Regarding Jason Aldean’s “Try That In A Small Town”

Sucker punch somebody on a sidewalk
Carjack an old lady at a red light
Pull a gun on the owner of a liquor store
Ya think it’s cool, well, act a fool if ya like

Cuss out a cop, spit in his face
Stomp on the flag and light it up
Yeah, ya think you’re tough

Well, try that in a small town
See how far ya make it down the road
Around here, we take care of our own
You cross that line, it won’t take long
For you to find out, I recommend you don’t
Try that in a small town

Got a gun that my granddad gave me
They say one day they’re gonna round up
Well, that shit might fly in the city, good luck

Try that in a small town
See how far ya make it down the road
Around here, we take care of our own
You cross that line, it won’t take long
For you to find out, I recommend you don’t
Try that in a small town

Full of good ol’ boys, raised up right
If you’re looking for a fight
Try that in a small town
Try that in a small town

Try that in a small town
See how far ya make it down the road
Around here, we take care of our own
You cross that line, it won’t take long
For you to find out, I recommend you don’t
Try that in a small town

Try that in a small town
Ooh-ooh
Try that in a small town

Suddenly, a fairly standard issue Country Western anthem released in May by a singer I had never heard of is a battleground in the culture wars. I’ve listened to it several times now. Woke Central Command apparently put out a memo declaring that the song is an existential threat to democracy, or something, and the mainstream media has rallied to the cause. State Representative Justin Jones of Tennessee (Guess which party!) condemned the song on Twitter, describing it as a “heinous song calling for racist violence” that promoted “a shameful vision of gun extremism and vigilantism.” The Washington Post, incredibly, has published six op-eds attacking it in hysterical terms. The song is a call for lynchings! It’s advocating vigilantism! Major Tipton would like a word…

For heaven’s sake: the song is an unsubtle paean to traditional values, individual rights, respect for the law, and community harmony, while impugning the priorities and values of urban centers. That’s all. It’s hardly an unusual theme for a Country Western song. Far more significant than the song is the extreme reaction to it on the ideological Left. The song’s sentiments represent a threat to Woke World’s mandatory conformity with the progressive agenda, so the song itself must be censored, canceled, wiped out of public consciousness.

These people are getting desperate.

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I Know It’s Too Easy But I Can’t Resist: “An Irish Actor Playing Oppenheimer Proves Once Again That Jews Don’t Count” May Be The Most Hilariously Confused Casting Ethics Rant Yet

There is only one ethical way to cast a play, musical or movie: pick the actor whose portrayal will most entertain the audience and realize the full potential of the script. Casting is not the place (if anywhere is) for political correctness, quotas, “diversity,” or affirmative action.

Ethics Alarms is full of discussions of this issue, most recently here, in the post just last week about how Disney decided it was offensive to cast seven little people as the Seven Dwarfs in “Snow White and the Seven Dwarfs.” Hollywood and Broadway are completely confused and hypocritical in this area, because the people who run both places are 1) desperate to be seen as progressive and to signal their virtue at every opportunity, 2) terrified of being branded as non-woke, giving extreme activist groups representing various tribes and interests groups the upper hand in their bullying efforts, and 3) not very bright, frankly.

This is why a Samoan-African American actor was found insufficiently black to play folk legend John Henry, but a black woman was cast as red-headed fish-girl Ariel in “The Little Mermaid,” and the Founding Fathers ended up being portrayed by black, Asian, and Hispanic women and “non-binary” performers in the revival of “1776.” Tom Hanks now says only gay actors should play gay characters, but a director who refused to cast a gay actor as a non-gay character would be run out of the business. It is, as I have written here before, Calvinball.

All of which brings us to the head-exploding essay by Malina Saval, editor in Chief of Pasadena Magazine, titled “An Irish Actor Playing Oppenheimer Proves Once Again That Jews Don’t Count.”

