The Theater World Shows How To Embolden White Nationalists: Discriminate Against Actors For Being White

Even white actors, as long as they are willing to be treated as if they aren’t wanted…

“Backstage,” a popular industry website for actors and technicians, recently posted a casting call for an ensemble production Off-Off Broadway in New York City. The post included this…

and this…

It also offered this…

As soon as an enterprising journalist at the Daily Wire began querying the playwright about these discriminatory requirements—of course they are illegal, but he got statements from two Constitutional scholars to pass along—the Back Stage announcement was changed to reflect no racial disparities.

Fascinating. Continue reading

Morning Ethics Warm-Up, 3/29/2019: Good Kool-Aid, Bad Kool-Aid

Good morning!

1. No, it’s not yet clear what happened in the Jussie Smollett debacle, just that  whatever it was, it was unethical as hell. Smollett is no less guilty of faking a hate crime than he always was; the evidence is just as overwhelming; and the fools lining up to support him are asking for trouble. For example, the writers for Smollett’s show (it seems likely that it is no longer his show, and the producers would be certifiably mad to let him back on the air) seem to be under the delusion that charges were dropped against the African-American actor because there wasn’t evidence to try him. That is not what happened, whatever happened. But here is “Empire” writer Cameron Johnson  tweeting to a Chicago-based reporter  who has been covering the case since it first broke in January.

No, in fact everything reported about Smollett—that he faked the attack, lied to police and the news media, and that the two men he recruited and paid to carry out the hoax with him have fingered Smollett—appears to be true. Meanwhile, the NAACP is going forward with Smollett’s nomination for an award for his work on Empire. I wouldn’t put it past them to let him win, meaning that they would be applauding a divisive–but woke! And gay! And black!—hate crime hoaxer.

So again, what’s going on here? The former chief of staff to First Lady Michelle Obama had contacted Cook County prosecutor Kim Foxx about the case on behalf of a member of Smollett’s family.  Foxx is an openly racialized African-American prosecutor whose past words and conduct suggest that she might adopt the Sharpton-like theory that the fact that a hate crime is a hoax is less important than the fact that it could have been true. Also, prosecuting Smollett could have sent another black man to prison, and Foxx is on the record as wanting to do everything she can to avoid that result as often as possible.

Dismissals after grand jury indictments when there is no new exculpatory evidence usually require a defendant to accept responsibility, stay out of trouble for at least six months, and make restitution. None of this happened. Smollett not only denied responsibility, he again proclaimed his innocence . He was required to forfeit his bond, which would never be required if he was actually innocent based on the evidence. The state’s attorney’s office cited 16 hours of “community service” as a mitigating factor, but again, if he is innocent, why would that matter? Smollett did that work volunteering at the headquarters of Jesse Jackson’s Rainbow PUSH Coalition. Then Smollett’s lawyer denied that any community service was required as a condition of the dismissal of his charges.

Prosecutors announced preemptively that the record in the case would be sealed, and there is no precedent for immediately sealing a criminal case involving an adult, even if a defendant is found not guilty. Defendants usually have to file a motion to seal their case, and the police are given the opportunity to contest the motion.

The Associated Press is reporting that the city will seek $130,000 from “ Smollett to cover the costs of the investigation into his hoax, which means that police are still certain that he is guilty.

It almost feels like this is a deliberate parody of the Mueller Report fiasco, designed to suggest that the situations of Smollett and President Trump are similar: both guilty, and both “exonerated” falsely.

The Illinois Prosecutors Bar Association has released a statement condemning the whatever -it-was in the strongest terms.

2. How do we get the news media and the public to stop paying attention to celebrities and actors when they are off script? These people are, as a group, neither especially informed, well-educated, or trained in critical thinking. Yet they have outsized metaphorical bullhorns, and influence fans to adopt unethical practices and irresponsible ideas. Here is “Captain America” star Chris Evans telling an interviewer that if Patriots quarterback Tom Brady is a supporter of the President of the United States, he will “cut ties” with him, whatever that means. His attitude means, however, that he would have American society divided into warring camps that never speak to each other. In a fawning profile by the New York Times, we get the diminutive actor’s policy wisdom in comments like this, in which he explains why  he will campaign for Bernie Sanders, as he did in 2016:

“If you look back on that election, a lot of his progressive ideas are accepted now. Like free college education. I didn’t go to any college. Forgive the debt, so people can live their lives and not feel they’re under a wet blanket. Let’s let the sun shine. We have a beautiful country. We got a lot of resources. You know, Medicare for all. What’s the big deal? Why not open that up?”

Yes, he’s a moron….and a moron that the Times is encouraging trusting citizens to take seriously.

3.  Scary, if even half-accurate. Over at the Epoch Times, Jeff Carlson (who is an accountant, and apparently a diligent researcher) lays out the whole case for a  “deep State” effort to try to stop Donald Trump from being elected President, and then to overthrow him once he was. It begins,

“Efforts by high-ranking officials in the CIA, FBI, Department of Justice (DOJ), and State Department to portray President Donald Trump as having colluded with Russia were the culmination of years of bias and politicization under the Obama administration.”

