Bret Stephens has been criticized on this site for regularly failing his alleged assignment of bringing a principled conservative voice to the New York Times op-ed pages, and seeming to yield to the strongly biased culture of the uenthical paper that employs him.
In his most recent column, however Stephens courageously and unblinkingly calls out the New York Times’ controversial “1619 Project” for what it is—dishonest, misleading, falsified—oh, let’s not mince words— crap. [Ethics Alarms discussed the “1619 Project” and its unethical creator, Times reporter and race activist Nikole Hannah-Jones, here] Josh Blackmon, for example, writing at Reason, thinks that the columnist metaphorically biting the hand that feeds him will mark the beginning of the end of Stephens at the Times. After all, a Times editor recently resigned after the paper’s Jacobins called for his head for daring to allow a Republican Senator to voice an opinion that went against the Times’ view of the world. Stephens has gone far, far beyond that.
He knows it, too. At the end of his dissection of the bad history and unethical journalism that disgracefully won the Times a Pulitzer Prize, the columnist writes,
For obvious reasons, I’ve thought long and hard about the ethics of writing this essay. On the one hand, outside of exceptional circumstances, it’s bad practice to openly criticize the work of one’s colleagues. We bat for the same team and owe one another collegial respect.On the other, the 1619 Project has become, partly by its design and partly because of avoidable mistakes, a focal point of the kind of intense national debate that columnists are supposed to cover, and that is being widely written about outside The Times.
To avoid writing about it on account of the first scruple is to be derelict in our responsibility toward the second.All the more so as journalists, in the United States and abroad, come under relentless political assault from critics who accuse us of being fake, biased, partisan and an arm of the radical left. Many of these attacks are baseless. Some of them are not. Through its overreach, the 1619 Project has given critics of The Times a gift.