A Halloween Season Ethics Dunce For Historian Doris Kearns Goodwin

Doris Kearns Goodwin is probably about as well known as any historian right now, thanks to her frequent appearances on TV (48 times on Charlie Rose’s PBS show alone). In addition to being a much published and acclaimed Presidential historian, she went through a period where she was often talking and writing about baseball, so yes, I have a warm spot in my cold heart for her. Goodwin is perhaps best known for her Pulitzer Prize -winning book “Team of Rivals: The Political Genius of Abraham Lincoln, much of which was adapted by Tony Kushner into the screenplay for Steven Spielberg’s 2012 film “Lincoln.”

Doris taught the American Government course on The American Presidency when I took it, succeeding Richard Neustadt who literally wrote the book on the subject, His “Presidential Power” is considered a masterwork even today. I got Doris in her first year teaching before “Goodwin”: she wasn’t very good, but she was cute, a pert redhead who arrived at Harvard with a whispered reputation of being one of LBJ’s conquests when she worked as a White House Fellow. A professor like Doris was a rarity at Harvard back then, for she was less than half the age of the typical Government Department prof.

Doris is in her 80s now, and yet that photo above is still the one she sends out for her appearances. She has a gig in a couple of weeks: the Humphrey School of Public Affairs will host her as she gives the 2026 Distinguished Carlson Lecture at the University of Minnesota’s Humphrey School of Public Affairs, titled, “Leadership for a More Perfect Union: Lessons from America at 250”. I think it’s mildly unethical for people to use photos of themselves that make it seem like they have the equivalent of the “Picture of Dorian Gray” in their attic. Kearns hasn’t looked like that in 40 years.

All of this is just a prelude to her Ethics Dunce exploits, however. I was watching an episode of American Horror Story Season Six, “Roanoke,” about a legendary mansion in North Carolina with a bloody and ghostly history. Imagine my surprise to see my old college professor showing up in an interview about the house, explaining its origins, the owner, Edward Philippe Mott, whose actions sent the house on its way to damnation, the many horrible demises of subsequent residents. The interview concluded with Doris saying that she doesn’t believe in ghosts but wouldn’t want to spend a night there—like the recent reality “ghost hunters” show crew that had been found slaughtered.

Comment of the Day: “Help! My Ethics Conflict…”

My recent post about an extreme Trump Deranged friend whom I have so far refused to disabuse of the false notion that I am a solid progressive Democrat, in her view the only people worthy of her company, attracted many excellent comments; several are Comment of the Day worthy. I’m giving CD-VAPatriot the honor, in part because I know her, and know how accurate her self-description is. It would be hard to imagine someone less fairly called “immoral” or less deserving of derision from the Trump Deranged.

Below is CD-VAPatriot‘s Comment of the Day on the post, “Help! My Ethics Conflict…” for your reading pleasure and edification. But first I would like to recommend that you track down Season 7 of “American Horror Story” on Amazon Prime. This brave, creative, often satirical, subversive, genre-savvy anthology series using a spectacular repertory company took on both political extremes in 2017, and many of its plot points proved disturbingly prophetic. It would not be unfair to say the theme of the season was the horror of Trump Derangement, triggered by the fury of progressives, especially feminists, who were emotionally broken by Hillary’s defeat. (We see a lesbian couple’s marriage deteriorate in part because one partner blames the other for Hillary’s defeat after she voted for Jill Stein. This is even funnier today than it was then.)

I had direct experiences with women exactly like the protagonists in “Cult,” the title of the season’s ten installment tale. They told me, one with tears running down her face, that they were terrified of the impending Trump Presidency, and, of course, the Democratic party exploited that irrational fear. Fear is the sub-theme of the season; ironically, it is the crazed conservative cult leader who preaches the power of fear in promoting political change, but we have seen that it is the political Left that has sown fear most relentlessly since 2017: fear of climate change, fear of the Wuhan virus, fear of AI, fear of “fascism,” fear of “The Handmaiden’s Tale,” fear of law enforcement, and fear of Donald Trump in general. The show makes all extremes of the political spectrum look bad without taking sides, an approach that is difficult, wise and in today’s Hollywood, courageous.

Now here’s CD…

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