actors

Opening The Door, Tit-For-Tat, And The Drunk In The “Hamilton” Audience

/ Jack Marshall / 91 Comments

opening-the-door

All right, all right, maybe this is the final word on the “Hamilton” controversy.

What do we make of this?

A supporter of President-elect Trump reportedly interrupted a Saturday-night performance of “Hamilton” in Chicago with profane shouts at the show’s cast. According to BroadwayWorld, somebody seated in the balcony shouted, “We won! You Lost! Get over it! Fuck you!” during the number “Dear Theodosia,” which is about Alexander Hamilton and Aaron Burr coming to terms with what being a father meant in the newly formed United States. The audience member was escorted out of the theater by security after a brief altercation.

Rueful thoughts: Continue reading →

The Last Word On The “Hamilton” Cast’s Harassment Of Mike Pence

/ Jack Marshall / 55 Comments

death-of-a-slaesman

In the end, after several posts and a large number of comments about this incident, I am convinced that, more than anything, it shows how little the American public, even well-educated, culturally-engaged members of the public, and even participants in the entertainment profession understand and respect the importance of live theater.

This, at least, is no surprise. The New York Times recently reported that a survey had revealed that symphony orchestras no longer are viable without charity: fewer and fewer, mostly aging, patrons bother to attend concerts any more. Live theater is heading down the same path, probably irreversibly. Theater will never hit rock bottom, of course; it will always be possible to put on a show like Judy and Mickey, and live theater can exist as long as there is a single talented performer, a street corner, and a crowd. But theater is dying as something relevant to society, and that is a tragedy. Each generation goes to live theater events less and less. I have not seen the up-dated figures, but in the Nineties a study showed that Americans under 30 were more likely to have called a phone psychic at least once in the past year than to have attended a single live theater performance in their entire existence on earth.

The role of theater in society has  been extolled by Aristotle and social critics through the centuries as a unique and important community activity in which citizens of all social strata engage in the ancient ritual of sitting together in a darkened theater, and not only experience the events being portrayed on stage but experience it communally, hearing and feeling the reaction of others. Now that social force has receded to the vanishing point. A vacuum has taken its place. Movies seldom explore serious issues any more, and younger audiences have increasingly retreated to watching films online, and often alone. The potentially life-altering experience that is being lost is hard to describe when someone hasn’t experienced it. The power of the medium to communicate ideas and concepts vividly and to change minds and lives is unmatched, and unmatchable. I have seen it. I have experienced it. I have even helped make it happen.

The department store mogul Bernard Gimbel attended an early performance of Arthur Miller’s “Death of a Salesman” on Broadway in 1949. The plight of Willy Loman, an aging traveling salesman being pressured out of the only employment he had ever known, so shattered Gimbel’s world view that he couldn’t sleep. The next day, he called his managers together and told them and all of his stores that no over-age employee was to be fired. Alfred C. Fuller of the Fuller Brush company asked Miller to dinner to seek his guidance on how to  keep his Fuller Brush salesmen from quitting. That’s power. That’s wonderful. We should want influential people, elected officials, business owners, policy-makers, bankers, investors and corporate executives to see that kind of theater. In today’s New York Times, Ben Brantley, the Times drama critic, explains…
Continue reading →

Ethics Hero: Stevie Van Zandt

/ Jack Marshall / 21 Comments

van-zandt

There is at least one liberal, Donald Trump-hating celebrity performer who has the integrity to insist that wrongful conduct is still wrongful regardless of the target.

Bruce Springstein guitarist Stevie Van Zandt, an inductee to the Rock and Roll Hall of Fame (and a memorable actor on “The Sopranos”), used a series of tweets to criticize the cast of the musical “Hamilton” for targeting Vice-President Elect Mike Pence  from the stage when Pence was in the show’s audience. Van Zandt wrote:

“Lin-Manuel is a genius. He has created the greatest play since West Side Story. He is also a role model. This sets a terrible precedent…When artists perform the venue becomes your home. The audience are your guests. It is nothing short of the same bullying tactic[s] we rightly have criticized Trump for in the past. It’s taking unfair advantage of someone who thought they were a protected guest in your home…There never has been a more outspoken politically active artist than me. Everyone who is sane disagrees with [Pence’s] policies…He was their guest. You protect your guests. Don’t embarrass them.”

Boy, just wait, Stevie: now you’ll get all the good progressives explaining to you that Pence had it coming, that he doesn’t deserve to be treated like a guest, that these vile Republicans should be treated like they will treat others, that these are not ordinary times, that ethics is a luxury we can’t afford right now, that the cast was nice about it (actually, I just saw the video, and they weren’t nice at all; they were strident and  confrontational), that everybody does it, that the ends justified the means, on and on. Just check the “Hamilton” defenders’ excuses on the threads here and here.

