censorship

Cowardice, Censorship And Betrayal At Maiden (N.C.) High

/ Jack Marshall / 22 Comments

Almost Maine

Here is a strong candidate for teacher/blogger Rick Jones’ annual Curmie Awards on his blog Curmudgeon Central. He recognizes the most despicable conduct by teachers and school administrators, and while this year’s award may go to some fourth grade teacher who sets autistic kids on fire, I know he will share my disgust at this story.

The theater club at Maiden High School in North Carolina was in production of John Cariani’s newly-popular stage dramedy “Almost, Maine,” a series of vignettes about bittersweet love and romance. A brief scene touches on a budding same-sex relationship, and this so worried school administrators that before green-lighting the production, Principal Rob Bliss and Catawba County Schools Superintendent Dan Brigman decreed that every student wishing to audition or assist with the production must turn in signed parental permission letters. Only one student was prevented from auditioning through this screening process, and production commenced. The club to reserved the rights, rented the scripts, cast the parts and began rehearsals.  The local churches learned that that the show contained (Ewww!) gay people, and the school abruptly reversed course, cancelling the production. Principle Bliss issued this weasel-worthy statement:

“In regards to the request for students to perform the play “Almost Maine,” careful review and consideration was given to the contents of this play. The play contained sexually-explicit overtones and multiple sexual innuendos that are not aligned with our mission and educational objectives. As principal of Maiden High School, I have an obligation to ensure that all material, including drama performances is appropriate and educationally sound for students of all ages.”

He did not mention that the production had already been approved, and that he and the school caved to community censorship by right-wing bullies, intolerant religious jerks, or local jerks who didn’t have the resources to go to New York City and picket “The Death of Klinghoffer.” He had one, and exactly one, response available to him once complaints began rolling in from anti-gay, anti-same sex marriage citizens of fair Maiden. It would be this... Continue reading →

In England, Art Designed To Show The Ugliness Of Racism Exposes The Ugliness Of Political Correctness And Censorship Instead

/ Jack Marshall / 41 Comments

Human zoo

Then the question is: would this happen here?

The performance art piece “Exhibit B” evokes the spectacle of “human zoo,”in which Africans were put on show for the entertainment and gawking curiosity the 19th and early 20th Century Americans and Europeans. Visitors tour a room in which black actors portray the human exhibits as well as portrayals of what modern-day equivalents would might be like. Created by white South African theatre-maker Brett Bailey,  “Exhibit B” has recieved rave reviews in several venues.  In Edinburgh, The Guardian’s theatre critic Lyn Gardner saw the results as “both unbearable and essential”:

“Creator Brett Bailey has been fearlessly uncompromising in his approach. The experience in the exhibition hall is entirely without comfort. Confronting us with the appalling realities of Europe’s colonial past – the stuff I definitely wasn’t taught at school – isn’t just some kind of guilt trip. It reminds us that most history is hidden from view; it reminds that Britain’s 21st-century ways of seeing are still strongly skewed by 18th-, 19th- and 20th-century colonial attitudes. The masterstroke comes at the end: the pictures and the biographies of the ordinary black Edinburgh men and women who are taking part. Tomorrow, history will look a little different.”

Never mind: Sara Myers, as well as others, don’t want to see it, so they have conspired to stop the work from being seen, at least in England, by anyone else. In her petition at Change.org, she writes: Continue reading →

NBA Owner Bruce Levenson Race-Baits Himself: What’s Going On Here?

/ Jack Marshall / 14 Comments
Self-flaggelation, the new NBA craze...

Self-flaggelation, the new NBA craze…

You don’t see this every day.

In a cynical, bizarre, and almost certainly dishonest act that will degrade public understanding of racism while pushing the NBA closer to certified madness and the Unites States toward speech and thought censorship, the controlling owner of the Atlanta Hawks, Bruce Levenson, announced that he is selling in interest in the ABA club because—pay close attention now—he sent an internal memo two years ago that was “racially insensitive.”

Wow. I’m all in favor of self-reporting, but this is ridiculous.

