Popular Culture

Jessica Rabbit Ethics

/ Jack Marshall / 21 Comments
From Left: Jessica, Pixie Before, Pixie After

                          From Left: Jessica, Pixie Before, Pixie After

Who could have predicted, when “Who Framed Roger Rabbit?” opened in theaters, that one of its greatest legacies would be a continuing obsession of young women to emulate her exaggerated, uh, features? Yet here is another example—and there have been quite a few—of a woman mutilating herself in pursuit of looking like the sexy Toon.  Model Pixee Fox—I’m sure that’s her real name—wore a waist-training corset for 24 hours a day and spent $120,000 on various cosmetic procedures including a recent operation to have six of her ribs removed in order to achieve Jessica’s apparent 48-14-40 figure.

“I’ve always been inspired by cartoons and Disney movies, all the curves and tiny waists,” Fox told reporters. “People often, they come up to me and say, ‘Don’t take this the wrong way, but you look like a cartoon.’ For me that’s a compliment. My inspiration started with Tinkerbell, but with my transformation, I’ve been starting to look like Jessica Rabbit.”

If you say so, Pixee!  Pixee is ill, it’s fair to say, so the ethical issues fall on the shoulders of  Dr. Barry Eppley, the Indiana surgeon who admits handling Fox’s surgery and also defends it.

I covered this the last time Ethics Alarms covered a wannabe Mrs. Rabbit (Jessica is a human Toon married to a member Leporidae Family). In that case, the happy aspiring Toon looked like this when all was done…

Lips Continue reading →

More “Blue Bloods” Ethics

/ Jack Marshall / 9 Comments

Blue Bloods 2

Tom Selleck’s “Blue Bloods,” or “The Conflict of Interest Family” as we call it around our house, continues to explore difficult unethical dilemmas for an all-law enforcement family. Its latest episode’s message, however, was troubling.

Forget the secondary plot of Police Chief Frank Reagan’s staff squabbles. The meat of this installment was police detective Danny Reagan’s discovery that the well-oiled bank robbery he was on the scene to witness (it’s amazing how often the main characters in procedurals  just happen to be in banks when they are robbed) has been carried out by a group of three military combat veterans—just like Danny!. They have banded together to raise $100,000 so the female member of the trio can pay for expensive medical treatment for her wounded veteran husband. He lost his legs and sustained brain damage in Iraq.

Danny is seething at the injustice of the wounded hero being in an endless line writing for help from the Veterans Administration, and perplexed that the three perps who he has personally identified from his observations of them during the robbery—the loving spouse’s voice, one of the men’s scarred wrists, a neck tattoo on the other—are acting out love and loyalty, not greed. Continue reading →

Just To Wash The Nasty Residue Of Those Absurd Pilgrim-Syrian Refugee Analogies Out Of Your Brain, Here are Some Useful And Informative Silly Refugee Discourses

/ Jack Marshall / 24 Comments
Go ahead, tell us how you'd keep THESE refugees out, Donald...

Go ahead, tell us how you’d keep THESE refugees out, Donald…

By the time Thanksgiving arrived, the social media memes pronouncing that for anyone who believes accepting Syrian refugees into the U.S. is less than wise policy it was rank hypocrisy to celebrate the holiday had become too much to bear. Granted, this stupid analogy was marginally less stupid than the “Jesus was a refugee so what kind of Christian are you?” stuff put out by OccupyDemocrats, but it was still pure debate pollution. Did the Native Americans know that the Europeans were refugees? Uh, no. Did they have a refugee policy? Nooooo. Was the territory that became the United States being targeting by terrorists? No. Had there been any previous terrorist attacks on Native Americans in North America? No. If the Indians had known about what the Spanish had already been doing to indigenous people, would they have been so welcoming? I think not. If Native Americans today could go back in time and decide all over again whether to allow the “refugees” to settle here, what would they decide?

You betcha.

Are the beneficiaries of a terrible decision ethically obligated to risk their own destruction by making the same mistake?I guess that’s the theory. Pardon me if I’m not persuaded, but you wouldn’t believe the “likes” this argument got on Facebook in its various forms.

Well, President Obama used this same illicit analogy before Thanksgiving, and the progressives and pundits nodded their heads furiously, like turkeys. Oh, snap, Mr. President! You really stuck it to those xenophobes!

President Obama obviously doesn’t care about his rhetoric any more, or think about it, either. He’s not as flagrant as Donald Trump in spewing irresponsible nonsense, but no ethical President should even spark the comparison.

