Race

Ethics Quiz: The Symbolic Pardon

/ Jack Marshall / 20 Comments

I should have come up with this quiz without a nudge from Ben Shapiro and Elon Musk, but I didn’t. I am ashamed.

Conservative gadfly and Daily Wire founder Ben Shapiro called on President Trump to pardon Derek Chauvin, the white, former Minneapolis police officer who was convicted of murder in the 2020 death of George Floyd in a petition published on Shapiro’s website. (I don’t think it was murder, and I don’t think murder was ever proven, much less “beyond a reasonable doubt”.)

In his entreaty to the President, Shapiro declares, “We write to urge you to immediately issue a pardon for Officer Derek Chauvin, who was unjustly convicted and is currently serving a 22-and-a-half year sentence for the murder of George Floyd and associated federal charges.”

Shapiro accurately describes the incident as “the inciting event for the BLM riots,” which he says “set America’s race relations on their worst footing in recent memory.”

Most importantly, Shapiro says that the guilty verdict was tainted by the “massive overt pressure on the jury to return a guilty verdict regardless of the evidence or any semblance of impartial deliberation,” and that elected officials “pre-judged the outcome of the trial and took to national media to create pressure on the jury to go along with their preferred narrative.”

This, in my view, should be beyond dispute. I last posted on the way Chauvin was sacrificed in December of 2023, here. “Under these circumstances, there was no opportunity for blind justice to work, and a man is now rotting in prison because of it,” Shapiro concludes.

I concluded in part,

“The contrast between how Chauvin has been treated and the wall of protection erected around the black Capitol Hill cop who shot and killed an unarmed (white) January 7 rioter in 2021 is striking. From the beginning, the case against Chauvin lacked convincing intent, causation, or proof of guilt beyond a reasonable doubt. I keep seeing in various documentaries regarding other “true crime” stories rote statements by lawyers, prosecutors and judges about how in the United States, all citizens are presumed innocent and treated equally. If this equal treatment can be withheld from Derek Chauvin, and it has been, then it can and will be withheld by others who are deemed sufficiently unpopular. As [Professor Glenn] Loury writes, the result tells us that “the deep epistemic corruption at the heart of the affair will become, if it goes unchallenged, imperceptible to future generations, simply more evidence that the world is as the poetic truth has determined it to be.” Who will challenge it now? Who has the integrity and courage today to stand up for justice a “racist” who was profitably used as the excuse to advance such marvelous revolutionary movements as critical race theory and “diversity, equity and inclusion”?

Chauvin was convicted in two separate trials, state and federal, and is simultaneously serving a 21-year federal sentence for violating Floyd’s civil rights along with a 22.5-year state sentence for second-degree murder. He has tried to appeal his conviction numerous times, including to the Supreme Court. He has no plausible avenues to pursue now except a pardon.

Shapiro argues in a video that although Trump cannot pardon Chauvin in the state murder case, it is important for Chauvin be pardoned on federal charges anyway.

“Make no mistake—the Derek Chauvin conviction represents the defining achievement of the Woke movement in American politics. The country cannot turn the page on that dark, divisive, and racist era without righting this terrible wrong,” Shapiro said in the letter. Elon Musk, not knowing when he should “tend to his own knitting,” posted about Shapiro’s petition on Twitter/X yesterday saying, “Something to think about.”

OK, I’m thinking.

Your first Ethics Alarms Ethics Quiz of March, 2025, is…

Should President Trump pardon Derek Chauvin?

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American Students Are Falling Behind In Basic Academic Skills: How Can This Kind of Curriculum Be Justified?