If American journalism and punditry was not race-addled and competent at its job, headlines around the news media this morning would be  “NBA Owner Exploits Donald Sterling Controversy To Get Top Dollar For His Team” or something similar. Instead, we are reading headlines like NBA owner to sell team after racist email (USA Today), Atlanta Hawks Owner To Sell Team After Racist E-mail About How to Increase White Fans (New York Post), while the left-leaning websites are salivating all over  themselves with leads like Bruce Levenson will sell Atlanta Hawks after releasing racist e-mail (ThinkProgress) and Atlanta Hawks Owner To Sell Team After Discovery Of Racist Email (Slate).

Allow me to clarify this at the start: there is nothing “racist” about the e-mail Levenson “self-reported”to the NBA,  at least, nothing racist regarding African-Americans, and last I checked, racist comments about one’s own race when one is white is regarded as a badge of honor in Progressive World. This verdict isn’t debatable, in my opinion, at least not in good faith.

Here is what the relevant section said, in a long e-mail regarding the promotion, marketing and attendance development of his team focusing on everything from the demeanor of ushers to what the concession stands sell; I have marked the significant sections with letters in red. Continue reading →

Ethics Quote of the Month: Ken White, of Popehat

/ Jack Marshall / 2 Comments

JohnPaulJones

“Civility is not weighed equally with free speech. It is not a prerequisite of free speech. It is a value, an idea, to be tested in the marketplace of ideas with other vales. Free speech is often uncivil. Lenny Bruce was uncivil. “Have you no sense of decency, sir? At long last, have you left no sense of decency?” was uncivil. “I have not yet begun to fight” was uncivil. “I called you naughty darling because I do not like that other world” was uncivil. “Now, if it is deemed necessary that I should forfeit my life for the furtherance of the ends of justice, and mingle my blood further with the blood of my children and with the blood of millions in this slave country whose rights are disregarded by wicked, cruel, and unjust enactments, I submit; so let it be done!” was uncivil. The equality of all humans regardless of station has always been a deeply uncivil idea, because “civil” usually means “that which makes me comfortable.” Comfortable people paint nice watercolors but otherwise don’t accomplish much.”

—Ken White, First Amendment lawyer, wit, philosopher and blogger par excellance, in a masterful dismembering of a sinister  email about free speech sent to Berkeley students, faculty, and staff by U.C. Berkeley Chancellor Nicholas Dirks .

An equivocating, double-talking, free-speech degrading college administrator attempts to warp our nation’s values in the minds of the young, and Ken exposes the university’s censorious and timid soul for the dangerous fraud and the disgrace to intellectual freedom that it is.

As Carly Simon said once about James Bond, nobody does it better.

Quote of the Week: Joan Rivers

/ Jack Marshall / 10 Comments

joan-rivers-giving-finger1

 

AHHHHGGGGGRRRRRhhhrrrah….

—Comedienne Joan Rivers, 81, in her reported final words before expiring yesterday.

Just kidding.

Too soon?

Joan Rivers would rate Ethics Hero status if I did not have a philosophical objection to calling someone a hero because everyone else is a weenie. Yes, Rivers spouted off whatever outrageous, impolitic, offensive thing that materialized in her nimble brain regardless of who it might offend, as long as she felt someone, or a critical mass of someones, would find it funny. That is the proper mindset for any professional comic, but it has become both a rare and dangerous one, as we regularly see comedians grovelling in remorse as soon as sufficient numbers of well-placed critics designate a joke as “insensitive.”

Rivers, whom I can never recall making me laugh for a second, served an important cultural purpose while she was alive, as do Jackie Mason, Mel Brooks and Don Rickles, perhaps the last remaining in-your-face comedians from the days when funny was all that mattered, and careers weren’t ended  by stepping just a little too far over the line, or even a lot too far. Her successors, like Sarah Silverman and Lewis Black, don’t count: they are vicious toward whatever group or groups their audience deems deserving of abuse, and only them. In the end, it is likely that the only clowns with the license that Rivers enjoyed will be animated cartoons, like Peter Griffin(“The Family Guy”) and Homer Simpson. Continue reading →

“The Death of Klinghoffer” : The Metropolitan Opera Flunks Its Ethical Duty

/ Jack Marshall / 5 Comments

Death of Klinghoffer

New York’s Metropolitan Opera is scheduled to present John Adams’s 1991 opera, “The Death of Klinghoffer” this fall. [Full disclosure: Adams, then an unknown, was one of my professors in college] The opera is a dramatization of the 1985 Achille Lauro hijacking,in which the Palestine Liberation Front murdered the wheelchair-bound Jewish-American businessman Leon Klinghoffer. The opera has always been the target of Jewish and other critics who believe that it is too sympathetic to the Palestinians, and is thus anti–Semitic. Predictably (although for some reason the Met seemed not to be prepared for it) the Anti-Defamation League and conservative pundits are condemning the new production, typified by the reliably simple-minded Michele Bachmann, who denounced the Met for sympathizing with terrorists.

