Hollywood’s Unethical Aging Leading Man Tradition

[Let’s see, I tried to get everyone off the silly NFL kneeling protests (just because I write a lot about something doesn’t mean I don’t think its that important), and a simple pro-civility post turned into a donnybrook. Hmmm...how far can I get from both issues? Maybe this will work…]

The Business Insider has an article about something that has bothered me for decades: Hollywood’s embarrassing addiction to pairing young actresses with aging male stars, even when it’s ridiculous. There is nothing wrong with a 60 year old man romancing a 25 year-old woman, just as there was nothing wrong about the romance between an elderly woman and a twenty-something male in “Harold and Maude.” However, the appearance of such pairings is unavoidably sexist, and cuts hard against Hollywood’s posture that it is a force for liberalizing the culture.

The article, by Meg Shields, says in part…

“American Made” premieres this week, bringing two reunions with it: Tom Cruise and “Edge of Tomorrow” director Doug Liman, and Tom Cruise and his ever-growing age gap with his female co-stars. Sarah Wright (who plays Cruise’s wife in the film) was born in 1983 just a couple months after the premiere of Risky Business, making her 22 years Cruise’s junior. 

…It’s a well-known fact that Hollywood likes to pair older men with younger women. And to be clear, there’s nothing wrong with an age gap between two consenting adults. According to the 2013 US Census, 4.8 percent of heterosexual married couples included a husband 10-15 years his wife’s senior. The problem, rather, is that Hollywood doesn’t really care about showcasing the stories of that 4.8 percent so much as normalizing the expectation that women are only romance material when they’re in their mid-20s/early-30s, whereas men are free to age and remain conceivably f—able.

… I crunched the numbers for every single Tom Cruise movie, comparing his age relative to that of the actresses playing his love interests over time. All told, Cruise’s age gap mirrors, and indeed confirms, the larger critique of Hollywood’s bias against older actresses. This isn’t just anecdotally-sourced rhetoric, by the way. There’s more and more statistical evidence showing how women age out of Hollywood. Time and The Pudding, for instance, do a great job at visualizing how more roles and dialogue are available to men as they age, where the opposite is true for women.

I was intrigued by this article because I just saw Cruise’s remake of “The Mummy” (and a more ludicrous spectacle it would be hard to find). Tom looks great for his age, at least a decade younger than he is, and he is inherently youthful, so it is a bit unfair to use him to make this point. How about the oogy pairing of Catherine Zeta-Jones and Sean Connery (above), looking every inch of his 69 years in “Entrapment”? When Cary Grant at 60 was paired with the gamin Audrey Hepburn in “Charade,” Cary’s fans weren’t bothered, but he was: he said that he felt uncomfortable playing the romantic lead at an advanced age, and began planning his retirement. John Wayne was never a comfortable romantic lead, and while Howard Hawks made the by-play between the Duke at 52 with 28 year-old Angie Dickinson in the great “Rio Bravo” work, teaming Wayne with much younger women didn’t seem right; a few movies later, he was back with Maureen O’Hara. Continue reading

The NFL Anthem Protest Ethics Train Wreck, Part Two

The overview of our latest Ethics Train Wreck continues from Part One

  • Slate published an essay by African-American musician John Legend that itself makes an excellent case against the protests while supposedly glorifying them. Never mind the standard anti-Trump spin at the beginning about “Islamophobia” and the rest, though it is nice for any author to state up front that he’s completely biased and his opinion should be discarded as such. Legend and Slate have the audacity to evoke actual protests that were clear and targeted in comparison the all-purpose “knee”:

“Protest is patriotic. Protest has played a critically important role in elevating the voices of the most vulnerable in our nation. Protest in America has been essential to ending war, to demanding equal rights, to ending unfair practices that keep citizens marginalized. If we quell protest in the name of patriotism, we are not patriots. We are tyrants.

Would there have been a Civil Rights Act without the Birmingham protests? When Bull Connor unleashed his fire hoses and dogs on the schoolchildren taking to the streets, racial disparities and the violence facing people because of the color of their skin became the issues of the times. With savage images of the brutal attack in the news every day, President John Kennedy had little choice but to push for a Civil Rights Act that demanded equal services and equal rights.

Protests in Selma, Alabama, changed the trajectory of this nation and catapulted the Voting Rights Act into being.”

