Unethical Quote Of The Month: Wheaton College

What prompted this anti-educational, anti-discourse “message to the Wheaton community”?

Ryan Bomberger of the Radiance Foundation gave a presentation entitled “Black Lives Matter In and Out of the Womb” at the evangelical Wheaton College (in Wheaton, Ill.) on November 14. He was the guest of the Wheaton College Republicans. Bomberger’s talk criticized  BLM leadership for announcing its solidarity with Planned Parenthood, the “leading killer of black lives.” Bomberger  is a biracial African American conceived in rape, adopted, and then raised in a mixed-race family. He responded  to the allegations in the letter by saying that Rowley, Waaler, and Shields had demonized him, and said he had been told that only Shields among the three signatories had attended his talk.

“I would think it would be against the college’s mission to intentionally mislead students,” Bomberger wrote in response to the student leaders’ backlash against him.

“I am a person of color, a clarifying fact which you conveniently left out of your letter of denouncement. I was primarily presenting a perspective of those who are never heard, always underrepresented, and are actually unsafe — the unborn,” he said. Continue reading

My Birthday Comment Of The Day! On “Nipplegate Ethics: No, We Don’t Owe Janet Jackson Any Apology At All”

Shortly before the bells tolled twelve and my birthday/Finding Dad Dead In A Chair Day came to an end, I received not one but THREE comments on a two-year-old post. I love it when this happens—it has been happening a lot lately—because it gives me a chance to read with new eyes and accumulated wisdom past ethical verdicts to see if they measure up to my current standards. Sometimes I think I was bit too certain of myself, and sometimes I even detect some serious omissions in my analysis, but not with this post, a vivisection of a ridiculous, race-bating defense of Janet Jackson infamous breast-baring at the 2004 Super Bowl. A pop culture blather-artist named Emmanuel Hapsis,  had revisited the incident , and in the increasingly unhinged manner of the woke which we have witnesses since. declared that the episode exemplified America’s “patriarchy,” “racism” and “sexism.”  “Janet’s first crime was being a woman and the second that she was a black woman,” Emmanuel wrote.

Well, few show business scams have been as easily figured out as this one, and the question is whether those who refuse to believe what is absurdly obvious—Sure, it was just a series of amazing coincidences that Justin Timberlake, during a choreographed duet with Jackson and while singing “Better have you naked by the end of this song,” somehow and completely accidentally ripped a neatly cut portion of Jackson’s bustier to reveal her naked breast, except that her nipple was covered by an elaborate pasty—almost as if she knew it was going to be exposed.  Timberlake lied, then later admitted that the stunt was planned, though he didn’t have to, because everyone knew it was planned who had an IQ above freezing and wasn’t in line to buy shares of “Prisoners of Love”. Jackson kept to her story that it was all a big surprise. I wrote, and would write again,

“Jackson also got a career boost from the fiasco, which is exactly why she agreed to the stunt, and if she paid something for the contract breech, she could afford it. As for the public criticism of her unannounced peep show, race and sexism had nothing, zero, nada to do with it. When you have to reach this far back and distort reality this absurdly to make the case about how racist and sexist America can be, you really need to find another cause, because you’re lousy at this one.

There are real examples of racism and sexism out there. Using fake ones like this to caterwaul about it just makes it easier to deny them.

Not only does America not owe Janet Jackson a “huge” apology, America owes her none at all. Emmanuel Hapsis, however does owe America a huge apology, for trying to further divide it, and for trying to make the public more ignorant than it already is.”

When the post first ran, somebody sicced a college class on me or something, and I received numerous, almost identical rebuttals, most of which were too incoherent or idiotic to pass moderation. I also banned one persistent troll who kept writing the same comment that essentially asked how anyone could be so mad as to not believe Jackson’s contrived story? (I am a veteran stage director and choreographer, and I can tell a staged bit when I see one, not than any yahoo couldn’t recognize this one.)

So along comes someone named Troy who gifted me with one of those comments that is so fascinatingly devoid of logic, coherence or ethics grounding, and so wonderfully besotted with woke buzzwords and mirages, that I just had to post it as a Comment of the Day. First, it shows you the kind of junk that doesn’t usually get posted here. Second, it is instersectionality wackiness on brilliant display—yes, holding Janet Jackson to account for flashing a family audience to get cheap publicity for her upcoming album is linked to slavery, lynching, police brutality, and white privilege. The screed also begins with and is built around a false analogy, as are so many screeds these days. You see, Madonna is white, Madonna is a singer, and Madonna has exposed various parts of her body in a carnal fashion, so for a black performer to be criticized for similar self-exposure is a double standard, or so Troy believes.

