by Curmie
The title for this two-part edition of Curmie’s Conjectures refers to a song by the Irish punk band the Boomtown Rats, “Don’t Believe What You Read,” which includes not only the title admonition but also lines like “I know most what I read will be a lot of lies / But you learn really fast to read between the lines.” Part I of this exercise attempted to suggest something of the parameters of the problem. As Jack suggested in his introduction to that piece, it’s not an exhaustive list of the various forms of journalistic chicanery, but I hope it served as a representative sample.
Here in Part II, I’ll attempt the daunting task of examining strategies to “read between the lines” and come at least a little closer to the truth of what happened in a given situation. So, what to do? How do we determine if that less-than-objective source we’re reading actually has this one story right, especially if it’s the only source about a particular story? Boy, do I wish there was an easy answer to this one. That said…
The most effective means of ascertaining the truth, of course, is to get different perspectives on the issue. I think I’ve mentioned both here and on my own blog that when I was in England doing my MA (at the time “Don’t Believe What You Read” was released, as it happens), I’d alternate between reading the Telegraph, which leaned right, and the Guardian, which leaned left. If the former said “X but Y,” thereby suggesting that Y was the more important point, the latter would likely say “Y but X.” But whichever paper you read, you’d know that X and Y, though perhaps seemingly in opposition, were both true, and both worth knowing about.
Of course, both the Telegraph and the Guardian were, whatever their political perspectives, both reputable news sources. That’s a statement that would be difficult to make about many of the most prominent news media in this country in the 2020s. Equally importantly, as suggested in Part I, the problem is often that we hear only from one perspective.
There are three possibilities for why this should occur. One, which is (alas!) probably the least likely, is that both X and Y editors make an honest decision that a story is or is not newsworthy. Or X media outlet knowingly runs with a story that is either grossly distorted or fabricated altogether. Or outlet Y, knowing the story casts their team in an unfavorable light, ignores it, hoping it will just go away. At some point it becomes untenable to try to ferret out the true motives; the truth of the story may be a little easier to discern, although there are no guarantees.