A recipe for tapioca would be as germane to the NFL protests as the Selma march. There is no definable law, principle or position these protests bring into focus. Let’s check the Ethics Alarms Protest Ethics Checklist against the NFL grandstanding:

1. Is this protest just and necessary?

No. How is it just? How is it necessary?

2. Is the primary motive for the protest unclear, personal, selfish, too broad or narrow?

Unclear and too broad by definition, since no two protesters make the same argument.

3. Is the means of protest appropriate to the objective?

Obviously not. What does football have to do with “racial justice”?

4. Is there a significant chance that it will achieve an ethical objective or contribute to doing so?

None whatsoever.

5. What will this protest cost, and who will have to pay the bill?

It’s already cost the NFL millions. But nobody is protesting the NFL…

6. Will the individuals or organizations that are the targets of the protest also be the ones who will most powerfully feel its effects?

No.

7. Will innocent people be adversely affected by this action? (If so, how many?)

Sure: every single fan who wants to just watch football.

8. Is there a significant possibility that anyone will be hurt or harmed? (if so, how seriously? How many people?)

The relentless politicizing of sports and entertainment harms U.S. society and frays the fabric of democracy. That means everyone.

9. Are you and your group prepared to take full responsibility for the consequences of the protest?

Clearly not: witness the constant complaining that NFL teams won’t hire Kaepernick so their season is dominated by racial politics rather than, you know, football..

10. Would an objective person feel that the protest is fair, reasonable, and proportional to its goal?

No.

11. What is the likelihood that the protest will be remembered as important, coherent, useful, effective and influential?

My guess: no chance whatsoever, unless unintended consequences count, like getting more votes for President Trump and crippling the NFL count.

12. Could the same resources, energy and time be more productively used toward achieving the same goals, or better ones?

It’s hard to imaging what wouldn’t be a better use of resources, energy and time.

Verdict: It’s an unethical protest. There is nothing patriotic about unethical protests. We have a right to protest; as with free speech, that doesn’t make all examples of exercising that right good, and certainly not “patriotic.”

  • However, let me argue in the alternative, as lawyers often do. Let’s say that, as Legend claims, all protests are patriotic. Fine. Then then Charlottesville protest against tearing down a statue of Robert E. Lee was also patriotic. Why, the, was the President attacked—by Legend and Slate, among others, for not condemning it?

The Left believes that protests are sacrosanct only when they are doing the protesting. There is nothing wrong or unpatriotic about accurately labeling a dumb, badly-conceived or destructive protest, and this one is all three.

“Football was down. The end. We, the good people who read the NYT, must say no to football. What is known cannot become unknown except by willful, immoral forgetting. No decent person can take pleasure in football. No fit parent can allow a child to take up the game. The era of American football is over. Bury it. We can end the misery through the simple and necessary refusal to watch anymore. Say no, America… or hey, wait a minute. Here’s that nasty President of the United States and he’s calling for a boycott of football…

So, watch the liberal media endeavor to save football from bad old President Trump. He’s a racist. This is his racism once again, stirring up the stupid people who voted for him. Here‘s the NYT today:

“The tweet suggested that the president, who used an expletive on Friday night to refer to players who kneel or sit in protest during the anthem — a practice that took hold last season among some African-American players after Colin Kaepernick, the now-former San Francisco 49ers quarterback, did so to protest racial and social injustice — is bent on deepening a bitter culture-war fight with the N.F.L.

It is a highly charged debate, with unmistakable racial undertones, pitting advocates of free speech who argue that professional athletes should have a right to use their positions to call attention to social issues against those who contend that refusing to honor the anthem disrespects the military and the nation, and that sports is no place for such displays.”

 Ann’s line:

“Let the brain damage continue. We’ve got a culture war to fight.”

Continue reading

Given The Opportunity And The Power, Blacks Will Discriminate Against Whites, Women Will Discriminate Against Men, Gays Will Discriminate Against Straights, And Liberals Will Discriminate Against Conservatives, Because That’s What Human Beings Tend To Do. Now What? I Recommend “In The Heat OF The Night”….

I’ve been meaning to write about this for a long time, at least since February, when professional women’s basketball star Candace Wiggins, who retired from the WNBA last year after eight seasons in the league, told  reporters that she was bullied and harassed during her career because she was not gay.