Well, over at Law and the Multiverse, which is another neat website in the Ethics Alarms links, there is a very informative discussion of the refugee status of Superman, an environmental refugee (a planet exploding qualifies its residents) and Supergirl, another Krypton refugee whose status is a bit more complex. Law and the Multiverse features serious legal discussions of the legal issues that would be raised by the conduct and existence of superheroes in the real world. Here’s a sample, from author Kean Zimmerman’s discussion of Supergirl’s status: Continue reading →

“White Christmas” Ethics (UPDATED)

/ Jack Marshall / 31 Comments

White-Christmas

I just watched“White Christmas” again when my wife wasn’t around (she hates it), and was again struck by how entertaining it manages to be while making no sense at all and containing one ethics breach or gaffe after another. Ethics Alarms did an ethics review of the film in 2012, and reading it now, I realize I was too kind. This is an update.

Yes, I still get a lump in my throat when the old general, played by Dean Jagger, gets saluted by his reunited army unit, which has gathered at his struggling, snowless, Vermont inn on Christmas Eve to remind him that he is still remembered and loved. Nonetheless, it is by far the strangest of the Christmas movies, and also the most unethical. Though everything works out in the end, the characters in the sloppy plot spend the whole movie lying, extorting, betraying, manipulating and generally mistreating each other, always with no recriminations at all, and usually with no consequences either.

The movie starts out with guilt extortion. Army private Phil Davis (Danny Kaye) rescues his smooth-singing captain, Bob Wallace (Bing Crosby) from being crushed by a falling wall in a World War II bombing raid. (It’s not a plot feature, but the battlefield set for the entire opening sequence is itself unethical by being chintzy even by musical standards: it looks like they are filming a skit for a Bob Hope Christmas Special.  I thought it was lousy when I saw it as a kid.) Phil then uses Wallace’s debt of gratitude to coerce him into accepting the aspiring comic as a partner in Wallace’s already successful civilian act. This is obviously unfair and exploitative, but Bing accepts the ploy with good spirits, and the next we see  the new team of Wallace and Davis knocking ’em dead and rising in the ranks of stage stars. Now they have a show on Broadway, and as a favor to a mutual army buddy, they agree to watch the boonies nightclub act of “The Haynes Sisters” (Rosemary Clooney as Betty. and Vera-Ellen, of wasp-waist fame, as kid sister Judy. Did you know that in the “Sisters” number, Clooney sang both parts? ). Bing is immediately smitten with older sister Rosemary, but there is a tiff over the fact that younger sister Judy fooled them into seeing their act: she, not her brother, had sent the letter asking for a “favor.”

This is the first revealed of many lies woven into the script. This one is a double beach of ethics: Judy uses her brother’s name and contacts without his permission or knowledge, and lures Wallace and Davis to the night club under false pretenses.

Bing dismisses Judy’s cheat by noting that everyone “has an angle” in show business, so he’s not angry. Rosemary is, though, and reprimands Bing for being cynical. That’s right: Vera/Judy uses their brother’s name to trick two Broadway stars into watching their little act, and Rosemary/ Betty is annoyed because Bing/Bob (Bing’s bandleader, look-alike, sound-alike brother was also named Bob) shrugs off the lie as show business as usual. True, Betty is technically correct to flag the Everybody Does It rationalization, but shouldn’t she be grateful that Bob isn’t reaming out the Haynes sisters and leaving the club in a huff? OK, nice and uncynical is better than nice and cynical, but Bob is still giving her and Judy a break.

As we soon find out, however, Betty is prone to flying off the handle.

Continue reading →

Have A Happy Thanksgiving Everyone, And Don’t Forget To Review The Ethics Alarms Complete “It’s A Wonderful Life” Ethics Guide Before The Annual TV Screening!

/ Jack Marshall / 13 Comments

It’s right here!

Comment of the Day: “Hoping That Future Presidential Candidates Won’t Be Asked About Whether They Would Kill Baby Trump”

/ Jack Marshall / 39 Comments

city-on-the-edge-of-forever

Let’s get the day off to a light-hearted beginning, since it is sure to go rapidly downhill.

I love this comment by Ethics Alarms’ favorite squid, Extradimensional Cephalopod. I wish I had written it, and in fact started out to do so during the brief outbreak of Republican Presidential candidates being asked by silly reporters looking for a “gotcha!” whether they would murder Baby Adolf Hitler if they could go back in time. It is an ethics question, after all. My idea was to speculate on the possible results of such a mission using pop culture, science fiction and serious physics theories, but I rapidly discovered that a lot of research would be necessary, and the ethics nexus was deteriorating quickly. Thus I was thrilled to see EC boldly go where my boldness had failed me.

