Guest Post: Revisiting the Promises and Realities of Obamacare

By AM Golden

[I’m grateful to AM Golden’s guest post for many reasons, among them the chance to revisit (above) the moment when the late Senator John McCain‘cast a petty and unethical vote to save the Affordable Care Act, which he had opposed, from repeal just to spite Donald Trump. I am also glad, I guess, to have AM remind us of the decietful manner in which it was passed, with Democrats insisting that the ACA was not a tax, then later defending it before the Supreme Court on the grounds that it was a tax. JM]

One of the government expenditures I’d like to see looked into by DOGE is the cost and usefulness of the Affordable Care Act, particularly the tax subsidy

Full disclosure: I work for a nationwide health insurance company. 

Not long ago, I commented how taxpayers are often gouged when the government spends our money.  We’ve seen inflated prices by government contractors.  We’ve read about the massive fraud perpetuated by those who got loans during the Pandemic to allegedly keep their businesses afloat.   I suggested in that earlier comment that the availability of student loans has doubtlessly caused tuition rates to rise.  The temptation of bottomless coffers of cash is hard to resist.  I suspect it has resulted in higher costs for medical care submitted through Medicare/Medicaid.  I noted then that government-paid health care would cause medical costs to go even higher.

It isn’t that U.S. citizens aren’t sympathetic to people who are sick, especially to those severely injured in accidents through no fault of their own or born with congenital conditions.  In the 1990’s, government regulations established, among other things, requirements that health insurance carriers offer two of their most popular plans as Guaranteed Issue plans for those who could not get insurance elsewhere.  These plans were expensive, but they put the onus for paying on the policyholder and not the taxpayer.  It was a step, but, like other attempts at helping sick people get coverage, it didn’t address the cost of medical care. 

And neither would the next attempt.

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Impoundment and Other Confounding Obstacles To Government Fiscal Responsibility

Guest Post

By Chris Marschner

Some of our elected leaders would like people to believe that the 2+ million workers are doing yeoman’s work keeping our nation secure and running like a well-oiled machine.  They will suggest to you that only federal workers have access to sensitive data like your personal information.  That is misrepresenting who can get access to your data.

The government uses numerous private contractors to perform all types of specialized services.  Essential IT work such as systems engineering, data security, software development and other user support functions are handled by an array of prime contractors and their sub-contractors.  To do this work, the contractor must be able to access private data.   While some aspects do not require being able to sort through individual records others do.  Software engineers must have the ability to parse records to create templates and test and debug systems.  

Below are a few of these contractors whose employees are not federal employees.   The point I am making is not that these organizations should not be in a position to access private records. The point is that this access happens every day in agencies managed by the Executive branch, whichoversees the agencies that issue contracts to carry out mission-critical services.   

To hear Congress bemoan the fact that the DOGE team is somehow unlawful or illegitimate because they are not federal employees is laughable, and it is also misinformation.  The person responsible for ensuring that the agencies are carrying out the policies laid out by the President through his Cabinet Secretaries is ultimately the President.  As Harry Truman said, “The Buck Stops Here,” “here” being The White House.  

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Guest Post: ‘We’ve Been Trying To Reach You About Your Car’s Extended Warranty…’

by WallPhone

[From your host: This is an epic post about something I know absolutely nothing about, except that I received the calls and marketing materials Wall Phone is writing about—JM]

***

“Well, not that. Actually, I have been trying to reach you about the Telephone Consumer Protection Act, TCPA for short. If you’re reading this, someone connected to your company, someone who cares about your company, and someone who cares about their career and livelihood, has been told that your company is violating at least one provision of this Federal law.

“If you don’t listen to them, it would be prudent of them to begin looking for another job. They shouldn’t want to go down with your ship. If they need to maintain some kind of licensure, they also don’t want to lose their credentials for whatever wrongdoing was going on that got them in contact with the person who gave them this webpage.

Have you ever wondered why those auto warranty calls stopped? It’s because the government has fined the people connected to that advertising campaign more than six and a half million dollars. The fine came with a lifetime ban on any form of telemarketing. What would happen to your company if this kind of fine and ban were to be imposed on you?

“But we don’t make outgoing calls, let alone robocalls!”