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Indiana Jones And The March Of Folly

I have to ask: what the hell is going on with Harrison Ford’s nose in the photo above from “Indiana Jones and the Dial of Destiny”? It looks like he borrowed it from Dustin Hoffman’s make-up kit from “Little Big Man,” when Dustin played a 111-year old man. But I digress…

It is now certain that Disney’s fifth and one hopes final Indiana Jones movie will be a financial disaster. It cost $300,000,000 to make, and with marketing and other costs, a big Hollywood film has to clear about twice its filming costs to break even. That’s not happening; three weeks after its release, “Dial of Destiny” is already trailing two less-hyped summer films, and is being treated as “dud on arrival.”

“Movie Web” has done the best analyses I’ve seen regarding the film’s conceptual, artistic and marketing problems (here and here), and I’d love to write about those, but this is an ethics blog, so I’m officially interested in just one aspect of the debacle: Why didn’t anyone stop it?

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And Still More From The A.I. Ethics Files: “Looker” Again Raises Its Perfect Virtual Head In The Hollywood Actors Strike

Back in March, Ethics Alarms discussed the ethical issues implicated when marketing departments begin using Artificial Intelligence to “increase the number and diversity of our models for our products in a sustainable way,” as one retailer phrased it. The scenario echoed the plot of “Looker,” a 1981 Michael Crichton science fiction thriller in which a high-tech research firm convinces companies that real, live models, even after cosmetic surgery, can’t approach the physical perfection that will optimally influence consumers. In its diabolical scheme, models are offered a contracts to have their faces and figures scanned to create 3D computer-generated avatars, indistinguishable from the live versions, which would be animated by A.I. programs for use in TV commercials. Once their bodies are duplicated digitally, the human beings get lifetime paychecks and can retire, since their more perfect CGI dopplegangers will be doing their work for them. As he did so often during his brilliant, too-sort life, Crichton anticipated a serious ethical crisis arising out of developing technology. “Looker” is almost here.

Last week,the 160,000-member union SAG-AFTRA announced that it would join the the screenwriters union in its industry strike after failing to secure a new contract with movie studios and streaming services.  The Screen Actors Guild and American Federation of Television and Radio Artists President Fran Drescher—yes, “The Nanny” herself—- condemned the AMPTP’s “shameful” and “disgusting” treatment of the union’s members. Among the major points of dispute is how to preserve acting and writing jobs that could soon be imperiled by the rapid development of computer technology and artificial intelligence.

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More From The A.I. Ethics Files: The Suspicious Photograph Contest Entry

The photo above was entered into a photography competition but disqualified because the judges “suspected” that it was generated by artificial intelligence. As it turned out, the photograph was taken legitimately, but by the time the contest entrant learned about her disqualification, the competition had been settled. Suzi Dougherty used a high-level iPhone to createn the unsettling photo of her son standing near two mannequins while visiting a Gucci exhibition.

The photo competition was sponsored by Charing Cross Photo in Australia. Disqualifying Dougherty’s photo via Instagram post, the judges said they were “intrigued” by the photograph, but “suspicion set in.”

Oh. Well that’s OK then!

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Add Switzerland To The List Of Supposedly Wise “First World” Nations That Don’t Comprehend The First Amendment Or The Ethical Importance Of It

…among others. But let’s concentrate on the First, shall we?

The Swiss Gymnastics Federation (STV) has now banned photographers from taking photos of female gymnasts like the one above of retired female gymnastics champ Gabrielle Douglas.

The association has imposed the ban on such “suggestive” photos to ensure that gymnasts can only be photographed in a way that focuses innocently on their poses and positions, not their bodies. “To protect gymnasts, the STV strives to ensure that no suggestive or otherwise ethically sensitive photos are published and passed on. Especially photos where gymnasts were photographed in the crotch,” STV states in its news guidelines. “The STV is aware that such photos can arise in action photography. However, publication should be avoided. The main concern of the STV is to sensitize the media professionals and to let common sense prevail.”