Here is Extradimensional Cephalopod’s Comment of the Day on the post, “Hoping That Future Presidential Candidates Won’t Be Asked About Whether They Would Kill Baby Trump.”

[I do have one question: is “Back to the Future” now the favored label for the category of time travel story where someone changes the future by altering the past? Not “The Terminator” or Star Trek’s “City on the Edge of Forever”? In “Back to the Future II”, we are told that altering the past creates a parallel alternate future, which I assume means that killing Baby Hitler just means that Hitler goes on his merry way, except in the new, improved, no-Hitler parallel universe. Come to think of it, “The Terminator” movies, last I checked (but I dropped out two sequels and a TV spin-off ago), suggested that the future can’t be changed, though those robots in Future Hell seem to think so.  Right?

See, this is why I gave up the first time. Heeeeeeeeere’s Extradimensional Cephalopod! Continue reading →

Ethics Dunces: “The Walking Dead”

/ Jack Marshall / 28 Comments
Fool me once, shame on you...

Fool me once, shame on you…

The producers and writers of  AMC’s “The Walking Dead” must be all puffed up with pride, squeezing three weeks of artificially-goosed ratings by faking the death of a major character and then bringing him back safe and sound tonight as blithely as they used to do with Pearl White in the old “Perils of Pauline” serials after the previous episode ended with a buzz-saw  inches from bisecting her, or with a speeding locamotive yards away with Pearl lashed to the tracks. (No, damn you, I’m not THAT old!)

Well, they can be proud without me. I don’t appreciated any show treating me like a fool, and that’s exactly what “The Walking Dead” did with this cheapest of cheap stunts. This is drama, not “Die Hard,” not “Days of Our Lives,” and not Gilbert and Sullivan. Silly resolutions of crises are expected in those and other genres, and an audience is forewarned and consents to the absurdities to come; it’s part of the fun. “The Walking Dead,” in contrast, has presented itself as an uncompromising, raw, nihilistic survivalist study of a hopeless and deadly world where death is lurking everywhere, and even heroes (who are barely heroes anyway) aren’t safe. It is the constant threat of a horrible death that give the show its legitimacy and its characters weight.

Take that away, and the the show is pointless gore, just a special effects exhibition with a repetitious plot attached. I know most people don’t demand integrity from their elected leaders or their entertainment, but I do. The producers and writers of “The Walking Dead” think lying is cute and profitable. I supposed its ovine fans will prove them right.

I say its unethical, and I say to hell with them.

Update: Actor Steven Yuen, who plays the now miraculously alive character, said after the show aired:

“I think it proves that this world still can take that story of the good guy winning sometimes. I really like the fact that it’s not this bent of always seeking out something miserable happening on television or something terrible and sulking on that and rather just really accepting the fact that sometimes good guys survive.”

Baloney. What this proves is that this world, which knows that good guys die all the time, can be gulled into caring about the demise of a fictional character as if that character is worth caring about, when it is is in fact just a tool of commerce and emotional manipulation by a creative force that has no interest in any artistic or philosphicaltruths, only a cynical commercial one.

 

More Cultural Bulldozing: Political Correctness Gets H.P. Lovecraft, Woodrow Wilson Of The Geeks

/ Jack Marshall / 39 Comments
The bust says it all...

The bust says it all…

Really bad and dangerous ideas take hold and thrive because, like a particularly deadly virus, they pop up in so many places at once, especially dark corners and exotic locals. The current progressive contagion of airbrushing history, toppling icons and cultural bulldozing–one of several  habits of successful totalitarians being embraced by the left these days—is such an idea. As usual, defenders of this thought-inhibiting and unjust practice behave as if it is the epitome of common sense and virtue, when in truth it is the  opposite.

To the credit of the followers of the World Fantasy Award (for literature in the fantasy an horror field), the administrators’ decision to cave to political correctness and retire an H. P. Lovecraft bust (designed by black humor cartoonist Gahan Wilson) as its symbol—H.P. was like, Woodrow Wilson, a white, Western culture supremacist —was not met with universal approval. Nonetheless the Award’s head honchos did it.

They did it to mollify the social justice zealots in the organization’s midst, who insisted on sending the message that currently non-conforming ideas and beliefs should be punished decades or even centuries later by pretending that legitimate and important contributions to art, politics, science and civilization didn’t exist, if the man or woman involved stepped across a political correctness line that didn’t exist when it was stepped over. All it takes to justify eradicating any honor, recognition or symbol of cultural gratitude is for a major historical figure in any field to have been shown to have engaged in, thought about (or consorted with those who engaged in or thought about) practices that the current culture, with assistance of many years of debate and experience that the toppled never had, now finds misguided, objectionable, offensive or wrong.

