Head explosion #1: On HDL, Robin Meade happily (she says everything happily) told us that there were peaceful demonstrations in Kenosha, Wisconsin yesterday…although some buildings were set on fire in the evening, and police tear-gassed “demonstrators.”
KABOOM!
I don’t know who thought up the “mostly peaceful” demonstration deceit, but any protest or demonstration that results in attacks on police, looting, rock-throwing or arson is a riot. Calling a demonstration that involves law-breaking and violence “mostly peaceful” is like calling Jack the Ripper “mostly law-abiding.”
It’s spin instead of reporting.
Oh! It was those horrible police who were violent! The implication that tear gas is per se proof of police brutality is an old Alinskyesque trope going back to campus riots in the Sixties, and is, to be blunt, garbage. Tear gas is a riot control tool, and “mostly peaceful demonstrators” without permits who do not obey police orders to disperse should be gassed, ideally before they start setting fires.
In the 1945 drama“The Lost Weekend,”Ray Milland (above) played alcoholic Don Birnam, and won the Oscar for Best Actor. The film also won the Oscar for Best Picture. Have you ever seen it? The film is virtually never shown on TV. Milland is another one of the once major Hollywood stars who are almost completely forgotten today, a fascinating group that includes Claire Trevor, Fredric March, Irene Dunne, John Garfield, and Norma Shearer, among others. If their major works were in black and white, they weren’t lucky enough to star in a film regarded as a classic, and they didn’t have a popular TV show when their movie career waned, the culture just forgets about them….and loses as a result. How many non-film nerd Americans under the age of 40 could recognize any of those actors, never mind all of them?
1. Nothing to see here: move along! Yesterday it was reported that the Democratic Party purchased the Antifa.com domain, and that clicks on the link went directly to the Biden campaign site. I checked: it did. Then, by 5:30 pm, the Biden redirect was eliminated. Res ipsa loquitur!
UPDATE:I’m putting an official question mark on this one. It is true that the Antifa.com went to Biden’s site, but that could have been a partisan dirty trick. Of course, if true, this is the kind of story that the mainstream media would bury. If it was a set-up, it’s the kind of story the right-leaning media would credulously report as proof of Democratic de facto embrace of violence.
Trustworthy, objective journalists would be nice…
2. The vise tightens...Yesterday I noted that colleges and universities were increasingly cancelling their acceptances of students based on revelations of their past social media posts. In one case, Liberty Woodley, 17, the 2020 valedictorian of her high school class in Cape Coral, Florida., had accepted an offer to attend the University of Florida. Then a self-righteous and vicious actress and “influencer” named Skai Jackson last month asked her more than 500,000 Twitter followers to send her screenshots of “hateful” social media posts, so she could wrck lives and inflict pain on strangers. Someone sent in one of Woodley’s old Instagram posts in which she wrote when she was 16.
“I really try so hard not to be a racist person, but I most definitely am, there’s no denying it,” it said. Based on that, her acceptance was revoked.
In an interview with The Gainesville Sun, Liberty explained that had written the post out of anger at a time when she was being constantly bullied by some black classmates. “I am not racist at all, and I am not full of hate,” she said. Well, there’s a Catch-22 for you! Oprah Winfrey and others are haranguing whites to admit their inherent racism as a first step to addressing “systemic racism,” but if they do what is asked, it means they are hateful and must be cancelled.
What do you want to bet that Liberty will vote for all Democrats in November? Continue reading →
1. Fake news, headline division. Yesterday and today I saw several headlines with some version of “D.C. Statehood Takes A Step Forward.” That’s flagrant clickbait, and false. The House used its Democratic majority to pass a D.C. statehood bill, which is guaranteed the same fate as dozens of other grandstanding bills Pelosi’s minions have sent to the GOP controlled Senate. It’s not a step forward, because there is no actual progress toward statehood at all. (I was surprised to learn that the House hasn’t passed such a bill in 25 years. Democrats hadn’t because it was futile.) The GOP Senate will reject the bill, and if some kind of brain disease struck and they passed it, the President would veto. To have D.C. make it to statehood would require the Democrats to control the House, the Senate, the White House and have a filibuster-proof majority in the Senate.