“Me being heterosexual and straight and being vocal in my identity as a straight woman was huge,” Wiggins said. “I would say 98 percent of the women in the WNBA are gay women. It was a conformist type of place. There was a whole different set of rules they [the other players] could apply.” She says it drove her out of the league and the game. The WNBA denied her allegations, and the story wasn’t around very long.  Gays don’t bully, they ARE bullied! Then, this week, ThinkProgress reported that a former University of Southern California point guard, Camille LeNoir, alleged she was denied an assistant coaching job in the New Mexico State University athletic department because she had the “wrong” sexual orientation.  She claims that she had a firm job offer when the school thought she was a lesbian, but when she announced that she no longer regarded herself as gay, the offer was rescinded. This week, a federal judge in California decided to allow her discrimination case to advance.

I don’t know whether the perceptions of either Wiggins or LeNoir are accurate, but I don’t doubt that the kind of bullying and prejudice they describe goes on. There have been similar accounts in other women’s sports, like tennis and golf. Yes, it appears that unlike the male side (with the exception of men’s figure skating), gay women dominate many if not all women’s sports. I will eschew writing something arch like, “Who would have suspected?” in favor of the more direct, “This should come as no surprise, but saying so will offend feminists, female athletes and lesbians anyway.”

One would think that when a historically oppressed and discriminated-against group gains power or perceives that it has power, it would behave toward others as it wishes it had been treated during all those years of being marginalized. Alas, the opposite is usually the case, and most of the time. In one of my worlds, professional theater, gay men dominate, and there are theaters that have the reputation of actively discriminating against straight actors. Hollywood, of course has become a workplace where being revealed as a conservative is to face virtual blacklisting. Give a minority power, and as often as not, what emerges are bullies and bigots. Continue reading

Morning Ethics Warm-Up, 9/17/17: Boy Scouts, “Will and Grace,” An Actress Whines, Wedding Cakes, And (I’m Sorry!) More Hillary

Good Morning!

1 I’m giving an ethics talk to a Boy Scout troop this afternoon. Figuring out how to use example that are appropriate to ages 11-14 while avoiding hot-button issues like race, sexual orientation, police, guns and politics in general is a lot more difficult than I thought it would be. What pop culture reference points will work is also a conundrum. What movies are they likely to have seen? In the Sixties, I could have referred to Westerns, many of which routinely embodied ethics lessons. But they also often involved shooting people, and kids don’t see Westerns now. In the Eighties, I might have sent Boy Scouts to episodes of “Star Trek: The Next Generation,” which was virtually all about ethics. But Patrick Stewart is just an old guy doing commercials now, and there have been four TV incarnations of the franchise since Data packed it in, not counting the movies. Pixar movies are usually ethics-rich, but a lot of kids will bristle at being presumed to be cartoon fans. Superhero movies? The ones that raise ethics issues usually do so badly, or the issues are too complex—or too dark– for a Boy Scout Troop. Here we see the serious cultural problem of declining cultural literacy and deteriorating cross-generational communications as a result of the loss of common experience. and interests.

Well, it’s early. I’ll figure out something.

One approach I considered was to suggest they practice ethical analysis by reading the newspaper, picking out the ethics dilemmas and controversies that appear, thinking about them and arguing about them. Of course, that was foolish: they would probably ask, “What’s a newspaper?” However this morning’s Sunday Times is a perfect example. I could teach a four hour ethics seminar based on the stories in this edition alone. Look…

2. The baker who refused to sell a cake to a gay couple is back on the front page, thanks to the case winding its way to the Supreme Court. This time, the focus isn’t on Freedom of Religion (in this case, freedom to act like a jackass using your religion as an excuse), but Freedom of Speech. The government cannot compel speech, nor will the law compel specific performance of an artistic nature. The baker claims that his cakes are artistic creations, and he doesn’t have to make them for anyone or anything if he doesn’t want to.  The gay couple says that they weren’t asking for him to create an artwork, just to sell them a wedding cake. If the cake is a commodity, then the bake shop should be a public accommodation, and subject to applicable laws. Then the baker has to sell his cakes to anyone. If the cake is an “artistic creation” made specifically for the couple, then the law cannot force the baker to make it, or punish him if he refuses. Art is speech.