And yet you have appeared to have done so. What you thought was a prospective customer told you about this page because they want you to stop harassing them.

“But our company is not harassing them!”

And yet you have appeared to be doing so. And worse, much worse, you appear to have been doing this for years.

“Years?”

Yes.

“But we only recently adopted this marketing partner/strategy!”

And you had better stop. Yesterday. Hopefully your contract has some sort of an enforceable indemnification clause that MIGHT protect you, but it probably won’t. If your marketing agreement does have such a clause, its actual purpose is to pacify any possible reservations at the signing stage of your marketing agreement with them, not the actual true purpose of these contractual things–to avoid the creation of moral hazard.

“Moral hazard” is explained below if you’re not familiar with that term. It’s high time you were.

The reason this indemnification clause on your contract won’t help you is the telemarketing company will be gone when the time comes that you’ll need it. They are betting that by the time it takes for you to figure out that you need to use indemnification, it will be too late. This page is here to help you figure it out sooner, help you recover as much as possible, and make their scam less profitable.

You need to—as soon as possible!—FIRST ask your bank how many of the past payments you made to your marketing partner that you can reverse, THEN ask the marketing partner for refunds. If you think you handling this business with them politely will work, then you have already lost. They will transfer all funds out of their accounts. They will disappear. You’ll lose more than if you IMMEDIATELY reverse as many payments as you can, because they’re not operating in good faith and they’re not intending to refund anything.

You are the victim of a scam. Victim of a crime. It’s literally an organized crime syndicate you are dealing with and they hav done this before, perhaps dozens of times before. They’re counting on you being polite and patient so they have time to disappear, whitewash a new business name on their operations, then start over. They don’t care that they destroyed your agency or business, they have thousands of other prospects they can milk this scam on. They have been doing this for years.

“But why do you want to help my company?”

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Guest Post: Debates We MUST Have As A Modern Culture

By Steve Witherspoon

[From your host: I’m thrilled that my request for guest ethics commentary on the current upheaval in Washington attracted an entry so quickly, and especially pleased that it arrived from Steve Witherspoon, who has contributed so much here over the years but who has been unjustly neglected in my Comments of the Day choices.]

I consider myself to be a consummate observer. I listen and observe the world around me and openly question why some people make certain choices that seem to me to be completely devoid of critical thinking and logic, delve into how choices can affect their lives and society around them, and how those choices can either damage or support our culture as a whole.

I devoted the theme of my blog (Society’s Building Blocks: Social Commentary Blog – Critically Thinking About Things That Change Our Society) to just such a perspective even though it appears that there’s almost no interest, but I’ll trudge on.

I chose “Debates We MUST Have As A Modern Culture” as the title because in a culture that has freedom of speech as a core foundation, without continuing open, reasonably civil debate regarding things that have changed and are changing in our culture, we tend to flail around with absurd anti-American culture ideals that are dominated by the completely closed minds of freedom suppressing totalitarians. We are then afflicted with cancel culture, speech suppression, and Diversity Equity & Inclusion (DEI), as well as willful rationalizations for open politically motivated Lawfare.

Let’s face it: when reasonably civil debates are tossed aside as a quaint ideal and people withdraw into their tunnel-visioned cultish cliques, bigotry ensues. Unchallenged, absurd groupthink takes hold and people become so gullible that they’ll believe just about anything they’re told that supports their bias without any critical thinking. They become ideologically-consumed parrots. This isolationist cultish groupthink has the power to completely destroy our culture, and that may be the goal of some of these cultish anti-Americans.

The United States of America is rapidly approaching 250 years old and there have been some turning points in our history that have redefined us and shifted our culture in very good and thoughtful ways. I personally believe that we are at another turning point and we are going to go through another cultural shift; I just don’t know how much of a shift we are going to see. What I do know is that this cultural shift needs to be based on thoughtful and well debated choices that are guided by our Constitution, general law and order, and how we want to present our country to the rest of the world. We need to honor our core foundations as we look to the future.

Let’s bring a little more focus and briefly list some of the current hot political topics that we must openly debate instead of simply tossing them aside as being unconstitutional, racist, genocide, apocalyptic, etc. Immigration law, law enforcement, self protection, firearms, birthright citizenship, when does individual human life begin thus giving that individual constitutional rights, protecting the environment, government overspending, and illegal drugs are just some of these.

