There were several possible Ethics Alarms posts that could have come out of The Golden Globe Awards last night, the obvious one involving the continuing arts community tantrum in the wake of the election of Donald Trump over Hollywood’s sweetheart, Hillary Clinton. Meryl Streep put herself in the running for “Gratuitous Cheap Shot Of The Year ” with her acceptance speech for something or other, but I decided that in a community where Rosie O’Donnell tweets “Fuck you!” to the Speaker of the House for simply completing his duty to certify the Electoral College vote, and over the weekend tweeted, “HE MUST NEVER BE SWORN IN – DELAY INAGURATION – INVESTIGATE – ARREST HIM” as her considered analysis of the proper workings of our democracy, Streep’s shot seemed like the height of restraint.
The more interesting issue on display at the Golden Globes involves actor Casey Affleck, Batman’s brother, who won the night’s Best Actor in a Film Drama award for his performance in “Manchester by the Sea.” Last year, it was revealed that the actor had two sexual harassment lawsuits filed against him in 2010 that alleged he had groped women on the set and created a generally hostile work environment while directing the film, “I’m Still Here.” Since during the campaign Hollywood was all-in using misogyny and sexual harassment as one of the many accusations against Donald Trump, some claim that honoring Affleck undermines the community’s assumed condemnation of the Trump-like conduct he was accused of.
Complicating the matter is the conundrum surrounding Nate Parker, the previously unknown black artist who was the main creative force behind the 2016 slave-revolt film “The Birth of a Nation.” As Oscar buzz was ramping up for his film—remember that the Academy of Motion Picture Sciences is more or less obligated to find plenty of nominations and awards for African Americans, regardless of objective artistic merit— new details surfaced concerning a decades old criminal case in which Parker was accused of raping a female student while both were at Penn State. He was acquitted, but the facts were ugly, and the alleged victim committed suicide. Once that was known, all of the promise shown by “The Birth of a Nation” evaporated. Although the film was a smash at festivals, it received mixed reviews,bombed at the box office, and has been poison at the various awards so far, receiving no nominations.
The New York Times, among other media sources, has published several articles about the apparent double standard, saying most recently,
The failure of the ugly Electoral College revolt scheme that ended yesterday—let’s ignore the coming storm of frivolous lawsuits for now, all right?—with the official, irreversible, like it or lump it victory of Donald Trump over Hillary Clinton also settled some distinctions, some desirable, some not.
- Ethics Heroes: All of the Republican electors who resisted the harassment, propaganda, intimidation and bad arguments and did their duty, avoiding a crisis and foiling the attempts of Democrats to cheat, which is exactly what the effort to flip the electoral vote was. The faithful electors get bonus points for making so many Democrats and progressives look silly in the process, a fate they richly deserved.
Come to think of it, it was predictable that Democratic appeals to electors would persuade more Democratic electors than Republicans. Which leads us to…
- Ethics Dunces: A bevy of Hollywood B-listers joined forces in an offensive video that, like Brezenoff’s petition, misrepresented history and the Constitution to gull star-struck electors into defying the public’s will and its trust that their votes would be respected by electors. Led by Martin Sheen, who has no credentials in government or political science but played a wily President on TV, Debra Messing, James Cromwell, B.D. Wong, Noah Wyle, Freda Payne (Quick: who is Freda Payne?), “Better Call Saul’s” Bob Odenkirk, J. Smith Cameron (?), Michael Urie, Moby, superannuated M*A*S*H stars Mike Farrell and Loretta Swit, Richard Schiff, Christine Lahti, Steven Pasquale, Emily Tyra and Talia Balsam tell the electors that they will be following the Founders’ intent by rejecting Donald Trump. This is flatly dishonest, as they are attributing the contrarian position of Alexander Hamilton, who detested popular democracy, to all the Founders, who rejected Hamilton’s proposals on how the government should be elected and structured.
“What is evident is that Donald Trump lacks more than the qualifications to be president. He lacks the necessary stability and clearly the respect for the Constitution of our great nation,” say the celebrities. Obviously it is NOT evident, since Trump’s voters won the day. The Federalist accurately describes what was behind the video:
“The message is clear: the candidate for whom these celebrities spent months shilling lost the Electoral College, the metric granted ultimate primacy by Article Two of the Constitution. Now, as individuals with no substantial political background, these celebrities have organized en masse to produce content designed to “educate” our electors, chosen for their political pedigree, on their electoral duty. The whole situation reeks of condescension, dirisiveness, and social hubris. What these self-ordained celebrities are demanding is nothing short of the very opposite of what they claim to be purporting. They assert that they “stand with…all citizens of the United States,” yet admittedly only if those citizens agree with their political viewpoint. If said citizens disagree, then, unfortunately, these celebrities decidedly do not stand with them. In fact, they would prefer electors to actively oppose the wishes of these very citizens, so that the candidate they personally believe to be the best suited has a second shot at the presidency.”
That’s about the size of it, yes indeed. Continue reading
Non-La La Land star Miles Teller, who really showed THEM…
The male star of the buzzy movie musical “La La Land,” which opens next week, is Ryan Gosling. The role was originally offered to Miles Teller, who was a rising hot property and star on the threshold for acing the role of the abused drummer in “Whiplash,” like “La La Land” directed by Damien Chazelle.
But according to the people familiar wit negotiations, Teller was insulted by money he was offered, a paltry $1 million, primarily because his putative co-star, Emma Stone,was being offered almost $3 million. After some back and forth, Chazelle replaced Teller with Gosling. Thus did Teller lose out on an a rare opportunity to make himself a major star in a film that is widely believed to be an Oscar magnet, and, of course, he won’t have that million dollars, either.
This a particularly vivid example of the ethics dilemma created by comparative salaries. I have not seen or heard of a satisfactory solution to it, from the management side or the labor side. Management would prefer that employees not know what other employees are making, and with good reason. The information can cause envy, bitterness, anger and lawsuits. Every employee has a tendency to believe they are more valuable, and indispensable, than they really are. Of course, some employers want to keep salaries secret because there are disparities that they cannot defend, or that may be illegal. While transparency is desirable to prevent unfair salary differences, however, it can make legitimate disparities untenable. Continue reading