I hate these kinds of cases, and I’m sure the SCOTUS justices do too. A cake is sometimes just a cake, and sometimes a work of art. The confrontation should have been handled with ethics rather than law. The baker is a bigoted jerk, that’s all. I think he has a right not to make a cake for a gay couple, but exercising that right is cruel and insulting. Continue reading

Morning Ethics Warm-Up, 9/16/17: Amazon Purges Reviews For Hillary, Equifax Must Die, Making Literature More Diverse, And The Red Sox Get Away With It…

GOOD MORNING!

1 “It would be wonderful, wouldn’t it?”

This is the response that the widow of writer Roald Dahl to a reporter’s suggestion that Charlie, the hero of Dahl’s “Charlie and the Chocolate Factory” (aka “Willy Wonka and the Chocolate Factory:) should be made black in a future “reworking” of the book. Recently Mrs. Dahl has claimed that Charlie was originally supposed to be black, but that her husband changed the character before the book was published. She blames his agent, who was, she says (none of this is more than hearsay) afraid that the book wouldn’t sell as well in American with a black hero. She blames “American sensibility.”

No, it wouldn’t be wonderful to start changing the races (and inevitably, genders and sexual orientations) in “reworkings” of literary classics. It would be unethical and irresponsible, as well as a defilement of the author’s visions and creations. Whatever the reason was, and we cannot know it regardless of what Mrs. Dahl now claims, Charlie was white in Dahl’s book. If he had wanted his book to be about a black child, or a little girl, or a Muslim transsexual, the author would have made it so. If someone obsessed with tribal identity politics wants to write a new adaptation under their own name so we can jeer and mock him or her, swell. But it isn’t any more “wonderful” to “rework” Dahl’s own story this way than it is to make Bob Cratchit black, or Captain Ahab black, or Bigger Thomas in “Native Son” Asian-American.

Of course, a stage or film adaptation of the book can cast it any way it chooses.

2 The major business ethics story this past week has been that data security breach by credit giant Equifax. An estimated 143 million Americans now face identity theft for the rest of their lives because the company wasn’t competent to be in the business it was in. It’s that simple. The ways in which Equifax blundered into allowing all this data to be hacked are legion, with more revelations almost daily. My personal favorite is that it neglected to install a patch that would have made its files more secure, delaying for months for no good reason.

Business analysts point out that despite this massive demonstration of ineptitude, the company is not likely to suffer more than the cost and inconvenience of a class action lawsuit or five. The companies that pay Equifax weren’t harmed by the breach, just the lives of the credit-seekers who they use Equifax to check. Nobody seems to think that even this massive misconduct will put Equifax out of business.

The company has dumped some executives, and will probably dump some more, reorganize, and padlock that barn door securely now that the horse has fled. TooLate. The company is untrustworthy, and more than that, companies like Equifax that gather personal information about innocent citizens need to be scared sick about what will happen to them if they can’t keep the information from falling into malign hands. Equifax needs to be put out of business. Its leaders and management need to be imprisoned, fined so severely that they are reduced to eating cat food, or blacklisted so their future employment is limited to bait shops and traveling carnivals. Continue reading

From The Ethics Alarms Harry Truman Files: Applause For “The Wrecking Crew”

 

One of my favorite Presidential quotes of all time is from Harry Truman. He said,

“It is amazing what you can accomplish if you do not care who gets the credit.”

Nonetheless, people deserve credit when they do important things, and trying to encourage the culture to not only give credit but also to remember and honor those deserving it across generations is a frequent theme of this blog.  The Ethics Alarms Heroes Hall of Fame is one expression of this theme. This post is another.

I was reminded of The Wrecking Crew when Glen Campbell died, and recently, when I heard old Monkee Mickey Dolenz in a recent interview.  Cambell was the most famous alumni of the studio band, which had many members over the years. Dolenz was a member of the group that was its most famous beneficiary, although The Byrds were also famously represented by The Wrecking Crew in their first hit record, “Mr. Tambourine Man.”

It has always amazed me how little this loosely organized band of brilliant studio musicians is known outside of the music business and the rock and pop trivia nerds. The Wrecking Crew was significantly involved in much of the greatest pop music recorded from the late 1950s to the mid 1970’s. Their musical contributions are indistinguishable and inseparable from the those of the famous singers and groups they backed, and yet fame and credit, as well as sufficient honors, have been elusive.

