Oh Great. “Hamilton” Again. Where’s Aaron Burr When You Need Him?

I haven’t seen “Hamilton” yet, which is embarrassing for me, as I consider it my duty to try to keep abreast of theatrical phenomena with cultural implications. I thought I would finally see Lin-Manuel Miranda’s creative re-imagining of the life of one of America’s most important Founders with an all “of-color” ensemble singing rap next year when the touring company had a scheduled month-long run at the Kennedy Center in Washington, D.C., but no. The touring company announced that it is canceling the gig, which had been scheduled to be part of the Kennedy Center’s celebration of the 250th anniversary of the Declaration of Independence. The show and its creator are throwing a tantrum, punishing the audiences of the Washington D.C. area because Donald Trump is Hitler, or something.

President removed Democratic members from the Center’s board, became its (temporary) chairman and replaced the venue’s president, so the uniformly leftist cast and production company decided to boycott the place. Well, you know, theater types…

“This latest action by Trump means it’s not the Kennedy Center as we knew it,” Lin-Manuel Miranda, who originated the title role on Broadway, said in an interview last week. “The Kennedy Center was not created in this spirit, and we’re not going to be a part of it while it is the Trump Kennedy Center. We’re just not going to be part of it.”

The show’s producer, Jeffrey Seller, whined that Trump “took away our national arts center for all of us.” “It became untenable for us to participate in an organization that had become so deeply politicized,” he said. “The Kennedy Center is for all of us, and it pains me deeply that they took it over and changed that. They said it’s not for all of us. It’s just for Donald Trump and his crowd. So we made a decision we can’t do it.”

The claimed justification for this hissy-fit insults the intelligence of Democrats and Republican alike. The Kennedy Center has, since its opening in 1964 as a memorial to the assassinated President John F. Kennedy, been a stronghold of Democratic power-brokers and liberals in general and the Kennedy family in particular, whose members and allies have always controlled the place. Although its inception was an order by President Dwight Eisenhower calling for a non-political arts venue in the Nation’s Capital, once the three theater complex was under the control of the Democratic Party’s First Family, bi-partisanship got the hook.

The “Hamilton” Axis allies had some gall referring to the Kennedy Center as apolitical and “neutral.” Nothing is neutral in Washington. I experienced first-hand the partisan influence of the Center when my theater company in nearby Arlington, VA. presented the premiere of a drama, “The Titans,” about the Cuban Missile Crisis. It had originally been slated to be presented at the Kennedy Center, but was vetoed by the Center’s board when the Kennedy family protested that the script was not sufficiently supportive of the myth that it was JKF who saved the world from nuclear war (rather than the one who almost blundered us into it).

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Remember The Alamo Today, March 6, When The Fort Fell, And Entered American Lore And Legend Forever.

No, I didn’t forget the Alamo, and I hope against hope that more Americans than not are at least noting the anniversary of when the mission that became a fort fell in the early morning hours of March 6, 1836. As soon s I get this post up, I’m going to re-watch the 1960 John Wayne movie commemorating the siege and the men who died that day. The Duke’s film has plenty of flaws, but a lack of conviction and passion isn’t one of them; in the end that, plus the Demiri Tiomkin score, is what what makes “The Alamo” my favorite cinematic telling of the story.

Did the old newspaperman’s manifesto from another John Wayne movie, “The Man Who Shot Liberty Valence” ever apply more perfectly to an event in American history?  “When the legend becomes fact, print the legend.” “I answered them with a cannon shot.” The line in the sand. The couriers who came back to the fort to die. Jim Bowie fighting from his sickbed. Davey Crockett fighting to the end. Truth and fiction, the Alamo is my favorite of all American history tales, and the Alamo itself is my favorite historical site to visit in the United States.

I didn’t have a new inspiration to justify a new post this year, so I’m reprising the one from this date in 2023. Among other things, it included the climax of the Alamo diary Michael West contributed a few years ago.