Van Zandt is 100% correct, of course, and courageous to oppose the approved unethical cant from the Left.  Unfortunately, most of his ideological mates have decided that standards of decency, respect, fairness and professionalism were suspended by an election result they disagreed with.

“Hamilton” Ethics Follow-Up: Somewhere In The Multi-Verse, I Am In The Audience At “Hamilton” When The Cast Decides To Abuse Its Position And The Audience’s Trust By Harassing Mike Pence, And This Happens…

/ Jack Marshall / 126 Comments

hamilton-logo

Luckily, I had been tipped off by a friend in the production regarding what had been planned.

As Brandon Victor Dixon stepped forward and called out Pence, thanking him for attending, and then began his planned statement with “We hope you will hear us out. We, sir…,“ I stood up from my seat in the center of the fourth row, orchestra. I have a very loud voice. I said,

“Excuse me, Mr. Burr, is the show over? Or is this part of the performance?”

“It’s not part of the show, no…now, Mr. Pence…”

“That means we all can leave, right? We aren’t all being held captive while you lecture us, just Mike Pence? Is that what’s happening?”

“Well..I…Yes, yes, you are free to leave. This statement is for the Vice-President Elect. Now, if you’d let me finish…”

“Was he aware that you were going to single him out like this? If not, does that mean that every other audience member that buys a ticket to “Hamilton”—great show, by the way, though I only caught about half the words—should be ready to be singled out and told how to do their jobs by you actors? Are you pleased when you’re grocery shopping or at Home Depot or going to see a movie when the staff there recognizes you and  singles you out and tells you how to perform while everyone else stares and listens? I know that Alec Baldwin and Sean Penn take swings at people who do thing like that in the street…”

“No, this is for the Vice-President Elect only! Now if you’d just sit down…”

“I thought you said I could go!”

“You can go! Get lost! We’re trying to speak to the Vice-President elect…”
Continue reading →

Mike Pence Goes To “Hamilton”

/ Jack Marshall / 153 Comments
(Psst...PLAYING political leaders doesn't actually give you any special insight into political leadership...)

(Psst…PLAYING political leaders doesn’t actually give you any special insight into political leadership…)

As a performance of the mega-hit Broadway musical “Hamilton” ended, the actor who played Aaron Burr, Brandon Victor Dixon, singled out Vice-President Elect Mike Pence, who was among the audience.

He thanked him for attending and then began a scripted lecture, or rather,  an ambush:

“We hope you will hear us out. We, sir — we — are the diverse America who are alarmed and anxious that your new administration will not protect us, our planet, our children, our parents, or defend us and uphold our inalienable rights. We truly hope that this show has inspired you to uphold our American values and to work on behalf of all of us.”

The rest of the audience, many of whom had booed Pence when he arrived to see the show, cheered. Of course they did. They would have probably cheered if Dixon threw a tomato at Pence too.

I have no patience with this. I was an artistic director of a professional theater company in the D.C. area for 20 years. If this happened at my theater, I would fire the actor and apologize to the audience member and the audience itself. This is unprofessional, unfair and unethical in many ways: Continue reading →

From The Ethics Alarms Mail Bag: A Reader Asks, “Is The Verizon Wireless “Can You Hear Me Now?” Guy Unethical For Going Over To Sprint?

/ Jack Marshall / 47 Comments

Question: Is the former Verizon Wireless spokes-character  whose tag line was “Can you hear me now?” unethical to star in commercials for Verizon competitor Sprint?

Answer: No, because that character, “the Test Man,” wasn’t real.

The real actor who played him, Paul Marcarelli, was playing a character and reading a script. He was acting the role of someone who told the audience how good the Verizon Wireless network was. He didn’t have to believe what he said was true. His loyalty extended no farther than his contractual obligations. The actor wasn’t ethically obligated to use Verizon Wireless, like it, understand it or believe in it, any more than Dos Equis’s “most interesting man in the world” has to really be interesting. Once the first ad series was dropped, he was a free agent.

Verizon could have included some kind of non-compete provision in the contract, forbidding Marcarelli from doing ads for a competitor, at least for a while.  It definitely could have prevented him from playing the same character as he played in the Verizon commercials, because that character is owned by Verizon. However,  Marcarelli uses his real name, Paul, in those Sprint ads, so he can argue that he’s not playing the Verizon character, but himself, and he owns the rights to “Paul Marcarelli.”