If people have heard of them at all, the Wrecking Crew is known for “ghosting” the accompaniments for the Monkees’ first two albums. However, its studio band work was far more extensive than that. They were, for example, the creators of Phil Specter’s “Wall of Sound”: in the early years, they were sometimes credited on Specter discs as occasionally credited as “the Phil Spector Wall of Sound Orchestra.” They played under other names too, or no names at all. The nickname “The Wrecking Crew” became public when it was used by drummer and member drummer and member Hal Blaine in his 1990 memoir, “Hal Blaine and the Wrecking Crew”; they also sometimes called themselves “The Clique.”  Blaine, Campbell and keyboardist Leon Russell are the most famous members; some of the better known studio  musicians that formed the backbone of the Crew’s ranks were drummer Earl Palmer, saxophonist Steve Douglas, guitarist Tommy Tedesco,  and bassist Carol Kaye, as well as versatile Larry Knechtel, later a member of Bread.

I checked Wikipedia for a list of the hits The Wrecking Crew played on and made into the classics they are. Here were some of them. Continue reading

Miss America Ethics: Know Your Place, Stupid Beauty Pageants!

Public policy experts all…

Your place, as anachronistic, culturally embarrassing meat shows, is to be as unobtrusive as possible while feminists and people of taste figure out a nice, fair way to wipe you off the face of the United States. But until that happens, you have a duty not to be deliberately annoying, not to wave your ignorance like it is a bloody shirt, and also not to make the undeniably stupid people who watch you even dumber than they already are.

Perhaps I am getting ahead of myself..

Two nights ago, we were treated to the finals of the inexplicably still-televised Miss America beauty pageant, the grandmommy of them all. The traditionally risible interview portion of the competition, which has for as long as there were turnips on earth featured open-ended general questions conducive to virtue-signalling blather, usually features puzzlers like (from a list of such queries)

What do you think is true beauty?

What would you do differently if you could start your life over?

Who is your greatest role model or hero?

What does it mean to be a beauty queen?

If you could be granted one wish, what would it be?

What is the greatest challenge facing humanity?

What makes you happiest?

…and so on. The idea once was that anyone with a mouth is capable of answering these questions relatively competently, and they are not traps or invitations to attract criticism. Oh, once in a millennium a finalist might answer “What would you do differently if you could start your life over?” with, “Well, I would sure skip all those years I was a crack whore,” or “If you could be granted one wish, what would it be?” by saying, “I’d wish for boobs the size of El Capitan!,”  but these are pretty easy questions to ace. They are also well within the intelligence levels and expertise of the pageant administrators, judges and the contestants, so employing them isn’t political, or divisive.

A beauty pageant should not be divisive or political, just like an NFL game shouldn’t be divisive or political. I shouldn’t even have to write that.

Miss America 2018 decided to ditch the tradition of one question per finalist in the final round of competition, and ask two questions of each. The final five questions to the last five finalists were all “serious,” we were told.

Here they are, with the answers they evoked, and my observations. Continue reading

Stunt Performers And CGI, Integrity and Life, Art vs. Ethics

Stuntwoman Joi ‘SJ’ Harris was killed in a motorcycle accident last month while filming “Deadpool 2.”  Her death occurred not long after stuntman John Bernecker perished in a fall on the set of “The Walking Dead.” Even though CGI technology would not have saved Harris or Bernecker, their deaths have re-ignited a controversy that began surfacing almost 20 years ago, and it is more bewildering now that it was then. Moreover, it will only get worse.

The question: Does it make sense—and is it ethical—to endanger human beings in filmed stunts when they can be accomplished using computer technology?

Interestingly, a case could be made that movie stunts are safer than ever. Bernecker’s death represented the first stunt-related fatality in the US since 2002 (Harris’s death was in a Canada shoot.) This represents great progress from the wild and woolly days of cinema’s pioneers, when actors like Douglas Fairbanks performed insane stunts for stunned moviegoers, and maniacal directors like D.W. Griffith bullied actors into taking life-threatening risks. For example. in this famous sequence, Lillian Gish waited for actor Richard Barthelmess to rescue her from a real ice flow that was on its way over a real waterfall as a frozen river broke up:

Many actors have died, and in the modern age when few stars are allowed to do dangerous stunts (one exception is Tom Cruise,  who broke his ankle last month roof-jumping on the set of “Mission: Impossible 6”), many stunt performers as well.  From 1980 to 1990, 40 stunt-related deaths occurred in the US. Computer technology has made the stunts safer, but if real people aren’t placing their bodies at risk, movies just aren’t as exciting….or profitable.