/ Jack Marshall / 6 Comments

A news article in today’s New York Times [Gift link!] begins thusly:

“Late last fall at the Hugo Newman School in Harlem, two social studies teachers handed out pages of hip-hop lyrics to their seventh graders, and then flicked off the lights. The students appeared surprised. They had been studying ancient matriarchal societies, including Iroquois communities that had women as leaders. Now, their teachers were about to play the song ‘Ladies First’ by Queen Latifah and Monie Love. The teachers instructed their students to highlight any lyrics that reminded them of the Iroquois women, who were known as the Haudenosaunee Clan Mothers. Although they did not know it, the middle schoolers were in the midst of their first lesson of ‘Black Studies as the Study of the World,’ a curriculum that rolled out in September and is now available to every New York City public school.”

“In New York, we are trying our best to be Trump-proof,” the Times quoted Adrienne Adams, the speaker of the New York City Council, as saying in a recent interview. “We are doing everything we can to protect the curriculum.”

The obvious question is “Why?” Protect the curriculum from straightforward standards that ensure that the average student leaves high school with the core skills necessary for success in work and life? By its very nature, bombarding middle school students with lessons on “matriarchal societies”—an elective college course if there ever was one—is political in both nature and intent.

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From the Res Ipsa Loquitur Files…

/ Jack Marshall / 3 Comments

The Resurrection Church Oakland (PCA) held this event last week.

In related news, spectacularly unethical Fulton County prosecutor Fani Willis sent an angry letter to Representative Jim Jordan of Ohio, the Republican chairman of the House Judiciary Committee today. She is furious that the committee is quite appropriately investigating the degree to which her part of the “Get Trump!” lawfare last year was orchestrated and coordinated with the Biden Administration.

“Rather than honor and uphold the oath you took, you have chosen to expend your time attempting to bully me, which is a complete waste of your time,” Willis wrote. “Might I suggest that instead of attempting to disrupt this office’s work protecting the people of Fulton County, that you celebrate Black History Month by visiting children in your district to teach them about the many contributions African Americans have made to this country—including those who have advanced democracy by successfully advocating that this nation live up to its ideals that everyone is equal before the law and everyone has the right to have their voice heard through exercising their right to vote. That would be a much more productive use of your time.”

___________________

Pointer: Not The Bee.

Is “The Three Amigos” Really Racist, or Have I Just Been Brainwashed?

/ Jack Marshall / 30 Comments

I am proud to say that I thought “The Three Amigos” was a largely unfunny and lousy movie when I saw it the first time…this, despite the fact that I generally admire John Landis as a director of comedies (he will always have a place dear in my heart for directing “Animal House”), and although I generally appreciate the talents of the movie’s stars, Steve Martin and Martin Short (Chevy Chase not so much). For some reason it has been showing repeatedly on MGM+ of late, and upon re-watching the thing after my sock drawer was in order, I found another reason to hate it other than its annoying tone and its predictable gags. This time around, the film seemed egregiously racist.

Oh no! Have 40 years of relentless bludgeoning by political correctness, hyper-sensitivity and wokism taken over my brain? When I first viewed the film (which Wikipedia tells me was ranked 79th on Bravo’s list of the “100 Funniest Movies,” a factoid that only reaffirms my long-standing belief that Bravo is useless), that thought never occurred to me for a second.

One of many films that borrows heavily from the Western classic (and ethics movie) “The Magnificent Seven,”—others include “A Bug’s Life” and “Battle Beyond the Stars” along with a pretty bad remake, with Denzel Washington standing in for Yul Brenner—“The Three Amigos” (the film’s score is by the same composer who scored “The Magnificent Seven”) tells the tale of three incredibly white silent movie stars who end up rescuing a town of substantially helpless and poor Mexicans. The town’s tormenter is “El Guapo,” the evil leader of the most ugly, stupid, dirty and brutal band of Mexican bandits in silver screen history. All right, maybe the Mexicans in “The Wild Bunch” are worse, but the white guys in that bloody film are hardly what you’d like to see your daughter bring home to meet the family either. Naturally the three white guys prevail, despite their collective IQ of about 210, for an average of 70 each (it actually breaks down to 85 for Martin’s character, with Short at 70 and Chase at 65).

