Confronting My Biases #26: Anti-Dog Signs…and One More Seasonal Complaint

First the complaint…

I virtually never return Christmas gifts. I cannot remember the last time I did. This stems from a Christmas childhood trauma. My poor father, who loved my mother dearly, would always pick out for her major Christmas gift a robe, a night gown, a blouse or dress that either didn’t fit, that was identical to one she already had, or that she hated. My mother, for all her wonderful traits, never gave him a break either: she would open the gift and immediately register disappointment. And Dad was always crushed. It got so he would make a joke about it, handing over a package he had lovingly wrapped while saying, “Well, Merry Christmas, let’s see what’s wrong with this.”

As a result, I have never reacted with anything but unalloyed joy when someone gives me a gift. Whatever it is, I love it. It could be chocolate-covered ape placenta, and I will still say, “Oh, this is wonderful! I’ve always wanted to try it!”

Nevertheless, the current practice among retail stores to charge “return fees,” some as high as $9.00 per item, is despicable as well as dumb. If stores want to drive people to Amazon, that’s the way to do it. If I ever did have to return a gift, and I won’t, especially now that there is almost nobody who is likely to give me one since my son/daughter has “cancelled” me for some reason, a store charging me for the privilege would land on my blacklist forever. It is also not consistent with the spirit of the season: I bet Kris Kringle would never let Mr. Macy do that without earning a cane to the noggin.

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Celebrating the 111th Anniversary of the Strange But Ethical “Christmas Truce”

[Good morning! Was Santa good to you? I might as well repost this essay about the Christmas truce; since I only have published it on Christmas Day, some readers might have missed it, and EA, believe it or not, sometimes gets new followers from time to time…]

One of the weirdest events in world history took place on Christmas 1914, at the very beginning of the five year, pointless and stunningly destructive carnage of The Great War, what President Woodrow Wilson, right as usual, called “The War to End All Wars.”

World War I, as it was later called after the world war it caused succeeded it,  led to the deaths of more than 25 million people, and if anything was accomplished by this carnage, I have yet to read about it.

The much sentimentalized event was a spontaneous Christmas truce, as soldiers on opposing sides on the Western Front, defying orders from superiors, pretended the war didn’t exist and left their trenches, put their weapons and animus aside, sang carols,  shared food, buried their dead, and even played soccer against each other, as “The Christmas Truce” statue memorializes above.

The brass on both sides—this was a British and German phenomenon only—took steps to ensure that this would never happen again, and it never did.

It all began on Christmas Eve, when at 8:30 p.m. an officer of the Royal Irish Rifles reported to headquarters that “The Germans have illuminated their trenches, are singing songs and wishing us a Happy Xmas. Compliments are being exchanged but am nevertheless taking all military precautions.” The two sides progressed to serenading each other with Christmas carols, with the German combatants crooning  “Silent Night,” and the British adversaries responding with “The First Noel.“ The war diary of the Scots Guards reported that a private  “met a German Patrol and was given a glass of whisky and some cigars, and a message was sent back saying that if we didn’t fire at them, they would not fire at us.”

The same deal was struck spontaneously at other locales across the battlefield. Another British soldier reported that as Christmas Eve wound down into Christmas morning,  “all down our line of trenches there came to our ears a greeting unique in war: ‘English soldier, English soldier, a merry Christmas, a merry Christmas!’” He wrote in a letter home that he heard,

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It’s “Do You Hear What I Hear?”Time…Happy Christmas Eve Everyone!

It’s the day before Christmas, and all though my house, there’s no sign of Christmas, but I’ve no right to grouse…

…because it’s my choice to be solitary and miserable this season. Two days ago my adult heir gratuitously sent me a hate bomb that was the most hurtful communication I have ever received from anyone. Given that this individual lives rent free in an apartment in my house and is over 30, I expected just a teeny-weeny bit of, if not gratitude, respect. Uh, no. This was only the latest joy-extracting event this holiday season: I also just wounded my leg (the same one that put me in the hospital in July and hasn’t healed completely yet), I was fired from my oldest ethics gig (as with the unexpected attack from downstairs, the reason is obscure) and the number of administrative Swords of Damocles hanging over my head since Grace died last year have increased rather than diminished, as was my grand plan for 2025. So I’m taking pleasure in other people’s Christmas, including yours. So you better have a great one. Tonight I expect to be playing bridge with three ghosts.

Or heading to the bridge, like George Bailey.

Below is an updated and rewritten version of my earlier post about my favorite modern Christmas song, “Do You Hear What I Hear?” When I still had a professional theater company to oversee, I wrote and directed a musical revue called “An American Century Christmas.” It was staged like one of those old-fashioned TV Christmas specials, with the set decorated like a Christmas living room, and celebrity guests arriving with gifts.

