Arts & Entertainment

Remembering the Remarkable Sheb Wooley [Corrected]

/ Jack Marshall / 14 Comments

My favorite ubiquitous unknown character actor of all time is probably amazing Whit Bissell, this guy….

…who appeared in many classic films and tons of TV series despite having the dramatic range of a mannequin. But Sheb Wooley is the focus of this “Duty to Remember” post. I love performers who excel in multiple realms, and while Sheb isn’t quite in Hedy Lamar’s league (but who is?), he was versatile, and has one distinction that nobody is likely to equal, ever.

Sheb was best known for his role in Westerns. He was a regular cast member in the famous TV series “Rawhide,” renowned as the show that made Clint Eastwood a star and for the memorable theme song sung by Frankie Lane (“Move em out!”). He also played the brother of the dreaded villain in “High Noon” who had vowed to kill Sheriff Gary Cooper, and was one of the three Miller accomplices gunned down by Cooper (and Grace Kelly) in the climax of one of the greatest Westerns ever made. Decades later, Sheb had a key role in another classic: he was the high school principal who hires disgraced college basketball coach Gene Hackman to take over a tiny Indiana school’s basketball team in “Hoosiers.”

That’s just the normal stuff, though. Sheb Wooley was also a successful Country music star and songwriter (often under the name “Ben Colder”) and in 1958, penned and performed one of the most memorable novelty songs in a decade filled with them. That’s Sheb singing “The Purple People Eater” in the video above. His most impressive distinction, however, was as the voice actor for the Wilhelm scream, the stock recording of a man in the process of a experiencing a violent death. Because it has been used in in nearly 750 films including the first three “Star Wars” movies and the original “Indiana Jones” films, Sheb Wooley has “appeared” in more movies than any American actor. And his scream, which you can enjoy here, is still being used in new productions (it’s a film school in-joke), so Wooley’s voice keeps acquiring new roles. The most current list is here.

I must mention that the actor who is probably Sheb’s runner up for the title of “Most Film Credits Ever” is James Hong, the actor best known, perhaps, as the annoying maitre’d at the Chinese restaurant Jerry, George, and Elaine futilely wait to dine at in a famous episode of “Seinfeld.” [Notice of Correction: I originally included Kramer as one of the group. He was omitted from the episode, and apparently that cause a bit of tension behind the scenes.] Hong, who is 97, has inflated his own list of credits with his work as a voice actor, and has over 600 credits.

No hit songs, though, and no immortal scream.

Unethical Trigger Warning Of The Month: Citizens Free Press

/ Jack Marshall / 7 Comments

That’s one of Elon Musk’s biological sons (he has a lot of them) above, now a trans-female model—not there’s anything wrong with that— named Vivian Wilson. The Daily Mail has a very tabloid story (as in “Who the hell cares about this stuff?”) telling us that Vivian is featured as a model in the latest Savage x Fenty new Pride-themed collection. Be still, my beating heart!

You can read the story here, if your sock drawer is in order and you have no life, but my concern involves how the link to the story was presented by Citizen Free Press, the conservative news aggregator that took over that market from the Drudge Report when Matt went woke and NeverTrump a decade ago. Here’s how the site described the link:

Elon Musk biological son poses for female lingerie ad — Warning, photos are disturbing

I expected Vivian to be posed on disemboweled kittens or famine victims with that trigger warning. No, the photos that are supposed to be “disturbing” are shots like the one above. How much of a weenie cum snowflake would someone have to be to find that photo upsetting enough to mandate a trigger warning? It’s a standard issue fashion shot. Is it supposed to disturb us because its a model with a y chromosome? If that’s the point, then I view the warning as legitimizing transphobia. Even trans-themed photographs that cause my ethics alarms to go off—remember this one, of a Disney “fairy godmother”?—

shouldn’t be considered so trauma-producing that people need an advance warning lest they be struck blind or something.

The somewhat less obnoxious explanation for the “warning” is that it’s a clickbait trick by the site; you know, if it requires a warning, everyone will be curious and click on it. Well, that’s dishonest. As an ethicist, I find the gratuitous trigger warning, indeed trigger warnings in general, far more disturbing than a photo of a biological male doing a convincing female model impression. Good for her! Brava!

It is episodes like this that create needless erosion of respect for conservative values and sensibilities.

