As a professional stage director of some success and the artistic director of a D.C. area professional theater dedicated to producing important American stage works that had fallen out of favor, this is a topic that I have both thought about a great deal and also dealt with directly. My primary rule in such matters is “if it works, the show is successful, and the audiences are entertained, then the alteration of a classic show is artistically and ethically defensible.” There are, as always, exceptions. I think the current production of the classic musical “Damn Yankees” at Washington, D.C.’s Arena Stage may be one of them.
The show is a 1955 musical comedy (that’s the excellent 1958 film version above), with a book by George Abbott and Douglass Wallop, based on Wallop’s 1954 novel “The Year the Yankees Lost the Pennant.” The real stars of the show were rising young musical comedy writers Richard Adler and Jerry Ross, twenty-somethings who were boldly invading the domain of Rogers and Hammerstein, Lerner and Lowe, Irving Berlin and Cole Porter with a whole new style of the genre, full of energy and satire. “Damn Yankees” was their second smash collaboration (“Pajama Game” was the first), and the pair looked poised to bring a long string of hit musicals to the Broadway stage. Then, while “Damn Yankees” was still running on the way to 1,019 performances, Ross, just 29-years-old, died. Because the pair wrote both lyrics and music together, Adler never had another success on Broadway after his creative partnership was shattered.
“Damn Yankees” is set during the 1950s in Washington, D.C., when the Yankees had dominated baseball and the World Series since the 1920s and the Washington Senators had been perennial losers for almost as long. The joke was “Washington, D.C.: first in war, first in peace, and last in the American League.” The novel and the musical took the amusing proposition that only a deal with the Devil could elevate the hapless Senators over the Yankees and get them into the Series….and that’s what happens.
The new production at The Arena couldn’t leave a classic alone, apparently feeling that today’s audiences can’t enjoy looking through a window at a time and a culture long past. D.C.’s baseball team is no longer the Senators (the city lost two of those) and the current team, the Nationals, play in the National League, well removed from the Yankees. The new adapted plot takes place in 1999-2000, the last time the Yankees had a brief dynasty and won two straight World Series. But the team was no longer the presumptive champion year after year, so the whole premise is forced. (The Boston Red Sox have won more World Series than the Yankees in the 21st Century). In 1955, the Yankees were indeed in the Series, facing the Brooklyn Dodgers. In 2025, they were eliminated in the play-offs. Worse still, the desperate losing franchise in the show is no longer the Senators, but the Baltimore Orioles, who, although they have been going through a rough patch lately, have never been perennial cellar dwellers, and they didn’t finish last in 1999 and 2000 either.