This is, and I state this without moderation or equivocation, is anti-cultural, anti-art, anti-free speech political correctness bullying from the right. This is an opera, and it, like any work of art, stands for itself. Whatever the political message of “The Death of Klinghoffer,” it is secondary to the main purpose of any opera, which is music and entertainment. The Met, as an organization dedicated to music and opera, should not be held to any standard in producing it other than whether it meets the company’s standards of excellence. An arts organization like the Met is apolitical, and should never allow the political or ideological messages of the artists whose work is presented there change its programming in any way. This means telling critics like those of “The Death of Klinghoffer,” be they advocacy organizations, would-be public censors or embarrassments to Congress like Bachmann to go fly a kite when they attempt to dictate what art is or isn’t “appropriate.” Continue reading →

Why The Winooski Bacon Controversy Matters

/ Jack Marshall / 31 Comments

bacon signLast week, Sneakers Bistro and Cafe in Winooski, Vermont removed a sign reading “Yield for Sneakers Bacon” from a garden at the Winooski Rotary after a woman who described herself as “a vegan and a member of a Muslim household” called the sign offensive in an online post.

“Given the large number of Muslim families in Winooski, as well as many others who do not eat pork for a variety of reasons, it seems unnecessary for this insensitive business sign to be at the city’s main crosswalk,” she wrote. Sneakers, obeying the growing U.S. cultural mandate that any individual has a veto over words and conduct that he or she finds offensive regardless of 1) whether it is offensive to anyone else and 2) whether the alleged offense is certifiably bats, apologized, and took the sign down.

I am happy to support that this decision did not play well, even in ultra-liberal Vermont, and under a barrage of criticism on the web and elsewhere, the Sneakers’ management posted the following message on its Facebook page, thus making their situation worse:

“We are here to serve people BREAKFAST, not politics. We removed the sign that was located on public property as a gesture of respect for our diverse community. There were also concerns raised about safety. Removing it was not a difficult decision. We still love bacon. We still love eggs. Please have the political conversation elsewhere.”

That idiotic statement was the disaster anyone conscious should have been able to predict it would be. And let’s be thankful this is still true. Tomorrow, Sneakers’ response may be standard operation procedure, even if ISIS doesn’t take over the country while the President is breaking par. Continue reading →

How Constitutional Government Censorship Works In Obama’s America

/ Jack Marshall / 14 Comments

zipper on mouth

Sarah Durand, a senior editor at a division of Simon & Schuster, Atria Books, informed the literary agents of one of the U.S. soldiers who had submitted a book proposal about the conduct of Sgt. Bowe Bergdahl—the controversial Taliban prisoner who was freed in a costly prisoner exchange and then hailed as a “hero” by the Obama administration— that the publishing house was not interested in pursuing the project. The soldiers, comrades of Bergdahl, allege that he is a traitor.

Maybe the book proposal was poor; maybe it isn’t what Atria Books is looking for at this time. Getting any book published is difficult for first-time authors, and there is no obligation for a publishing company to print anything.

However, this is what Durand wrote to explain the rejection:

“I’m not sure we can publish this book without the Right using it to their ends..the Conservatives are all over Bergdahl and using it against Obama and my concern is that this book will have to become a kind of ‘Swift Boat Veterans for Truth'”

In other words, a professional, supposedly non-partisan conduit for free speech and communication is restricting that speech for political and partisan reasons, and specifically to protect the government currently in power.