I stuffed everything I loved about the seasonal entertainment into the thing: the scene in “The Homecoming” when John-Boy gets his tablets from his father; the scene in “It’s a Wonderful Life” when George gets emotional realizing that he’s in love with Mary while talking to Sam (Hee-haw!) Wainwright on the telephone; Danny and Bing standing in for the Haines Sisters and singing “Sisters:” a reading of “The Littlest Angel;” the Peanuts kids and Snoopy decorating Charlie Brown’s sickly tree. I don’t think anyone liked that show as much as I did, but so what. It made me happy. Even remembering it now makes me happy.

The first act finale was a rousing rendition of “Do You Hear What I Hear?” The song means a lot to me, and I’ll be blasting the original version tonight.

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Remembering “Lynch v. Donnelly,” When SCOTUS Saved Public Manger Scenes With “The Reindeer Rule”

Before you make a public statement that will guarantee that you will become a poster-mayor for the usual “War on Christmas” battles, it might be wise to check legal history regardless of which position you take.

Mayor Miko Pickett, the “historic” first black mayor of Mullins, South Carolina, ordered this season’s Nativity scene removed from a public parking lot due to “separation of church and state.” The town happily ignored her. Not surprisingly, she had based her decision on “diversity” and “inclusion” principles and the “separation of Church and State.”

Naturally, she opted for the politically correct “Happy Holidays.” But the mayor may have had a point.

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Last Friday Open Forum Before Christmas!

There are quite a few versions of LeRoy Anderson’s medley “A Christmas Festival” on YouTube. The performance you usually hear had the legendary Arthur Fiedler waving the baton; Arthur was also the one who started using Anderson’s quirky, clever orchestral compositions in Pops concerts. You don’t hear Anderson’s works much any more except at Christmas, when his “Sleighride!” is unavoidable, but “Typwriter,” “The Syncopated Clock” and “Bugler’s Holiday,” among others, were all popular hits in the Fifties and Sixties.

I picked the video above because the Powerpoint reminded me of my wife, best friend, co-founder of ProEthics and indispensable partner Grace, who designed all of the presentations I used. She was proud of them and devoted so much care to making them colorful and interesting. And she asked me how the attendees of my ethics seminars liked each one of them. The sad fact was that nobody cared; the lawyers just wanted their credits. I might as well have been using a blackboard. The presentations were just a point of professionalism for us, and creative expression for her. Grace’s Powerpoints are still better than most of what you’re liable to see today. She was especially fond of the animations.

I don’t know about you, but I’m heading to the end of 2025, my third straight non-Christmas Christmas—-no tree, no wreath on the door, no music in the house, no decorations (well, I bought some red Poinsettias, but they’re all dead now) no parties, no Grace— at a near all-time low in optimism, happiness, financial security, confidence, companionship, self-esteem, trust in my profession, hope for the nation, and respect for my fellow citizens. This is unacceptable, and I am hereby inviting Cher to set me straight.

Thank-you.

The Song “White Christmas” Is Sad, and It’s Meant To Be

I’m rewriting a post from last Christmas that I liked, in part because the ethics news is ticking me off, in part because I am once again having a non-Christmas because I miss my late wife Grace too much to celebrate anything, and in part because the song means a lot to me. I foolishly posted the first version of this last year on Christmas day, guaranteeing that few would read it. I’ll try a bit earlier this time.

I co-wrote two Christmas revues for my late, lamented (by me, anyway) professional theater company in Arlington, Virginia, The American Century Theater. The most popular of the two (though not my personal favorite) was called “If Only In My Dreams,” a title taken from the lyrics of another wistful Christmas song, “I’ll Be Home For Christmas,” by lyricist Kim Gannon and composer Walter Kent. It was introduced by Bing Crosby in 1943—it’s amazing how many of our secular Christmas songs were first recorded by Bing. Well, maybe not so amazing: what was amazing was the range and warmth of his voice. 

“If Only In My Dreams” was constructed around the letters written by GIs overseas during World War II to their families or  girlfriends as Christmas loomed. They were published in an issue of American Heritage, a wonderful magazine now, sadly, in the company of Life, Look, and the Saturday Evening Post, gone and nearly forgotten. I alternated those letters with narration and the popular Christmas songs of the period. The brilliant Jacqueline Manger directed the show, which was being written as she rehearsed it. 

The most famous and important of these songs was, of course, “White Christmas.” Bing Crosby’s version is still the best selling single of all time, and deserves the title. When Irving Berlin handed the song over to the musician who transcribed his melodies (Irv could not read music and composed by ear, just like another brilliant and prolific tune-smith, Paul McCartney), he  famously announced that he had written, not just the best song he had ever created, but the best song that anyone had ever written.  Continue reading

Friday Open Forum: It’s a Marshmallow World!