“It’s a terribly fine line when it comes to guaranteeing safety, because in reality there is no guarantee,” says Andy Armstrong, who has done stunt coordination for “The Amazing Spider-Man,” “Thor,” “Planet of the Apes” and “Total Recall.” “If these stunts were common, you wouldn’t want it in the movie. So you’re invariably asking someone to do something outside the box, which is where it becomes so difficult to regulate.”

Now dramatic improvements in the technology make an ethics examination unavoidable. “When CGI first came about, stunt people thought, ‘that’s the end of our business, everyone’s going to be replaced by computers’,” Armstrong says. “That hasn’t happened, because there’s still a certain authenticity to seeing a real human do something.” Yes, but at what cost? Is that authenticity worth the inevitable deaths of human beings?

Movie artists say yes, and stunt performers don’t want to be put out of business. As with pro football, the beneficiaries of proposals to eliminate the deadly risks in their profession don’t want to be saved. Continue reading

Morning Ethics Warm-Up, 9/6/17: Comey’s Premature Draft, Obama’s Golden Rule Breach, Newspapers “Protecting Us,”And Thank-You, Boston Red Sox

 

1 I want to sincerely thank the Boston Red Sox for giving me, the sole baseball ethicist on the web who also devotes a disturbing amount of his time, energy and passion to following the team, the challenge and opportunity to address a major cheating scandal involving the organization and institution I love. Seriously, guys, thank you. This is exactly what I needed to face after staying up past 1 AM watching the Sox pull out a 19 inning, 6 hour game on Hanley Ramirez’s bloop single to center.

I’ll cover the issue in the next post. Ugh.

2. Ironically, just as the anti-Trump news media was hyperventilating over the fact that the Special Counsel was examining a draft letter by the President regarding his reasons for firing James Comey (draft letters have minimal probative value if any, but you know: Trump), it came to light that in May of 2016, Comey had drafted a statement declining to charge Hillary Clinton or her staff in the State Department e-mail scandal, months before key witnesses (like Clinton herself) had been interviewed or much of the evidence had been reviewed. President Trump, of course, tweeted that this proved there was a “rigged process,” but Comey’s draft is no more incriminating that Trump’s draft. (Now, Loretta Lynch’s meeting with Bill Clinton might suggest a rigged process, but that’s another story.)

Supreme Court Justices have drafted opinions before oral argument; that doesn’t mean they can’t change their minds. It is certainly odd that Comey would have drafted a statement that Clinton would not be indicted so long before the investigation was completed. It is odder still that Hillary’s interview was not under oath, that it wasn’t videotaped, that there was no transcript, and that she was allowed to have representing her as an attorney at the session a top aide who was also a potential witness.

Professor Turley, in a column at The Hill, agrees that the early draft doesn’t implicate the integrity of the investigation, but raises a related issue:

While I am inclined to accept assurances from Comey that he did not finally decide on charges until after reviewing all of the evidence, the details from the Clinton investigation hardly support a view of a robust and dogged effort in comparison to the type of investigation of people like Paul Manafort.

In pursuing Manafort, special counsel Robert Mueller has now enlisted an army of investigators, reached a cooperative relationship with staunch Trump critic New York Attorney General Eric Schneiderman, and actively pursued tax and financial dealings far afield of the original Russian collusion allegations. He also ordered a heavy-handed (and unnecessary) “no knock” search in the middle of the night on Manafort’s home.

The Clinton investigation looks like Club Fed in comparison. Clinton and her staff refused to cooperate with State Department investigators seeking confirm any damage to national security. Key laptops were withheld and only turned over after Comey’s staff agreed to destroy the computers after their review, despite the relevance of the evidence to congressional investigations. Comey then cut five immunity deals with key Clinton staff members, including former State Department staffer, Bryan Pagliano, who set up a server in Clinton’s home in Chappaqua, N.Y., and worked for her at the State Department.

Pagliano refused to cooperate after invoking his Fifth Amendment right against self-incrimination and destroyed evidence after being given a preservation order. Those deals raised the concern over a type of prosecutorial planned obsolescence, making a viable case less likely.