2. Sheep see, sheep do! Actress Jenny Slate was so impressed with Kristen Bell’s ridiculous stunt of quitting her gig as a voice actress for a mixed race animated character (see, Kristen is white, see, so she can’t really express the essence of a mixed race character even though the show’s producers said her performance was “brilliant,” but a black actress told that she couldn’t voice a white animated character would be screaming “Systemmic racism!” so fast it would make your head spin. This is what they’re toppling statues for, folks! ) that she decided to duplicate the virtue-signal, quitting her role on the animated show “Big Mouth” because she’s white and her character is b-iracial. (Well, really the character is not even a human being and just colored sort of brownish, and her lines are written by a man, but..oh, never mind. Why would I try to make sense out of this?)
Slate said,
“I acknowledge how my original reasoning was flawed and that it existed as an example of white privilege and unjust allowances made within a system of societal white supremacy … Ending my portrayal of “Missy” is one step in a life-long process of uncovering the racism in my actions…”
If this reminds you of the scripted confessions of brainwashed American pilots held as North Korean prisoners of war, it should. Writes Andrew Sullivan, dissecting Slate’s mindless cant,
“It’s a classic confession of counterrevolutionary error… The word “racist,” which was widely understood quite recently to be prejudicial treatment of an individual based on the color of their skin, now requires no intent to be racist in the former sense, just acquiescence in something called “structural racism,’ which can mean any difference in outcomes among racial groupings. Being color-blind is therefore now being racist. And there is no escaping this. The woke shift their language all the time, so that words that were one day fine are now utterly reprehensible. You can’t keep up — which is the point…. So, yes, this is an Orwellian moment. It’s not a moment of reform but of a revolutionary break, sustained in part by much of the liberal Establishment.”
3. What do you say, most ridiculous corporate white guy pandering yet, or what? Chick-fil-A CEO Dan Cathy took part in a televised discussion at Atlanta’s Passion City Church last week with Pastor Louie Giglio and rapper Lecrae in what the church called “an open and honest conversation around how racism has plagued our city for generations, and the steps we can all take to confront it head-on in our church, our neighborhoods, and our hearts.” This was sparked, of course, by the police shooting of Rayshard Johnson, about which there is no evidence indicating that it was based on racism at all.
But the company’s CEO, who is trying to get past being labeled as a homophobe for opposing same sex marriage, seized the opportunity to be “woke.” He shared a story told to him (meaning that it may be made up) about a small town revival meeting in Texas. A young man at the service was “gripped with conviction about the racism that was happening” and responded by kneeling down before an elderly African American man and shining the his shoes. “So I invite folks to just put some words to action here,” Cathy said, standing up and carrying a shoe brush over to the black rapper.
Then he knelt down in shoe-shining position, and said, “If we need to find somebody [ that is, somebody black) that needs to have their shoes shined, we just need to go right on over and shine their shoes and whether they got tennis shoes on or not, maybe they got sandals on, it really doesn’t matter. But there’s a time at which we need to have, you know, some personal action here. Maybe we need to give them a hug, too.”
4. And this is why performers should shut up about politics and stay off Twitter. Chelsea Handler, the female, B-version of Bill Maher, posted a video of racist, homophobic, anti-Semite Louis Farrakhan to her 3.9 million followers on Instagram, writing that she “learned a lot” from watching Farrakhan debate audience members on whether racial prejudice would ever be eradicated. Handler, who is Jewish, was apparently unaware that Farrakhan’s Nation of Islam is generally regarded as a hate group–against whites, gays and Jews. (Apparently fellow celebrities Jessica Chastain, Jennifer Aniston and Michelle Pfieffer, who liked Handler’s choice of a messenger, were similarly ignorant.)Initially Handler doubled-down, saying on her podcast that she…
“…wasn’t thinking about the anti-Semitic thing, but I don’t want to take down the post because I felt the message was powerful and a lot of people did. It was powerful for me the way he spelled it out,” That black people don’t have a history of killing white power. White people have a history of killing black people, for hundreds of years. Over and over again, we kill black people in this country. So everyone needs to remember where the violence came from. It’s not from the black people, it’s from the white people. So I thought it was powerful. So whatever, you know, everybody can fuck themselves.”
Yes, Chelsea Handler thought Farrakhan’s standard racist “white devils” riff was “powerful.” It’s not just that Farrakhan is such a repulsive messenger that nobody should trust anything he says, it’s also that his message is a hate screed and based on a biased and deliberately distorted reading of history.
Then social media told Handler to shape up, so, lacking any integrity and courage herself, she took down the post and grovelled to the Daily Beast:
“I want to sincerely apologize for posting the video of Louis Farrakhan. I didn’t consider the context of his anti-Semitic and homophobic rhetoric,\ that is of course contrary to my own beliefs and values. Part of the process of educating ourselves during this pivotal time is recognizing and working through our mistakes.This was definitely one of mine. I was wrong. It was offensive, and I apologize.””
