If an attractive black model or actress had made this commercial, nobody would be complaining. But because Sweeney is white and blonde, and because the American Left has lost its mind, a classic provocative blue-jeans ad (Remember Brooke Shields saying “Nothing gets between me and my Calvins”?) is being cited as proof that America is embracing Hitler’s Master Race narrative. Sure.
This warrants an Ethics Alarms “Bite Me!” if anything does.
Bart Writer, 56, died shortly after undergoing cataract surgery at Colorado’s InSight Surgery Center on February 3, 2023. The reason? The two doctors performing the operation were distracted by playing “music bingo” and failed to notice that he had stopped breathing.
A lawsuit filed by his widow claimed that the “the distraction of the music bingo game … contributed to the operating room staff’s failure to monitor Mr. Writer’s vital signs during the procedure” and ultimately led to his death. The game involved listening to ’70s and ’80s songs and linking band names to the letters B-I-N-G-O. Dr. Carl Stark Johnson, the surgeon, and Dr. Michael Urban, the anesthesiologist, regularly played the game during operations and admitted this in their depositions.
The lawsuit was settled, but now the two doctors swear the distraction had nothing to do with their patient’s death. Well, to be more specific, the two doctors are blaming each other. Johnson, who has performed over 25,000 cataract surgeries, blames Urban for silencing critical monitoring alarms without informing the surgical team. “I know that he wasn’t paying attention to the vital signs and doing his job,” he said. Urban, who is now practicing in Oregon, stands by his care and disputes Johnson’s version of events.
Writer, meanwhile, like Generalissimo Francisco Franco, is still dead.
Questions: Why is that surgery center still treating patients? Why hasn’t it been razed for a parking lot?
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Pointer: JutGory
This is fun: a different kind of MLB annual All-Star Game ethics controversy! We’ve never seen this one before: usually the controversies over baseball’s “mid-summer classic” (This is All-Star Game week, with the teams taking a break around Wednesday’s game televised on Fox News.) involve fairness in the selections (there are always more deserving players than the limited rosters can hold, whether every team should have at least one representative even when that means selecting a mediocre player having a so-so season, whether there was bias in the selection of the reserves, whether aging great players should be included on the squad because they really are the players the fans want to see, whether the fan voting system is absurd, stuff like that. (Some past controversies are discussed here,)
Never this, however: MLB added Milwaukee Brewers rookie Jacob Misiorowski to the National League All-Star team last week. “Who?”you well may ask? Misiorowski is a highly touted rookie who has only been in the major leagues for about a month. He’s been the starting pitcher in just five games, and now holds the record for fewest games ever played in by a player making an All-Star team—by a lot. Wails Yahoo Sports,
“The main goal of the Midsummer Classic is to recognize the players who have performed at a high level through the first half of the MLB season. With that, it also allows fans to see the stars of the game they might not watch on a regular basis. But by adding Misiorowski to the NL All-Star roster, MLB has sent a message to players that not only does the game not matter, but performance doesn’t matter, either.”
Misiorowski is what baseball jargon refers to as a “phenom.”
He’s viewed as a future superstar, and has looked like it, beginning his career with 11 perfect innings, no hits, no walks. Nobody had done that in the history of the game, He regularly tops 100 mph on his fastball, which has been clocked as speedy as 103. Yes, he’s an exciting newcomer who may do great things…eventually.
But picking him for the All-Star Game is like, oh, let’s pick an absurd hypothetical, like giving a Nobel Peace Prize to a newly elected U.S. President before he’s actually done anything related to peace at all. Not that such a thing could ever happen….
Your Ethics Alarms All-Star Ethics Quiz of the Day is…
I knew there was a reason I hadn’t been to the Smithsonian Institution for so long. Like so many other crucial institutions the apathy of sane and patriotic American allowed to become leftist propaganda weapons over the last 50 years or so, the Smithsonian, along with most of the major museums across the country, “stress on narratives over artifacts.” That’s a quote from Jonathan Turley in his annoying understated mode.
White House official Lindsey Halligan condemned the new National Museum of American History’s Entertainment Nation exhibit, writing, “American taxpayers should not be funding institutions that undermine our country or promote one-sided, divisive political narratives. The Smithsonian Institution should present history in a way that is accurate, balanced, and consistent with the values that make the United States of America exceptional.”
Gee, ya think?
That Star Wars exhibit above would have prompted me to walk out of the building. Turley comments, “I was one of those who went to the movie when it came out, and I cannot recall anyone thinking, let alone connecting, the film to Nixon or Vietnam.” Nor can I, because nobody thought that, even the most politics-obsessed. Even film reviewers, always mostly left-leaning and desperate to find hidden messages in the most apolitical films, didn’t think Jabba the Hut was meant to suggest Spiro Agnew, or something.
We’ve known this about the Smithsonian for a long time, of course, but just shrugged it off because so many other example of insidious political corruption are worse. The Institution tried to slap a war crimes narrative on the Enola Gay. It left Clarence Thomas out of the National Museum of African-American History because being conservative means that he doesn’t count.