We cannot continue to do things in the same way we’ve been doing them if we want any kind of real change.

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Curmie’s Conjectures: Too White A Christmas?

by Curmie

[Curmie raises so many casting ethics issues that fascinate me in this post that I’m going to announce right now that I’ll post a veritable “Part II” tomorrow, although it will be “Jack’s Conjectures”, or something. Not that I disagree with anything the esteemed Ethics Alarms featured columnist writes here, because I don’t. Here’s a clue about one issue I’ll be covering which Curmie only hints at: for a cast to be sufficiently “diverse,” do the BIPOC members have to obviously LOOK like they are “of color”? I’m thinking of performers like Jennifer Beals, the late Olivia Hussey, and Jessica AlbaJM]

Jack and I exchanged a couple of emails about this story, which I first saw on the OnStageBlog back around Thanksgiving, when this was still news.  I’m pretty sure both of us wanted the other to write about it.  So, a little late, here we go…

The case involves the casting of the Christmas-themed musical Elf at Broadway at Music Circus in Sacramento.  OnStageBlog’s founder Chris Peterson often gets what Curmie’s grad school mentor would call “foam-flecked,” and his editorial here is no exception.  But he does have a point.  Sort of.

The company came under criticism when they announced the cast list for Elf; although a number of the leads were non-white, the entire chorus (seen above) looks pretty vanilla, white-passing if not literally white. Actress (or is she a “social media manager for major hotel brands”?) Victoria Price is one of those who led the charge, pointing to the difference between the Broadway ensemble and the one in Sacramento, and noting that any comments critical of the casting were being deleted.  (I assume she’s telling the truth about this.)

Tony nominee Amber Imam joined the fray, writing that Price’s criticism of both the casting and the removal of negative comments was “absolutely right.  A show that takes place in NEW YORK CITY cannot… CAN NOT have an ensemble that LOOKS LIKE THIS!!!  Do better.  Have you learned nothing?????”

The company’s CEO Scott Klier issued a response that made the situation much, much worse: “cover-up worse than the crime” worse.  Here’s part of it:

“Inclusivity has been and remains my casting and staffing goal for every production. I fell short of that goal for ELF. There is an uncomfortable truth here: Our industry as a whole has largely failed to attract, train and foster the artists necessary to meet today’s demand, and I fear this conversation will continue until it does. It will unfortunately take time. The painful reality of ELF’s casting process was that both the casting submissions and audition attendance revealed few candidates of color and, while those few were undoubtedly talented, they did not meet the dance, music and acting criteria set by our team.”

Hoo boy… Claiming inclusivity as a “goal” and then going 0-for-15 at fulfilling it?  Blaming other people while admitting the decision was yours?  Admitting there’s a “demand” and then ignoring it? 

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Curmie’s Conjectures: What the Hell Was ESPN Thinking?

by Curmie

[My post yesterday about ESPN’s decision to ignore the pre-game events at the Sugar Bowl attracted almost no commentary at all, but it did prompt this installment of Curmie’s Conjectures, which makes it all worthwhile. This is cross-posted on Curmie’s blog; once again, I encourage everyone to visit it regularly. Curmie doesn’t post often, but as Spencer Tracy says of Katherine Hepburn in 1952’s “Pat and Mike,”…what’s there is cherce.” —JM]

There’s a lot of brouhaha at the moment, including Jack’s apt commentary, about ESPN’s coverage of Thursday’s Sugar Bowl game in New Orleans, or rather of the pre-game.  The game was postponed for a day in the wake of the horrific events of early New Year’s morning only a few blocks from the Superdome, where the game was played.

So why is the photo for this piece of a baseball game?  Allow me to explain.  I have been a fan of the New York Mets since 1962, the year of the team’s inception.  I can tell you with certainty that the biggest home run in Mets history had nothing to do with their World Series championship years of 1969 or 1986.  It was Mike Piazza’s two-run, come-from-behind, homer in the bottom of the 8th inning in Shea Stadium on September 21, 2001.  That’s what you see above.