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New York Magazine Is Caught Manufacturing Fake Evidence Of “White Supremacy”

/ Jack Marshall / 5 Comments

Once upon a time, the news media would get away with this kind of blatant dishonesty.

The story itself that New York Magazine used this deceptively cropped photo to introduce (The Cruel Kids Table: Out late with the young right as they cultivate cultural domination”) states that “Almost everyone is white” after beginning the story by quoting a party attendee as observing, “Have you noticed the entire room is white?” Promoting the piece, the NY Mag X account wrote that the story was about “the young, gleeful, confident, and casually cruel Trumpers who, after conquering Washington, have their sights set on the rest of America.” This was a hit piece about a supposedly all-white conservative influencers Trump inauguration party, yet the party’s host was black Gen Z Republican strategist CJ Pearson. Others pointed out, like black conservative pundit and “influencer” Rob Smith, also a guest at the party, that there were many Hispanics, blacks and Asians there. He posted this photo…

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Of Hollywood Hubris, Bait and Switch and Flat Learning Curves: Just What We Need, a Woke “Gone With The Wind” With Space Invaders

/ Jack Marshall / 14 Comments

I don’t know, Dana, I really don’t.

I have no idea what’s going on here. On a website called “Gone With The Wind (2025)” we get puffy blather about a stirring, high budget re-make of the politically incorrect classic, still the most successful movie of all time, ready to open at the end of 2025. It stars black Scarlett (Zendaya) and a black Rhett Butler (John Boyega). The site does not permit copying or screen shots. The director is Barry Jenkins, whose output so far has been only stories about social justice, racism, and black protagonists. The site’s description, however, tells us that this is a “Gone With The Wind” remake that will bring “fresh perspectives and contemporary sensibilities (oh-oh!) to this “modern adaptation.”

Although the web page is headlined “Gone With The Wind” (2025) Official Trailer, no trailer to the new film is on it. Several versions of the trailer for the original 1939 version are there to see, however.

Puzzled, I searched for a trailer for “Gone With The Wind” (2025), and got …

…. the trailer for “Gone With The Wind : Invasion!” Is that really a movie? Is it a spoof? Is the website a tease (that is, unethical fake or hoax) that pretends the new film is a remake? And what the hell is this:

Please rank in order of commercial viability: A GWTW starring Leonardo DiCaprio as Rhett and Megan Fox as Scarlet, a woke remake, and one with invading aliens. It’s a tough assignment.

I would normally assume that no one in Hollywood is so stupid as to make a woke update of “Gone With The Wind,” but then there were recent re-makes of “The Ten Commandments” and “Ben-Hur,” both of which bombed like the siege of Vicksburg. I assume that there are enough stupid people in Hollywood to make a science fiction version, since they got away with “Cowboys and Aliens” (barely) starring Daniel Craig and Harrison Ford in 2011.

Whatever is going on, it’s wrong.

Comment of the Day: “Justice for the Nicholas Brothers” [UPDATED]

/ Jack Marshall / 7 Comments

This was another dreary Saturday (almost all Saturdays have been dreary since Grace died, to be honest) until Ethics Alarms provided a triple treat. A new commenter debuted with a Comment of the Day, and I always love that. Better yet, the comment arrived on an old post, one from July of 2012. I also love that, as it shows that these poor rhetorical exercises with too many typos don’t always vanish like random pebbles thrown into the surf, but sometimes provide amusement and perspective to readers months and even years later, giving hope that my existence has some meaning after all.