However, I do think the Sprint ads are unethical, and so obviously dishonest that they reflect poorly on Sprint. Continue reading →

California Decides It’s The Government’s Function To Help Actors Pretend They Are Younger Than They Really Are

/ Jack Marshall / 17 Comments

picture-of-a-birthday-cake-with-lots-of-candles

California increasingly appears to be hell bent on serving as the cautionary example of how the belief that government has an unlimited brief to meddle in everything leads to abuse and derangement.

Gov. Jerry Brown last week signed legislation that prevents  entertainment websites such as the Internet Movie Database (IMDb),from posting an actor’s age or birthday if the actor doesn’t want anyone to know how old he or she is.

The law, which becomes effective January 1, applies to entertainment database sites that allow paid subscribers to post resumes, headshots or other information for prospective employers. Only a paying subscriber can make a removal or non-publication request. The beneficial end that supposedly justifies  this unconstitutional and suppressive means is that age discrimination is allegedly rampant in show business.

“Even though it is against both federal and state law, age discrimination persists in the entertainment industry,” Golden State legislature Majority Leader Ian Calderon, D-Whittier, said in a statement. “AB 1687 provides the necessary tools to remove age information from online profiles on employment referral websites to help prevent this type of discrimination.”

Naturally the actor unions are all for this form of government censorship. “Gov. Jerry Brown today stood with thousands of film and television professionals and concerned Californians who urged him to sign AB 1687, a California law that will help prevent age discrimination in film and television casting and hiring,” said SAG-AFTRA President Gabrielle Carteris. You remember Gabby, don’t you? She was the brainy, non-sexy teen in the original “Beverly Hills 90210.” I’m sure she thinks the reason her career tanked as she edged into middle age was “discrimination.”

I’ve seen you act, Gabrielle. It wasn’t. Continue reading →

No, Don’t Fire Jesse Williams; Just Mark Him As The Ignorant, Racist Hate Merchant He Is

/ Jack Marshall / 103 Comments
He may be a racist asshole, but he doesn't play one on TV...

He may be a racist asshole, but he doesn’t play one on TV…

African-American actor Jesse Williams attracted national attention at the BET Awards last month as he accepted the  BET Humanitarian Award. Williams launched into the racist black activist version of Authentic Frontier Gibberish, sending out sufficiently loud anti-white dog-whistles that he received a standing ovation from the throng. In response, a petition was placed on Change.org demanding that he be fired from his role on the inexplicably long running ABC medical drama “Grey’s Anatomy”:

“Jesse Williams spewed a racist, hate speech against law enforcement and white people at the BET awards. If this was a white person making the same speech about an African American, they would have been fired and globally chastised, as they should be, but there has been no consequences to Williams’ actions. There’s been no companies making a stand against his racist remarks and no swift action condemning his negative attitude. Why was Burke’s character fired from Grey’s Anatomy after his inappropriate homophobic slur, but nothing for Jesse Williams? Why the one-way street? Why the support for a hater? Why the hypocrisy? #AllLivesMatter All humans bleed the same color. #EqualConsequences4RacistBehavior”

The reference to “Burke’s character” ( Helpful Tip: When you are making a pitch in a petition, take the time to check your facts so people know what the heck you are talking about) was a reference to African-American actor Isaiah Washington, who was fired from his role as Dr. Preston Burke on  “Grey’s Anatomy”  in 2007 for using homophobic slurs in public, including The Golden Globes telecast, and on the show’s set.

Petitioning to have someone fired for their political opinions is an ethically-dubious enterprise at best, but the allegation of a double standard is apt, because it is a double-standard. The culture nourished by Barack Obama and his political-correctness obsessed regime accepts anti-white rants as legitimate and honorable, but holds the expressing of anti-gay sentiment as grounds for shunning and destruction. Writes professional gossip columnist, celebrity worshiper  and silly person Perez Hilton:

“True, Isaiah Washington did ultimately get fired for saying hateful homophobic slurs — but comparing that to Williams’ uplifting speech about equality (that had everything to do with why he was on stage accepting his humanitarian award in the first place) doesn’t make much sense at all.”

Let’s clean that up a bit, shall we? Hilton, who is not only gay but incredibly gay, thinks that homophobic slurs are disgusting and therefore should forfeit the right to make a living, but anti-white diatribes are “uplifting,” so the comparison doesn’t make sense to him.

Here is what Williams said at the BET Awards; let’s see if you find it uplifting. I’ll interject the comments I might have shouted out during the speech had I been there and was willing to be pummeled to death, including notes, probably unnecessary, where Williams descends into Authentic Frontier Gibberish (AFG), social justice warrior dialect class: Continue reading →

Remembering Bob Hope

/ Jack Marshall / 23 Comments

hope and troops

I can’t blame the airport officials who voted 8 to 1 last month to eliminate Bob Hope’s name and change the airfield’s label to “Hollywood Burbank Airport.”  It was a business decision based on hard data. Hope’s name wasn’t resonating with passengers outside of Southern California, especially those east of the Colorado Rockies.