It was the game-winning hit and it came against the best team in the division, the arch-rival Atlanta Braves.  Vastly more importantly, it was during the first major league game to be played in New York after the attacks of 9/11.  And, for the first time in a week and a half, the locals had something to be happy about.  That night, anyone who wasn’t a Braves fan per se (and probably a fair number who were) needed that home run.  Not just Mets fans.  Not just New Yorkers.  Americans.

We’d been told the everything was going to be OK, but we needed more.  David Letterman going back on the air helped, but everything was still somber.  The Bush jokes that would cement the resolve—you don’t joke about the President if your country is in crisis—were to come later.  But first, there was Mike Piazza.  Sometimes, sports matter.

In the winter of 1980, I lived in a small town in rural Kentucky.  I remember watching the “Miracle on Ice” Olympic hockey game on the TV.  After the incredible upset of the powerhouse Soviet team by a bunch of American college kids, after the most famous line of Al Michaels’s career—“Do you believe in miracles?  Yes!”—there was a lot of noise outside, loud enough to be not merely audible but intrusive in my second-floor apartment.

Outside, there was a string of cars with horns blaring; their windows were down (even in Kentucky it can get a little nippy in February), with a bunch of mostly teenagers leaning out and chanting “USA!  USA! USA!”  I’m willing to bet that I was one of fewer than a dozen people in the entire town who’d ever seen a hockey game live, but here were these kids who didn’t know a poke check from a blue line getting excited about the Olympic semi-final.

In the midst of the Iranian hostage situation, with the country only showing the slightest signs of emerging from the energy crisis (is it any wonder the incumbent President was routed in the election a few months later?), we—again, all of us—needed something to grab ahold of, something to suggest that we’d weather the storm. There have, of course, been other moments that transcended sports: Jesse Owens dominating at the Berlin Olympics in 1936, Joe Louis knocking out Max Schmeling in the first round, Billy Miles appearing from nowhere to win the 10,000m in the Tokyo Olympics; we might even add Spiff Sedrick’s improbable sprint to glory in the women’s rugby 7s in this year’s Olympics. But this year’s Sugar Bowl was most like that baseball game in September of 2001: what made it special wasn’t who won, or what political statement could be wrangled out of the victory, but the mere fact that the game went on was a sign of determination and perhaps a little bit of defiance.  If you’re a Georgia fan, you’re disappointed that your team lost, but you were reminded before kickoff that there are more important things than football games. 

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Curmie’s Conjectures: Musings on Returning to the Classroom

by Curmie

[This is Jack: Yikes! I didn’t realize that EA had been Curmie-less for a full four months! The second Ethics Alarms featured columnist has been both busy and seeking respite from politics, which unfortunately has been disproportionately rampant here during the Presidential campaign drama and related horrors. I’m hoping Curmie can leads us out of the dark into the light. Welcome back, Curmie!]

I’m not sure if this is sufficiently ethics-related for this blog, but since Jack posted it, so be it.

I retired from full-time teaching in August of 2021.  It was August instead of May because I was hoping—to no avail, as it turns out—to do one more iteration of a Study Abroad program in Ireland; the trip had already been postponed from the previous summer.  I did teach one course per semester in the 2021-22 academic year, but then not at all for two years.

I assumed that I’d never be in a classroom again except for an occasional guest appearance to be, apparently, the local authority on absurdism.  But then a colleague got a one-semester sabbatical to work on her book.  It would be extremely unlikely to find someone who had both the ability to teach all the courses in question and the willingness to move to small-town East Texas for a one-semester gig at crappy pay.  The powers-that-be then decided to try to staff those courses locally.  I suspect I was the only available qualified person in a 75-mile radius, so I was asked if I’d teach Theatre History I and II this semester.  I agreed.

There were a lot of changes for me, completely apart from the two-year hiatus.  I’d taught both courses numerous times, but never in the same semester, and always on a Monday/Wednesday/Friday schedule; this time it was Tuesday/Thursday.  Back in the days when I was the only person teaching these courses I could insist that one of the research papers be on a certain type of topic; that’s no longer a requirement.  And I ditched the expensive anthology I’d used for years, switching to things that were available online.  This also allowed me to choose the plays I wanted to teach instead of necessarily the ones in the anthology: critics may agree that the The Cherry Orchard is Anton Chekhov’s best play, for example, but there is absolutely no question that The Seagull is far more important to theatre history, so I used that.