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Ethics Verdict: Disney Is Officially Incompetent

Yes, those are “the Seven Dwarfs” of “Snow White and” fame, according to our national steward of childhood fantasy and iconic fables, the Disney Corporation. That photo is smoking gun evidence of insanity, a production shot from the upcoming live action version of the 1937 movie that made Walt Disney’s artistic vision a cultural force, now retitled “Snow White.” Of course Snow White is going to be Snow Of Color, as the actress playing the German fairy tale princess is Latina Rachel Zegler, who has already embraced the company’s current “screw tradition, common sense and legacy” attitude by tweeting, “Yes I am Snow White; no, I am not bleaching my skin for the role.”

You do recall why Snow White was called Snow White, right?

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A.I. Ethics Updates

1. Apparently Alexa and its ilk are causing heartburn among legal scholars. How should conversations over-heard by virtual assistants be treated when they are offered as evidence in court? Among the analogies that are being run up the metaphorical flagpole is a comparison with …parrots, as an eavesdropper who can accurately repeats information it overheard but was not expected to disclose. Courts have refused to admit testimony by parrots. In one case, a parrot named Max repeatedly cried out, “Richard, no, no, no!” after the murder of his owner. The defense attorney in the case wanted to have this evidence admitted the accused murder’s name was Gary. The attorney argued, unsuccessfully, that the “testimony” was not hearsay, but rather like a recording device. Despite expert testimony that that breed of parrot had the ability to accurately repeat statements, the evidence was excluded.
In another case, Bud the Parrot, began incessantly repeating, “Don’t fucking
shoot!” after one of his owners shot the other.

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Spain Demonstrates Why We Have The First Amendment, And Why The US Must Protect It

Spain’s Parliament, in its wisdom, has declared dwarf bullfighting illegal. Not because the bulls are treated cruelly, mind you: oh no, that part is fine. It’s the small bullfighters the legislators find intolerable. (That’s a group of them rehearsing above.)

Comic bullfighting shows in which individuals with achondroplasia, a form of dwarfism, fight with juvenile bulls are now illegal. A new law bans “shows or leisure activities” employing a disability “to provoke public mockery, ridicule or derision.” As a result, the performers who earned their living putting on such shows are now forbidden from plying their craft, and citizens willing to pay to watch them can no longer do so. This is also embarrassing: the same law directs that “people with disabilities will participate in public shows and recreational activities, including bullfighting, without discrimination.”

Spain’s law arises from a failure to distinguish “Ick” from ethics, the same problem that has led some states to try to ban drag shows. There is no question that the First Amendment in the Bill of Rights would absolutely prohibit a law such as the Spanish dwarf bullfighting ban, and we should be grateful for that. The ethical principles embodied in freedom of expression include autonomy as well as intrinsic fairness and the Golden Rule validity of allowing others to have the same right to make their living as they choose without others deciding that because they wouldn’t make the same choices, those choices shouldn’t be available to anyone.

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Pro Sports’ Stunning Hypocrisy On Gambling

From ESPN:

“Isaiah Rodgers and Rashod Berry of the Indianapolis Colts and free agent Demetrius Taylor were suspended indefinitely — through at least the 2023 season — for betting on NFL games last season. In addition, Tennessee Titans offensive tackle Nicholas Petit-Frere was suspended six games for betting on other sports at the workplace. The four suspensions were announced Thursday by the NFL. The Colts subsequently announced that both Rodgers and Berry have been waived as a consequence of their suspensions. “The integrity of the game is of the utmost importance,” general manager Chris Ballard said in a statement. “As an organization we will continue to educate our players, coaches, and staff on the policies in place and the significant consequences that may occur with violations.”

Meanwhile, while watching the Boston Red Sox play the Toronto Blue Jays yesterday, I noticed that about 75% of the commercials were promoting on-line betting on baseball games, including that baseball game. At one point the Red Sox play-by-play announcer read the over-under odds on the game’s total runs and other odds. Several of the gambling ads featured David Ortiz, the Red Sox icon who is about to be inducted into the Hall of Fame.

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