The “Who Cares?” Anti-Trump Judicial Ruling Of Them All

/ Jack Marshall / 7 Comments

Even Trump doesn’t care, raising the question of why it’s such a big deal to the Trump Deranged. From the Washington Post:

“A federal judge issued a ruling this week temporarily blocking key parts of President Donald Trump’s effort to transform the John F. Kennedy Center for the Performing Arts, throwing the institution’s future into a state of uncertainty…He installed himself as the Kennedy Center’s board chair and brought in loyalists as trustees who voted last year to add his name to the building. Programming priorities shifted, acts have withdrawn or dropped out, ticket sales plummeted and more than 100 employees resigned or were laid off.

“In March, the board agreed to Trump’s plan to close the center for a two-year renovation. But U.S. District Judge Christopher Cooper on Friday granted in part a request from Rep. Joyce Beatty (D-Ohio), temporarily blocking steps toward the closure. He also ordered Kennedy Center officials to remove Trump’s name from the center’s building and branding.

“…Cooper has ordered the removal of Trump’s name from the building’s white exterior wall, a little more than five months after it was installed when the board, stacked by Trump with those loyal to him, voted to rename the institution “The Donald J. Trump and The John F. Kennedy Memorial Center for the Performing Arts.” They have two weeks to remove it and scrap references to it from the website.

“Congress gave the Kennedy Center its name,” Cooper wrote in his opinion, “and only Congress can change it.”

That’s nice. I’m sure all of my friends and colleagues in the arts community will be happy now. Actually no, I know they won’t. My Trump Deranged friends and colleagues have made it quite clear that they won’t be happy until Donald J. Trump is dead and hanging like a pinata on a tree somewhere, and can be pelted with rotten fruit by people screaming like banshees. Ann Althouse this morning raised a fascinating conspiracy theory regrading “What’s going on here?” Her take: “I’m going to assume he didn’t want to fix this place, and the best — or most entertaining — way to avoid blame for letting it rot was to bait a judge into preventing him from saving it.”

Actually, he did more than that. When the President put his name on the building, it naturally caused the infants in the arts community to cut off their metaphorical noses to spite their faces. After duly noting how silly the re-naming of the building was in this post, I wrote in this one:

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The Freedom 250 Concert Ethics Train Wreck

/ Jack Marshall / 9 Comments

Would it be too much to expect all of America’s talented performers to unite in patriotic passion and non-partisan good will to help the nation celebrate its 250th anniversary?

Apparently, yes! As John Lennon would have said if he were possessed by “Bob” from “Twin Peaks”: “All you need is HATE! Bwahahahahahahaha!” Well, hate and stupidity.

Would it be too much to expect that those in charge of organizing such an event to be willing and able to enlist performing artists who are in their primes, widely popular, and invited on the basis of their achievements and skills rather than their political endorsements?

Also, tragically, yes. What drooling yahoos selected that bunch of has-beens, geezers and B acts to headline “The Great American State Fair”? And Milli Vanilli? Is that a joke? Please let it be a joke! Milli Vanilli is to singing groups as Joe Biden was to the Presidency. It was a fake group. It was caught lip-synching on live TV! Quite appropriately, many conservative, Republican and MAGA supporters are disheartened by these bottom-of-the-barrel scrapings, as this selection of tweets highlighted by “Not the Bee” demonstrates:

From the other end, the Left is seeking an encore of their anti-American tantrum in 2017, when any half-decent performer who wasn’t already an outspoken MAGA captive was threatened with shunning by all the Woke and Wonderful if they performed at any of Trump’s inauguration festivities, leaving the President with community theater stars and marginal performers who would only appear at the Grammys if they bought tickets to the balcony. Last week fading country star Martina McBride joined the list of performers backing out of the upcoming “Freedom 250” concerts. Morris Day, Young MC, and the Commodores, also announced they were dumping the gig. The series is being produced by an organization founded by Donald Trump, see, so that means that the concerts are…

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Another “Nah, There’s No Mainstream Media Bias!” Smoking Gun, As If We Needed Any More…

/ Jack Marshall / 10 Comments

This exchange…

Ethics villain, Jim Acosta eventually quit CNN in a snit because it began showing a little bit of balance regarding President Trump, but how was such a partisan, biased Axis hack allowed to be CNN’s White House correspondent in the first place? The guy is an A1 Choice USDA -certified ethics villain and, incidentally, an asshole.

Cheer-leading for Colbert is signature significance, to begin with. Gutfield is correct on the facts: it has been verified repeatedly that CBS was losing millions on Colbert.

A swollen staff is part of the reason; the other reason is that Colbert deliberately alienated half the country.