The amusing part is that all of this circles back to Comey’s firing, which was justified by his handling of the Clinton investigation regardless of any other factors.

3. The New York Times today reviews a festival play called “___hole.” That’s not really the title, however, although “___hole” was printed twice as the play title before the Times made this clear. A comment by the reviewer noted that the real title couldn’t “get past the editors.” Continue reading

Morning Ethics Warm-Up, 9/5/17: “Close Encounters,” A Bad Bank, A Jaw-Dropping Tweet, Sentimentalizing DACA, And More

GOOD MORNING!!

1. A remastered “Close Encounters of the Third Kind” is in theaters now, and I have mixed feelings about the fact that it is not attracting many ticket-buyers. Spielberg is incapable of making a bad movie, and even his most annoying films (like this one) are thought-provoking and entertaining compared to most of the junk we are getting from Hollywood now. But “Close Encounters” is an unethical movie that bothers me more every time I see it.

The film celebrates hippy spiritual fanaticism for no good reason. Why does everyone get all misty-eyed over these angelic, long-armed  aliens who think they have leave to kidnap human beings, including babies, take them away from their families and disrupt their lives, and then dump them off in another place and time? Why is Richard Dreyfus smiling about that, the idiot? Meanwhile, his character has forgotten about his own wife and kids, never giving them a second thought once he goes E.T. hunting. (And why is Terri Garr treated so badly in her movies by alleged protagonists? Dustin Hoffman used her as a door mat in “Tootsie,” too.)

2. As an addendum to the previous post about DACA ethics, consider this example of how the news media sentimentalizes and propagandizes illegal immigration: the Washington Post’s heart-tugging and misleading story with the headline, “He was brought to Virginia as a toddler, deported at 19. He died in an overheated tractor-trailer trying to return.

“He” was an illegal immigrant, though the Post uses the deceitful “undocumented immigrant” euphemism, as if he lost his library card or something. His name was Frank  Fuentes, and he was quite rightly deported a year after he pleaded guilty to assault and battery as well as grand larceny­/pickpocketing in 2016. He died trying to break the law, and while dealing with the criminals who smuggle people into the U.S. in trucks. The fact that Fuentes didn’t deserve to die is waved by the Post like a crimson flag to distract from the fact that he had no right to be in the U.S., and no right to sneak back in.

Ah, but he was a good man at heart, who “loved skateboarding and music.”  “We all make mistakes,” the post quotes a friend as saying, not noting that this is the go-to rationalization for every law-breaker from Billy the Kid to Joe Arpaio. “He wanted to be better for his family and his mom . . . that’s all he cared about.”

What the Post is doing  isn’t reporting. It is selective, manipulated sentiment designed to obscure the real issues in illegal immigration. This kind of coverage is why polls about “dreamers” reflect shallow emotion-based reflex, not serious, informed consideration.

3. Sam Stein, formerly the Huffington Post’s senior politics editor now writing for  The Daily Beast, tweeted,

Discuss.

4.  The president of the Cleveland Police Patrolmen’s Association, announced that the police union’s members will refuse to hold the American flag as planned at the NFL’s Cleveland Brown’s home opener, after nine Browns players took a “Kaepernick” and knelt during the national anthem in a pre-season game with the New York Giants.

“It’s just ignorant for someone to do that,” Steve Loomis told reporters. “It just defies logic to me. The fact that management was aware of what they planned on doing, that’s as offensive as it can get.”

Good for the union. The NFL has been cowardly and irresponsible by not confronting and ending these demonstrations against the United States in general and police in particular, starting with its non-action when the St. Louis Rams performed a “Hands up! Don’t shoot! display in 2014. Kaepernick specifically had said, in his various vague posturings, that police were among the  targets of  his kneeling stunt, making the ignorant statement that officers in police-involved shootings should not collect a salary while investigations were pending (unlike, say, the many NFL players who have been suspects in criminal investigations).

Among the many functions of professional sports teams is to bring communities together, not divide them. Players are free to express their political positions, however ill-informed, off the field if they are willing to take responsibility for them, which may involve negative team action and fan anger. Cleveland, where 12-year old Tamir Rice was shot by an incompetent cop, is an especially sensitive place for an anti-police demonstration to take place.

The comments on the article at the link are depressing, as in knee-jerk and foolish. Continue reading