Popular Culture

“Liz and Dick,” The Ethics Train Wreck Movie

/ Jack Marshall / 7 Comments
The real producer behind "Liz and Dick"?

The real producer behind “Liz and Dick”?

There was another movie I watched on TV when I was too sick to move, think, or, in this case, change channels: “Liz and Dick,” the infamous Lifetime Movie Network bio-pic starring Lindsay Lohan. Was it lousy? Sure it was lousy; there was no way such a film could have been anything but lousy. Lousy cable movies, however, are hardly news or uncommon, especially on LMN. Indeed, this one was probably in the upper 25% for the outfit that regular creates starring vehicles for the likes of Erika Eleniak and Kellie Martin. This one, however, was an ethics train wreck quite apart from its aesthetic flaws.

The whole project begins with a lie, albeit a popular and elaborately supported one, which is that Elizabeth Taylor was anything special as an actress. She was not. Taylor parlayed uncommon beauty, public sympathy, and later sexual notoriety into mega-celebrity status that drooling male movie critics disgracefully interpreted as genuine talent. She had a thin, unpleasant and brittle voice that made her already limited range even more so. She couldn’t play comedy, and didn’t have the chops for hard drama either. Continue reading →

TV Ethics, Viewed From A Sickbed

/ Jack Marshall / 10 Comments

This isn’t how I look. This guy looks BETTER than I look…

[ As regular readers here might have guessed, I am ill, and have been since Thanksgiving. I can barely read, can’t really research, and whatever appears below was composed in 10 minute increments with hours or days in between. I’m hoping to be catching up very soon. Thank you for your patience]

What do you do when any movement or exertion makes you cough your guts out, when you can’t sleep but have to rest, when your brain is so blurry from viruses and medication that you can’t even compose a blog post for three days? (Sorry.) If you are me, and I hope for your sake that you aren’t, you watch TV.

I got one jolt of legal ethics horror that I hadn’t remembered re-watching Kevin Costner’s “The Untouchables,” directed by Brian DePalma. In the movie’s climax, Al Capone’s trial on income tax evasion has come to a crisis point, as Elliot Ness (Costner) realizes that the jury has been bribed to acquit him. Despite documentation of that fact, the corrupt judge tells Costner that the trial will proceed, whereupon Costner extorts him to prompt “a change of heart.” Now the judge shocks the courtroom by announcing that he is trading juries with another trial next door. The new, un-bribed twelve will decide Capone’s fate.

This is, of course, beyond ridiculous. Adversary attorneys must be able to choose a jury in voir dire, where each potential juror is questioned. Trading juries just invalidates two trials. Even if they could trade juries, which they couldn’t, the Capone trial would obviously have to start all over again since the new jury wouldn’t know what was going on.

None of this occurs to Al Capone’s panicky lawyer, however, who, realizing that the jig is up, announces that “we” are changing “our” plea to “guilty.” Chaos reigns. Capone (Robert DeNiro) punches his lawyer in the face, and I don’t blame him one bit.  A lawyer can’t plead guilty against the wishes of his client! The judge couldn’t accept such a plea, and Capone wouldn’t be bound by it. This would be an embarrassing distortion of the justice system in a Warner Brothers cartoon, but for a movie based on historical figures and events to sink so low is unforgivable. (“Carrie” aside, Brian DePalma was a hack.) Continue reading →

The Complete “It’s A Wonderful Life” Ethics Guide [UPDATED]

/ Jack Marshall / 51 Comments

 Frank Capra’s 1946 masterpiece “It’s A Wonderful Life” is one of the great ethics movies of all time, perhaps the ethics movie of all time. In 2011 I prepared a guide through its complex ethics thicket. The post was divided into three separate posts, and I eventually combined them s0 readers can have the pleasure, if one can call it that, of watching the film like I do: having ethics arguments the whole way through. And now, here is your guide. Additions are welcome and encouraged.

1. “If It’s About Ethics, God Must Be Involved”

The movie begins in heaven, represented by twinkling stars. There is no way around this, as divine intervention is at the core of the fantasy. Heaven and angels were big in Hollywood in the Forties. Nevertheless, the framing of the tale advances the anti-ethical idea, central to many religions, that good behavior on earth will be rewarded in the hereafter, bolstering the theory that without God and eternal rewards, doing good is pointless.

