I’ve referred to the cartoon above, from 1968, several times here. “Herblock” was a legendary, hard-line Democrat political cartoonist for the Washington Post, and reflected the styles and sensibilities of the old school in his field. Corporations and bankers were always fat guys in top hats and formal wear, “the poor” were always represented by thin, desperate Depression figures in tattered clothing. Liberals were always caricatured as dignified champions and Republicans were usually drawn to look like criminals and maniacs. Herb Block got more extreme as he aged: when Reagan won in 1980, Block drew a cartoon showing cave dwellers carrying clubs and troglodytes riding Mastodons marching into Washington.
He hated Nixon; all liberals did. He was regarded as just short of Joe McCarthy by liberals, for he had won his House seat by tarring his opponent as a pro-Commie tool, and saved his tenure as Eisenhower’s VP by the infamous “Checkers” speech, as revolting an example of using sentimental hogwash to cloud a scandal as has ever been tried. The country was a tinderbox in 1968. Colleges had been engulfed in demonstrations, strikes and violence for two years. The Democratic National Convention sparked riots in the streets of Chicago. The Vietnam war was raging. Martin Luther King and Bobby Kennedy had both been assassinated. The young idealists who had followed those two liberal icons as well as non-conformist Democratic Senator Gene McCarthy were angry and disillusioned.
In part because of the intemperate “law and order” rhetoric of Nixon’s attack dog running mate, Spiro Agnew, some feared that Nixon’s ascent would mean martial law. Nixon had said that he had a “secret plan” for ending the war, and many thought that plan was to nuke North Vietnam. Ominously, Senator Barry Goldwater, whom Democrats had painted as an atom bomb-happy madman when he had lost to Johnson in the previous election, supported Nixon vigorously. The Republican nominee appealed to the “silent majority” who found the nation’s noisy turn leftward in the Sixties distasteful.
For more than a decade, Block had drawn Nixon as a sinister, menacing presence with an overgrown 5 o’clock shadow. You think I’m exaggerating? Here’s an example… Continue reading
