The Chronicle of Higher Education has a troubling, if not unexpected report, “Cheating Has Become Normal: Faculty members are overwhelmed, and the solutions aren’t clear.” It begins with an anecdote that would be funny if it weren’t so apocalyptic. A professor caught a student cheating, and warned him that the next time this happened, he would be failed in the course. The student wrote an abject apology, full of contrition and assurances. Then his next assignment was found to be composed by an AI bot. Then, just for giggles, the prof asked the same bot to compose a letter of apology for a student who had been caught cheating. The bot produced exactly the apology the student had submitted, word for word.
“I think our reverence for the truth might have become a bit of a distraction that is preventing us from finding consensus and getting important things done.”
I can’t find the date of that speech or the context of the quote, but what possible context could justify it? If that isn’t pure Big Brother, what is? “Can’t let the truth get in the way of progress!” This is the totalitarian mindset that (I hope) was one of the things enough voters rejected a week ago. This is the ends justifies the means ideology embraced by the Axis of Unethical Conduct, including the news media that lied, dissembled, covered up and broadcast false narratives during the campaign and, of course, long before.
I saw Marlene sing that song, which always ended her concerts, in her penultimate performance in the U.S. That time, she shouted out “Gone to graveyards every one!” I have never felt such a jolt of emotion in any live performance I have ever attended. A woman near me broke into tears. It was particular effective because of Dietrich’s personal history, and her work for the Allies, some of it covert, during World War II.
In the scene above, which has already made it onto many lists of American cinema’s best ending scenes, Michael Clayton, a law firm fixer who has survived a murder attempt paid for by the general counsel of a chemical company that presents its products as boons to civilization but which is really covering up a massive pollution scandal, confronts the general counsel with his survival, knowledge of her and her company’s crimes. Unknown to her Clayton is wearing a wire, and her incriminating responses to the confrontation will bring down the company. Arthur, Clayton’s friend whom he refers to, was the whistle-blowing lawyer that the general counsel had murdered to prevent him from revealing the smoking gun company document Clayton is holding, evidence of the company’s knowing contamination that harmed or killed millions.
It is ironic that George Clooney, in what is easily his best movie and best performance, played a central role in the failed Democratic Party palace coup that resulted in the disastrous campaign and defeat of Kamala Harris. The unhinged and folish reactions of the now re-loading “resistance,” Democrats and their corrupt media allies (“The Axis of Unethical Conduct” in Ethics Alarms parlance) brought this scene to mind. You should show it to your deranged Facebook friends and relatives, but here’s a guide for you to use if they are incapable of grasping the lessons it holds…
When we last left American University Allen Lichtman, he was smarting from his obviously incompetent and biased prediction that Kamala Harris would defeat Donald Trump proving to be spectacularly wrong. On Wednesday after Election Day, Lichtman told USA TODAY, “Right now after a very long night I am taking some time off to assess why I was wrong and what the future holds for America.” That was enough for me to enshrine him in the “Bias Makes You Stupid” Hall of Fame.
So Lichtman thought and he thought, and he reviewed his over-hyped formula that had delivered 9 out of 10 correct predictions in races that anyone could have predicted with no formula at all (Lichtman’s: go with who looks like the obvious winner, and when in doubt, pick the Democrat), and he applied his training and skills as a an American Presidential historian, and guess what he figured out! No, really, guess. I’ll give you time to think…
Ready?
On his YouTube channel, Lichtman that voters were not “rational” or “pragmatic,” succumbed to “disinformation” and Trump’s promotion of “xenophobia,” “misogyny” and “racism”!
Gee, the Ladies of “The View” came up with that, and they’re all biased, Trump Deranged morons. The voters were stupid, the brilliant Democratic message was muted by social media lies, and half of all Americans wouldn’t vote for a black woman as President because of bigotry.
I think the professor should have “assessed” a teeny bit longer. But it probably wouldn’t have done any good.
“I think two things this year, and maybe going forward, broke this premise of a rational, pragmatic electorate, and these are trends that are not new but have exploded this year beyond anything we’ve ever seen before. First is disinformation,” this clown said. “Always had disinformation, but we’ve never had anything remotely on this scale, where billionaires — I don’t know how much Elon Musk is worth, I’m sure more than a hundred billion dollars — who control critical sources of information for the electorate. I mean, Elon Musk owns X, and I’ve seen reports that his disinformation that he’s put out, has been viewed by two billion viewers, vastly more influential than New York Times, Washington Post, CNN, CBS… the incredible explosion of disinformation…makes it very difficult for a rational, pragmatic electorate to operate.”
