I am trying hard to write about something other than the Charley Kirk Ethics Train Wreck despite the din making even thinking about other ethics issues difficult. Naturally, my default solution is the Great American Ethics Genre: the American Western.
I have been bringing a younger friend up to speed in his cultural literacy pursuits, and recently had him view the original John Sturgis-directed version of “The Magnificent Seven,” a great ethics movie and one of the ten best Hollywood Westerns ever made, a tough field. I have written about the movie several times on EA, but I am abashed to say that it never quite sunk in what the film was really about until that last viewing.
The film is about professionalism. Once that bell rang, I couldn’t believe that I hadn’t realized it before. It is a filmed course in professionalism—the quality of justifying the trust a particular practitioner of an occupation dedicated to public service must maintain to be considered a professional. I would love to teach a professionalism course using the movie as the centerpiece.
Years ago, retired EA commenter Bob Stone-–I hope he isn’t Trump-Deranged now—wrote a piece for his own blog about how the film illustrated the difference between law and ethics. He wrote in part,








