Warning: The Companion Rule To “Bias Makes You Stupid” Is “Immunity To Bias Makes You Dead”

terrorist

The picture above shows Denis Cuspert, a German rapper and the enterprising creator of the T-shirt he is holding in the shot on the left. The photo on the right shows Denis in his current incarnation, Abu Talha Al-Almani. He formally joined the Islamic State sometime in April 2014. It is believed that he has become the Islamic State’s chief propagandist in the German language, inspiring disillusioned young Germans to become jihadists. In November 2014, he appeared in an Islamic State video holding a severed head.

I saw the photo above online this morning, and it reminded me that I have never made an important point about bias explicit here. Bias causes a lot of problems, in society and in the life of individuals, but those who furiously condemn bias  and demand that we should eradicate it from human nature are reckless and ignorant, and often dishonest as well. Bias is a crucial evolutionary feature that allows human beings to avoid making the same mistake twice, or a hundred times. It is linked to trust, and leads to wariness. Without the ability to form biases, every one of us would be fatally naive, and a victim waiting to be harmed. Continue reading

Brian Williams Ethics Train Wreck Update: David Brooks’ Ethics Confusion

Huh?

Huh?

David Brooks’ New York Times op-ed column decrying the widespread criticism of Brian Williams’ serial lying show us that Brooks himself is frighteningly confused regarding such basic ethical values as accountability, trust, trustworthiness and accountability. That’s good to know, don’t you think? Now the question is why anyone in their right mind would care what such an ethically muddled political and cultural analyst thinks about anything.

Yesterday, the Washington Post revealed yet another example of Williams’ fabulism: his bizarre story about roaming gangs at the local Ritz Carlton in the wake of New Orleans’ devastation by Katrina. Never mind, argues Brooks: the problem isn’t with Williams, it’s with his critics.

Brooks’ New Times column begins with a strange, exaggerated and unethically inclusive first paragraph about how  fame drives people to wrongdoing. “The desire for even more admiration races ahead. Career success never really satisfies. Public love always leaves you hungry,” he writes. “Always?” Who is he talking about, himself? The famous people being described here are emotionally and spiritually unhealthy famous people–addicts to fame, narcissists, desperate hostages to celebrity. I have no doubt that Williams fits that description,  but many prominent, accomplished and celebrated people do not. They are known as “trustworthy.” Having impugned many thousands of well-adjusted pubic figures past and present to lay the groundwork for an “everybody does it” defense of Williams (EDI is running neck and neck with the other favorite rationalization being used by Williams enablers: “It’s not the worst thing.”), Brooks attacks anyone not famous who resents being lied to:

“The barbaric part is the way we respond to scandal these days. When somebody violates a public trust, we try to purge and ostracize him. A sort of coliseum culture takes over, leaving no place for mercy. By now, the script is familiar: Some famous person does something wrong. The Internet, the most impersonal of mediums, erupts with contempt and mockery. The offender issues a paltry half-apology, which only inflames the public more. The pounding cry for resignation builds until capitulation comes. Public passion is spent and the spotlight moves on.”

This paragraph is astounding, and embarrassing too. Someone violates a public trust, and the public has the audacity not to trust him any more! What barbarism! Is Brooks even passing familiar with the concept of accountability? Not on the evidence of this drivel, he isn’t. An honorable man or woman in a position of trust who so publicly disgraced himself as Brooks has should immediately and voluntarily resign. Once, long ago, that was the natural, traditional, expected and required response to such a scandal, but this was in the days when celebrity and power was not so frequently accompanied by greed. Williams is paid about ten millions dollars a year, and that’s apparently too much to give up merely to demonstrate integrity, remorse and acceptance of responsibility for wrongdoing, especially when there are allies like Brooks out there ready to shift the blame.

There would be no need to purge someone who has proven themselves untrustworthy in a high position of trust if the individual would be accountable and courageous and purge himself, as he (or she—I’m looking at you, Kathleen Sibelius) is obligated to do. How can Brooks not understand this? The offender offers a “paltry apology,” and Brooks blames the public for correctly concluding that such an offender doesn’t understand the seriousness of what he did, isn’t really sorry, and will do it again. So the “pounding cry for resignation builds until capitulation comes.” Yes, David, that’s the way it’s supposed to work. This isn’t barbarism. This is civilization. This is enforcing standards. This is ethics, this is accountability.