“Then add to that that we’ve seen Trump and his allies exploit, far more than ever before — even 2016 and 2020 — trends that run deep into American history and still resonate at this time: xenophobia, fear of foreign influences … We have never seen, in recent history, xenophobia to this level, and it digs deep into a trend in American history. It’s not something brand new, and it’s not just white people, you know?” Lichtman said. “People of all races and ethnicities can be subject to xenophobia. And finally, there’s racism, one of the deepest, most pervasive trends in American history. And we have seen, just as Trump and his allies have brought misogyny and xenophobia to a new level, he’s also brought blatant racism to a new level … So we see then the explosion of disinformation and these three dark trends from American history, and that calls into question the whole premise behind the keys of rationality and pragmatism.”
Wow. What a hack!
If I had a son at American, this would be sufficient to have me seek another school to send him to, because such a complete lack of perception, analysis and accountability shouldn’t be permitted on any faculty, in any department.
“Experts” like Lichtman will now validate the fact-free rationalizations of the current Trump-Derangement victims and Democratic Party leadership seeking ways to duck responsibility for running a terrible candidate (whom everyone paying attention knew would be a terrible candidate before she was “selected). He blames Elon Musk? Did Musk magically make Harris sound like an evasive, babbling phony who couldn’t function without a script or a teleprompter? That’s a neat trick! Isn’t part of a college education to learn the life skill of recognizing when you’ve screwed up and learn from the mistake? Clearly Lichtman won’t teach his students that.
Small wonder that Lichtmas thinks Harris was the “rational” choice for President: he’s almost as much of a phony as she is.
The hysterical, fearful diatribe below came from my Facebook feed. This is a friend. A very nice guy. I don’t have the energy or heart to fisk it; if you feel like making the effort, even if you just do part of it, go ahead. It won’t be hard.
I am very angry at the people, officials, celebrities and publications responsible for doing this to my friend. I’m sure he really believes everything he has written. He’s an innocent, caring, trusting soul who was a sitting duck for the diabolical propaganda the Axis marinated good people like him in for almost ten years for their own political agendas.
It can’t feel good believing you and your friends are at “mortal risk.” Deceiving people like my friend so they are terrified of the future is despicably cruel. Yes, my friend is an artist and artists are emotional and often politically unsophisticated and under-educated (and our civic education is terrible anyway.) It is not just artists though. I know lawyers who are expressing essentially the same fears.
Bad, cynical, ruthless and unethical people are responsible for all this crazy panic. Today, the execrable Karine Jean-Pierre was pressed on this point by a Fox News reporter: If Biden was telling the truth about how a Trump administration would create an existential danger to the republic, that if he was elected “rights would be stripped away” and “democracy would crumble,” why did the President say in his remarks today that everything is going to be okay?
Karine, who would have a hard time answering a question about what her favorite color is, gave a rambling non-answer, then complained that the question was unfair, and left the room in a huff. But we know the answer, don’t we? Biden and the Democrats always knew all of that Hitler fearmongering and the “last election ever” warnings were pure nonsense, but they thought it might win the election. If trusting souls like my friend were reduced to permanent anxiety, eh, well, so what? Collateral damage. The ends justifies the means. Screw ’em.
Three anti-Trump-biased post-election pieces came to my attention today and yesterday. I guess “philippics” doesn’t exactly apply to all three of them, but I seldom get to use the words, it’s my blog, and so there. One is disappointing, one is disinformation and deflection, and the third is certifiably deranged.
She never sufficiently buried Biden’s ghost, severely hamstringing her ability to sell voters on the idea that hers was the turn-the-page candidacy. It happened, simply, because Harris refused to make a clean break from the last four years when voters indicated that’s what they wanted. Worse, she hesitated to draw any daylight between herself and her boss on Biden’s biggest vulnerability — his stewardship over the economy — nor identify any specific way her presidency would be different from his tenure beyond naming a Republican to her Cabinet.
Is this denial or deliberate dishonesty? Either way, the authors, Christopher Cadelago and Holly Otterbein are covering for Harris, Walz and their party rather than providing truthful analysis to their readers. Harris’s problem wasn’t strategy. Her problem was Harris (and to a lesser extent, Ol’ Knucklehead). No strategy ever devised can make a metaphorical purse out of a metaphorical sow’s ear, and that’s what Harris was as a potential President: a pig’s ear. And not even a very impressive pig’s ear. She was unpopular and generally ignored as Veep, her past positions were radical if not insane, and she literally cannot speak coherently without a script or a teleprompter. To anyone who has a grain of knowledge of psychology, her manic cackle is a tell: she’s insecure, not exactly a quality we seek in our leaders. The primary (well, I shouldn’t use that word because she never offered herself to voters in a primary) persona she projected to the public, other than an empty suit, was that of a chameleon. She presented her position on the Gazan war diametrically differently to Jewish and Muslim audiences. She was pro-fracking and anti-fracking, she was 100% behind Joe Biden and everything he did, and a candidate of change. She was a law and order candidate who opposes “over-incarceration.” She said there had to be consequences for illegal immigration, then said those consequences should be citizenship.