Super Bowl half-time spectacular live in prime time with the largest TV audience of the year including children, you moron.

I wonder: how many people are out there who “think” like this? How did they get that way? Who can stand being around them? Are they multiplying? How can that be stopped? How do you reason with someone this addled? What is the critical mass of people like this that renders the nation too stupid to function at all?

Excellent, if troubling, questions all. Thanks, Troy!

Here is Troy’s Comment of the Day on Nipplegate Ethics: No, We Don’t Owe Janet Jackson Any Apology At All: Continue reading

Comment Of The Day: “Ethics Quiz: CNN And Marc Lamont Hill”

More self-flagellation is in order: the problem when one gets behind in posting important Comments of the Day, new entries tend to push themselves into line, making it harder to catch up. The quiz about whether CNN was ethical to fire Marc Lamont Hill spawned this too- interesting- to- put- off discourse on the use of violence in activism in the U.S.  To recap, Hill had told the U.N, in the course of advocating pushing the Jews into the sea,

“Contrary to western mythology, black resistance to American apartheid did not come purely through Gandhi and nonviolence. Rather, slave revolts and self-defense and tactics otherwise divergent from Dr. King or Mahatma Gandhi were equally important to preserving safety and attaining freedom.”

To this,seasoned Ethics Alarms commenter Isaac wrote,

He’s also wrong about uprisings and violent tactics being “equally important” to African freedom and equal rights in America. Not even close to true. If anything such tactics, while understandable, hindered the hard uphill battle being fought by the likes of Douglass and King. You can trace virtually every single concrete step forward in both the abolition and civil rights movements to peaceful activists, non-violent advocacy, and people working within the American systems to change them. Not sexy, but true.

This sparked Michael R’s Comment of the Day on the post Ethics Quiz: CNN And Marc Lamont Hill:

I would disagree with you on your points about violent tactics. Violent self-defense was an integral part in the Civil Rights movement in the 1950’s and 1960’s. The Deacons for Defense and other armed groups of black men provided armed guards for civil rights leaders. Without groups of armed black men like the Deacons for Defense, CORE would have been wiped out. The KKK would have won and the civil rights movement would have collapsed. Continue reading

Mississippi Stinking

Gee, I wonder why feminists aren’t cheering the Cindy Hyde-Smith victory in the Senate run-off in Mississippi yesterday.  After all, she is the first female U.S. Senator in the state. And she’s a woman, and weren’t we told in the 2016 election that this alone mandated voting for a candidate, and nothing else should matter?  Admittedly, Hyde-Smith was an especially stinky candidate—inept, unqualified, addicted to sticking her foot in her mouth—but then so was Hillary Clinton. Why does being a woman outweigh all that baggage when the candidate is a Democrat but not when she’s a Republican? Or is the theory that electing a black Senator cancels out the “vote for any woman over any man”  rule?

I need this written down, I guess.

Of course, the losing Democratic candidate, Mike Espy, was pretty stinky himself, corrupt and dishonest, as well as addicted to race-baiting when the opportunity arose. He was required to quit Bill Clinton’s Cabinet after multiple accusations of corrupt dealings and illegal gift-accepting, then accepted a $750,000 consulting deal from former Ivory Coast president Laurent Gbagbo’s government in 2011. Espy’s former client is now standing trial for “crimes against humanity.” After Espy came under scrutiny for lobbying for Gbagbo, he claimed he had dropped the  contract once he learned that Gbagbo was a “bad guy.”  Continue reading

Morning Ethics Warm-Up. 11/27/18: Unethical Perry Mason, Icky Science, Race Card-Playing Democrats, Intrusive Bosses And Slanted History

Good morning…

1. They are showing “Perry Mason” reruns again on cable TV. That was the show that made my generation want to be lawyers, under the delusion that a defense attorney could regularly prove a criminal defendant innocent. (Pssst! They are almost all guilty.) The show holds up, but boy, Perry was sleazy. In an episode I watched while I was sick, he had his investigator tell the hapless prosecutor, Hamilton Burger (Ham Burger to his friends) that he had found an incriminating piece of evidence that proved someone other than Perry’s client had committed murder. Ham relied on the information and got the killer to confess once he was faced with the production of the “smoking gun.” But Perry’s investigator hadn’t really found anything.

Having one’s agent lie to the state prosecutor is a serious ethics breach. Perry also caused the DA to tell a falsehood to get the confession, though Burger wasn’t lying, since he believed Perry’s contrivance. Prosecutors are no more allowed to lie than other lawyers, but when they do lie “in the public interest,” they seldom get more than a slap on the wrist from courts and bar ethics committees, if that. Burger didn’t seem very upset that Perry conned him, because the real killer was caught. The ends justifies the means, or did in “Perry Mason.”