Anyway… what caught my attention?

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Curmie’s Conjectures: Incompetence and Arrogance of Olympian Proportions

by Curmie

[This is Jack: With this welcome column by the indefatigable Curmie, I think I can safely say that Ethics Alarms has finally put all of the ethics controversies arising from the 2024 Paris Olympic Games to bed, yes?

I sure hope so. Let’s see: we had the Opening Ceremony “Last Supper” thing, the “don’t photograph beautiful and sexy female athletes so they look beautiful and sexy” silliness, the announcer who was sacked for evoking a mild female stereotype that is sort-of accurate, the intersex boxer thing, the Australian breakdancer, and now Curmie examines the bitter women’s gymnastics scoring controversy over mini-points that are completely subjective anyway.

I am truly grateful, because I was going to have to post on this if he didn’t. And if I needed any more validation of my position that the Olympics are a bad, corrupt joke and not worth my time (I don’t), Curmie just supplied it.]

The three women you see pictured at the top of the page currently stand in the third (i.e., bronze medal), fourth, and fifth positions in the Olympics final in the women’s floor exercise. You see them from top to bottom in their relative positions as I write this; whether those will be the final final rankings remains to be seen.

Anyway, from the top down we see Romania’s Ana Bărbosu and Sabrina Maneca-Voinea, and the US’s Jordan Chiles.  Each of them has reason to believe that she—and she alone—should be the bronze medalist.  But a series of judges’ fuck-ups (apologies for the language, but there is no other adequate term) have resulted in a brouhaha that makes clear that whatever the NCAA or FIFA may do, the IOC isn’t going to give up its title as Most Corrupt and Incompetent Sports Organization without a fight.  But wait!  Who’s that coming up on the outside?  It’s the Tribunal Arbitral du Sport (Court of Arbitration for Sport), or TAS,  staking their claim, and they’re backing it up with hubristic posturing!  It’s coming down to the wire, and it’s anybody’s race!

I have already made clear  my distaste for sports which rely on the subjective opinions of judges rather than on some objective criterion.  Yes, referees can make mistakes, but at least we know that the team that scores the most points will win, as will the swimmer who touches the wall first or whoever throws the thing the farthest.  In these events, it’s clear: the US won a gold medal in the 100m sprint because a photograph made it clear that Noah Lyles’s torso crossed the finish line .005 seconds before Kishane Thompson’s did.  The US women’s basketball team also narrowly won gold, beating the French team by a single point because on the last play of the game the home team’s player had her toe on the three-point line instead of just outside it.

Those close finishes seem more arbitrary when there’s no objective way of distinguishing between the performances.  It’s also true that gymnastics is second only to figure skating in terms of judges giving credit to established stars just because they’re established. 

But let’s assume for the moment that the judges’ votes in the floor exercise, though subjective, were both informed and honest.  If you were to ask a dozen experts which of the three women discussed here was the “best,” I’m betting that all three would get at least two votes apiece, but ultimately that’s irrelevant to the current situation.

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Curmie’s Conjectures: Breaking News

by Curmie

[This is Jack: It was bound to happen: Curmie and I decided to write posts on the same topic: my discourse on the Awful Aussie Breaker was posted earlier today. It’s not fair, really. Curmie is a lot more elegant a writer than I am. Enjoy his take: I did.]

When I was an undergrad, I wrote a fair number of theatre reviews for the college newspaper.  One show I reviewed was a student-written revue-style piece that had everything from original songs to vulgar humor (the central shtick was that we should solve the energy crisis by harvesting buffalo farts for the methane).  One segment I praised was a hilarious parody of a pretentious modern dance piece.  There was one problem, though.  The choreographer/dancer in question wasn’t pleased; he didn’t think it was a parody.  Oops.

That incident was called to mind this week when I learned that Rachael Gunn, a 36-year-old Australian college professor with a PhD in cultural studies, has become an internet sensation by placing last in the breaking (formerly known as break-dancing) competition at the Olympics.  Competing as B-girl Raygun (don’t blame her for that part; such noms de guerre are apparently required of competitors) she went through a series of maneuvers looking like a cross between a demented inchworm and flounder flopping on the deck of a fishing vessel.  What it certainly was not was anything that could reasonably be described as a demonstration of strength, balance, or skill of any description.