The airfield had been  rechristened to honor Hope in 2003, not long after his death at the age of 100. Yet just a bit more than a decade later, the entertainment icon whose theme song was “Thanks for the Memory” is fading from ours at record speed.  The comments on various news reports on the airport’s decision range from stunningly ignorant to disrespectful. Bob Hope deserves better. The culture will be stronger if it remembers him, and so will the nation.

I must admit, I didn’t see this coming, but I should have. The survival or disappearance of once famous figures from our cultural memory fascinates and often horrifies me. One of the definitions of culture is what a society chooses to remember and chooses to forget: these seemingly random decisions have significant long-term consequences. Occasionally there is a last-minute rescue:  just as the Treasury was preparing to remove Alexander Hamilton from the ten-dollar bill, a Broadway musical, of all things, rescued his image and re-established his cultural presence. Usually, however, once a figure drops down the memory hole, he and the public appreciation of his importance is gone, gone, gone. Forever.

The mechanics of this process are chaotic. A single movie that enters classic territory and is featured regularly on television can rescue the memory of a whole career for generations. Ray Bolger, an eccentric dancer who was never regarded as close to Fred Astaire or Gene Kelly in the hierarchy of Hollywood hoofers nonetheless remains a recognizable figure today purely on the basis of “The Wizard of Oz.” Edward G. Robinson was a famous and respected actor mostly on the strength of his gangster films, but his memory survives almost entirely due to his strange ( and strangely miscast)  role as the Hebrew villain in “The Ten Commandments.” Meanwhile, who remembers George Raft?

Hope, I now realize, despite one of the longest and most successful careers in show business history and epic stardom on radio, films, theater and T, despite being the most frequent and most successful MC for the Oscars telecast and while he was alive and regarded for 50 years as the undisputed champion of stand-up comics, has no such marker to keep his image and memory alive. Humor is famously dependent on the times and culture, and Hope’s humor and style were more so than most. He was not a physical or slapstick comedian, and his movies, with the exception of the best of his “Road” movies with Bing Crosby, were at best mildly funny. The later ones, like his films with Phyllis Diller and Lucille Ball, weren’t even that. By the 1960’s, Bob Hope’s reputation as an entertainment icon was so well-established that he didn’t really need to be funny; the fact that he was Bob Hope was enough. He was a living relic of vaudeville, radio comedy and traditional TV skits who never changed his delivery or mildly self-deprecatory yet cocky demeanor. But what was special about him? There’s little available on TV or elsewhere to let new generations in on the secret. Continue reading →

(PSSST! Bill Nye Fans? Honorary Degrees Aren’t Real Credentials…)

/ Jack Marshall / 18 Comments

bill-nye-the-science-guy

I detest  stupid debates. In college I watched a local TV debate in Boston between Madalyn Murray O’Hair, the infamous atheist, and a local Catholic wacko known as Mrs. Warren, who talked like Chico Marx, on the topic of the existence of God. I finally called into the fiasco as “Jehovah” and got through the screeners for the program, which was called “Cracker Barrel. I used a cardboard toilet paper tube to make my voice sound unworldly as I assured O’Hair that Jehovah approved of her challenging the faithful, and would not turn her into a pillar of salt. O’Hair and the host thought it was funny. Warren said she would pray for me.

The upcoming debate between TV’s “Science Guy” and Sarah Palin over climate change is a good bet to be even more stupid than that debate, and for some of the same reasons. Like that debate, there is zero chance that anybody who is silly enough to bother watching will have their minds changed by what transpires because they, like Palin and Nye, already have their minds made up and facts have little to do with their points of view. Like the “Cracker Barrel” debate, it will really be about faith, what the adversaries want to think is true, and who they prefer to believe. Do either Sarah Palin or Bill Nye know what the world’s climate will be like in 100 years? No. Can either say with certainty that any particular policy measures will or will not have a salutary effect on conditions a hundred years from now? No.

It’s a stupid debate.

Nevertheless, only Palin is being mocked for participating in it, because Sarah Palin could cure cancer and the news media would mock her. It’s ridiculous for her to presume to debate anyone about climate change, but what about the fool who thinks its worth anything to debate her, whether he “wins” or not? It’s like mocking a Labrador retriever for having the hubris to debate John Kerry on U.S. foreign policy. What’s Kerry’s excuse? Continue reading →