Comment of the Day: “The Obama Outhouse Float: Not Racist, Just Wrong”

Obama float

Rick Jones, a drama professor, deep thinker and superb writer, weighed in on the controversy over the tasteless Independence Day float in Norfolk, Nebraska. (As an aside: did my trip to Nebraska last week unleash something in the Ethics Cosmos? First this story, then the Nebraska judge telling the Supremes to “stfu”?) Rick courageously wades into the messy and contentious area, often discussed here, of racial motivations behind criticism of Barack Obama. Here is his Comment of the Day on the post, The Obama Outhouse Float: Not Racist, Just Wrong:

I’ve written about this incident, as well, and we generally but don’t totally agree.

I’m intrigued by the discussion of racism. Certainly I agree that nothing in the events described qualifies as inherently racist… but I think the word “inherently” matters here. The fact that there is not an obvious racial motivation for what is clearly an intentionally offensive float, one which displays its creator’s “disgust,” does not mean that it is intrinsically devoid of such volition. Even the little boy who cried “wolf” was right once. Similarly, whereas there are those who reflexively scream “racism” at every criticism of the current President, that doesn’t mean that there aren’t expressions of anti-Obama sentiment which really are grounded in the fact that he has a little more melanin than you or I do.

In this case, Ms. Kathurima and her daughter have experienced racism—or believe they have—and you say that you “don’t blame her” for perceiving it in this instance. Nor do I. That Mr. Remmich intended to insult the POTUS, I think goes without saying. Why, specifically, he set out to do so is an open question. Maybe it’s racial. Maybe it’s political. Maybe he knows his neighbors and pandered to their predilections. I certainly don’t know, and I wouldn’t be surprised if he doesn’t, really, either.

I grapple with a variation on this theme constantly in my professional work, especially in the area of communication theory as it applies to aesthetics. Oversimplified a little, the modernist/positivist view is that the sender of a message creates and encodes meaning, and the receiver’s job is to “find” the meaning through a process of decoding. The post-positivist view, however, is to argue that the sender catalyzes rather than creates meaning, that meaning is in fact created by the receiver of the message. To me, the two positions are equally valid.

One of my standard approaches to this dilemma is to suggest to students that “somewhere in this room is someone who has had a major fight with a loved one because what one of you thought you said was not what the other thought he/she heard.” Moreover, whether the “blame” for a misinterpretation should be placed with the sender or the receiver is likely to be influenced in your mind not so much by philosophical or theoretical concerns as by which of those positions you happened to occupy on the occasion in question.

We are left, then, with two significant questions, neither or which I am prepared to answer with confidence. 1). Is the meaning of a communication determined by the sender, the receiver, or by some presumably objective external agent? 2). At what point does a particular reaction pass from confirmation bias into, well, experience?

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Is There An Ethical Obligation Not To Shock, Nauseate, Or Blind Your Neighbors? Of Obese Joggers and #FreetheNipple

A Facebook friend posted the following letter, posted by one of her friends, and supposedly passed along by the target of the letter. The individual subjected to the complaint is reputedly trying to overcome obesity and various health issues. The letter:

Mean letter

I have my doubts regarding the authenticity of this, but it doesn’t matter to this post. I assume we can all agree that the letter itself, if genuine, is cruel, mean-spirited, cowardly (it is anonymous), hurtful, and indefensible. It does raise an valid ethics question, though, which is this: Do we have any ethical obligation any more to exhibit modesty and a degree of public decorum out of doors, when we are likely to come under the gaze of others? If so, what are that obligation’s parameters? Continue reading

Ethics Dunce: Federal Judge Richard G. Kopf

"Oh dear...and he looks like such a NICE federal judge!"

“Oh dear…and he looks like such a NICE federal judge!”

Richard G. Kopf is a senior district court judge on the U.S. District Court for the District of Nebraska, and a blogger. He is also,I would say obviously, an Ethics Dunce. Why?

He told the U.S. Supreme Court to shut the fuck up.

He really did.

That he did this on his blog, Hercules and the Umpire, doesn’t matter. It was in print, in public, and he’s a Federal judge. The obscenity came in the context of Judge Kopf’s criticism of the recent Hobby Lobby decision, but the context doesn’t matter either. There is no context in which it would be appropriate, judicial and ethical for a member of the judiciary to tell the Supreme Court of the United States to shut the fuck up. Nor does it matter that he used the texting code stfu rather than spelling out the words.

For a Federal judge to be openly disrespectful, uncivil and abusive to the top of the nation’s judicial branch is an assault on the rule of law, and undermines public respect for our institutions. As lawyer and blogger Rich Hasen wrote, Continue reading

Ethics Quiz: Sexy Safety In The Air

This one’s simple. Watch this New Zealand Air safety video. It was recently pulled, possibly in part because of objections that it sexually objectified women. The video, shown to passengers before take-off, was even the target of a Change.org petition, which one again shows that many U.S. citizens don’t comprehend freedom of speech, and think that the U.S. is a monarchy, perhaps because the President often seems to be under that delusion himself. Now the video:

Your Ethics Alarms Ethics Quiz for a slow week in ethics (so far):

Is this video disrespectful to women, in bad taste, vulgar or inappropriate?