No, you didn’t know who Louis Farrakhan was before you endorsed him. [Pointer: Other Bill]
This is how cultures become insane, make terrible decisions, and destroy themselves: prominent people say stupefyingly stupid things that would have been mocked mercilessly in rational times, and everyone nods and says, “Wow. Cool.”
Actress Kristen Bell announced that she would be stepping down from doing the voice of a mixed race character, she says, it was wrong for her, as a white woman, to take the role. As an established star for whom such a gig is minor supplementary income, this is cheap, if idiotic, virtue-signaling by Bell, but she has made the statement that a struggling white actor—but not a black one, I’m sure—is a selfish racism enabler to take such a role.
Bell was voicing the character of “Molly” on the animated show “Central Park” on Apple TV+. Here is her statement. Grab the Dramamine. Continue reading →
1. This thing above. How can anyone take these people, or the entire industry they represent, seriously? Was someone challenged to come up with the most nauseating, self-indicting example of narcissistic grandstanding and virtue-signalling imaginable? Among the more recognizable celebrities are Kristen Bell, Kesha, Aaron Paul, Stanley Tucci, Bryce Dallas Howard, and Debra Messing, though I’m sure I would have recognized more if I hadn’t been retching so violently. This PSA is supposed to launch a new project by entertainment production company Confluential Content, in partnership with the NAACP. So earnest (and as performed, manifestly phony) that it hurts, the stars—I’m assuming they are all stars—take turns reading a wildly hyperbolic and deceitful script:
“I take responsibility for every unchecked moment, for every time it was easier to ignore than to call it out for what it was. Every not-so-funny joke. Every unfair stereotype. Every blatant injustice no matter how big or small. Every time I remained silent. Every time I explained away police brutality or turned a blind eye. I take responsibility. Black people are being slaughtered in the streets. Killed in their own homes. These are our brothers and sisters. Our friends. Our family. We are done watching them die. We are no longer bystanders; we will not be idle. Enough is enough.”
Who is it who will decide what’s a stereotype, an unfunny joke (what if the joke is funny?), or a blatant injustice? You silly people? Right. Continue reading →
Before you read the post, can you guess who that actor is in the Afro?
Lately I’ve been helping a lot of lawyers seeking to create so-called Rule 5.4 law firms in the District of Columbia. In these firms, unique to the District, non-lawyers can be full partners. This means that they can share in the firm’s fees, which is something otherwise forbidden and a major ethics breach in the 50 states. Lawyers cannot, must not, dare not share their fees with non-lawyers…unless those non-lawyers are partners in the same firm.
There are certain requirements for that to happen, and the main one is that the non-lawyers must be supervised by a lawyer in the firm to ensure that the non-lawyers don’t engage in conduct that would be unethical for a lawyer. The legal profession is justifiably wary that the unique priorities of the legal profession cannot be easily absorbed or understood by those who have been trained and influenced in a different culture.
It is right to be wary. Lawyers have enough trouble avoiding violations of their own rules; doctors, accountants and others, steeped in different alignments of values, can’t just shift gears like suddenly being in a law firm is like test driving a sports car. For so-called “non professionals,” a category that is increasingly contentious, it may be even harder to adjust, if not impossible.
Lawyers are often overly optimistic about their non-lawyer partners’ ability to learn the importance of keeping all client confidences, not crossing over into the unauthorized practice of law, sensing possible conflicts of interest and illicitly soliciting clients, or engaging in misrepresentation and deceit, to name just a few. Lawyers tend to think that all professional ethics should be fungible. It’s a dangerous misconception, and there is a little cautionary tale from, of all places, Broadway, that illustrates it.
It has been mostly forgotten, but in 1969, a musical called“Buck White” opened at the George Abbott Theater. Its unlikely star: draft-resisting ex-heavyweight boxing champion Muhammad Ali.
This would normally be in the Warm-Up, but I left it out, and I want to make sure it is seen. I have written about this pet peeve of mine before, but I see that it was on the old Ethics Scoreboard in 2005, before Ethics Alarms. (ARGGH! I have GOT to get that site back on-line!)
Here is a typical headline I am seeing on the web:
Veteran Actor And ‘Tommy Boy’ Star Brian Dennehy Dead At 81
“Tommy Boy.”