Acosta then defaults to the Axis narrative that President Trump got Colbert cancelled. It’s a lie, flat out. “Dear Leader” is a sarcastic name used by the Trump Deranged. This Axis “advocacy journalist” was out to trash President Trump from the moment he was elected,

Then Acosta privets to the “poor fired employees” guilt trip. They lost their jobs because the show they were working for was losing money! It happens to the best of us (and me, several times). That’s how business works in the U.S. Too bad this isn’t the socialist worker’s paradise Acosta and his fellow travelers dream about. And Gutfield didn’t celebrate the staff losing their jobs anyway. He stated that the staff was ridiculously huge, which it was.

[I will link to Jim Acosta’s ugly EA dossier when WordPress is functioning better, which it currently is not, and its “Happiness Engineers” (Yuck!) have been useless.]

He’s an Ethics Villain. When people complain about Trump calling the news media the “enemy of the people,” Jim Acosta is Exhibit A in the President’s defense.

Note: Exhibit B could be Dana Milbank, whom the Washington Post finally jettisoned as one of its partisan columnists after years of Axis hackery. Today on ABC he cited as one of the three reasons Kamala Harris lost the election was “the backlash against a black woman being the Democratic nominee.” Just thinking that, never mind saying it in public, disqualifies anyone as a serious and trustworthy analyst. Milbank was a political reporter and columnist for the Washington Post for 25 years.

“The Unabomber Was Right”#10: DirecTV Proves It Can’t Be Trusted

/ Jack Marshall / 8 Comments

They haven’t always been titled exactly that way. but the first “The Unabomber Was Right” post went up in 2017, and there have been nine since, with the most recent being here, in January. Today, however, I experienced an all-time classic.

Getting up earlier than usual, and waiting for my coffee to cool, I tuned in DirecTV channel 71 as I have been doing for, oh, 30 years or so. That channel is “News Mix”, which allows me to see sxi screens: CNN, Fox News, MSNow, BBC America, and two weather channels. To my surprise, the screen said the channel was not available, because I did not subscribe to it. Even more perplexing was the language of a second screen that popped up. “Newsmix is blocked. Our search for another channel does not indicate that your selection is available.”

Now that is the notice I get from DirecTV when a baseball game is blacked out because of regional restrictions. The news is blocked? Were we conquered by Iran overnight? I tried everything. Shutting down the TV. Disconnecting the satellite box. I kept getting those alternating screens.

So with a huge sigh of resignation, I realized that I was about to enter, once again, “The Customer Service Zone”:

“You unlock this door with a futile key of naive expectations. Beyond it is another dimension: a dimension of annoying AI bots, a dimension of infuriating repetition, a dimension of incompetence. You’re moving into a land of both impenetrable accents and ineptitude, of scripts, disconnections and ass-covering. You’ve just crossed over into… “The Customer Service Zone”!

DirecTV has a new, perky, sexy female voiced AI, but after I gave her all the information I asked for, she handed me over to the old AI, which asked me exactly the same questions I had just answered. I was told three times that the conversation might be recorded, so maybe someone will hear my shouts into the phone of “I already answered that!” and “And I answered that already too!”

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The Low Chair Trick

/ Jack Marshall / 2 Comments

Kudos to Ann Althouse: she flagged the use of the old chair dominance trick by Xi to make sure he appeared higher in his chair than President Trump.

Ann’s sketchy popular culture literacy was also exposed again: most normally-acculturated Americans would immediately think of the famous scene in “It’s a Wonderful Life,” where George Bailey (James Stewart) bargains with town bully Mr. Potter in a chair that reduces him to the stature of a child. Ann’s mind went instead to the scene in “The Great Dictator,” a far less well-known Chaplin film, where satirical versions of Mussolini and Hitler (Chaplin) keep raising their chairs’ heights during a meeting. Ann’s choice makes the point better, but she often posts about not having watched a lot of old movies, and it shows. (I have watched too many old movies, and it also shows.)

But kudos to Ann again for tracking down a December 2, 1987 David Letterman show when a young Donald Trump called out Letterman for having his guest chairs lower than the host’s, complaining, “How come this seat is at such a low level? You know, I’m looking at him. He’s got this stage rigged, folks…. That seat is a good six inches higher than my seat.”