We are introduced to George Bailey, who, we are told, is in trouble and has prayed for help. He’s going to get it, too, or at least the heavenly authorities will make the effort. They are assigning an Angel 2nd Class, Clarence Oddbody, to the job. He is, we learn later, something of a second rate angel as well as a 2nd Class one, so it is interesting that whether or not George is in fact saved will be entrusted to less than heaven’s best. Some lack of commitment, there—then again, George says he’s “not a praying man.” This will teach him—sub-par service!

2. Extra Credit for Moral Luck Continue reading →

Ethics Quote of the Day: Sesame Street

/ Jack Marshall / 4 Comments

“Sesame Workshop’s mission is to harness the educational power of media to help all children the world over reach their highest potential. Kevin Clash has helped us achieve that mission for 28 years, and none of us, especially Kevin, want anything to divert our attention from our focus on serving as a leading educational organization. Unfortunately, the controversy surrounding Kevin’s personal life has become a distraction that none of us want, and he has concluded that he can no longer be effective in his job and has resigned from Sesame Street. This is a sad day for Sesame Street.”

—— The producers of “Sesame Street,” announcing Kevin Clash’s resignation and the end of his close association with Elmo. A second man just accused Clash of molesting him when he was underage, and Clash’s original accuser, Sheldon Stephens, recently recanted his recantation of  his allegations.

“Goodbye, my friend.”

This ending was pre-ordained from the beginning of the scandal, and Clash’s guilt or innocence was and is irrelevant. Sesame Street’s duty is to Elmo and his fans, not Kevin Clash. “Innocent until proven guilty” also has no application. Clash, if nothing else, is guilty of not being innocent enough to be the voice of the most innocent Muppet on Sesame Street.

Elmo and the One Recant Rule

/ Jack Marshall / 6 Comments

When we last left the sad saga of Kevin Clash, the Muppets puppeteer whose voice and hands give cute little Elmo his panache, the 23-year-old man who had accused Clash of having underage sex with him had recanted, agreeing with Clash’s defense that their relationship was consummated later, when both were consenting adults. I opined that this would do little to rescue Clash’s career, as the most innocent Muppet on Sesame Street could not survive being operated by a man who was now associated with gay sex, consensual of not. This likely result seemed unfair to Clash, but is nonetheless a responsible decision on the part of Clash’s employers, the Children’s Television Workshop, whose duty is to their mission and core audience, not to one unmasked Muppet.

Clash’s prospects have not improved. It was revealed last week that the recant was bought and paid for by Clash, who handed Sheldon Stephens $125,000 to deny his previous accusation and never to raise it again. Needless to say, a recant induced by monetary compensation is not a reliable one, and leaves as many questions open as the original claim, if not more. In a settlement, the accuser is paid to drop any legal action, but doesn’t agree to retract the original claim. What Clash did is called “buying testimony,” or ” a pay-off.” Continue reading →

The Despicable Non-Crime of Briana Augustenborg

/ Jack Marshall / 11 Comments

Alexander Jordan, 2002-2012

In US v. Alvarez, the U.S. Supreme Court upheld the 9th Circuit’s ruling that the Stolen Valor Act, which made it illegal to claim military honors that one has not in fact received, was unconstitutional. There is, the courts say, a Constitutional, First Amendment right to lie. Fraud—using lies for monetary profit, is already a crime, the courts argue, and so is slander. Making up stories about yourself and others may be unwise, annoying, even hurtful. Still, it is protected speech; so sayeth a majority of the U.S. Supreme Court, and it is now the law of the land.

This was a bad ruling, and I was surprised at it. Briana Augustenborg shows why.

One day this year she shared a story with a co-worker about a little 10-year-old boy she knew who was terminally ill with leukemia. The boy, Alex, was a big fan, she said, of Eagle Valley (Colorado) High School’s  football team. The colleague, a woman named Holly Sandoval, had a son that played on the team, and she offered to share the story with her son and get the team to sign a football for Alex. Continue reading →

“The Girl” and the Hitchcockian Horrors of Sexual Harassment

/ Jack Marshall / 16 Comments

“Mr. Hitchcock requests your company in his hotel room over dinner.”.

