Tag Archives: Casey Affleck

Award Ethics: Hollywood’s Casey Affleck-Nate Parker Controversy Is Ethically Simple, But Then, Hollywood Doesn’t Have Ethics

Mandatory Credit: Photo by Rob Latour/REX/Shutterstock (7734778do) Casey Affleck - Best Performance by an Actor in a Motion Picture - Drama - Manchester By The Sea 74th Annual Golden Globe Awards, Press Room, Los Angeles, USA - 08 Jan 2017

There were several possible Ethics Alarms posts that could have come out of The Golden Globe Awards last night, the obvious one involving the continuing arts community tantrum in the wake of the election of Donald Trump over Hollywood’s sweetheart, Hillary Clinton. Meryl Streep put herself in the running for “Gratuitous Cheap Shot Of The Year ” with her acceptance speech for something or other, but I decided that in a community where Rosie O’Donnell tweets “Fuck you!” to the Speaker of the House for simply completing his duty to certify the Electoral College vote, and over the weekend tweeted, “HE MUST NEVER BE SWORN IN – DELAY INAGURATION – INVESTIGATE – ARREST HIM” as her considered analysis of the proper workings of our democracy, Streep’s shot seemed like the height of restraint.

The more interesting issue on display at the Golden Globes  involves actor Casey Affleck, Batman’s brother, who won the night’s Best Actor in a Film Drama award for his performance in “Manchester by the Sea.” Last year, it was revealed that the actor had two sexual harassment lawsuits filed against him in 2010 that alleged he had groped women on the set and created a generally hostile work environment while directing the film, “I’m Still Here.” Since during the campaign Hollywood was all-in using misogyny and sexual  harassment as one of the many accusations against Donald Trump, some claim that honoring Affleck undermines the community’s assumed condemnation of the Trump-like conduct he was accused of.

Complicating the matter is the conundrum surrounding Nate Parker, the previously unknown black artist who was the main creative force behind the 2016 slave-revolt film “The Birth of a Nation.”  As Oscar buzz was ramping up for his film—remember that the Academy of Motion Picture Sciences is more or less obligated to find plenty of nominations and awards for African Americans, regardless of objective artistic merit—  new details surfaced concerning a decades old criminal case in which Parker was accused of raping a female student while both were at Penn State.  He was acquitted,  but the facts were ugly, and the alleged victim committed suicide. Once that was known, all of the promise shown by “The Birth of a Nation” evaporated. Although the film was a smash at festivals, it received mixed reviews,bombed at the box office, and has been poison at the various awards so far, receiving no nominations.

The New York Times, among other media sources, has published several articles about the apparent double standard, saying most recently,
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Filed under Arts & Entertainment, Character, Gender and Sex, Law & Law Enforcement, Race

Fake or Real, “I’m Still Here” is Unethical

Now, having had his film reviewed by most major critics as a genuine documentary and being widely assailed as an exploitive creep (including here), Casey Affleck is telling the media that the film is a put-on. If it is (and why anyone should believe a liar when he admits he is lying is an unanswerable question), then he exploited the audience and defrauded them into seeing a film under false pretenses. The movie isn’t funny, like “Borat,” and there is no legitimate entertainment purpose in staging a fake portrayal of a drugged out,  self-absorbed jerk, who is really only a lying, self-absorbed jerk. Just as James Frey’s  A Thousand Little Pieces was a lousy novel that attracted interest because he falsely represented it as non-fiction, “I’m Still Here” only could attract an audience if they were lied to—because nobody would care about Juaquin Phoenix’s idea of satire. Andy Kauffman he’s not. They will, however, pay to watch a human train wreck. Is Affleck trying to make the audience feel foolish? They are only foolish for trusting him. They won’t do it again.

I still think it’s 50-50 whether the hoax admission is another hoax, as a desperate effort to gin up box office. But it really doesn’t matter. Whether the film is truth or fabrication, Phoenix and his pal Affleck are despicable…just for different reasons.

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Casey Affleck, Worst Brother-in-Law of the Year

Imagine that your wife’s brother, who is also one of your best friends, is in trouble. He is ruining his health, career and reputation with habitual drug use and other self-destructive behavior. He seems to be deluded, yet his business associates and friends are enabling his behavior. A tragedy is  unfolding, and no one seems to care.

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Filed under Arts & Entertainment, Business & Commercial, Family, Health and Medicine, Popular Culture