Gregory Maguire’s “Wicked: The Life and Times of the Wicked Witch of the West” became a critical and financial success by merging the Frank L. Baum children’s series with contemporary issues and values, notably discrimination, prejudice, the abuse of power, and corruption. The still-running Broadway musical “Wicked” softened the preaching and propaganda a bit, but it has come back with full force in the movie adaptation now playing at inflated prices in theater near you. (I purchased a box of Junior Mints and regular size coke. They cost 15 bucks.)
In the novel and the musical, the witch-to-be is born green, leading to a life of being the victim of hate and discrimination. The movie cast not just a black woman in the role, but one with pronounced African features (in contrast to, say, Halle Berry) making it nearly impossible not to experience the plot as a thinly veiled Critical Race Theory brief. Though there are black actors and actresses in Oz here and there, only the white characters are seen to be repulsed or frightened by Elphaba (Maguire gave her a name), because the director correctly calculated that in his film, the character is as much black as green. We see her rejected and cast aside (to be raised by a bear) by her father the moment he sees her skin shade, so it is clear where this is going: Elphaba is going to be forced to fight against the cruel culture that rejected her. Thus we know that she is a personification of the Black Lives Matter riots within the first ten minutes of the movie.
Just as early in the movie we know we are in the grip of sensitive wokism obsessions when we we find ourselves in Munchkinland and the Munchkins pretty much look like anyone you know. The movie “Wicked” is obsessed with, the 1939 classic “The Wizard of Oz,” had the Munchkins played by the Singer Midgets, a little people performing group. In the Baum book that started it all, they are described as being about the same size as Dorothy, who is about 10, but one way or the other, we know the Munchkins are small. Ah, but Disney’s endlessly delayed “Snow White” movie got into trouble after the most famous acting dwarf, Peter Dinklage, declared that the whole idea of portraying the Little People of the familiar fairy tale was offensive, so Disney eliminated the dwarfs entirely. That was also attacked by Little People activists—erasing them, you know. Similarly, Peter Jackson got in trouble for using computer magic to make a full size actor look like he was a a yard or so tall in the “Lord of the Rings series.” So “Wicked” director Jon M. Chu punted and just made the Muchkins normal size and boring. And that wasn’t all: to make sure Dinklage didn’t find some reason to take shots at his movie, the Little Actor was hired to provide the voice of a talking goat.
This is DEI at its silliest. The film gets credit for hiring an “under-represented minority” who was personally responsible for the film not hiring many more members of the same minority. Furthermore, while I like Dinklage (who became famous in “Game of Thrones”) as much as anybody, the only reason he’s a star is because he’s so short. Sure, he plays lawyers, doctors, gangsters, but no matter what he plays, he plays it as a dwarf. That’s the only thing that distinguishes him from hundreds of other equally able actors. It makes no sense at all to hire Peter Dinklage as a voice actor. His unique feature can add nothing to such a gig. The film took away another talented vocal actor’s job so it could be “inclusive” and hire a dwarf for his voice alone.
Ethics Alarms 