Brooks doesn’t comprehend any of it, apparently:

“I do think we’d all be better off if we reacted to these sorts of scandals in a different way. The civic fabric would be stronger if, instead of trying to sever relationships with those who have done wrong, we tried to repair them, if we tried forgiveness instead of exiling.”

We’d all be better off if we let people who lie to us stay in the position that will allow them to keep lying to us? Continue reading

The Personal Injury Lawyer’s Sex Doll Ad: Stupid! Funny! But Unethical?

Nah.

Here it is:

http://www.youtube.com/watch?v=ML5vYxjKhL8

There is a dubious principle of advertising holding that as long as the name and the service come through memorably, an ad is a success. This video challenges that assumption. It tells me that the lawyer who let someone talk him into doing an apparently improvised ad with a smut-mouthed rubber sex doll is an idiot, and it is very risky to take legal advice from idiots. Nonetheless, there is nothing unethical about the ad. Does it hold the profession up to public ridicule? No, it holds this lawyer up to public ridicule.

Once upon a time, lawyer advertising was held to be unethical by all state bars, until courts found the restrictions to violate the First Amendment. This kind of ad was what the profession was worried about. A few states, notably Florida (the last I checked), still apply more stringent standards to lawyer advertising than currently apply to used cars and cheesemakers, but as long as an ad lawyer doesn’t make affirmative misrepresentations, it won’t be found to be in violation of the legal ethics rules.

Besides, ads like this one are extremely informative. They tell a potential client everything they need to know about the judgment, reputation and trustworthiness of the lawyer who stars in it. What could be more ethical than that?

_______________________

Pointer: Res Ipsa Loquitur

No “Stand Your Ground” For Domestic Abuse Victims? Law vs. Ethics Strikes Again!

Domestic violenceA hoary statutory destruction debate that hails from the Fifties centered on the simple prohibition, “No Vehicles in the Park.” The question is whether the reasonable and proper interpretation of such a prohibition should rest on the clear meaning of the words alone, or whether the underlying purpose and reasoning behind the rule or law must be taken into account. A tank is a vehicle: does the rule mean that a WW I tank can’t be placed in the park as a memorial? Is a baby stroller a vehicle (the dictionary says yes)? If we accept the literal approach—the school of jurisprudence championed by scholar L.A. Hart that is called legal positivism—we take legal interpretation out the realm of ethics and morality, and give judges only the power to apply laws as written, results be damned. The other approach, more popular with non-lawyers and many judges but not necessarily correct, is identified with Hart’s contemporary Lon Fuller, and called the natural law approach.

This conflict has arisen in intriguing fashion in a South Carolina dispute over the application of that state’s Stand Your Ground law in domestic abuse cases. In 2012, an abusive boyfriend, Eric Lee, dragged Whitlee Jones down a street by her hair. She got away, and Lee returned to the apartment they shared. A 911 call prompted by the hair-dragging spectacle brought a policeman to visit, and Lee put him at ease, saying that all was well.

It wasn’t. Jones, having retrieved her hair weave that didn’t survive the drag through downtown Charleston, returned to the apartment to pack her belongings and move out. As Jones began to leave the apartment, Lee blocked her way, and according to Jones, began to shake her. She pulled out a knife and stabbed him once, and once was enough. Lee died. Jones was arrested for murder. Continue reading

Oh, NO!!! “The Mikado” Ethics Again (Political Correctness Division)!

[Here…listen to this while you read the post.]

I am apparently the official protector of Gilbert and Sullivan’s “The Mikado” from ridiculous accusations of ethics offenses, so once again, I will charge into the breach. No thanks needed, Mr. Gilbert, Sir Arthur—I owe you debts that can never be repaid.

In a brain-endangering op-ed for the Seattle Times, expresses the opinion that the operetta is a “racial caricature,” and thus “every snap of the fan was a slap in the face.” The nature of the complaint has old origins: the original show in 1885 nearly caused an international incident, as Japan registered an official complaint to Great Britain claiming a grievous insult to its people. W.S. Gilbert, who was skilled at such things (a few years later he stifled French indignation over a song in “Ruddigore” that pretended to make fun of the French while actually ridiculing British bravado), explained that “The Mikado” in no way ridicules anything about Japan or its people, but is entirely a witty and original satire on everything British. This was true then, and is true now. Then, however, people, including the Victorian era Japanese, were able to see distinctions, and were not seeking victim status and leave to play public censor under the authority conferred by political correctness. Today, people like Ms. Chan are not so easily calmed.

