There is only one ethical way to cast a play, musical or movie: pick the actor whose portrayal will most entertain the audience and realize the full potential of the script. Casting is not the place (if anywhere is) for political correctness, quotas, “diversity,” or affirmative action.
Ethics Alarms is full of discussions of this issue, most recently here, in the post just last week about how Disney decided it was offensive to cast seven little people as the Seven Dwarfs in “Snow White and the Seven Dwarfs.” Hollywood and Broadway are completely confused and hypocritical in this area, because the people who run both places are 1) desperate to be seen as progressive and to signal their virtue at every opportunity, 2) terrified of being branded as non-woke, giving extreme activist groups representing various tribes and interests groups the upper hand in their bullying efforts, and 3) not very bright, frankly.
This is why a Samoan-African American actor was found insufficiently black to play folk legend John Henry, but a black woman was cast as red-headed fish-girl Ariel in “The Little Mermaid,” and the Founding Fathers ended up being portrayed by black, Asian, and Hispanic women and “non-binary” performers in the revival of “1776.” Tom Hanks now says only gay actors should play gay characters, but a director who refused to cast a gay actor as a non-gay character would be run out of the business. It is, as I have written here before, Calvinball.
All of which brings us to the head-exploding essay by Malina Saval, editor in Chief of Pasadena Magazine, titled “An Irish Actor Playing Oppenheimer Proves Once Again That Jews Don’t Count.”






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