For the love of God…
Brian Dennehy, who died this week, was one of our finest, most versatile and most enjoyable character actors. His performance as Willy Loman in Arthur Miller’s “Death of Salesman” on Broadway is considered by critics as one of the very best interpretations of that classic role in what has been called the Great American Tragedy. The performance won him a Tony, as did his turn as Hickey in the other contender for the Great American Tragedy, O’Neill’s “The Ice Man Cometh.” (That one would get my vote.)
Dennehy’s brawny, square-headed Irish bartender looks limited him to supporting roles in films (In “Silverado,” He’s one of my two all-time favorite Western bad guys, evil and so, so engaging!) and while he had many TV roles, Dennehy never found a long-running hit that would make him a household name ( and a gazillion dollars) like so many lesser actors. But Dennehy considered himself a stage actor, and there he excelled.
“Tommy Boy” is a sophomoric gross-out comedy that starred the late Chris Farley. Dennehy was terrific as Farley’s father, but the movie was the kind of throw-away that actors like him do to buy new pools. Citing that as Dennehy’s claim to fame is more than misleading, it’s an insult. Continue reading →
I would think that would be screamingly obvious, but apparently not. Then again—actors.
As regular readers here know, John Lennon’s pompous, simple-minded and hypocritical (a mega-millionaire extolling “no possessions”) anthem to the joys of anarchy is a lifetime irritation for me, and anyone who argues that it’s profound or moving has provided signature significance that they can’t be trusted with moderately complex tasks or, for that matter, to prevail in Trivial Pursuit games against 4th graders.
Now, as you can see above, a group of Hollywood celebrities, including Gal Gadot, who apparently organized it, Will Ferrell, Mark Ruffalo, James Marsden, Lynda Carter, Jamie Dornan, and Amy Adams , all mansion-bound, made a video with each of them singing bits of John Lennon’s disgrace. People are guessing that the intended message was “we’re all in this together,” or “it will all be OK” or “if society is destroyed and nobody has any jobs, that’s a good thing” or “Ramalama ding-dong” or something.
Predictably, the “imagine no possessions” line attracted the most venom on social media, considering the average income of this group, but that’s unfair. Personally, I’m happy to have any celebrity publicly announce, “I’m an idiot!” on the web. It’s useful information, especially when these same deluded dufuses start telling us about the Green New Deal.
The fact that Ricky Gervais’s slashing MC performance at last night’s live telecast of the Golden Globes Award is actively competing with the US-Iran confrontation for media attention once again shows our society’s charming (and sometimes healthy) preference for trivia over substance.
I didn’t watch the show live because I couldn’t care less what the Hollywood Foreign Press Association thinks about anything, and because the Hollywood community culture makes me retch. I did follow the thing online, as several sites were gleefully streaming blow-by-blow descriptions of Gervais’s routine.
I can’t conclusively rate the ethical nature of his pretty much non-stop attacks on the attendees without knowing what his job was: to entertain them, to entertain the TV audience, or both. If it was both, then the comic would have been restricted to the kind of generic humor we have been accustomed to at the Oscars and Tonys. Yet why would anyone hire Gervais to do that? (Remember the outrage over Seth McFarland’s Oscar hosting gig when he delivered exactly what one would expect the politically incorrect creator of “The Family Guy” to bring to the party?) In the end, we have to assume that since this was the fifth time Gervais got the assignment, both the Golden Globes producers and the glitterati who were paying attention consented to what they got. Continue reading →
Wait. what’s the matter with non-traditional casting?
Hollywood continues to presume to tell the public what their priorities and values should be, despite indisputable evidence that the entertainment industry is large run by narrow, venal, intellectually limited, under-educated people, and always has been. My now-deceased friend Bob McElwaine, who was born in Hollywood as the son of a silent film producer, was baby-sat by Clara Bow and played pick-up football games against Mickey Rooney as a child, had wonderful anecdotes about his time as a writer and publicity agent during Hollywood’s Golden Era. He often would relate these jaw-dropping tales without attribution out of loyalty and his vows of confidentiality—it was his refusal to go public with these stories that led to his memoirs being rejected by publishers. They wanted dirt, and Bob refused to spread dirt or even embarrassing anecdotes about those who had trusted him, even after the clients and employers were dead.
Bob said that he witnessed this conversation in one studio executives ‘s office while trying to stifle giggles. A producer burst in full of excitement saying he had an idea for a blockbuster film. This was during the Fifties, when biblical spectaculars were the rage. “The Lord’s Prayer!” he said. “I know just the scriptwriter for it! Can you imagine the box office?” The studio chief laughed out loud. “The Lord’s Prayer! That’s ridiculous!” he chided. “Why, I bet you don’t even know The Lord’s Prayer.” Continue reading →
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