Humor and Satire

As The NYT Charles M. Blow Desperately Searches For A Topic Worthy Of His Brilliance Now That He Can’t Attack Donald Trump In Every Column, And Settles On A Cartoon Skunk…

/ Jack Marshall / 19 Comments

pepe

Of course Charles M. Blow quickly jumped on the “Cancel Dr. Seuss” bandwagon. I’m sure he was ticked off that he didn’t think of it first. The really woke publications have to include a race-baiter niche (or several) on their staffs, and Blow occupies that prime slot at the New York Times. Blow is an anti-white bigot in general, but he’s versatile: for the four years in which the Times enabled his virulent Trump Derangement, Blow proved he was also adept in pushing almost all of the anti-Trump Big Lies, not only the one that asserts that he is a racist. His columns were like crack for Trump-Haters. For everyone else, they were, like Blow himself, staggeringly repetitious, predicable, pompous, and boring.

Now, with Trump only intermittently in the news, Blow has a problem, being addicted to anti-Trump crack himself, and he’s clearly foundering. In his anti-Seuss screed—if you’re white like Theodore Geisel, Blow will presume you’re a racist (incidentally, he begins his columns by writing, “As a child, I was led to believe that Blackness was inferior.” That’s odd: I wasn’t!)—he also attacked Warner Bros. cartoon character Pepé Le Pew for contributing to “rape culture,” which is hilarious wokism self-parody.

Pepé Le Pew is one of the lesser Warner Brothers animated stars, an amorous French skunk whose cartoons consisted of a single gag: an incurable romantic obsessed with the pursuit of amorous conquests, Pepé kept mistaking cats and other creatures as female skunks (they somehow got white stripes painted on them in various accidents, hence the species misidentification), whereupon he would aggressively woo them, including hugging and kissing them without their consent.

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Someone Please Give Me A Reason To Link This To Ethics, Because I’m Going To Post It Anyway [Updated!]

/ Jack Marshall / 20 Comments

snowplow contest

This story made me smile.

The Minnesota Department of Transportation held a contest last month to name eight new snowplows. 122,435 Minnesotans voted in the Name a Snowplow contest, which the organizers narrowed down to 50 top vote-getters. Each ballot allowed up to eight submissions.

After the voting concluded, the eight names receiving the most votes were announced winners. Here are the 50 top names and the votes they received:

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Happy Birthday, Dr. Seuss! You’re Cancelled, You Racist.

/ Jack Marshall / 19 Comments

Suess birthday

Today is Dr. Theodore Geisel’s birthday. Better known to the world as Dr. Seuss, the author and illustrator of such classic children’s books as “The Cat in the Hat,” “Horton Hears A Who,” and my personal favorite, “Fox in Socks” because it drives my wife crazy, was born this day in Springfield, Massachusetts, in 1904. Geisel, who used his middle name and his mother’s maiden name as his nom de plume, wrote 48 books (even some for adults). His work has now sold over 200 million copies and been translated into multiple languages. His style of verse and illustrating have been imitated and parodied countless times. Jesse Jackson even read “Green Eggs and Ham” on Saturday Night Live.

Nobody ever thought of Dr. Seuss books as “racist” until recent fads, events , cancel culture and The Great Stupid washed over the land. Well, OK, not “nobody.” Ethics Alarms had a post about the Seuss Museum in Springfield cutting a piece out of a Dr. Seuss mural because three prominent children’s authors who had been invited to attend the Children’s Literature Festival at the Museum threatened to boycott the event on the theory that the mural, painted to replicate a scene from Dr. Seuss’s first book “And to Think That I Saw It on Mulberry Street,”  was, they claimed, offensive. It had, said one of the grandstanding hysterics, a “jarring image” of a man with slanted eyes and a coolie’s hat using chopsticks to eat rice, because, apparently, Chinese people never wore such hats, don’t use chopsticks and hate rice. I wrote, while awarding the museum an Ethics Dunce designation (I’m thinking about adding a “Weenie of the Week”…what do you think?):