Some of his case is the Kool-Aid I was accused of drinking when I reported (accurately) the implications of the irregularities in the FISA warrant process used to plant an informer in the Trump campaign. It is extremely ironic that the same people who threw tantrums here over fact-based suspicions regarding the “resistance” efforts within the government were guzzling the vile Kool-Aid that Donald Trump had conspired with Russia. I was right, they were wrong, and they were insulting while being wrong. If they had any courage and integrity, they would come back here and admit it.

I misjudged them, and their character.

They May Tear Down Robert E. Lee, But They’ll Never Get The Duke

I had been expecting the anti-American, anti-male, statue-toppling, historically and culturally ignorant political correctness mob to come after the late John Wayne, known by his friends as “Duke,”  for quite a while. After all, a major airport in L.A. is named after him, he was a controversial conservative at many times during his career, he was frequently vilified by the Left, and in his films he epitomized the virtues, values and legends the United States was built on, and that modern progressives now deride.

Yesterday there was a flurry on social media over a more than 40-year old Playboy interview Wayne gave during one of his many surges of renewed popularity in his career, an epic achievement that saw him remain a top movie star longer than any other actor or actress, even decades after his death. In the interview, Wayne made some ill-advised, even dumb comments, especially about Native Americans: I thought so at the time. Playboy was lapping up the culture wars and people actually paid attention to it then. The magazine always tried to lead its subjects into headline-making quotes, and the Duke complied on that occasion by often sounding like the character he played on screen…you know, from the 19th Century. Wayne occasionally let his real persona peek through his carefully crafted and maintained screen image, but not often. In truth, the real John Wayne, or Marion Morrison, as he said he still thought of himself, was a smart, well-educated, well-read moderate conservative (by today’s standards) who was capable of great nuance in his political views. He was a fanatic chess player who preferred a blazer and slacks to cowboy boots, and, as he proved when the Harvard Lampoon invited him to their Ivy lair to ridicule and ended up laughing with him and cheering, he could hold his own in a debate.

John Wayne is one of a surprisingly few Hollywood actors who qualify as genuine cultural icons. He is in a tiny group that includes Charlie Chaplin, Marilyn Monroe, Mickey Mouse and a few others we could argue about, like Fred Astaire. Toppling icons is what radicals and revolutionaries do; it’s essential to their attempts to destroy the culture. I’m pretty sure the Duke is beyond their reach, especially if the best they can  find to try to shoot him down is an old Playboy interview when he was in his waning years. Continue reading

Show Business Ethics: Sorry, Nobody Feels “Safe” At Auditions

An actress named Ingrid Haas complained about a demeaning experience auditioning for the Super Bowl commercial advertising Bon and Viv Hard Seltzer. In a first-person essay published by Vice titled “My Bikini Audition From Hell Shows How Little Hollywood Has Change,” Haas wrote that she was embarrassed when a male casting employee told the women in the ad’s audition that they would have to dance in front of a camera for 30 seconds. When she asked why they had to dance, she wrote, the man responded: “Welcome to corporate America. This is how we sell stuff.” The actress says that she was proud of herself for refusing to dance, but the experience “humiliated and angered her.” And, of course, she did not get the job.

Anheuser-Busch, which makes the product, is now making politically correct noises and condemned the behavior that Haas described,  insincerely or ignorantly, though the first is more plausible, with Chelsea Phillips, vice president of the company’s Beyond Beer division, telling the media,

“The behavior described in the Vice article is completely unacceptable and goes against everything that our brand and company stand for. I regret that this individual had this experience. Anheuser-Busch does not tolerate any discriminatory or demeaning behavior. I reached out to the production company who produced the commercial, because we hold our business partners to this same standard.”

Baloney. The audition as described was neither atypical, unreasonable,  abusive, nor inappropriate. The ad’s producer’s CEO said,“Each actor was asked to dance at the beginning of their audition as this was a way to show one’s level of confidence.” This is not unusual or wrong. Then he too lapsed into politically correct nonsense: Continue reading

The Dumbest Casting Ethics Controversy Yet

Sometimes the line between confused ethics and plain old stupidity is razor thin. This controversy is one of those times.

Actor Bryan Cranston, best known for “Breaking Bad,”  is being criticized for playing a a quadriplegic billionaire in “The Upside,” his new film  released Friday, because he is not actually handicapped.

He’s also not a billionaire, but that doesn’t seem to be an issue for some reason.

Jay Ruderman of the Ruderman Family Foundation complained, “While we don’t know the auditioning history of ‘The Upside,” casting a non-disabled actor to play a character with a disability is highly problematic and deprives performers with disabilities the chance to work and gain exposure.”