2. Ick or ethics? A Chinese scientist claims that he had successfully employed embryonic gene editing to help protect twin baby girls from infection with HIV. We are told that bioethicists in China and elsewhere are reacting with “horror.” Writes the Times,

“Ever since scientists created the powerful gene editing technique Crispr, they have braced apprehensively for the day when it would be used to create a genetically altered human being. Many nations banned such work, fearing it could be misused to alter everything from eye color to I.Q….If human embryos can be routinely edited, many scientists, ethicists and policymakers fear a slippery slope to a future in which babies are genetically engineered for traits — like athletic or intellectual prowess — that have nothing to do with preventing devastating medical conditions.”

As with cloning, my view on this controversy is that a new technology does not become unethical because of how it might be used. That unethical use will be unethical, and that is what needs to be addressed when and if the problem arises. (Airplanes could be used to drop atom bombs!) The fear of “designer babies” also seems to be an example of “ick”—it’s strange and creepy!—being mistaken for unethical. Making stronger, smarter, more talented and healthier human beings is not in itself unethical, even if it is the stuff of science fiction horror novels and Josef Mengele’s dreams. Continue reading

Comment Of The Day: “If The News Media Won’t Resist Publicizing Big Lies, What Hope Is There?”

In response to the post about the mainstream news media still presenting the deaths of Freddie Gray and Mike Brown as “murders” despite all evidence and judicial law enforcement determinations to the contrary, Matthew B raised some interesting questions that I’ve pondered myself.

Here is his Comment of the Day on the post, “If The News Media Won’t Resist Publicizing Big Lies, What Hope Is There?:

I don’t understand why the Black Lives Matters focuses in on the cases that don’t make their point. They should be using Philando Castile as a rallying cry, not Freddie Gray.

I also don’t get what is wrong with most white people. How can we have shootings like Daniel Shaver and think there is nothing wrong? We’ve got a police training issue where an unreasonable level of fear pervades contact with the public and a criminal justice problem where officers are given the King’s pass because too many people view police officers as the good guys no matter what. The BLM crowd is unethical in its conduct in trying to make their point. We’ve got the other side who’s unethically blind and want to ignore that the problem exists.

Bill Robinson, Fred Astaire, And The Good “Blackface”

We recently came through the usual Halloween bag of “blackface” controversies, and Ethics Alarms, as it has before, tried to guide the discussion to the material distinctions that social justice warriors, who strategically deal in absolutes when seeking power through real and contrived offense, refuse to acknowledge or are intellectually incapable of doing so. The short version of the Ethics Alarms message: make-up for legitimate theatrical purposes isn’t “blackface,” isn’t “racist,” and shouldn’t be object of knee jerk condemnation based on emotion or ignorance.

Today Turner Movie Classics showed “Swing Time,” the 1936 musical that is probably the high water mark in the Ginger Rogers-Fred Astaire canon. It has the best song (“The Way You Look Tonight”), the best novelty scene (Astaire pretending to be a klutz in a dance lesson with Ginger, then shocking her and her boss—and saving her job— by showing “what a great teacher she is” by dancing, well, like Fred Astaire) and arguably two of the best dances by the two, “Never Gonna Dance” and “Waltz in Swing Time.” The film also contains a controversial “blackface” number, “Bojangles of Harlem,” in which Fred pays homage to two great black tap dancers who were teachers and inspirations for him, Bill “Bojangles” Robinson and John Bubbles. Local TV stations have long been reluctant to show “Swingtime” because of guaranteed complaints that the number is racist, or, if they cut the number (which is unconscionable), complaints pour in from film and Astaire fans that they have defaced a classic out of misplaced political correctness.

If one argues that the number is “racist” because of Fred’s make-up, then one is necessarily arguing that no white performer can ever offer an admiring  salute to an African-American great by emulating him. Astaire’s choreography (by Hermes Pan) contained specific references to trademark steps and gestures by both Bubbles and Robinson, though more of the former than the latter. (Some would say, maybe even Fred, that this was because he didn’t dare set himself up to be compared to Robinson, whom many regard as the greatest tap-dancer of them all.) Blackface, as typified by minstrel shows, was a burlesque of negative black stereotypes. There isn’t a hint of this in Astaire’s number: he wears dark make-up because he is honoring two contemporary black dance stars who he knew, learned from, and respected. The make-up is the epitome of a legitimate theatrical device, and racially demeaning neither in intent nor effect. Those who see it as such are either deliberately misconstruing the number, or don’t know what they are talking about. (There is an unfortunate racially demeaning set piece that appears for a couple of seconds at the start, a large caricature of exaggerated black features. You can take the film out of 1936, but you can’t take 1936 out of the film.)