There is nothing racially jarring about Geisel’s painting of a “Chinaman” except to someone already looking for offense. Dr. Seuss’ drawings can be fairly termed cartoons. The definition of a cartoon is “a simple drawing showing the features of its subjects in a humorously exaggerated way.”  What are these juvenile children book authors asserting…that all cartoons are racially insensitive? That only cartoon of non-whites are offensive?…Normal Americans, meanwhile, understand the cartoon art form, recognize that features are exaggerated, and thus do not take drawings like those by Dr. Seuss (or Matt Groening, the creator of The Simpsons) as literal or malicious.

Well, silly me. I thought this was just a one-off moment of woke insanity: I have since learned that the Woke never sleep. In the post, I referenced “The Simpsons” and the fact that nobody had called for the elimination of Apu. Apu has since been cancelled as “racially insensitive.” The show also decreed that white voice actors can no longer portray black characters, so Dr. Hibbard has a new sound. Presumably “The Simpsons” will eventually seek a low IQ hick to voice “Cletis the Slack-Jawed Yokel” and a socially awkward MIT PhD. to do the voice of Prof. Frink.

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A Culture That Regards “The Muppet Show” As Offensive Is A Culture Without Humor, Nuance, Or Proportion. Thanks, Disney!

/ Jack Marshall / 30 Comments

Muppets

Disney’s streaming service, Disney+, made episodes of “The Muppet Show” available to subscribers last week, and attached the disclaimer:

“This program includes negative depictions and/or mistreatment of people or cultures. These stereotypes were wrong then and are wrong now. Rather than remove this content, we want to acknowledge its harmful impact, learn from it and spark conversation to create a more inclusive future together. Disney is committed to creating stories with inspirational and aspirational themes that reflect the rich diversity of the human experience around the globe.”

This alone will prevent me from ever considering a subscription to Disney+. How many negative descriptions apply to that disclaimer, in addition to the obvious “stupid”? Shameless woke virtue-signaling? Cowardly betrayal of a genius’s art? Grandstanding to curry favor with our new censorious and fascist Masters of the Left? Utter crapola?

Let’s see:

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From The “Bias Makes You Stupid”—But Funny!— Files, The Unethical Tweet Of The Week: Daily Beast Editor Justin Baragona

/ Jack Marshall / 21 Comments

googly eyes

No, actually it appears that this editor of a progressive website is so steeped in confirmation bias that he made thatabsurd accusation without checking because Carlton is an eeeeevil conservative, and there is nothing he won’t stoop to in order to make the Right’s foes look bad. Literally.

You see, that’s Rep. Ocasio-Cortez’s real face. Her eyes bug out all the time; it was one of the first things I noticed about her. Imagine, an editor in the journalism profession tweets out a completely false assertion without doing the minimal amount of verification, which would have been watching the woman in any interview, or perusing the photos on Google. If Baragona had the requisite amount of shame, fairness and decency, he would apologize to Tucker, apologize to AOC for saying she has googly eyes (she does, but it’s not polite to say so), and take a leave of absence without pay for making the Daily Beast look like the hack cyber-rag it is.

Nah, he couldn’t even manage the apology part. He pulled the tweet, and wrote,

lame retraction

And this, gentle reader, is how a website joins Breitbart, The Gateway Pundit, The Smoking Gun, and a couple of others on the Ethics Alarms Untrustworthy Sources List.

At least the Daily Beast gave me a good and hardy laugh on the way to oblivion.

Now the evil Toon played by Christopher Lloyd in “Who Framed Roger Rabbit/” REALLY had googly eyes.…

Googly eyes

_____________________

Pointer: Twitchy

A Powerful Anti-Abortion Message From A Disgraced And Cancelled Messenger

/ Jack Marshall / 4 Comments

Back before it was all discarded to elect a serial harasser and accused rapist President, #MeToo saw to it that comic Louis C.K. was condemned to wander in the metaphorical wilderness for a particularly disgusting variety of harassment. He is indeed what is clinically defined as a “sick fuck,” but C.K. is intelligent and perceptive too. If anyone is listening, he is capable of conveying wisdom beyond “don’t masturbate in front of female colleagues who you have invited up to your hotel room.”