Now the bugles are silent
And there’s rust on each sword
And the small band of soldiers
Lie asleep in the arms of the Lord.

***

I regard the siege of the Alamo one of the signature ethics events in U.S. history, both for what it was and what it came to represent. There have been many posts on the subject as well as many references to the Alamo in other posts, all of which are accessible here.

Today, March 6, marks the fall of the converted mission. Ethics Alarms has two pieces from its archives to present: Continue reading

Making English the Official U.S. Language

President Trump signed an executive order designating English as the official language of the U.S. It will be instructive to see which Far Left anti-Americans freak out over this move. I do not believe there is a legitimate, ethical, responsible, historically-based argument to oppose it

The order rescinds a Clinton policy requiring agencies to provide assistance programs for people with limited English proficiency. Agencies shouldn’t hire employees with limited English proficiency. The EO allows agencies to voluntarily keep those support systems in place, which is more lenient than my order would have been.

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Ethics Alarms Generally Ignores Michael Moore But a Quote This Unethical and Cretinous Warrants an Exception…

“Who’s really being removed by ICE tonight? The child who would’ve discovered the cure for cancer in 2046? The 9th grade nerd who would’ve stopped that asteroid that’s gonna hit us in 2032? Do we care?”

Yes, activist communist and has-been documentary-maker Michael Moore really and truly made that head-explodingly stupid argument, my candidate for the most ridiculous rationalization for allowing illegal immigrants into the U.S. yet, even topping the “But that poem on the Statue of Liberty!” excuse.

It is so stupid that the theory would be a valuable diagnostic tool on IQ tests. If someone checks the “Sounds good to me!” box, that test-taker’s cognitive ability should automatically be judged as “dangerously impaired.”

As we have explained here many times, consequentialism is the ethical theory for dolts, the concept that a decision or action is right or wrong depending on what happens as a result of it. Moore is saying that an action is unethical or wrong if anything good might have happen if a different choice had be made. I hesitate to give this walking, talking ethics corrupter credit, but he just has to be smarter than to believe that. As usual, Moore is trying to con the dimmer members of the public, a large contingent among Americans who still pay attention to him.

One wag on social media responded to Moore’s insulting question with “Now do abortion.”

Bingo.

Yes, I’m Thinking About “The Greatest Show on Earth” Again…

I checked: I’ve made various comments about 1952’s The Best Picture Oscar winner “The Greatest Show on Earth over the years, but I never mentioned that it’s an ethics movie. The Cecil B. DeMille wide-screen spectacular is often cited by current critics as the worst “Best Picture” ever, which tells you a lot about movie critics and the leftward biases of our so-called elite.

I just watched the end of the film because it happened to be showing on MGM+ this morning, catching the film right after its DeMille trademarked train wreck, which both Steven Spielberg and George Lucas have said helped inspire them to be movie-makers. The circus train suffers a disastrous crash that devastates performers, animals and equipment, and the company, already in dire financial straits, appears to be doomed. But in the best “the show must go on,” “fight, fight, fight!,” “Don’t give up the ship!,” “I have not yet begun to fight!,” “Victory or death!” (It’s Alamo week, remember!) American tradition, the performers rally around their grievously wounded boss (pre-Moses Charlton Heston) and put on a ramshackle show in an open field after parading through the nearby town to gather an audience. Meanwhile, Jimmy Stewart, as a clown who is secretly a doctor on the run from law enforcement after his mercy killing of his wife, reveals his identity to a police detective by using his skills as a surgeon to save Heston’s life.

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The YouGov. Poll: Maybe Americans Are Just Too Stupid and Unethical For Democracy to Survive After All…

All research indicates that the majority of Americans, not having the IQ’s of Pet Rocks, recognize that our bloated government is corrupt, inept and wasteful. Pew Research polling concluded that 56% of Americans felt that way last year. “Nearly 2/3 of Americans fear that our government is run by corrupt officials, stated another survey. In January, A.P.-NORC researchers found that 70% of Americans believe corruption in the federal government is a serious problem.

