The Democrats’ Way: When The Facts Are Damning Just Make Stuff Up and Count On Your Complicit News Media To Have Your Back.

Kamala Harris, the worst, most unqualified major party Presidential candidate since Horace Greeley, continued her ridiculous “It wasn’t my fault!” tour last week by telling Rachel Maddow on MS (MSNBC) that 2024 was “the closest presidential election in the 21st Century.”

It wasn’t. It wasn’t even close to the closest. Donald Trump beat Harris in the Electoral College 312-226. Joe Biden beat Trump in 2020 by a tighter margin, 306-232. Trump beat Hillary Clinton 304-227 in 2016. also closer. Only two elections in the 21st Century have been decided by wider margins in the EC, 2008 and 2012.

The 2024 election wasn’t closer than most of the recent elections in the popular vote either. Bush lost the popular vote, but won the Electoral College in 2000, as did Trump in 2016. Al Gore in 2000, John Kerry in 2004, Clinton in 2016, and Trump in 2020 all needed fewer votes to flip to win the Electoral College than Harris in 2024 too. In short, Harris’s claim had no basis in reality. At all. Whatsoever. Sort of like the claims that she ran a “flawless” campaign. Or the DNC’s spin that Harris lost because America is racist and sexist.

Did you know Donald Trump lies all the time? He exaggerated the size of his inauguration crowd in 2017!

Yet there was Rachel Maddow, nodding and smirking away as Kamala flogged her fake history, helping to make her show’s viewers more ignorant and misinformed that they already were, which, he show being on MSNBC, was already considerable.

Nice.

Baseball Ethics Dunce: St. Louis Cardinals Manager Oli Marmol

On this date in 1941, Ted Williams got six hits in eight at-bats during a season-ending doubleheader in Philadelphia, boosting his average to .406. He became the first player since 1930 to hit .400., and no one has done it since. Of course, Connie Mack, the Hall of Fame A’s manager, could have walked Williams every time up and prevented him from reaching the .400 mark on the theory that he was the best Red Sox batter and that not letting him swing the bat would help Mack’s lousy Philadelphia team win one or two meaningless games. Mack didn’t do that, of course, because it would have cheated Williams, cheated the fans, and cheated baseball

Fast-forward to 2025. Yesterday, the Chicago Cubs led the Cardinals 7-3 with a runner on third and two outs in the bottom of the 8th inning. Michael Busch was up, and he was flirting with baseball history: the Cubs player was 4-for-4 with two home runs already, and needed just a single to complete a cycle—a homer, triple, double and single in the same game. Cycles are for hitters what no-hit games are to pitchers: rare historic accomplishments, in fact, there have been almost exactly the same number of each in baseball history. But Cardinals manager Oli Marmol ordered that Busch be given an intentional walk, ending his pursuit of the cycle. The Cubs fans booed, and I’m pretty sure that Cardinal fans would have booed the decision too if the game had been in St. Louis.

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The Irrational Premature Death Response

At least I am consistent. The phenomenon of public figures and celebrities immediately having their influence and perceived importance and value elevated by a sudden death that they had no control over has always bewildered me. I got my first taste of hostility for bucking conventional wisdom when I wrote an editorial for my junior high school newspaper questioning the fairness of the rush to rename airports, highways and buildings after President Kennedy in the aftermath of his assassination. “Honor Him…Quietly” was my title, and I questioned whether it was responsible to strip names honoring other worthy Americans from various landmarks because Lee Harvey Oswald happened to have access to a warehouse window in Dallas. Since I was living in a Boston suburb at the time and Kennedys were considered just short of deities, this was not a popular point of view.

When his rival and frequent adversary Truman Capote drank and drugged himself to death at 59, Gore Vidal famously said, “Good career move!” Nasty as that assessment was (and was intended to be), whether at the the hand of another or the public figures themselves, early death is almost always a good career move.

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Most Fascinating Ethics Quote of the Year: President Donald Trump

“He did not hate his opponents. He wanted the best for them. That’s where I disagreed with Charlie. I hate my opponent and I don’t want the best for them.”