Among the flagrant propagandizing noted by Turley:
Oh for God’s sake…
Fix this, Mr. President. Fire the administrators and curators, all of them. Start from scratch.
I know this is a tangent; its (attenuated) connection to ethics is my contention that members of the culture and society have an obligation to maintain at least minimal cultural literacy, without which it is, I beieve, impossible to be a responsible, competent, engaged and credible member of society. A DC Bar set of legal ethics opinions (370 and 371) regarding social media made an equivalent point. No, a lawyer doesn’t have to use social media in his or her practice or participate in it, but a lawyer must know what it is, how it works, the various varieties, and more because it is a major feature of modern life and American society.
I was re-watching the excellent (and tragically truncated) Netflix series “Mindhunter” over the weekend. At several points, the brilliant, well-educated FBI research consultant played by Anna Torv reveals a total ignorance of sports, at one point, for example, confusing minor league baseball with the Little League. The major sports in the U.S. are too central to American history, entertainment, language, culture and passion for a competent citizen to be that clueless….and an amazing number of people, especially women, are that clueless. You don’t have to know the infield fly rule, but if you don’t know the names and at least basic facts about Babe Ruth, Lou Gehrig, Shoeless Joe Jackson and Jackie Robinson, you have some homework to do.
In the wake of the “Jaws” post, the comments it sparked and the provocative Comment of the Day on it, I have some further thoughts about icons.
The “Jaws” post, predictably, set off a lively debate about cultural icons, though, significantly, nobody yet has tried to maintain that “Jaws” isn’t one. Along comes halethomp with this Comment of the Day exploring the matter of whether Disney’s Marvel movies, now in decline, qualify as “iconic.” Personally, I don’t think so. There are iconic super heroes to be sure, but perhaps because they were late to the party, no Marvel character qualifies to stand next to Superman and Batman. No single film qualifies either in that genre by my standards: I think TCM host Ben Mankiewicz nailed it when he compared the Marvel film franchise to MGM musicals. Both genres have intense, loyal devotees, but neither has produced a societal- and culture-wide icon. Maybe “Singing in the Rain,” qualifies, but its a close call. Icons create lasting images, quotes, values and lessons that cross generations, ideally gaining vigor over time and becoming powerful cultural influences. Personally, having been familiar with the principle that great power confers great responsibility from other sources, I have been surprised that Spiderman’s Uncle Ben has been getting credit for it. No, I don’t think resuscitating a classic maxim that younger generations missed because of galloping illiteracy should qualify one for icon status, but that’s just me.
Here is halethomp’s Comment of the Day on the post, “Jaws Ethics.”
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Two quotes within the original post and the comments stood out to me as examples of the cultural arrogance that Jack often laments, both applying to the Marvel franchise (I include the various streaming series in this). “A competent, curious, responsible member of society wants to see “Jaws” because 1) it is famous 2) it is a cultural touch-point 3) one should understand why people remember and care about it and 4) when the public embraces anything so completely,” and “Marvel movies like their predecessor print comics are just good versus evil with different characters.”
First, regarding cultural impact, there are few as great as the line “With great power comes great responsibility” which Uncle Ben tells Peter Parker just before dying. I believe a great cultural reference is one that most people know regardless of whether they know its origin. It is not necessary to have ever read a comic book or seen a superhero movie or cartoon to know that quote: in fact, it has been applied and misapplied by many people for generations. In Jack’s own words, Marvel must be recognized as a cultural touch-point.
With regard to this blog, Marvel movies and television shows should be required viewing for their ethics implications. I have not watched all of the Marvel programs. I have no interest in Ant Man, Doctor Strange, Ms. Marvel, etc. However, the best ones represent not just conflicts between heroes and villains but within individuals and society at large, and provide a visual, cultural reference to real conflicts that have existed in our society in parallel with those of the comics and screens.
Ugh. Ann Althouse flagged this comment from a reader named Malika, reacting to a New York Time Crossword Puzzle clue that read, “Girl in Jefferson Airplane’s ‘White Rabbit'”:
“I love this style of clue, where even if you don’t know the exact trivia (I’ve never heard of the band or the song) you can puzzle it out based on the context.”
The answer is “Alice,” and if Malika doesn’t know the “exact trivia,” she never heard of “Alice in Wonderland,” which is a foundational work of English literature with important literary, historical and satirical significance. It means she is unaware of the many movies made of that book (and its twin, “Through the Looking Glass”), doesn’t know who Lewis Carroll is, has no idea what firmly established “mad hatter” in our lexicon, or “Cheshire cat,” or what “Jabberwocky” refers to.