There are a lot of questions here, not the least of which being what the hell breaking is doing as an Olympic event (I refuse to call it a “sport”).  Like Jack, apparently, I have always despised the notion of “sports” in which the winners are determined by judges rather than by who got the most points or crossed the finish line first or whatever other objective criteria might be employed.  This aversion is amplified when original moves are encouraged if not required.  If a gymnast, diver, or figure skater does one more spin than anyone else has ever done or does it in a different position than it’s ever been done, that’s obviously harder and can be reasonably rewarded.  But breaking has no apparent guidelines other than what each individual judge thinks is cool (or whatever term is currently in vogue).  Gunn says all her routines were original.  We can only hope so.

All of this, of course, is an extension of a belief that any activity that requires any measure of athleticism ought to be a sport.  Hence artistic (formerly “synchronized”) swimming, skateboarding, rhythmic gymnastics, breaking, etc. appear as Summer Olympic sports.  I’m not here to suggest that these events don’t require a combination of strength, precision, stamina, timing, and agility.  Of course they do!  So does ballet.  So does roofing a house.  I’m just not interested in seeing how many style points are deducted for using more nails than necessary or having a little caulk spill out of the gun.

Anyway, revenons à nos moutons…  Gunn was, not to put too fine a point on it, pretty awful.  Could I do her routine?  Not now, no.  But I’m pretty sure I could have when I was her age, and that puts her well beneath the status of an elite athlete.  So what’s going on here?  Well, she apparently won the qualifying tournament for Oceania (I really don’t want to see who came in second), and she’s represented Australia at the world championships three years in a row, so she’s at the Olympics fair and square.  There is a qualifying time in, say, a track event (I have a former student who placed second in the Olympic trials in a middle-distance race, but missed the qualifying time by a fraction of a second), but if you’re the best your nation or geographical area has to offer, you get to go, and it’s difficult to establish a qualifying standard if there’s nothing objective about the decision-making.

So, what’s going on?  Well, there’s the post on X that calls her a “grievance studies scholar” and claims she has argued that “breaking’s institutionalization via the Olympics will place breaking more firmly within this sporting nation’s hegemonic settler-colonial structures that rely upon racialized and gendered hierarchies.”  Speaking as a PhD in the humanities, I respond, “Huh?”

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Curmie’s Conjectures: “Curse You, Red Baron!”

by Curmie

[This is Jack: Almost as if in response to my secret wish, Curmie has submitted a column designed to turn our attention away from politics, division, culture wars and the rest, instead focusing his analysis on pizza ads. Makes me hungry for more…but not more Red Baron pizza. I’ve been eating a lot of frozen pizza since Grace died, and have placed Red Baron on my blacklist. Yechh. DiGiorno, Frescetta and Trader Joe’s offerings are far superior. ]

I can’t speak for everyone, but I’m a little starved for something, anything, other than politics.  The thought that anyone would vote for either of the likely contenders for the presidency (as opposed to against the alternative) is chilling.  So I’ve been casting about, looking for something else to write about.  This may not be much, but at least it’s something.  And I did sort of open the door for this kind of post last Christmas season with an analysis of ads for Monopoly.

Red Baron (the pizza company, not Snoopy’s antagonist, but why pass up an opportunity like this?) has released a trio of new commercials, all connected to the joys of sharing.  They’re not going to convince my wife and me to buy their product—we’ve tried it and found the gustatory difference between it and cardboard to be insignificant (your mileage may vary), but that doesn’t mean their commercials are similarly boring.

Indeed, “Baddie Librarians,” in which two stereotypically bespectacled (complete with glasses chains) older women naughtily share a pizza intended for a single person, is trite but at least reasonably cute.  “Hipsters” is even more fun, as sharing a delicious pizza leads to sharing of a different sort: one character “shares” that he’s tired of being hip, another (her name is Willow, of course) admits that she doesn’t even know what her neck tattoo means, the pizza is described as “way better than kale” (I’ll grant that much), and kombucha is called “garbage water.”  It’s not laugh-out-loud funny, but at least it brings a smile.

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