In “Alice’s Adventures in Wonderland,” Louis Carroll’s Mad Hatter asks Alice the riddle, “Why is a raven like a writing desk?” One would think that the question in the headline above is equally obscure (the Guthrie, in Minneapolis, is one of the most respected and celebrated regional theaters in the country) but it has an answer. Like the Colbert late night show, which has since its inception sought to exclude anyone who isn’t woke, obsessed with progressive politics or, since 2015, Trump Deranged, the Guthrie now aims at entertaining only that same audience, except in its case only the wealthy, white, upper-middle class demographic within that audience, or others willing to sit still for relentless leftist propaganda and cant.
A recent audience member for The Guthrie’s production of Henrik Ibsen’s “A Dolls House” wrote about his experience. “A Doll’s House” is about as moldy a feminist tract as there is (I once called the play the drama equivalent of Helen Reddy’s “I Am Woman” but much longer, and even more over-exposed (it was written in 1879, so its analogies with the real state of womanhood, especially in the U.S., have been increasingly forced as time goes by. (No, her husband did not stop Nora from having an abortion: she would never have dreamed of killing an unborn child.)
Ethics Alarms 