President Trump, in his eulogy for assassinated conservative activist Charley Kirk at the massive memorial service in Phoenix

Can a quote be both ethical and unethical at the same time? You have to hand it to Donald Trump: his statement above at the Kirk memorial service had progressive heads exploding all over the map, and some conservative heads too. It was a genuinely provocative line, rich with contradictory meanings and implications. Did the President intend it that way? Who knows? They will be arguing about Trump’s brain in history and psychology tomes for a hundred years. I find myself hearing Wilford Brimley’s voice echoing through my brain in his iconic scene from “Absence of Malice”: “Mr. Gallagher, are you that smart?” Except in this case, it’s “Mr. Trump.”

Of course the line triggered the Trump-Deranged into self-identification, as with this guy…

But Trump didn’t say he hated half the country. Now Joe Biden came a lot closer to doing that when he accused Republicans of being fascists who are existential threats to democracy, though it was in a national speech to the nation not a memorial service. (I think that’s worse, myself.) We can’t be sure whom Trump regards as his “opponent.” Those who want him dead, as about a quarter of all Democrats according to one poll? Those who tried to impeach him twice and put him in prison using contrived prosecutions? Those who call him Hitler? The journalists and pundits who have been lying about him since he was elected in 2016 and before? Continue reading

One More Time: If People Tell You the Mainstream Media Isn’t A Democratic Party, Progressive Propaganda Mouthpiece They Are Liars or Morons…

Yesterday we had one more flagrant example of how completely useless our news sources have become in letting the public know what is happening in the nation and the world so they can be responsible citizens. Well, I guess they are not useless to progressives, Democrats and leftist totalitarians, because the biased and distorted stories, reports and interviews they spew out daily does keep citizens in the dark (where “democracy dies,” sayeth the Washington Post. Silly me, I once thought the Post meant that was a bad thing.) On the August 31, 2025 “Face the Nation,” host Ed O’Keefe interviewed Homeland Security Secretary Kristi Noem about the American Left’s latest martyr, “Maryland Dad” Kilmar Abrego García. What the audience heard was this:

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Open Forum, and a Note Having (almost) Nothing to Do With Ethics

It’s Friday, time for the last Open Forum of the month, and my infected leg is much better, thanks, so EA should be returning to normal soon.

Probably not quite to normal, because from now until mid-September all of my nights and weekends will be occupied as I return to my theatrical side, in mothballs for a decade, to direct and write a musical revue to celebrate the 50th anniversary of the Georgetown Law Center Gilbert and Sullivan Society, the only student-run theatrical organization at an grad school in the country. Alums will be flying in from all over; the show itself is going to have a student-alumni cast of more than 70, and it promises to quite an adventure.

I’m overseeing the show because I unwittingly started the tradition with a guerilla production of “Trial by Jury” when I was a first year student, directed the next six yearly shows after that, and have returned to the scene of my former triumphs (that’s a Gilbert quote: which show?) for the 20th, 30th, 40th and now 50th anniversary blow-outs (actually this is the 52nd anniversary because of two postponements.)

That’s a cast photo from the 1977 production of “H.M.S Pinafore” that I directed in GULC’s Hart Moot Courtroom above. (Can you spot me?)

The lesson of this saga is that you never know what the things you do in life will prove to be most significant. That organization has launched successful show business careers, sparked romances, marriages, and lifetime friendships, changed the culture of the school, and made many thousands of people laugh and cheer over the course of over 150 productions including the G&S canon, Broadway musicals, dramas, comedies, Shakespeare, and a production of “Twelve Angry Men” (my first) that is credited with starting the process of turning the classic movie into a successful stage show.

Me, I was just trying to address my boredom with law school and had no idea what I was starting. Yet if I get squished by a piece of space junk tomorrow, I’m pretty sure that theater organization will be my most lasting legacy.

Go figure.

But that’s enough about me. Time to write about ethics…

I Don’t Know What Presidential “Approval” Polls Mean

…which means they are misleading, manipulative, and useless, except to be misleading and manipulative.

I just saw a Rasmussen Poll that measured Trump’s approval split at 49%-49%. Which side of that split would I belong on? I’m not sure I know. Hmmmmmm….