Harris didn’t follow a bad strategy. She was a bad candidate and ran a terrible campaign. That’s why she lost the election. As Harris would say, “Let’s be clear.” Yes, let’s.
Does this outrageous story of contrived race-baiting on Broadway relate to tomorrow’s election? Sure it does. I’ll explain after you finish gagging following the facts of the incident.
Kecia Lewis is a talented black Broadway actress. She won a Tony for her performance in “Hell’s Kitchen,” a 2024 jukebox musical (that means the show has no original music and uses previous pop hits to try to tell a story). The show, about the life and career of Alicia Keys, shares a wall with another Broadway theater and creates a problem that actors, directors and producers have complained about for decades: the amplified sound in “Hell’s Kitchen” can be heard by the audience of the show next door. (You know when you’re in a multi-screen “cineplex” watching an intimate drama and the movie showing in the next theater is “Pearl Harbor”? It’s like that.)
The show next door to “Hell’s Kitchen” is “The Roommate,” a quiet, two-actor drama starring Mia Farrow and Broadway legend Patti LuPone of “Evita” fame. LuPone sent a polite note to the “Hell’s Kitchen” producers asking them to turn down the volume at two points in the sound design that were loud enough to interfere with her show. They did. LuPone, in gratitude, sent a thank-you note to the producers and flowers to the stage management and sound staff.
In a normal world, that would be the end of it. I’m certain this exact scenario has played out many times over the years as simple professional courtesy and consideration. Ethics!
But no. Kecia Lewis decided to be offended. She posted a video on Instagram reprimanding LuPone for engaging in “microagressions.” She complained,
“After our sound design was adjusted, [you] sent flowers to our sound and stage management team thanking them”… “I want to explain what a microaggression is – These are subtle, unintentional comments or actions that convey stereotypes, biases or negative assumptions about someone based on their race. Microaggressions can seem harmless or minor, but can accumulate and cause significant stress or discomfort for the recipient. Examples include calling a Black show loud in a way that dismisses it. In our industry, language holds power and shapes perception, often in ways that we may not immediately realize. Referring to a predominantly Black Broadway show as loud can unintentionally reinforce harmful stereotypes, and it also feels dismissive of the artistry and the voices that are being celebrated on stage. Comments like these can be seen as racial microaggressions, which have a real impact on both artists and audiences. While gestures like sending thank you flowers may appear courteous, it was dismissive and out of touch, especially following a formal complaint that you made that resulted in the changes that impacted our entire production, primarily the people who have to go out on stage and perform.”
Yes, she really says that. She does. I’m not making it up! This insufferable actress not only felt that was a reasonable response to a request, a thank-you, and flowers, but decided to issue her complaint publicly rather than having the guts to tell LuPone that she’s a racist to her face.
“…And that’s the millionth reason I’m fervently hoping and desperately praying that Harris prevails. I believe Biden to be a good man who has done much good for us…”
—Long-time progressive NYT pundit Frank Bruniin one of the “Harris must win, Trump is terrible” stories and columns in the Times today.
I counted 11 of the latter. Twelve. Nah, there’s no mainstream media bias! Whatever would make you think that?
Bruni has been a member of the Times staff and editorial board for 25 years. Res ipsa loquitur. The Times has at least one (they have, in truth, many) columnist who had a regular platform to spread his biases and misconceptions, and he thinks (or says he thinks) Joe Biden is a good man. Right. There are few politicians of such longevity who have ever left such an unambiguous record of not being a good man, woman, or public servant. Since I’m not writing a book, I’ll just list the bits of Joe’s biography that stick out for me at the moment:
The baseball season ended last night with the Los Angeles Dodgers overcoming a 5 run deficit to win the World Series over the New York Yankees four games to one. Good. It is especially good because the night before, in the only game that the Pinstripes managed to win in the short series, two jerks in Yankee jerseys interfered with the game, the Series and Dodgers star Mookie Betts as he tried to catch a foul fly ball at the Yankee Stadium wall.
In the bottom of the first inning in Game 4 with the Yankees losing 2-0, NY lead-off hitter Gleyber Torres hit a high pop-up into right field foul territory. Dodgers right fielder Betts caught the ball with his glove, but Capobianco, with the assistance of his pal John Hansen, grabbed Betts’ glove with both hands, opened it, reached inside with his right hand and knocked the ball back onto the field. This was on national television for all to see. The umpires ruled fan interference and Torres was called out.
Ethics Alarms 