.”

“Fuck all you hoes. Get a grip, motherfucker!”

“My my, I’m big huh, I rip my prick through your hooters I’m sick, you couldn’t measure my dick with six rulers”

Secretary Cardona can listen to, read and love whatever he chooses, but his tweet—he quickly deleted it, of course, after multiple social media commenters explained to him that the tweet called into question his priorities and judgment—is a red flag to parents who don’t want their children to be immersed in a sexually-obsessed culture when they need to learn academic skills. This is the official who is overseeing U.S. education policy, and he saw nothing inappropriate about endorsing songs with lyrics like “Fuck all you hoes.”