Academy of Motion Picture Arts and Sciences

The Great Smith-Rock Rumble Ethics Round-Up!, Part 1

/ Jack Marshall / 29 Comments

As Glenn Reynolds often says, “You’re going to need a bigger blog!” But there are many ethics alarms a-ring in this fiasco, so attention must be paid.

Let’s get to it:

1. Will Smith’s apology, posted last night on Instagram:

Violence in all of its forms is poisonous and destructive. My behavior at last night’s Academy Awards was unacceptable and inexcusable. Jokes at my expense are a part of the job, but a joke about Jada’s medical condition was too much for me to bear and I reacted emotionally.

I would like to publicly apologize to you, Chris. I was out of line and I was wrong. I am embarrassed and my actions were not indicative of the man I want to be. There is no place for violence in a world of love and kindness.  

I would also like to apologize to the Academy, the producers of the show, all the attendees and everyone watching around the world. I would like to apologize to the Williams Family and my King Richard Family. I deeply regret that my behavior has stained what has been an otherwise gorgeous journey for all of us.

I am a work in progress.

  • There are some acts that cannot be apologized for, and this was one. “I’m sorry I hit a fellow performer in the face during the live TV broadcast’ is required pro forma, but nobody should treat it as anything more than that. The conduct can’t be excused or forgiven.
  • As Tim LeVier noted in his Comment of the Day yesterday, Smith is obligated to apologize to his victim, Chris Rock, face-to-face. He did not mention Rock in his half-mea culpa while accepting his Oscar. Rock will be professionally obligated to be gracious, of course, when and if that happens.
  • Do not think for a second that Smith composed that statement. I wonder how much he paid for it. I would have written him a better one for less. I’m sure.
  • I would have, for example, omitted: “Jokes at my expense are a part of the job, but a joke about Jada’s medical condition was too much for me to bear and I reacted emotionally.” Jokes at Jada’s expense are also part of her job: she’s a celebrity, actress and talk show host. Furthermore, the joke was abut her shaved haircut, not her “medical condition”—this advances the dishonest “It’s Chris Rock’s fault” spin the Smith lobby is pushing. Hair loss is a medical condition, but as I wrote yesterday as a target of bald jokes and before that, “losing your hair” jokes since my early 20s, women are not exempt, by their own rules.

Oh, you acted emotionally by dashing up on stage, smacking Rock, and then shouting for him to keep the name of your wife out of his “fucking mouth”? Thanks for that clarification. Continue reading →

Ethics Dunces: The Academy Of Motion Picture Arts And Sciences, Or “Good-Bye, Oscar!”

/ Jack Marshall / 30 Comments

The Academy of Motion Picture Arts And Science signed the death warrant of the Oscars, or, in the alternative, the film industry itself. This would warrant the “Madness! Madness!” clip, but I’m getting sick of it since that last moment in “Bridge Over The River Kwai”  been relevant almost every day since early June.

It was in June, in fact, that the Academy said it would add a diversity component to the Oscar requirements. I wrote than that it was an anti-artistic development. Yesterday, the dreaded other shoe dropped, and it was far more dilapidated and stinky metaphorical footwear  than I could have imagined, even with the complete contempt for Hollywood and the intellect of its leadership I have developed over the years. I am certain the race-hucksters and minority activists are dancing with joy, having destroyed the Oscars in order to “save” them. Yes, it’s a victory: the Woke Mob has succeeded in wrecking another American  institution and source of enjoyment for the  public. The only question is which institution: merely the Awards, or Hollywood itself.

To be optimistic, I assume it’s just the Oscars, in which case the Academy just committed suicide. The Awards show once was a shared cultural experience, then the actors started getting political and partisan, then the integrity of the process began to look fishy, and over time, culminating in the nominations miraculously including more African American nominees because a activists complained about too many white people receiving the honors. If I had bothered to think about the Oscars at all, they would have been high on my list of casualties of the George Floyd Ethics Train Wreck. Of course Hollywood would leap at the invitation to mandate the “right” kind of discrimination.

When you read the hilariously pompously named “Academy Aperture 2025” below, it should become immediately clear that the Academy has abandoned its mission of encouraging, promoting and rewarding excellence in cinema, and now will be giving out awards for meeting interest group dictated quotas and dubious social justice criteria. Whether the movies are any good or not will be secondary. Artists are being given incentive to seek political objectives at the cost of artistic integrity and worth.  Well, good luck with that: I doubt many Americans will care about such awards, especially since they barely care about the Oscars now. The Academy Awards seem to be following the doomed path of the Miss America Pageant, which capitulated to the feminists, ceased to be about attractive women in bathing suits, and thus eliminated the only justification, already slim,  for its existence.