Ironically, the very song that triggered my blue Christmas reflexes as described in last night’s post (I heard it on Sirius-XM’s Christmas Traditions channel, where 99.6% of the artists featured are dead and most of them are dearly missed) became relevant this morning, as we Northern Virginians woke up to a snow-covered landscape and big, fluffy flakes falling. (Climate change, you know!) The song was written in 1949 by Carl Sigman (lyrics) and Peter DeRose (music), and Bing Crosby—of course!—introduced it. Bing’s recording was a hit, but over time it is Dino’s version that has become iconic, and it’s easy to understand why. It’s a frivolous song about enjoying snow, and Martin’s inimitable slurry, cheery rendition is perfect for the mood. Another Christmas song in the canon is all Dean’s: he aced “Let it Snow!” as well.

So many of the modern seasonal songs have truly terrible lyrics (and some traditional carols too), but “Marshmallow World” has a lyric for the bridge I regard as excellent, and also ethically inspiring:

Oh, the world is your snowball, see how it grows
That’s how it goes whenever it snows
The world is your snowball just for a song
Get up and roll it along
!

Today let the open forum be your snowball, and see how it grows…

The Most Ethical Christmas Carol

Well, unfortunately I started thinking that it’s beginning to look a lot like Christmas this week, so I’m depressed and miserable.

It’s my favorite time of the year because its the most ethical time of the year, but my wife, who was a Christmas fanatic, is dead; my son, who now insists that she’s my daughter, barely speaks to me though I have been nothing but supportive (because that’s my job); my sister is going to be across country for the holiday; and my mom, who was the center of every Christmas in my life as long as she was breathing, breathes no more. I have neither the time to decorate a tree properly (like I used to) nor the resources to  purchase one, and half-hearted decorations will only remind me of 2702 Westminster Place glories past. But I can’t avoid Christmas, just as I can’t avoid ““It’s a Wonderful Life”” as you know.  So I’ll be celebrating my favorite holiday here, on Ethics Alarms, with my five loyal readers and the other visitors who drop in, and pretty much nowhere else. That means, among other gifts, I will be bestowing various Christmas-related post from the Ethics Alarms Christmas attic. Like this one…

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Celebrating the 110th Anniversary of the Strange But Ethical “Christmas Truce”

One of the weirdest events in world history took place on Christmas 1914, at the very beginning of the five year, pointless and stunningly destructive carnage of The Great War, what President Woodrow Wilson, right as usual, called “The War to End All Wars.”

World War I, as it was later called after the world war it caused succeeded it,  led to the deaths of more than 25 million people, and if anything was accomplished by this carnage, I have yet to read about it.

The much sentimentalized event was a spontaneous Christmas truce, as soldiers on opposing sides on the Western Front, defying orders from superiors, pretended the war didn’t exist and left their trenches, put their weapons and animus aside, sang carols,  shared food, buried their dead, and even played soccer against each other, as “The Christmas Truce” statue memorializes above.

The brass on both sides—this was a British and German phenomenon only—took steps to ensure that this would never happen again, and it never did.

It all began on Christmas Eve, when at 8:30 p.m. an officer of the Royal Irish Rifles reported to headquarters that “The Germans have illuminated their trenches, are singing songs and wishing us a Happy Xmas. Compliments are being exchanged but am nevertheless taking all military precautions.” The two sides progressed to serenading each other with Christmas carols, with the German combatants crooning  “Silent Night,” and the British adversaries responding with “The First Noel.“ The war diary of the Scots Guards reported that a private  “met a German Patrol and was given a glass of whisky and some cigars, and a message was sent back saying that if we didn’t fire at them, they would not fire at us.”

The same deal was struck spontaneously at other locales across the battlefield. Another British soldier reported that as Christmas Eve wound down into Christmas morning,  “all down our line of trenches there came to our ears a greeting unique in war: ‘English soldier, English soldier, a merry Christmas, a merry Christmas!’” He wrote in a letter home that he heard,

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Tales of “White Christmas”

I didn’t expect a white Christmas in Northern Virginia this morning, and there wasn’t one. It’s a good thing too: a snow-covered vista would have probably made me cry, and that’s been happening too often this holiday season. (My mother, who made up Christmas traditions and legends as an avocation, once told my sister and me that it was bad luck for the whole year to come if you cried on Christmas.) The song “White Christmas” is supposed to make you cry, however, or at least get a bit misty.

I co-wrote two Christmas revues for my late, lamented (by me, anyway) professional theater company in Arlington, Virginia, The American Century Theater. The most popular of the two was called “If Only In My Dreams,” taken from the lyrics of another wistful Christmas song, “I’ll Be Home For Christmas,” by lyricist Kim Gannon and composer Walter Kent and introduced by Bing Crosby in 1943. The show was constructed around the letters written by GIs overseas during World War II to their families or  girlfriends as Christmas loomed, alternating those stories with narration and the popular Christmas songs of the period.

The most famous and important of these songs was, of course, “White Christmas.” Bing Crosby’s version was the best selling single record of all time for half a century. When Irving Berlin handed the song over to the musician who transcribed his melodies (Irv could not read music and composed by ear, just like another brilliant and prolific tune-smith, Paul McCartney), he  famously announced that he had written, not just the best song he had ever written, but the best song that anyone had ever written.  Continue reading