Despite these beliefs, only 39 % of Americans polled gave DOGE a “favorable” rating in the latest The Economist/YouGov poll, with”unfavorable” at 36%, and the human slugs who chose “don’t know” came in at a whopping 25%. Another poll this month found only 49% approving DOGE’s cost-cutting efforts.

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VP Vance’s Speech and the Complete Unmasking of the Totalitarian American Left: Part II [Updated]

That’s the chest of CNN’s Jake Tapper above. He was making a little frowny-face yesterday for the idiots viewing CNN who are too dim to realize that the accusatory headline is a non-sequitur, like “I like ice cream, can you swim?” The White House suspending the AP’s White House privileges—that’s privileges, which are distinct from rights, Jake—has nothing to do with freedom of speech or even the First Amendment, so the implied hypocrisy is more fake news.

Added: On “Twitter/X” J.D. Vance responded to another journalist making the same “point”:

The remarkably negative (and ignorant, and biased) Axis media reaction to J.D. Vance’s speech in Germany proves one again that as often as President Trump exaggerates, calling the news media the “enemy of the people” was neither excessive, unfair nor untrue. That’s exactly what it is. It is now the enemy of democracy as well, and nothing illustrates that better than the rush to condemn the Vice-President for telling European leaders to stop censoring speech based on political content.

It takes special chutzpah for any media organization to accuse Trump of stifling press coverage when he has made himself more accessible to the news media in less than a month than Joe Biden was in four years. I would also venture that the Associated Press could get more useful information surfing the web that it ever got from Biden’s idiotic, stumbling, incompetent, lazy paid liar Karine Jean-Pierre. The AP has proved itself conflicted, partisan and anti-Trump as well as unreliable. Why should it be entitled to attend press briefings instead of, say, Ethics Alarms?

Also on CNN, Nick Paton Walsh attacked Vance’s speech while defending censorship to prevent “authoritarian regimes.” This was the excuse used to justify banishing Trump from social media. I suppose it was also the excuse for blocking coverage of and commentary on Hunter Biden’s laptop on news platforms, Facebook and Twitter. Those who would punish and censor speech always have “reasons,” but the real reason is maintaining their own power and crippling the functioning of democracy. Just listen to this hack…

“Vance’s complaints struck at the heart of a key difference in the role of free speech in Europe and the United States, a much fresher democracy. In Europe, free speech is paramount and enshrined in law, but so is responsibility for the safety of citizens. Some European legal systems suggest this means you cannot falsely shout there is a “fire” in a crowded theater and escape punishment if the resulting stampede causes injury simply because you had the right to shout “fire.” In the United States, the First Amendment means you can shout whatever you want. In the smartphone and post-9/11 era, Europe has prohibited some extremist activity online. It is still illegal to advocate for the Nazis in Germany, and it should not be controversial or mysterious why. The wildly rebellious press across Europe are a vibrant sign of its free speech. And the fringe parties Vance objected to being absent in Munich are growing in their popularity. Nobody is really being shut down.”

Hilarious! Enshrined in law “but”! If speakers, writers and artists can be censored and punished for words and opinions that some authority rules “unsafe,” then there is no free speech. It’s amazing that advocates for censorship still use Oliver Wendell Holmes’ thoroughly discredited “shouting fire in a crowded theater” analogy. Ken White of Popehat, perhaps the sharpest and most eloquent blogger in captivity until he was infected with the Trump Derangement virus, decisively explained in “Three generations of a hackneyed apologia for censorship are enough” how Holmes’s famous opinion has been misused to defend government censorship of speech that mentions or threatens violence without actually inciting it on the spot. This includes “hate speech,” which is what many of the European countries outlaw and what the totalitarian Left here would love to outlaw in the U.S. “Hate speech” would mean “speech that progressives hate.” (Knucklehead Tim Walz said on national TV that “hate speech” isn’t protected by the First Amendment.) Walsh, like Walz, literally doesn’t know what he’s talking about; he is quoting an opinion he hasn’t read, and he definitely hasn’t bothered to read White’s explanation of why that defense of censorship is based on legal and constitutional ignorance.