The clip above is from 2018, I think, when a post-cancellation Louis extolled in grand (if vulgar) terms the wonder of life, and how even the worst lives were a marvel. (The Thornton Wilder classic “Our Town” carries the same message, and I’m sure it is on the verge of being cancelled too, since it is about, yechh, white people. Actually it is about all people, but never mind, that won’t save it.)

And I found myself thinking, as I listened to C.K.’s routine on the radio yesterday by purest happenstance, how can anyone ethically deny life, this gift, this wonder, to another human being who would have it without outside interference, for any reason other than literal survival. Those invalid reasons include, “I have a legal right to do it,” as well as “that future life will interfere with my career,” and “it’s just not convenient right now.”

A Harmonica, Mickey Mantle’s Practical Joke, And Moral Luck

/ Jack Marshall / 2 Comments

Linz harmonica

Phil Linz died last month, and I meant to write about it but did not. He was a baseball player that only baseball fans remembered, and fewer as time went on, yet he was deemed worthy of a long obituary in the New York Times, among other publications. There is a reason, and the reason ultimately reduces to a favorite topic here, moral luck. That, of course, isn’t mentioned in any of the obituaries.

I saw Phil Linz play many times. His New York Yankees team was the perennial pennant winner that dominated the American League from 1961 to 1964; Linz joined the team in 1962. By current day standards he was a terrible hitter, but he could play many positions well, and those Yankee teams were hardly short of offense. Still, utility infielders with light bats are usually fungible and forgettable. Baseball Reference.com lists the most similar players to Linz as Robert Andino, Augie Ojeda, Manny Alexander, Clyde Beck and Rusty Peters.

Unlike any of those nonentities, however, Linz had a moment of fame. On the afternoon of Aug. 20, 1964, the Yankees were riding the team bus to O’Hare after losing four straight games to the White Sox. Yankee manager Yogi Berra, seated in the front, was in a foul mood: the team was looking like it might finish in second place, something just not tolerated by Yankee management. Linz had recently bought a harmonica, and was practicing in the back of the bus by playing “Mary Had a Little Lamb,” over and over. Yogi couldn’t stand it, and shouted from his seat to Linz, “Shove that harmonica up!” Between the harmonica and the other noise, Linz didn’t know what his manager had said, so he asked the teammate sitting by him, Mickey Mantle, what Yogi had shouted. The Mick, who was a practical joke aficionado, told him that Berra wanted him to play louder. So Linz did.

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Pre-Christmas Panic Ethics Warm-Up, 12/18/2020: “The Virus Made Me Do It!!”

/ Jack Marshall / 7 Comments

I have to give Harry a callout: his Christmas classic is the only recording on the Sirius-XM Christmas Traditions channel sung by a still-living singer. Harry’s 93 now and the clock is ticking. His voice is shot, and he has become progressively more radical, angry and bitter over the years. But ah, what a great and transformative talent he was!

I also note that just this week, YouTube has slapped ads on all its songs and movie clips. Of course it has.

Why am I panicked? Oh, the tree’s not up, its a pine and too soft to hold about 40% of our cherished ornaments,we’re behind on other decorations, no shopping has been done, and “there’s plenty of time” suddenly mutated into “Holy crap! There’s only a week left!” At least Christmas decorations around the neighborhood are at an all-time high. I’ve been walking Spuds around to see them: boy, those huge inflatable lawn things are horrible. What does an Imperial Walker have to do with Christmas? Spuds tried to kill a giant inflatable Nutcracker Prince. I was proud of him…

