1. I missed this: Roman Polanski, with his “An Officer and a Spy” won the directing, and screenplay awards at the French Cesar awards last month, and the results were greeted by protests. After Polanski’s best-director award was announced, “Portrait of a Lady on Fire” actress Adele Haenel and director Celine Sciamma walked out of the theater.
It was Polanski’s fifth Cesar in the directing category, He’s scum and a rapist as well as a fugitive from justice, but he is and has always been a great film director. Polanski did not attend the ceremony because, he said, he anticipated it would turn into a “public lynching.”
Haenel shouted, “Well done, pedophilia!” as she left the hall. In an interview with The New York Times about his nominations, she had said, “Distinguishing Polanski is spitting in the face of all victims,” she said. “It means raping women isn’t that bad.”
Think about that statement a bit, if you have to. It makes no sense at all, but articulates the logic of the cancel culture. The film is the film, just as a song is a song and a painting is a painting. None of these are the same as their creators. Just as the fact that art created by a saint doesn’t make it any better, the fact that other art is created by vile human beings doesn’t change the quality of the art for the worse. The law punishes people for bad deeds. Society punishes them in many other ways. What artists build, accomplish, and contribute to society are independent of the artists personally.
Bill Cosby’s albums are still funny, and nobody is saying that raping women isn’t that bad by enjoying those classic performances or by honoring Cosby as a performer. Harvey Weinstein produced too many great films to boycott.
Personally, I refuse to support Cosby, Woody Allen, Polanski and others who disgust me, but their work remains what it was and is, and burying it punishes the culture. Continue reading