Then there’s the ignorance of the Sixties, the Vietnam era and the drug culture indicated by her lack of familiarity with the iconic song “White Rabbit.” The Jefferson Airplane anthem has been used on “The Sopranos,” “Stranger Things,” “The Twilight Zone,” “The Simpsons,” in the films “The Game,” “Fear and Loathing in Las Vegas,” “The Matrix,””Platoon.” Not only doesn’t Malkia know about any of this, she doesn’t think she should and is willing to broadcast the fact that she doesn’t.
What else didn’t her schools, parents and narrow culture teach her? How many reference points that would help her understand the context of the issues, events and people affecting her life is she lacking? As Don Rumsfeld might say, it isn’t just that she doesn’t know, she doesn’t know what she doesn’t know, and doesn’t know that it’s a problem that she doesn’t know it.
Yes, it is I.
My internet went out right before midnight on the 14th, which means my office and home phones also haven’t worked since then until just a little while ago. Neither did my streaming services. Verizon, which I switched back to in November because Comcast was unreliable and cost too much, put me through the usual customer service Hell before I reached what I thought was a competent human being. It took me almost a half an hour of arguing with Verizon’s “automated assistant” to get to said CHB, who immediately contradicted hiscyber-colleague by confirming that yes, there had been an “incident” in my area (the bot had denied it) and a crew was working on the outage. That was the supposedly the good news; the bad news was that I might be trapped in the Stone Age (okay, I’m exaggerating: that statement would go into the Washington Post’s Trump Lie Database if the President said it) until as late as 4:45 pm on the 15th.
But you didn’t read this post on the 15th, did you? That would be because 4:45 pm. came and went, and still I couldn’t communicate with the outside world. Meanwhile, clients were screaming, Ethics Alarms was languishing, “fish is jumpin’” and I was reduced to singing “Summertime” from “Porgy and Bess” for some reason. In a 52 minute phone call with Verizon in which I listened to a very polite, pleasant, customer service representative who spoke relatively clear pidgin English in a high-pitched voice (I couldn’t place the accent), I discovered that the company couldn’t send a technician to my house until Friday afternoon. Next, my phone stopped receiving signals too, so I couldn’t even keep up with comments.
A very nice technician showed up at 1:30 pm and was fooling around with things for an hour. He replaced “the box” and then told me that he had been informed that the problem couldn’t be resolved by him, and that his supervisor told him to tell me that the outage wouldn’t be corrected until 6:45 am yesterday, Saturday the 17th. It wasn’t. Verizon promised to have another technician come by between 11am and 3pm on Sunday. That actually came to pass, and it turned out the previous technician had inserted the wrong thingy in the wrong plug, or something.
Ol’ Crazy Ted, the Harvard grad terrorist, has again been proven right: it’s ridiculous what I (you, we) can’t do without key technology, and one of them is maintaining an ethics blog.
Well, I still could prepare a post on Word and have it ready to go up when civilization reappears, so that’s what I started to do Friday morning and am revising now, as I try to forget that I have God only knows (I switched to singing the Beach Boys because I can’t remember all the words to “Summertime” right now) how many emails to answer that I haven’t seen yet. I don’t have email on my cell phone, you see, because I tell my ethics classes that the less confidential, client-related stuff you have on your phone, the better.
Meanwhile,
This is a TikTok video that is now unavailable on that platform for some reason—maybe the Chinese don’t want the truth getting out there. The video is long, and the distraught teacher is obviously not a video pro, but her message is heartfelt as well as astute. Attention should be paid.
I stumbled on Hannah’s lament as I was preparing to write another post that it quickly subsumed. That one was a response to this [Gift link!] in which a Hollywood screenwriter blames the public for the fact that Hollywood movies stink now. “The true problem lies with you, the audience,” he writes. “[I]t’s hard to argue that Hollywood is doing anything other than giving you, the moviegoing public, what you want.” I was going to call my response, “It’s the Culture, Stupid!” and point out that Hollywood is as much responsible for the culture as it is now a victim of it.
Hollywood helped create the attention deficit-afflicted, literature starved, culturally illiterate generations that drive politics and commerce now. As Hannah’s video makes clear, there are a lot of factors that have created an American public that is unable to absorb complex issues or enjoy stories that will teach them something valuable about life and humanity. Hollywood and the entertainment industry are as culpable as any of them.
It’s been three years since I last mentioned this ethics pet peeve. I was triggered just yesterday by the commercial above, which I was inclined to favor because it includes my late father’s favorite dog breed (also one of mine), the majestic Irish Wolfhound. I have nothing new to say about the issue, but as I wrote in 2022, “If this post stops just one human being from making that stupid mistake, my life will not have been in vain after all.”
In the ad above, we twice catch glimpses of a garden chessboard, like those royalty once would use with human beings as the chess pieces. (Mel Brooks spoofs this recreation in his “History of the World, Part 1.”). I saw the ad several times before I realized the board was set up wrong. I would never buy a Range Rover Sport anyway, but if I were in the market for one, that inexcusable gaffe would ensure that I bought something else. Or took the bus.
Ethics Alarms 