In the succinct words of Julia Roberts as Erin Brockovich: “They’re called boobs, Ed.”

And they are everywhere, and a lot more gratuitously displayed than here. Airlines have a problem getting passengers to pay attention to the safety instructions ( here’s Jerry Seinfeld making some trenchant observations on the dilemma), and having beautiful women in bikinis do the chore is as good a solution as any. Even the critics, prudes and boob-o-phobes must have been paying attention. Harm: minimal to none. Benefits: enough. The video passes utilitarian muster.

It’s also funny. I particularly like the Hawaiians in the dugout demonstrating the crash position.

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Pointer: Fred

Facts: ABC

 

On Mockery, The Streisand Effect, Incompetent Lawyers And The Sleeping Yankee Fan

ESPN cameras caught Andrew Rector sleeping in his seat in the fourth inning of  the April 13 Boston Red Sox-New York Yankees game. In the time-honored tradition of TV play-by-play when something funny, weird or, most especially, sexy is spied in the stands, ESPN commentators Dan Shulman and John Kruk  began making fun of him. The clip ended up on YouTube, naturally, and thus on various sports websites, followed by the various idiotic, cruel, gratuitously mean-spirited insults, usually composed by brave anonymous commenters.

This is a familiar pattern of unethical public mockery, and we have become inured to it. Though the ESPN team’s jibes were rather mild in nature, and Rector’s legitimate embarrassment quota would be far, far less than, say, that of George Costanza when this happened at the U.S. Open, let me say for the record that picking fans out of the crowd at sporting events and making fun of them, whatever they are doing, is generally a rotten thing to do. I know: it’s public, you know you might be on camera, and the fine print on the ticket stub puts you on notice. Unless, however, the conduct involved is actually newsworthy or despicable (as in instances where an adult has snatched a baseball from a child), the Golden Rule applies. Who knows why Rector was sleeping? Maybe he was up all night with a dying relative or a grievously ill child—Shulman and Kruk don’t know. And if he chooses to pay for a ticket and nap during the game—and it wasn’t exactly a scintillating game, I should add—so what? Continue reading

The Obama Outhouse Float: Not Racist, Just Wrong

Racist float? Why not? Well, a) Bill Clinton's not black b) it's not a 4th of July parade, c) this is in Germany and d) it's not Obama.

Racist float? Why not? Well, a) Bill Clinton’s not black b) it’s not a 4th of July parade, c) the parade is in Germany and d) most important of all, it’s not President Obama.

It was almost a year ago that a rodeo clown donned an Obama mask, and the NAACP demanded that the Secret Service investigate him, and the clown lost his job. It is considered acceptable that in the nation’s capital, five people in  big-headed costumes depicting the Mt. Rushmore Presidents (and William Howard Taft) race around a baseball stadium as the crowd laughs at their antics, but any mockery of the current President of the United States will be immediately attacked as “racist.”

Thus an appallingly stupid, tasteless and inappropriate float in a Norfolk, Nebraska Independence Day parade is further straining already damaged race relations in this country, because it depicted a distressed man coming out of an outhouse labelled the  “Obama Presidential Library.” The Norfolk Odd Fellows Lodge, which coordinates the annual parade, is defending the float, which was entered as political satire (it even won an award). Others, however, have condemned it as, you guessed it, racist.  Here it is:

Obama float

It isn’t racist. Although many media reports have described the zombie-like figure exiting the outhouse as a representation of the President, it clearly isn’t. Does President Obama use a walker for support? The float’s designer, Dale Remmich, who does use a walker and dresses like the figure on the float, explained that the figure was meant to be Remmich himself, tinged green out of disgust for, among other things, the Veterans Administration fiasco. As for portraying Obama’s future library as an outhouse, that’s not racial imagery, though it is obviously a statement communicating criticism and disrespect. The same imagery would not have puzzled anyone if it had been used to criticize any other recent President; nobody would have looked at the exact same float except with the label “George W. Bush Presidential Library” on the outhouse and said, “I don’t get it. Bush isn’t black.” That’s because it isn’t the design of the float that makes it racist, just as it wasn’t the use of a mask that made the rodeo clown’s act racist, in the eyes of those making the accusation. What makes it racist is the criticism and the mockery, its target. Criticism and mockery of other Presidents went with the territory. Criticism of the first black President is by definition racist. Continue reading

Ethics Quiz (Inadvertent Offense Division): The Transsexual Vote

dancing-with-the-stars-paddlesIn a one of my ethics seminars last week before a large audience, my usual practice of polling participants using hand-held numbered ballots, was unwieldy. The client group did not color code them, and there were over 400 present, as opposed to the Dancing With The Stars panel, which is three. I got around the problem by segmenting the crowd and picking different groups to represent the whole. Sometimes just men voted; sometimes women, sometimes one of the four sections of the hall. In other cases, I asked groups that were involved in the case being discussed: family law attorneys. Government attorneys. Mothers.