Best of all, however, is that Kevin Hall’s Comment of the Day focuses much deserved attention on the amazing Nicholas Brothers, probably the greatest tap dancers who ever lived, whose memory is tragically faint because of the racism that restricted their careers. That number above, from a film that was seen almost exclusively by black audiences when it was released, is perhaps the most famous film performance by Harold and Fayard Nicholas, and it is certainly characteristic of their amazing style, but there are others. There is also a website dedicated to their lives and artistry. I feel about the Nicholas Brothers a bit like King Arthur does about the legend of Camelot as he expresses it in the final song in that Lerner and Lowe musical…

Ask every person if he’s heard the story
And tell it strong and clear if he has not…

Here is Kevin Hall’s Comment of the Day on the post, “Justice for the Nicholas Brothers.” I can’t resist some brief comments at the end…

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And This Is Why DEI Must DIE…

/ Jack Marshall / 9 Comments

Three impressive, qualified, white male law professors applied to join the faculty of Northwestern School of Law. They were First Amendment expert (and Ethics Alarms favorite) Eugene Volokh, Ernest A. Young of Duke University’s Law School, and Ilan Wurman, a distinguished professor at The University of Minnesota Law School. All were rejected in favor of DEI hires, despite being objectively better qualified than the successful candidates. Now “Faculty, Alumni, and Students Opposed to Racial Preferences” (FASORP), a collective of professors and lawyers who seek to expose and stop racial and gender preferences in higher education, is suing on the professors’ behalf.

“As a result of the [DEI] mandate, Northwestern University School of Law refuses to even consider hiring white male faculty candidates with stellar credentials, while it eagerly hires candidates with mediocre and undistinguished records who check the proper diversity boxes,” the complaint alleges. Northwestern violates the law by “hiring women and racial minorities with mediocre and undistinguished records over white men who have better credentials, better scholarship, and better teaching ability,” the suit says.
“But this is prohibited by federal law, which bans universities that accept federal funds from discriminating on account of race or sex. University faculty and administrators think they can flout these anti-discrimination statutes with impunity because they are rarely sued….But now the jig is up.”

The case of Volokh would seem to be particularly difficult to refute. The suit asserts that Volokh’s accomplishments exceed those of nearly every professor currently on the Northwestern Law School faculty, but because he is a white man and “neither homosexual nor transgender,” he was judged unacceptable.

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10 Ethics Observations on the White Judge’s Email

/ Jack Marshall / 7 Comments

Caroline Glennon-Goodman, a Cook County judge, shared a meme that depicts a smiling black boy and a black child’s leg with an electronic monitor on it, a fake ad for “My First Ankle Monitor.” The judge wrote “My husband’s idea of Christmas humor.” It was supposed to go to a friend, but she sent it to the wrong person, another judge ( #@!%^!& autofill!) Oopsie! That judge reported her and the post became public.

Glennon-Goodman has been reassigned by the Circuit Court’s Executive Committee, and ordered to undergo bias training and will face a state disciplinary investigation. The executive committee wrote that Glennon-Goodman’s alleged actions “may violate the Code of Judicial Conduct” and it said it was temporarily reassigning her and referring the matter to the Illinois Judicial Inquiry Board “to promote public confidence in the integrity and impartiality of the judiciary.”

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“Too White A Christmas”: Additional Ethics Observations

/ Jack Marshall / 11 Comments

As promised, I am adding some of my own concerns to Curmie’s post two days ago on the controversy regarding the lack of “diversity” among the ensemble in a Sacramento production of the meh Broadway musical, “Elf.” I know many out there in EA Reader Land don’t give a rip about casting ethics. Ethics Alarms has posted on it often, because I believe, as with a lot of ethics issues in particular industries and areas of the culture, it has larger significance than only where the controversy arose.

Curmie covered most of the ethical issues in this kerfuffle well, as he always does, but I have some pointed conclusions that I think bear emphasis.

The whole episode illustrates what’s fatally wrong with DEI in general and the Left’s obsession with it. It has become an ideology unmoored to the real world. The mission of a theater director or producer must be, first and beyond all else, to put on the best production possible. We can argue about other priorities, but not that. Putting on the best production possible means, without exception, casting and staffing the production with the most talented, experienced, reliable professionals the production can afford. The entire discussion Curmie explores among four theater professional reveals the crippling mission confusion and ideological fanaticism that has infected if not most of the entertainment business, far too much of it.

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