The ironic part of the effort to quarantine “Bojangles of Harlem” is that the number is one of the few reminders in our culture of who Bill Robinson was, and—here’s Jack on his “duty to remember” and cultural literacy soapbox again–he was an important figure in American theatrical, cultural and civil rights history that should be remembered.  Instead, Robinson is almost completely forgotten: I bet most of the NAACP members who get up in arms when TMC shows “Swing Time” have no idea how significant Robinson was, and the contributions he made to art and society. Continue reading

Sunday Ethics Rundown, 11/25/ 18: Liberty Games

Good Morning!

1. Baraboo hangover. Apparently the Wisconsin male high school students who gave a Nazi salute in an off-campus photo will not be punished. The superintendent overseeing Baraboo High, Lori Mueller of the Baraboo School District, said in the letter that the district was “not in a position to punish the students for their actions” because of their First Amendment rights. That’s right from a Constitutional viewpoint, and something good will come of the incident if it means that schools will stop punishing students for what they post on social on their own time. Here is the photo, in case you have forgotten…

The Times article sure is full of dissembling and nonsense, however. Peter Gust, the jerk who took and posted the photo, claims that it had been modified by “malevolent behavior on the part of some in society.” Sure. Jordan Blue, the boy in the upper right hand corner in the red tie, has embraced the role of ethics hero in the media, and is grandstanding and virtue signaling like mad, saying that he didn’t have time to leave the photo but that he didn’t raise his arm because “I knew what my morals were and it was not to salute something I didn’t firmly believe in.” Uh, that should be “firmly didn’t believe in,” Jordan. Then there is Brock Turkington, also  in the photograph, whose story is that  “As we were about to take that photo, the photographer instructed the boys to give a ‘high-sign.” The photographer instructed us to extend our arms out, no one knew what a ‘high-sign’ was. I asked another student next to me ‘What are we doing?’ He responded, ‘Stick your arm out.’” But that’s not a “high-sign.” That’s a Heil-sign.

2. I won a bet with myself! Cracked, the list and pop culture commentary website that evolved out of a cheap Mad Magazine rip-off from the Sixties, has a feature called “5 Laws From Other Countries (The USA Should Totally Steal).” Cracked is dominated by smug, if clever, social justice warriors, so I made a bet with myself that the list would contain  several concepts that were unconstitutional or that would advance the Left’s dream of perpetual power. (By the way, you can’t “steal” a law.) Sure enough, the tally was three out of five. I win!!! Continue reading

Morning Ethics Warm-Up, 11/23/18: (It’s My 38th Wedding Anniversary)

Good Morning!

1. A Thanksgiving Story. Yesterday, as we have in recent years since our available family has been inexorably shrinking or moving away, Grace and I, plus my son and his girl friend, went out to a favorite D.C. restaurant for our celebration. A very large party was next to our table, and when I overheard a comment or two, I figured out who it was. The extended Dole family, headed by former Senator Liddy Dole and former Senate Majority Leader, Presidential candidate and Vice-Presidential candidate Bob Dole, now 95, was having a holiday gathering with at least three generations on hand. My Dad deeply admired Dole’s military sacrifices in World War II as well as his wit, and both Doles had spent a lifetime in public service, so I decided to send the table a bottle of champaign with the Marshall family’s regards.

I expected at most a smile and a wave. Liddy Dole, however, came immediately over to our table, and chatted for quite a while, energetically expressing her  and Bob’s gratitude for the gift. Later a Dole niece came over to do the same, and I got a handshake and some nice words from Bob as we left. I would have assumed that lots of tables at the packed eatery would have sent some token of appreciation the Dole’s way, but we seemed to be the only ones. Indeed, we seemed to be the only ones who knew who they were. “Sic transit gloria mundi.”

It was funny: Liddy Dole did a wonderful job covering with opening comments that could have suggested that she had met us before, a skill anyone in public office must master. I managed to make it clear in my remarks that we hadn’t met, but her gratitude appeared genuine rather than formal.