I think I understand how the Academy came to make such a bone-headed decision: it is dominated by progressives, and as they have devolved from  passion to fanaticism to  obsession, progressives have become deluded into  accepting the concept that politics and political correctness determines virtue and value in all things.  It is an indefensible decision that betrays the essence of art, but I understand it.

I assume that most film-makers, and all of those with integrity— will choose to follow their artistic vision whether it allows the requisite number of “diversity” boxes to be checked or not. I assume that eventually, maybe quickly, a widely praised and a hugely successful film will be snubbed for not having the required number of handicapped and trans key grips, and the Awards will be mocked out of existence. We shall see: the studios, being award-hungry and run my morons, will initially insist that films meet the Oscars’ restrictive criteria, and then, when the box office suffers, most of them sill conclude, “To Hell with this: let’s make movies people want to see.”

Hollywood has bet its chips on joining the Black Lives Matter mission of creating a race-based culture where color and ethnicity, and secondarily gender, dictate advancement, financial rewards, influence and power. This is part of the indoctrination process, and if it results in bad art, so be it.

I think it’s a foolish bet, but time will tell.

Now hold on to your butts, as Samuel L. Jackson says in my favorite dinosaur movie: here are the standards that, beginning in 2024, films  will have to meet on order to  to qualify for the Best Picture category… Continue reading →

Ethics Dunces: The Academy Of Motion Picture Arts And Sciences

/ Jack Marshall / 11 Comments

The Academy Awards announced that it will allow PriceWaterhouseCoopers to continue to represent the Oscars’ integrity as well as the organizations pledge that the results aren’t being, will not be, cannot be and haven’t been rigged, misread, wrongly tallied or mistakenly announced.

This, despite the fact that the firm proved beyond a shadow of a doubt that it cannot be trusted to do this, by either the Academy or the Oscar viewing audience, because it did not do it, exposing its carelessness and incompetence on national TV.

This is NASA letting Morton Thiokol continue to build space shuttles. This is the federal government re-hiring the same IT firm that made Healthcare.gov. This is Wesley Snipes rehiring the tax expert who told him he didn’t have to pay income taxes.

In addition to complete failure of management that the Academy’s decision to let bygones be bygones represents, it also has cultural consequences. As a culture, the United States has become allergic to accountability in all sectors. Over at Wells Fargo, where management presided over a nation-wide conspiracy to defraud depositors,  CEO John Stumpf opted for early retirement after the scandal, and is walking away with around $130 million, according to SEC filings.  Unless further action is taken by Wells Fargo’s board, which looks increasingly unlikely, Stumpf will leave with a fortune made up of stocks, cash payouts and other compensation. The Obama Administration, as documented here, repeatedly refused to hold incompetent agency heads accountable for fiascos, notably both of its Attorney Generals, and all three of its White House spokesmen. University president after university president disgraced their institutions by capitulating to racist, anti-speech, anti-education demands by students without consequence to their tenure. In journalism, Brian Williams remains on NBC’s payroll and the TV screen, despite having proven himself to be a habitual liar. Continue reading →

Ethics Observations On The Academy’s Pro-Diversity “Fix”

/ Jack Marshall / 38 Comments

Chris-Rock-Backstage-at-Oscars

Apparently panicked by the negative reaction to its all-white 2016 Oscar nominations,  and determined not to give MC Chris Rock more ammunition than he already has, the Academy of Motion Picture Arts and Scientists has rushed into place new voter qualifications for next year’s awards. Under the new rules, members who have not worked over the past 30 years  will lose the right to cast Oscar ballots unless they have been nominated for an Oscar themselves.

What’s going on here?

1. Is this substituting real bias for unfairly assumed bias?

Sure it is.

As one soon to be disenfranchised voter told the Hollywood Reporter, “The Motion Picture Academy, in the spirit of Affirmative Action (which has worked so well in our universities), is determined to take the Oscar vote away from the Old White Guys…Personally, I wish they’d examine their complex preferential ballot procedure which clearly isn’t working right. But no, blame the Old White Guys.” Others noted that to assume older voters, many who were at their peak during the rebellious Sixties and the Civil Rights Era, weren’t voting for black artists was foolish. The new rules seem to be an obvious attempt to stigmatize and penalize older voters.  The seniors, said one dissenting Academy member, are often “perfectly vibrant and very much with it and, while they may be retired, it doesn’t mean they aren’t functioning on all cylinders. They have earned the privilege of being in the Academy through their work and just because they’re no longer active doesn’t mean that they can’t be a good judge of what they’re looking at.” Former actress Delores Hart, who gave Elvis Presley his first screen kiss and who was the top-billed star of “Where the Boys Are?,” was direct, saying,  “It’s age discrimination.”

Of course, Hollywood has long-accepted age-discrimination, and Saturday Night Live would never skewer the Oscars for that. Continue reading →