Academy of Motion Picture Sciences

The Academy’s “In Memoriam” Snubs: Much Better This Year—Thanks, Oscar

/ Jack Marshall / 67 Comments
The great Jonathan Winters in the not-so-great "It's a Mad, Mad, Mad, Mad World"

The great Jonathan Winters in the not-so-great “It’s a Mad, Mad, Mad, Mad World”

In past years I have taken the Academy of Motion Picture Arts and Sciences to task for the ethical breach of ingratitude and disrespect, as the honor roll of the year’s deceased film notables have omitted important figures who deserved their final bows. Omissions are inevitable, I suppose, but some of the past examples were unforgivable—last year alone, for example, the Academy snubbed Ann Rutherford, Andy Griffith, R.G. Armstrong, Russell Means, Harry Carey, Jr., and Susan Tyrell. 2012 was worse.

2013, however, shows that the Academy is being more careful, and Oscar deserves credit for cleaning up its act. I have ethical and historical objections to bestowing the prestigious final slot on actor Phillip Seymour Hoffman, dead prematurely of self-inflicted drug abuse, when a genuine, bona fide Hollywood legend, Shirley Temple, was on the list. I understand the thinking: Hoffman had friends and colleagues in the room, and Temple is of another generation; his premature death was a tragedy, and she lived a long and productive life. Still, the priorities and relative values such a choice exemplifies is disturbing. Great actor that he was, Hoffman was a criminal, an addict, and left his children fatherless. Shirley was the greatest child star who ever will be, a ray of sunshine in the dark days of the Depression, a one-of-a kind talent and icon, and later a lifetime public servant who raised a family. She represented the best of Hollywood and the profession; Hoffman represents its dark side. Naturally, he’s the one who received the greatest recognition. I will suppress my dark suspicions that Shirley was docked because she was a Republican. A  Facebook friend actually wrote that Shirley deserved to be penalized because some of her movies were racist. My response to this slur was not friendly. Continue reading →

And One More…UPDATE: “Cheated Out Of Their Final Bows: Hollywood Snubs Its Own At The Oscars…”

/ Jack Marshall / 12 Comments

Yesterday I attempted in a small way to make up for the injustice perpetrated on their own by the Academy of Motion Picture sciences, by noting the passing of ten talented and worthy film actors who were unfairly and inexplicably left off the Oscar’s “In Memoriam” feature. I was afraid that I missed someone important, and sure enough, I did. And it was…

Susan Tyrell (1945-2012)

susan-tyrrell

Leaving out Tyrell was especially callous by the Academy (not that dissing the others was not), because, first of all, she was a previous nominee for Best Supporting Actress (for John Huston’s “Fat City,” made in 1972), and second, because Tyrell had battled courageously against multiple health issues while doggedly trying to pursue her craft.  In 2000, she lost both legs as a result of a rare blood disease, but stayed active, performing in seated roles and voice parts to the end. Susan Tyrell was an electric performer, a veteran of Broadway and Off-Broadway, fearless, quirky, and unforgettable.

Except, apparently, by her colleagues in Hollywood.

I’m sorry I missed you first time around, Susan.

Cheated Out Of Their Final Bows: Hollywood Snubs Its Own At The Oscars, And Worse Than Ever

/ Jack Marshall / 43 Comments

Oscars

Once, the excuse that routinely issued from the Academy of Motion Picture Sciences when a significant film actor was omitted from the annual “In Memoriam” segment at the Oscars—“There just wasn’t enough time!”-–seemed almost plausible. It was still a lousy and dishonest excuse, don’t get me wrong: in a broadcast that routinely approaches four hours and wastes time like it is money in Washington, we are supposed to believe that there aren’t three seconds to give a proper send-off to the likes of Harry Morgan (last year) or Farrah Fawcett (the previous one)? That excuse won’t fly at all now, however, as some diabolical deal with the behind the camera members, the warped priorities of the Oscar show’s Broadway musical nerd producers, Neil Meron and Craig Zadan, and the final decisions regarding who would be featured in the movie industry’s public goodbye being made by, apparently, throwing darts at a dartboard combined to produce the most extensive and egregious snubs within memory.

This is a television broadcast and tailored for the public audience, after all. The Academy gives its technical awards in a separate private ceremony: wouldn’t that be the  place to bid a respectful farewell to the seemingly endless list of deceased publicity agents, make-up artists,movie executives and key grips whose completely unrecognizable faces and names were paraded before us last night, often with out of context quotes that made no sense at all? Then, guaranteeing that the “we ran out of time!” alibi would be risible, the segment’s editors chose a non-actor for the prestigious final place on the death list, composer Marvin Hamlisch, as an excuse to drag Barbra Streisand into the proceedings. I appreciate Hamlisch’s achievements, but his movie credits were not so extensive as to justify the honor (we are basically talking about one Academy Award-winning song, “The Way We Were,” and his arrangements of Scott Joplin’s music in “The Sting”), and the award show’s misbegotten “theme” of movie music was not sufficient justification to place a non-actor in the position of highest honor.

Meanwhile, the following actors, all who made significant contributions to American film in their careers, were cheated out of their final bow, and we, the film-going audience, were cheated of our chance to remember them, and say goodbye. It was a disgrace.

Ethics Alarms isn’t the Academy, but here, like last year, is its salute to the faces and careers Oscar forgot: Continue reading →

Academy Awards Curtain Call Ethics: The Unkindest Snub of All

/ Jack Marshall / 28 Comments

Every year the Academy Awards manages to neglect a distinguished actor or actress who has died since the previous Oscars ceremony, and usually it is inexplicable. Two years ago, it was Farrah Fawcett who was snubbed. This year  Oscar was more callous and negligent than ever before, robbing at least eight deserving performers of their final curtain calls, and there is  just no excuse for it. As usual, Oscar flacks will claim that time was limited, but that won’t fly: why was there time to include, for example, Whitney Houston, who not only had minimal film credentials but who also  had an entire awards show dedicated to her just a week ago? Whitney hardly rated a gratuitous nod from Oscar, especially while it was snubbing so many real actors.

I will be generous and apply Hanlon’s Razor, but with reluctance: it seems to me that there were too many blatant omissions and too many obscure insiders included for it all to be accidental. Did the behind-the-scenes members of the Academy stage a coup, and demand that their fallen colleagues get their names displayed this year to millions of Americans who almost certainly never heard of them? If so, that still couldn’t justify the Academy of Motion Picture Sciences showing such apathy and disrespect for deceased actors that audiences do remember, or if not, should be reminded of one last time.

Here are the actors who Oscar neglected to help us remember, appreciate, and thank: Continue reading →

Oscar, Jean Luc-Godard, and the Ethics of Honoring Talented Creeps

/ Jack Marshall / 3 Comments

The Academy of Motion Picture Sciences will be giving an honorary Oscar to French director Jean-Luc Godard, and nobody who knows anything about film can object to the award on the basis of merit. Godard is one of the most influential film makers who ever yelled “Cut!;”  there are dozens of film classes about his work in schools all over the country. He makes great movies, and has for decades. He deserves the honor.

Or does he? Mr. Godard, it seems, has also been resolutely anti-Jewish, at least in his sentiments, for almost as long as he has been making classic films. Some in the industry and without are questioning whether Hollywood should be honoring a likely Anti-Semite.

Excuse me…did I miss something? When did the rest of the Oscars get junked, leaving only the Jean Hersholt Humanitarian Award? Continue reading →