CNN’s censorship rationalizing pales before CBS’s efforts, however. Incredibly, “Face the Nation’s” Margaret Brennan really and truly asserted to Marco Rubio that Hitler’s Germany used “freedom of speech” to spark the Holocaust. Kudos to the Secretary of State for not channeling Dan Ackroyd from the old Saturday Night Live “Point/Counterpoint” skit and responding, “Margaret you ignorant slut!” She deserved it.

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In the Rear-View Mirror: “Reflections On President’s Day, 2012: A United States Diminished in Power, Influence and Ideals”

On President’s Day in 2012, I wrote a dispirited assessment of where the United States stood regarding spreading American ideals and values to other nations. This was in the context of Barack Obama’s feckless foreign policy, which, as with his puppet stand-in later, Joe Biden, consisted of threats and warnings (remember Obama’s “red line” in Syria?) without credibility of resolve. I thought about the post as I was contemplating how J.D. Vance was getting mockery and criticism from the Axis because he exhorted our allies in Europe to begin a new commitment to freedom of speech.

The main thrust of the essay was the question of whether the United States should be “the world’s policeman,” a situation that now has fallen into ethics zugzwang: it is irresponsible for the U.S. not to accept the role of world policeman, and irresponsible for us to accept it either.

“Quite simply, we can’t afford it,” I wrote. “Not with a Congress and an Administration that appear unwilling and unable to confront rising budget deficits and crushing debt with sensible tax reform and unavoidable entitlement reductions.” I found the 13-year old post useful and thought provoking for perspective purposes. It raised many questions. Is the U.S. better off today than in 2012, when I was so depressed about its prospects and integrity? What does it mean to “make Amerca great again” in 2025?

I’ll have some more 2025 thoughts at the end. Here is the rest of that post:

***

Yesterday Congress and the President passed yet another government hand-out of money it doesn’t have and refuses to raise elsewhere, among other things continuing to turn unemployment insurance, once a short-term cushion for job-seekers, into long-term government compensation for the unemployed. Part of the reckless debt escalation was caused by the last President [George W. Bush] unconscionably engaging in overseas combat in multiple theaters without having the courage or sense  to insist that the public pay for it. The current administration [the Obama Administration] is incapable of grasping that real money, not just borrowed funds, needs to pay for anything. The needle is well into the red zone on debt; we don’t have the resources for any discretionary military action.

Ron Paul thinks that’s a good thing, as do his libertarian supporters. President Obama, it seems, thinks similarly. They are tragically wrong. Though it is a popular position likely to be supported by the fantasists who think war can just be wished away, the narrowly selfish who think the U.S. should be an island fortress, and those to whom any expenditure that isn’t used to expand  cradle-to-grave government care is a betrayal of human rights, the abandonment of America’s long-standing world leadership in fighting totalitarianism, oppression, murder and genocide is a catastrophe for both the world and us. Continue reading

“The Meat Axe”

I had some amusing bloody meat-axe graphics all ready to go for this post, but it is really about flat learning curves: the Democratic Party’s, the Axis news media’s, and maybe, frighteningly, the public’s.

Yes, once again we have a looming test of just how stupid the public really is. Democrats are betting their very existence on the public being as dumb as a box of Joe Bidens, and the biased, anti-Trump news media, having already been completely exposed as the enemies of the people Donald Trump said they are, have predominantly fallen back to the same tactics that served them so well in Trump 1.0. The unethical “advocacy journalists” are gambling that propaganda will prevail, and that the 2024 election was just a blip because the Democrats ran a babbling fool—but a historic one!—for President.