I would never argue that refusing to publish the book is unethical. That reason, however, if it is the only reason, is unethical, and also chilling. The only difference between the government censoring political speech and private enterprise censoring speech critical of the government is that the former is prohibited by the Constitution, and the latter is protected by the Constitution, since the freedom not to say something is the same as the freedom to say it. Durant and Atria, appear to be using that freedom to do exactly what a censoring government would do if it could. And how do we know that a Simon & Schuster executive didn’t contact the White House for guidance, and were told to bury the book for “future considerations”? We don’t. Yet this is the kind of suspicion and distrust engendered when communications entities behave like this.

Note that Durand doesn’t challenge the truth of the soldiers’ assertions about Bergdahl. Her concern is how it will be used by political opponents of President Obama. The fact that she would feel that this is a legitimate factor to be considered in publishing a book to the extent that she wouldn’t see the danger of expressing it in an e-mail is as disturbing as the sentiment itself. The book editor sees her duty as protecting the state from opposition and criticism, apparently. How many other gate-keepers of our free speech feel the same way?

_______________________________

Pointer: Newsbusters

Source: Yahoo!

KABOOM! Homophone-phobia In Utah

/ Jack Marshall / 14 Comments

headexplode

I thought this had to be a hoax.

I prayed it was a hoax.

It’s not a hoax.

Now I’m washing my brains off the ceiling using a rag on a stick.

Behold…from the Salt Lake Tribune:

“…the social-media specialist for a private Provo-based English language learning center wrote a blog explaining homophones, he was let go for creating the perception that the school promoted a gay agenda. Tim Torkildson says after he wrote the blog on the website of his employer, Nomen Global Language Center, his boss and Nomen owner Clarke Woodger, called him into his office and told him he was fired. As Torkildson tells it, Woodger said he could not trust him and that the blog about homophones was the last straw. “Now our school is going to be associated with homosexuality,” Woodger complained, according to Torkildson, who posted the exchange on his Facebook page….”

Continue reading →

Oh, NO!!! “The Mikado” Ethics Again (Political Correctness Division)!

/ Jack Marshall / 38 Comments

[Here…listen to this while you read the post.]

I am apparently the official protector of Gilbert and Sullivan’s “The Mikado” from ridiculous accusations of ethics offenses, so once again, I will charge into the breach. No thanks needed, Mr. Gilbert, Sir Arthur—I owe you debts that can never be repaid.

In a brain-endangering op-ed for the Seattle Times, expresses the opinion that the operetta is a “racial caricature,” and thus “every snap of the fan was a slap in the face.” The nature of the complaint has old origins: the original show in 1885 nearly caused an international incident, as Japan registered an official complaint to Great Britain claiming a grievous insult to its people. W.S. Gilbert, who was skilled at such things (a few years later he stifled French indignation over a song in “Ruddigore” that pretended to make fun of the French while actually ridiculing British bravado), explained that “The Mikado” in no way ridicules anything about Japan or its people, but is entirely a witty and original satire on everything British. This was true then, and is true now. Then, however, people, including the Victorian era Japanese, were able to see distinctions, and were not seeking victim status and leave to play public censor under the authority conferred by political correctness. Today, people like Ms. Chan are not so easily calmed.

Thus is art harmed, entertainment stifled, laughter stilled and music forgotten. A good argument could be made that “The Mikado” is the greatest musical comedy entertainment ever written.* It certainly caused the biggest international sensation (the closest rival is another Gilbert and Sullivan classic, “H.M.S. Pinafore”): it is estimated that by the end of 1885, at least 150 companies in Europe and the U.S. were producing the satire. As recently as the 1960s, it was credibly claimed that a “Mikado” was going on somewhere in the world every minute of the day.

The show is fun in every respect: comedy, music, lyrics, satire, characters. It is also fun to act in and produce, for children as well as adults. Unfortunately, several factors have led to the gradual scarcity of productions in recent years, from the cyclical (Gilbert and Sullivan go out of style, but always come back) to the ridiculous ( it seems like every production has to cope with some absurd controversy, like the 2011 Montana production that was accused of threatening Sarah Palin’s life). Political correctness aversion has been the biggest factor in making the very best G&S show rare while productions of Broadway musical junk flourish, however. Since the characters are supposedly “Japanese,” shouldn’t all the singers be Asian? Isn’t Asian make-up offensive like blackface? Oh, hell, let’s just do “The Pirates of Penzance.”

From Ms. Chan: Continue reading →