The proper punishment for this retroactive crime, these spiritual brethren of Stalin believe, is banishment, rejection and shame in the very field where the individual’s positive accomplishments reside. This is necessary to keep future generations from being influenced by ideas that might trigger discomfort among true believers of the official creed.

Thus, reason doctrinaire Princeton kids who have figured out The Great Truths at their tender age, Woodrow Wilson’s major contributions of strengthening and burnishing the name of the college, leading the United States for two terms, including through a world war, and devising the concept of the United Nations, no longer warrant respect and memorial, because he was, like so many other Southerners of his time, an unapologetic white supremacist. Of course, so was Abraham Lincoln and much of the nation, but that cuts no ice with the practitioners of merciless presentism. It isn’t just the views of the long dead that are being punished, you see. It’s a warning to non-conforming thinkers alive yet. Watch out! it says. Your thoughts, inspirations and ideas are impure and wrong, and you are still vulnerable to real punishment, not just the post-mortem fate of being defiled and forgotten. Continue reading →

Tesla’s Seat Belt Recall, Moral Luck, and Ethics Chess

/ Jack Marshall / 8 Comments

Jaws victim

Ethics Alarms Chief Ethics Scout Fred found this one. Tesla was alerted to one seat belt failure in its Model S, and  recalled them all. This involved a huge cost, of course, and that cost will be eventually passed on to consumers and investors. Fred asks,

“Abundance of caution” is the phrase they used, one I gather is familiar to lawyers. Could they have justified some other response that was less catastrophically expensive? Would they have had a fiduciary duty to do so? Or would that duty lie in maintaining the brand image of meticulous quality at almost any short-term cost, building a reputation that could command premium prices for decades to come?
The issue was simply this: how much did the company want to bet on moral luck? Tesla was aware of a possible design or manufacturing flaw that could kill passengers. It could have been a fluke, and it could have been widespread. If the cars were not recalled—and I don’t know enough about Teslas to presume that there would be any other way to check every single car or replace the seat belts without the expense of a recall, so I will assume for this discussion that there is not—and one or more passenger was killed, then Tesla management would have suddenly become Sheriff Brodie and Mayor Vaughn in “Jaws,” as articulated, with a slap, by the mother of a little boy who became shark bait while playing on his yellow raft. They knew there was a possible danger, and decided that chancing it was a better call than risking the summer tourist business. They balanced the risks, and did nothing.

Ethics Revelations In The Obituaries: Media Bias And “Big Al”

/ Jack Marshall / 10 Comments

obits

Ethics revelations lurk everywhere, even in the obituaries pages:

The Surprising Integrity of “Big Al”

Al Molinaro, the rumpled, large proboscused character actor best known as “Murray the cop” on TV’s “Odd Couple” and the proprietor of
the diner on “Happy Days,” where he mastered the world-weary catch phrase of “Yeeeaaahh, yeah-yeah-yeah…,” died last week at the advanced age of 96. In his Washington Post obituary, I gained new admiration for Al. (I was always an Arnold (Pat Morita) man, myself, and if you don’t understand that reference, good for you. You ignored “Happy Days.”) At the end of Al’s obit, there was this…

“In 1990, Mr. Molinaro told the Chicago Tribune that Marshall, who went on to direct hit films including “Pretty Woman,” tried unsuccessfully to recruit him for big-screen work.

“I can’t work in movies with Garry because I’m so square that I won’t be in a movie that has four-letter words in it,” Mr. Molinaro said. “That puts me pretty much totally out of films these days. . . . You get to a point where you don’t want to do just anything for the career. You gotta live with yourself.”

Now that’s integrity, and in show business, of all places. Our culture remains civil and benign only if we are willing to fight for it, or at least withhold our assistance as it deteriorates. Molinaro had the courage and integrity to accept this civic duty, Few among as do, and actors—especially specialty character actors like Al, almost never do. I remember that Mel Brooks harbored dreams of getting John Wayne to play “The Waco Kid” in “Blazing Saddles,” and said that he ran in to the Duke and talked him into reading the screenplay.  Wayne called him the next day and told Brooks that he loved the script, but that he couldn’t take the role. “It’s too dirty,” he said. “I’m John Wayne!” But he said he laughed all night as he read it, and promised to be “at the head of the line” when it opens. Continue reading →