Trump’s tsunami of executive orders along with the relentless DOGE assault has the Axis searching for a magic bullet or two. They settled on two old unethical stand-bys: ad hominem attacks, aka. “kill the messenger,” and “It’s a constitutional crisis!” Trump being elected at all was a constitutional crisis for the Angry Left, and the phony “He’s breaching traditional democratic norms!” trope was core to both impeachments and the “Trump is Hitler” campaign refrain.

Elon Musk is being vilified by using classic Democrat class warfare tactics: he’s been successful and is rich, so obviously he’s only helping Trump cut spending because he greedy and he’ll make money from it somehow. How dumb does someone have to be to buy that logic? If there is anyone in the world who can be trusted not to be serving his country for the money, it’s Musk. I heard some mouth-foaming contributor on CNN screaming this morning that “Trump is a liar and criminal” and “Musk wasn’t even born here!,” an odd argument from a defender of illegal immigrants.

But the EA “Flat Learning Curve” graphic is up there because I heard Chuck Schumer—is he really an idiot or does he just play one on TV?—say that sure, everyone agrees that there is too much waste in government spending, but “this is a meat-axe!” Yup, it sure is, Chuck, and if you don’t know by now that the only way to seriously address systemic corruption, waste, incompetence, dishonesty and obstruction is with a meat-axe (or blow-torch, or metaphorical nuclear bomb), you’ve never successfully managed anything.

Experienced managers know this, and both Musk and Trump are experienced managers as well as successful ones. Good leaders know it too. Heck, I know it.

What Schumer is really saying is, “We don’t want to solve this problem, we want to look like we want to solve this problem, and we are confident that you out there listening are so uneducated, inexperienced, naive and gullible that you’ll fall for it…again.”

When a system is broken, corrupt and incorrigible, and because of its dysfunction causing constant harm, the technique of carefully trying to extract the jewels buried in the shit pile never works. It takes too long. Every inch of the shit will have advocates claiming that it isn’t really shit. Paring down the bureaucracy gets delegated to the bureaucracy, and improvement is minimal if you are lucky. Most of the time, the inefficiency, waste and corruption just gets worse. Nobody can deny that this is the futile path the United States government has been treading.

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Abuse of Celebrity: Selena Dumb Gomez’s Virtue-Signaling

The video of former Disney star Selena Gomez weeping over the deportations of illegal immigrants who should be deported is a brilliant reminder that Hollywood makes you stupid. Gomez posted it on her Instagram which has 424 million followers and I want to kill myself.

Gomez is difficult to understand amid all the sobbing and histrionics, but here’s the text: “I just want to say I am so sorry… all my people are getting attacked [by Trump’s deportations]. The children. I’m so sorry, I wish I could do something, but I can’t, I don’t know what to do. I’ll try everything, I promise.”

To state the obvious, being subject to law enforcement isn’t being “attacked.” It is breathtakingly obnoxious for Gomez to call illegal immigrants “her people”—she’s an American citizen, and we are her people. Of course she plays the always popular “Think of the children!” card. And the hubris necessary for a B-list celebrity—she was okay in “The Dead Don’t Die”— to apologize for something she has no power over whatsoever, and to promise to “try everything” to stop it when there is nothing she can do is especially staggering.

“Entertainment Tonight” isn’t much better, saying in that clip that the deportation policy mostly “targets Latinos.” No, you hacks, it entirely targets illegal immigrants.

You can say this weepy virtue-signaling is harmless, but the fact that an ignorant woman like Gomez has over 400 million followers means that a political, cultural and ethics dunce can influence a dangerous number of people, making them stupid, fearful, and bad citizens. It has always been thus that our most talented artists (not that Selena is one of those) usually lack intellectual and critical thinking abilities on par with their performing abilities. They also tend to be emotionally frozen somewhere between the 6th and 11th grade. There are exceptions, of course, but social media has given these Dunning-Kruger victims a way to spread their juvenile politics and poor civics literacy far and wide, usually infecting the young most of all, and most damaging of all.

Maybe I’ll make a video of myself weeping over this…