No, Jay, it isn’t problematic, because the primary objective of the performing arts is not, and has never been, to provide “the chance to work and gain exposure.” This is the affirmative action mentality that as it gets stretched further and further from reality and common sense by the woke and the wokeness-addled, increasingly ensures that society eventually  rejects the whole tortured concept. The objective of the performing arts is to entertain, engage and enlighten the audience. That requires casting the best actors available, and in film, frequently the best know actors, in the judgment of the director and the producer. Bryan Cranston is one of the most skilled actors in the world. I am extremely confident that there isn’t a single quadriplegic actor that can equal him, if indeed there are any at all. Audrey Hepburn could also play a blind woman better than any of the few available blind actresses, when she starred in “Wait Until Dark.” Tom Hanks and cliff Roberrtson could play  mentally-challenged caharcters in “Forrest Gump” and “Charlie” better than any mentally-challenged actors.

I can’t believe we even have to have this conversation. Continue reading

Unethical, Shameless, Gutsy, Creepy Or Thought-Provoking: Kevin Spacey’s Christmas Video

What do we make of this, released by actor Kevin Spacey lastweek almost at the same time as he was being indicted for sexual assault?

Yikes.

The much-acclaimed actor  career collapsed in 2017 as more than 30 people claimed that Spacey had sexually assaulted them. Now he is speaking in the persona—with accent!— of his Netflix series villain, Frank Underwood, the central character of “House of Cards.” Or is he? Much of the speech seems to refer to Spacey’s own plight, and suggests that the actor is being unfairly convicted in the court of public opinion. By using the voice and character of an unequivocal miscreant however, for Frank is a liar, a cheat, a sociopath, indeed a murderer, such protests are automatically incredible.

Or is Spacey making a legitimate argument that an artist’s personal flaws should be irrelevant to the appreciation of his art, especially in a case like “House of Cards,” where the actor’s role can’t possibly be undermined by the actor’s own misdeeds: whatever one says or thinks about Spacey, he can’t  be as bad as Frank Underwood. If you enjoyed watching Underwood destroy lives on his way to power, why should Spacey’s conduct, even if it was criminal, make you give up the pleasure of observing his vivid and diverting fictional creation? This isn’t like Bill Cosby, serially drugging and raping women while playing a wise, moral and funny father-figure. Spacey seems to be arguing that there should be no cognitive dissonance between him and Underwood at all. Who better to play a cur like Frank  than an actor who shares his some of his darkness? Continue reading

Sunday Ethics Warm-Up, 12/30/2018: A Petition, A Career-Killing Joke, And Priestley’s Play [UPDATED]

Good Morning!

1. One more time...I’m really going to try to get a year-end ethics review up for 2018. In both of the last two years, I failed miserably, and The Ethics Alarms Best and Worst of Ethics Awards never posted. It is a very time-intensive exercise, and the traffic for the posts have never been substantially more than an average entry that is a tenth as long.

We shall see.

2. The Bad Guys, Redux. It’s a problem: one wants to curb the trend of demonizing political adversaries, and yet we keep seeing escalating examples of unequivocally despicable behavior that deserves to be demonized, because it is constant, self-righteous, and indefensible.

Over at GoFundMe, someone named Brian Kolfage, has posted a petition and a crowd-funding effort to pay for “the wall” if Congress won’t. He writes, “I have a verified blue check Facebook page as a public figure and I’m a Purple Heart Recipient triple amputee veteran.”

This is not encouraging. [Correction notice: I originally wrote “Facebook does not use a “blue check,” though Twitter and Instagram do, (and abuse it.)” I checked this, but my source was wrong. Facebook does give public figures “blue checks.”] I guess Kolfage is sort of a public figure. He is also a controversial one who has pushed extreme right-wing conspiracy theories. When asked why he doesn’t mention any of his controversial crusades and advocacy in promoting his crowdfunding effort, he has responded, “My personal issues have nothing to do with building the wall.” Fine: what do his war wounds have to do with building a wall?

Never mind: the appeal has raised over 18 million dollars to date, although the contributions have slowed considerably. It’s a futile effort; I suppose it has some value to show public support for enforcing immigration laws. If people want to donate their money to such a cause, it’s their money to give, though they might as well be making little green paper airplanes out of hundred dollar bills and sailing them into the wind.

Megan Fox reports, however, that someone who wants to punish anyone who doesn’t support open borders is taking names and doxxing contributors. She writes,

Did you donate money to the GoFundMe page to build the border wall? If you did, there’s a good chance this guy/gal or otherkin has doxxed your Facebook profile to millions of other nasty trolls who will now make it their business to harass and punish you with anonymous online mobs. Get ready, because your life is about to get more interesting. Based on my personal experience, once these monsters get your information and the directive to destroy you, the death threats, vandalism, obscene pornography, and harassment at work are not far behind. And the worst part is, no one will help you — not the police or the FBI or anyone else whose job it should be to stop intimidation and harassment.

Nice. Continue reading