Do I approve of Trump’s character? Do I like the fact that someone like him is the symbol of the United States to the world? Do I think his conduct as President is likely to have a positive effect on the United States society and culture over the long term? Do I think his conduct as President is likely to have a positive effect on the office of the Presidency over the long term? Do I approve of his social media postings and his unrestrained outbursts on whatever topic engages him at a particular moment? Do I approve of his extreme narcissism, his cruelty, his misogyny, his exaggerations, his constant resort to ad hominem attacks?

Nonononononononononono! I do not approve. Not only that, but I don’t approve of anyone who does approve these aspects of Donald Trump.

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Hopeless, Legitimate or Right-Wing Propaganda? The White House’s Smithsonian Exhibit Hit List

The New York Times reports,

The White House published a list of Smithsonian exhibits, programming and artwork it considered objectionable on Thursday, one week after announcing that eight of the institution’s museums must submit their current wall text and future exhibition plans for a comprehensive review.

The list borrows heavily from a recent article in The Federalist that objected to portrayals at several museums. It argued that the National Museum of American History promoted homosexuality by hanging a pride flag; overemphasized Benjamin Franklin’s relationship to slavery in its programming; and supported open borders by depicting migrants watching fireworks “through an opening in the U.S.-Mexico border wall.”

Other grievances were previously enumerated in an executive order that President Trump authorized in March, which criticized the National Museum of African American History and Culture for a 2020 worksheet that describes aspects of “whiteness” as “hard work,” “individualism” and “the nuclear family.” The worksheet was part of an online educational portal called Talking About Race; once it drew criticism, Lonnie G. Bunch III, the secretary of the Smithsonian, had it removed.

The White House list also featured complaints that were not part of the Federalist article or the president’s executive order. Those include a stop-motion animation at the National Portrait Gallery about Dr. Anthony S. Fauci, a government leader during the coronavirus pandemic, and a series at the African American museum that it says “featured content from hardcore woke activist Ibram X. Kendi.”

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On Trump’s Smithsonian Mission

The latest freakout by the Trump Deranged and the Axis media is over President Trump’s assault on the woke and often anti-U.S. propaganda that has seeped into the Smithsonian museums over the past decades while conservatives, Republicans and patriots were metaphorically asleep at the switch.

That the Smithsonian had become dominated by curators, scholars and ideologues who genuinely don’t like their nation very much and who wanted to use the museum exhibits to promote an “America is racist, sexist and a blight on civilization” narrative is, I believe, beyond reasonable debate: smoking guns include the original signage for the Enola Gay (portraying the bombing of Hiroshima as a war crime) and the deliberate omission of Clarence Thomas in the National Museum of African American History & Culture.

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Addendum: Joy Reid’s Rant

This little factoid is too rich to pass up. As noted yesterday in the pot pourri post, the execrable racist Joy Reid had done an interview raging about how everything whites invented had been stolen from black innovators, focusing especially on music. “We black folk gave y’all country music, hip hop, R&B, jazz, rock and roll, they couldn’t even invent that. But they have to call a white man The King. Because they couldn’t make rock and roll. So they have to stamp The King on a man whose main song, was stolen from an overweight black woman,” the former MSNBC star said.

The “overweight black woman” she was referring to was Big Mama Thornton, the original artist to sing “You Ain’t Nothing But a Hound Dog,” which she recorded on August 13, 1952. It was Thornton’s only hit record, selling over 500,000 copies. Elvis, of course, subsequently recorded the song and it became not only an even bigger hit, but his breakthrough record.

Mark Hemingway of The Federalist pointed out on “X” that, as usual, Reid didn’t know what she was talking about. For while Big Mama was black and was the first to sing the song, she didn’t write it. “Hound Dog” was written by the immortal Jerry Leiber and Mike Stoller, who were as white as Elvis.

They wrote or co-wrote over 70 chart hits including many of Elvis’s most famous songs. Among their hits for other artists: “Stand by Me,” “Leader of the Pack,” “On Broadway,” and Peggy Lee’s “Is That All There Is?” Peggy was very white. Lieber and Stoller were inducted into the Songwriters Hall of Fame in 1985 and the Rock and Roll Hall of Fame in 1987.

Quoth Hemingway: “Reid is an idiot.” Yes, and she’s a racist idiot who makes anyone who listens to her more ignorant than they were when she started talking.