HBO’s original film “The Girl” has premiered, and has garnered mixed reviews from critics, in part because they recoil from the film’s disturbing portrait of iconic director Alfred Hitchcock, played here by the great Toby Jones, who is almost as uncanny evoking Hitch as he was reincarnating Truman Capote in “Infamous.”  It tells the well-documented story of how Hitchcock chose newcomer Tippi Hedren as his latest blonde obsession (placing her in line behind Grace Kelly, Kim Novak, Ingrid Bergman, Janet Leigh and others) and then relentlessly pursued a sexual relationship with the actress during the filming of “The Birds” and “Marnie.” Hedren, not surprisingly, found him about as alluring a potential sex partner as Hermione would regard Dobby the house elf. Less so, probably. Unlike so many actresses subjected to that kind of extortion as their final obstacle to stardom, however, Hedren refused to submit.

The movie is the most powerful and harrowing, portrayal of sexual harassment I have ever seen, and whatever its fate as a dramatic work, “The Girl” has a future, if anyone’s paying attention, in workplace training sessions. Continue reading →

The Unethical Indignation of Mandy Caruso, a.k.a. “Black Cat”

/ Jack Marshall / 103 Comments

Mandy, who is incensed that anyone would think that she wants them to think about her boobs.

Let me stipulate that nothing a woman may do, say or wear excuses rudeness, crudeness, disrespectful comments, sexual harassment, sexual assault or abuse, including, of course, rape. This is unequivocal.

Now let me say that the vociferous complaints by Mandy Caruso on her blog regarding the comments she received at Comic Con as a direct result of her dressing like the Marvel Comics super-heroine Black Cat smack of hypocrisy and a “gotcha!” mentality that is strikingly unfair.

Mandy costumed herself as Black Cat at the famous convention for comic book fans, gamers and fantasy buffs, and she has the physical assets to do it. As you can see in the illustration linked above, TBC is a spectacularly endowed, athletic woman who appears in a black mask and skin-tight, curve-hugging leather suit. She makes D.C.’s Catwoman look like a boy. Characters like Black Cat are drawn specifically to appeal to the sexual fantasies of comic book fans, who are overwhelmingly  teenage boys or single men with the sensibilities of teenage boys. The most extreme of these attend events like Comic Con. Continue reading →

A Trivial Attack Ad That Reveals Untrustworthiness

/ Jack Marshall / 14 Comments

All is lost now…

The Obama campaign’s new creation is a 30-second spot that opens with shots of Bernie Madoff, Ken Lay and other business villains. “Criminals. Gluttons of greed,” intones the ad’s solemn narrator. “And the evil genius who towered over them? One man has the guts to speak his name.”  Then the ad cuts to Mitt Romney, pulling two words out of his debate comments (the words that came before them were, “I love..”), saying “Big Bird….Big Bird…Big Bird”

B.B. then appears in a montage of Sesame Street clips, as the narrator says,  “Yellow. A menace to our economy. Mitt Romney knows it’s not Wall Street you have to worry about. It’s Sesame Street. Mitt Romney, taking on our enemies no matter where they nest.”

It’s an epically stupid ad, if for no other reason that it recruits a non-profit organization’s symbol into a partisan political attack ad, without that organization’s permission. The Children’s Television Workshop has officially  “requested” that the Obama campaign remove it. The ad is far worse than that, however: Continue reading →

Ethics Hero: Christina Aguilera

/ Jack Marshall / 13 Comments

In Jessica Simpson’s Weight Watcher’s TV ad, the former “Daisy Duke” appears only as a giant head, as if the spot was directed by Francis Ford Coppola and Jessica was a last minute stand-in for Marlon Brando.

“the horror…the horror…”

It is clear that Jess is not willing to show America her post-pregnancy body, even though she is telling the public to buy what she’s using to slim it. She is ashamed, in other words, and if a beautiful young woman like her believes that not being able to fit into Daisy’s cut-offs makes her hideous, just imagine how that makes the average woman feel.

Then there is Christina Aguilera. The former waifish “pop tart” who sang “Genie in a Bottle” is now an established pop music diva, and posed for photographers as she announced the American Music Awards Nominations in a throbbingly purple form-fitting dress that didn’t hide a single pound or curve, and showed that she has an abundance of both.

“We’re gonna need a bigger bottle…”

Christina’s not ashamed, nor should she be, and her willingness to look happy and confident regardless of her expanding figure is a boon to a culture that has been working overtime to make women of all ages feel unattractive unless they look like super-models. Continue reading →