So the Marshall family had a memorable collision with political history and Washington royalty! Best bottle of champagne I ever bought…

2.  If Obama wants to protect his own legacy and project a positive image of the Presidency, he really should shut up. During a summit this week for the Obama Foundation in Chicago, former President Barack Obama said,

“Climate change, we’re going to have to come up with some new technologies to solve the problem as much as we need to. Although even on something like that, right now I could take off the shelf existing technologies, we could reduce carbon emissions by, let’s say 30 percent, without any, you know, it’s not like we would have to go back to caves and, you know, live off, you know, fire. We could have electricity and smartphones and all that stuff, which would buy us probably another 20, 30 years for that technological breakthrough that’s necessary. The reason we don’t do it is because we are still confused, blind, shrouded with hate, anger, racism, mommy issues. “I mean … we are fraught with stuff.”

Stuff like, oh, reality. The U.S. is deeply in debt, in no small part due to Obama’s own mismanagement of the budget, and a trillion dollar infrastructure bill is overdue. Estimates—and on climate change, all we have is estimates, of what it would cost to reduce carbon emissions by 30% range from another 1.7 to 3 trillion dollars, and many estimates tell us that even that wouldn’t do enough, whatever “enough” is. “It’s not like we would have to go back to caves and, you know, live off, you know, fire’ is a masterpiece of “It’s not the worst thing” duplicity. OK, Big Shot, what would it mean? Of course, Obama has no idea. He’s just blathering, and at a level not much superior to the blathering President Trump gets regularly skewered for. Yes, we are indeed confused, because climate change research and hype are now indistinguishable thanks to messengers like Obama, but how the hell do “hate, anger, racism, (and) mommy issues” have anything to do with the issue other than to serve as standard left-wing insults at anyone who doesn’t agree with them?

The use of racism as a default explanation for any and all opposition has reached the point of self-parody. I wonder when the half the country not being victimized by it wakes up and sees how unfair and destructive this is… Continue reading

The “Charlie Brown Thanksgiving” Scandal

Some people are now conditioned to see racism in everything, and they are a menace to society, sanity, and the pursuit of happiness.

But I’m getting ahead of myself…

What does it mean that the above scene from ” A Charlie Brown Thanksgiving,” first aired on November 20, 1973 and every year since, suddenly struck some Americans as “racist” in 2018?

Hint: it doesn’t mean that the public is becoming more “woke” to actual racism in America. It means that the relentless effort by one segment of society and many in the news media to use the accusation of “racism” as a political wedge and a weapon to achieve power has officially reached the most dangerous level yet, and is gradually poisoning society. The idea is to make virtually anything potentially “racially insensitive”—choice of words, clothing, casting in TV shows, law enforcement, voting, socialization choices, literally anything and everything, including innocent composition choices in animated cartoons. The objective is to produce fear….fear of making a mistake, fear of offending anyone with hypersensitivity to racial slights, real or imaginary, fear of being labeled guilty of “racism,” which is now the worst crime on earth. This is a sick development that will create a sick society and a dysfunctional culture.

Here is how one critic describes the evidence of racism in the above picture:

“Franklin, the one and only black friend in the group, is seated by himself on one side of the table while the other is crowded with the rest of the friends. On top of that, he’s sitting in a lawn chair as opposed to everyone else’s proper furniture.”

This is deceit and trouble-making:

  • There are six human beings at the table, one of whom is black. In fact, the diversity exceeds the percentage of blacks in the U.S. population. There is nothing racist about him being “the one and only.”
  • Franklin is not sitting “by himself.” He is sitting at the same table with his friends as a welcome guest at a community gathering. Is Linus, who also has one side of the table to himself, sitting “by himself” too? No, he’s a member of the group, at the same table as his friends. Is Marcy, at the opposite end, sitting “by herself?” No, she is also sitting with the group, just like Franklin.
  • Is having one side of a communal table considered some kind of insult? Not at any table I’ve been seated at. I love having a side to myself. It is also an advantage to be able to look at your family and friends across a table, rather than to have to talk to them by turning your head and craning around. There is a strong argument that Franklin is being treated with special consideration.
  • Why did the artist set up the table like that? I guarantee it was not to make a racist statement. How can I guarantee that? I guarantee that because 1) the “statement’ would be idiotic 2) because nobody out of millions of viewers saw any such statement for four decades 3) because if you wanted to be hostile to blacks, you could just skip Franklin. Franklin, a minor, (indeed transparently token) “Peanuts” character added to the comic just five years earlier, is at the gang’s celebration in place of Schroader, Violet, Pigpen, and even Lucy, all more prominent characters. So what’s the theory, that the cartoonists gave the black kid a place at the table over major, long-standing characters in order to insult him? How racially paranoid do you have to be to think like that? The answer is “pretty damned paranoid,” and that’s the state of mind malign political forces here want to promote.
  • Here’s why the table was set like it was:

Continue reading