One of the cases involved a transsexual individual, and I suggested that the transsexuals in the audience vote. Nobody volunteered. The group laughed.

Today I received a very nice note from one of participants, praising my session but criticizing my judgment in that incident:

“You asked the transsexuals to vote, and said you were sure there were some attending [I don’t recall doing this, and I suspect she is thinking of my comment about another potential group] , which produced laughter. Were I a transsexual, I would have felt ostracized and deeply offended. These are people with congenital/hormonal conditions that clash with our social constructs of gender identity. But most importantly, they are people. You are, of course, statistically right to guess that in a group of lawyers of that size, probably there were not many, probably not any, That does not make it OK to perpetuate their ostracism. This is not about political correctness, it is about acknowledging shared humanity.”

Your Ethics Alarm Ethics Quiz of the Day:

Is this a fair complaint?

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Political Correctness Delusions #1: Melissa McCarthy’s Weight Has Nothing To do With Her Success

melissa-mccarthyOne of the many reasons political correctness is unethical is its attempt to not only exercise speech and thought control, but thought distortion and fantasy. In “Entertainment” magazine, Karen Valby scolds journalists and fans who keep mentioning the weight of actress Melissa McCarthy….you know, the morbidly obese comic who has made her career playing funny obese characters. According to Valby, this is sexism. After all, she says, heavy actors aren’t constantly hectored about their girth. Then she cites a group of actors who are usually heavy but do not play “fat” characters, and mixes in a few who do (John Goodman, Kevin James), hoping we won’t notice. John Goodman’s weight never discussed? Tell us another. Kevin James? James’ body fat percentage was a punchline approximately ten times a week on “The King of Queens.” Moreover, of the men, only Goodman is obese. Like McCarthy. Oops, I said it.

McCarthy is one of those comic actors, like Kathy Kinney, Jackie Gleason, Fatty Arbuckle, Lou Costello, Curly Howard, and Wayne (“Newman”) Knight, whose rotundity is inseparable from their character’s comedy. In “Mike and Molly,” a sitcom about a blue collar, obese married couple, the fat is the gimmick. McCarthy is funny and talented, but playing the funny fat woman is her niche. Valby (or McCarthy) can argue that she would still rake in starring turns if she was 130 pounds, but who is she kidding? A thin McCarthy would be thrown into a large, competitive pool of comic actresses, and there would be no guarantee that she could prevail. McCarthy is no fool: Valby says she is comfortable with her body, and maybe she is, but she is especially comfy with the income her unique body type generates. Continue reading

More Airport Ethics: The TSA, the Bedonkadonk and the Slobs

Badonk

I’m not sure what to make of this scene, which I witnessed at Washington’s Reagan National airport as I waited to be scanned prior to my flight to Miami. I have some thoughts, though.

The young, zaftig, fascinatingly-shaped African American woman in front of me was wearing one of tightest, most revealing, shape-hugging, leaving-nothing-to-the-imagination knit dresses I or anyone has ever seen, especially in an airport. The garb was obviously chosen to highlight, as in broadcast world-wide, her most prominent and unusual asset: an awe-inspiring derriere, which appeared to be fit, toned, and suitable for showing a drive-in movie. She was attracting side-glances and open-mouths from all around her, male, female, and probably the machinery too, and obviously reveled in the attention.

When she stepped into the imager and was told to raise her hands over her head, she giggled and did a spontaneous bump and grind move, threatening the integrity of the structure. That did it. The young African-American male TSA agent was launched into smiles, winks, and a stream of comments on the women’s super-structure, along the lines of, “Damn, girl! Don’t go distracting me like that! How am I supposed to do my job? And man, I am distracted! Why, some big old terrorist could walk right by me while I’m taking you in, and then where would we be?” Laughs all around from the other agents, giggles and more gyrations from the woman, more banter from her admirer. Continue reading

Unethical Quote of the Week: Actor Shia LaBeouf

“Fuck you. This is fucking bullshit. Do you know my life? Do you know who the fuck I am? Do you know who I am?”

—Former “Transformers” actor (and  Indiana Jones son) Shia LaBoeof, as he was arrested and dragged out of the Broadway musical “Cabaret” during a performance where he had been smoking a joint in his seat and periodically yelling at the actors.

Contrary to the lyrics, Shia, I think it may be time to consider sitting alone in your room...

Contrary to the lyrics, Shia, I think it may be time to consider sitting alone in your room…

Shia obviously has former child actor emotional problems and I sincerelywish him the best, but if there is anything an individual of any note, connections or accomplishment can utter that has signature significance—to anybody, from a librarian to a police officer, “do you know who I am?” and all variations thereof is it.

Yes, Shia, we know who you are. You’re an asshole. Next question?