Notes:

  • In law school I took a negotiation course from Adrian Fisher, then the Dean of Georgetown Law Center and known as a key U.S. negotiator in both SALT Treaties. Fisher had an exhaustive knowledge of negotiation mind games, and mentioned the chair trick as such a well-known and devious tactic that attempting it would be regarded as an insult by professional diplomats.
  • Trump had the good sense not to mention his annoyance with the chair trick in China. This indicates to me that he is capable of self-restraint when he chooses to exercise it, which is, obviously, not nearly enough.
  • Read (at Ann’s link above) the exchange between Letterman and Trump from 40 years ago. I detect no difference in Trump’s discourse from what we are used to today. One of the more irritating Big Lies the Axis (including my Trump Deranged Facebook friends) keeps pushing is that Trump’s rhetoric indicates cognitive decline (so he should be removed via the 25th Amendment.) He’s always talked this way.
  • Letterman has also always been an asshole. And a liar. When Trump points out that Letterman’s chair is “a good six inches” higher than Trump’s chair, Letterman says “And so am I” suggesting that it’s an illusion because he’s taller than Trump. Letterman is (or was) 6’2″ and Trump is (or was) an inch taller.
  • I blame Letterman for late night TV turning into the all-partisan-propaganda-all-the-time blight on society epitomized by Jimmy Kimmel and Stephen Colbert. He’s an Ethics Villain.
  • Trump proved in that exchange that he, like Fisher, knew the negotiation game well.
  • Note also in the transcript how a Trump was talking about the same international trade grievances in 1987 that he has tried to address in his second term.
  • Letterman meanwhile, like any good class-obsessed left-winger, keeps trying to bring the discussion around to Trump’s wealth because, after all, as AOC tells us, billionaires are the cause of most of America’s problems.

Letterman’s wealth is estimated to be only 400 million.

__________

Pointer: Ann Althouse

List Incompetence: “The 100 Best Vocalists of All Time”

/ Jack Marshall / 10 Comments

I think this is my third post on “list ethics.” My first was in 2011, reviewing a sloppy, careless list called “The Fifty Most Unforgivable Acts in Baseball History.” The second was in 2020, about a list called “The 25 Greatest Actors Of The 21st Century (So Far).” The list I’m writing about this time is even worse than those two; in fact, it’s unforgivable.

I get it: lists are clickbait and exist so people can argue over them. They almost always have a gimmick: if you make a list of the greatest rock and pop groups of all time, you can’t have The Beatles as #1, because any idiot could decide that. You pick “The Zombies” or “Heart.” Bill James, the baseball stats pioneer, wrote a book ranking the greatest baseball players at each position. Everyone knows that Ted Williams gets #1 in left field, but Bill picked Stan Musial. It’s cynical and dishonest, but lists are arbitrary and meaningless anyway.

I read lots of them and my eyes hurt from rolling. I only get seriously critical when a list covers something I know a lot about. Baseball history and acting history are in that category, and so is popular music history. What I wrote about the baseball list in 2011 applies with even greater force to “The 100 Best Vocalists of All Time” compiled by Consequence, a website I never heard of and based on this effort, will never visit again. I wrote (I’m substituting the topic of the list at issue today):

“If you are going to write about history, there is a duty to perform diligent research, even for a silly online list. Misrepresentations online have a large probability of misleading people. The list isn’t close to complete; it isn’t consistent; it isn’t well-researched.. Anyone who looked at the list and assumed that these are [the best vocalists of all time] would be seriously misinformed.”

The list is introduced by this description of its methodology, and its flaw becomes clear. “To generate our list of the top 100 vocalists of all time,” it says, “we polled over 50 musicians, including Rock & Roll Hall of Fame Class of ’26er Steve Stevens, rising stars like Samia, Blondshell, and Kneecap, and established icons Randy Blythe, Mike Patton, and Linda Perry, plus many more. After we assembled the surveys into the spine of the list, our staff chimed in with more picks, mostly historical, to round things out. The final ranking is a curated perspective on the hundreds of names that were nominated.”

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Ethics Dunces: The San Francisco Giants

/ Jack Marshall / 2 Comments

Unbelievable.

But then, it is San Francisco, after all.

For some reason, the San Francisco Giants first year manager, Tony Vitello, couldn’t figure out that his outfielders’ post-victory celebratory ritual was inappropriate in a public venue, on TV, while playing America’s Pastime in front of family audiences.

The Commissioner’s office finally told them to cut it out. Why it took until May, I have no idea.

I would have fined the manager, the players and the team. A lot.

Morons.

Yes, Ted Turner Is An Ethics Hero For This…

/ Jack Marshall / 3 Comments

Verdict: True.

Turner’s contribution to cultural literacy and cross-generational communication as a result cannot be denied or understated. Ted Turner used his power and wealth to create what might never have existed without him.

He lived a worthwhile life indeed.