1. This is, in short, a lie. “COVID-19 is now the leading cause of death in the U.S.” says an editorial published Thursday in the Journal of the American Medical Association. This false and intentionally fear-mongering conclusion is in part based on the U.S. practice of calling every death of someone who was diagnosed with the illness a death caused by the illness. That’s ridiculous. Three researchers at Virginia Commonwealth University, cite current daily mortality rates to show that COVID-19 has now surpassed heart disease and cancer as the leading daily cause of death in the U.S. “It’s been a long time since an infectious disease was the leading cause of death for the whole country,” said lead author Steven Woolf, M.D., director emeritus of VCU’s Center on Society and Health. “And it’s a tragic milestone we could’ve prevented.” As for that last statement, prove it, without a time machine. Meanwhile, it appears that Wuhan virus-“caused” deaths also include deaths from other causes that killed people because they put off getting medical treatment.

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The “White Christmas” Ethics Guide 2020

/ Jack Marshall / 11 Comments

2020 Introduction

I have some very dear friends who are still angry with me for writing this admittedly harsh analysis of their favorite Christmas movie. Maybe that’s why I didn’t post it last Christmas season; I don’t know. It really is an ethics mess, however, and as I’ve stated elsewhere this week on Ethics Alarms, if you are going to make an ethics movie, someone involved ought to have functioning ethics alarms. The heartwarming ending—I still get misty when the old general played by Dean Jagger, gets saluted and serenaded by his reunited army unit—doesn’t make up for all the gratuitous lying and betraying going on in the rest of the film.

I have never mentioned this here before, but the movie was the result of an ethical act by one of the most unlikely people imaginable, Danny Kaye. If you search for Danny here, you will find that I have more connections to him than to any other entertainer, primarily through my co-writing and direction of an original musical about him, written by his long-time publicist and my friend. I credited Kaye with my interest in performing, musicals, and comedy, but my research into the real man was disheartening: in stark contrast to his persona and his public image, Danny was a miserable, paranoid, selfish, mean and insecure sociopath when he wasn’t playing “Danny Kaye,” which could be on stage or off it. “White Christmas” had been conceived as a re-make of “Holiday Inn” with the same cast, Bing Crosby and Fred Astaire. Fred couldn’t do the project, so his part was re-written for Donald O’Connor, who became ill so close shooting that there was no time to retool the script and have the film ready for its target holiday release. In desperation, the producers asked Kaye if he would play Bing’s side-kick even though it meant 1) playing a support, which he had never done in a movie since becoming a star 2) playing a role that couldn’t highlight his special talents 3) subordinate himself to Bing Crosby, who was indeed the bigger star and box office draw, and most daring of all, expose his own limitations by doing dance numbers created for Donald O’Connor. Kaye was not a trained dancer, just a gifted mimic and athlete who could do almost anything well. Danny (actually Sylvia, his wife, agent and and career Svengali) had his price for the rescue: he demanded $200,000 and 10% of the gross.

Everyone around Danny Kaye was shocked that he agreed to all of this. Not only did he agree, he also amazed everyone by not playing the under-appreciated star on set, by doing O’Connor’s choreography as well as he did, and by knowing how not to steal focus from the star, something he infamously refused to do when he was in “Lady in the Dark” with Gertrude Lawrence. The movie was the top grossing film of 1954, and the most successful movie musical up to that time.

Danny’s good deed was punished, because today it is by far the most seen of his films, and is likely to be the source of his public image as time goes on. Yet it is not his best movie, or a fair representation of what made him a unique and popular supporter. Like Darren McGavin, a fine and versatile dramatic actor cursed to be remembered only as the father in “A Christmas Story,” Danny’s slice of immortality also minimizes his legacy and talent. Watch “The Court Jester.” With your kids or grandchildren.

1. The First Scene

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Ethics Poll: “Ip Gissa Gul”

/ Jack Marshall / 14 Comments

The New Yorker cartoon above, by the magazine’s iconic cartoonist George Booth, first ran in 1975. I remember finding it strange then. I just ran across it again, and it seems ripe for an Ethics Alarms poll.