Thus is art harmed, entertainment stifled, laughter stilled and music forgotten. A good argument could be made that “The Mikado” is the greatest musical comedy entertainment ever written.* It certainly caused the biggest international sensation (the closest rival is another Gilbert and Sullivan classic, “H.M.S. Pinafore”): it is estimated that by the end of 1885, at least 150 companies in Europe and the U.S. were producing the satire. As recently as the 1960s, it was credibly claimed that a “Mikado” was going on somewhere in the world every minute of the day.

The show is fun in every respect: comedy, music, lyrics, satire, characters. It is also fun to act in and produce, for children as well as adults. Unfortunately, several factors have led to the gradual scarcity of productions in recent years, from the cyclical (Gilbert and Sullivan go out of style, but always come back) to the ridiculous ( it seems like every production has to cope with some absurd controversy, like the 2011 Montana production that was accused of threatening Sarah Palin’s life). Political correctness aversion has been the biggest factor in making the very best G&S show rare while productions of Broadway musical junk flourish, however. Since the characters are supposedly “Japanese,” shouldn’t all the singers be Asian? Isn’t Asian make-up offensive like blackface? Oh, hell, let’s just do “The Pirates of Penzance.”

From Ms. Chan: Continue reading

Is There An Ethical Obligation Not To Shock, Nauseate, Or Blind Your Neighbors? Of Obese Joggers and #FreetheNipple

A Facebook friend posted the following letter, posted by one of her friends, and supposedly passed along by the target of the letter. The individual subjected to the complaint is reputedly trying to overcome obesity and various health issues. The letter:

Mean letter

I have my doubts regarding the authenticity of this, but it doesn’t matter to this post. I assume we can all agree that the letter itself, if genuine, is cruel, mean-spirited, cowardly (it is anonymous), hurtful, and indefensible. It does raise an valid ethics question, though, which is this: Do we have any ethical obligation any more to exhibit modesty and a degree of public decorum out of doors, when we are likely to come under the gaze of others? If so, what are that obligation’s parameters? Continue reading

Birding Ethics vs. Education Ethics: One Applies Common Sense, The Other Doesn’t Apply It, Or Sunscreen Either

"Don't worry, Mr. Sapsucker---the birders are looking out for you. Just be grateful you don't go to public school in San Antonio."

“Don’t worry, Mr. Sapsucker—the birders are looking out for you. Just be grateful you don’t go to public school in San Antonio.”

In the intense avocation of bird-watching, a code of ethics reminds practitioners of common sense. In public school education, there is no accepted code of ethics. And there is precious little common sense.

Cornell University’s Macaulay Library contains more than 200,000 bird call recordings, and 150,000 of them can be downloaded onto smartphones and other electronic devices. This allows canny bird-watchers to play the calls in the wild, attracting rarely-seen species.

Unfortunately, these realistic calls, experts say, can stress birds, including endangered species. Thus there is a code of ethics for the recreation of birding, The American Birding Association’s Principles of Birding Ethics, and it states,

 “Limit the use of recordings and other methods of attracting birds, and never use such methods in heavily birded areas, or for attracting any species that is threatened, endangered or of Special Concern, or is rare in your local area.”

It’s a well-conceived code that gives behavioral guidance where guidance is needed.

Now let’s look at a profession where most of us would say common sense is essential, and where the lack of it leads to  unethical and unacceptable conduct born of institutionalized incompetence. No, this time I’m not talking about our government. I’m talking about the educational profession, and the public schools. Continue reading

The Humiliation of Jessica Urbina

JESSICA_URBINA

Every year at this time, Ethics Alarms covers one or more ethics controversies over a yearbook photo that has been deemed inappropriate for a high school graduation yearbook. The 2014 controversy, I think, has more significance than the others. Like other examples of rigid school administrator enforcement of poorly though-out rules and blatant cruelty to children, what was done to Jessica Urbina demonstrates the peril of allowing those in what no passes as the education profession to have power over our children, since they so frequently abuse it, or influence over the development of our children’s character, as the administrators display such flawed character themselves. The more I think about this incident, however, the more I conclude that it foretells the dying of a major religion in this country, and why it may deserve to die.

The yearbook photo of senior Jessica Urbina was deleted from her class  yearbook because she wore a tuxedo. School officials at San Francisco’s Sacred Heart Cathedral High School said  she violated the Archdiocese of San Francisco’s policy because she didn’t wear the dress that’s required for female students in yearbook photos. This is the no-tolerance version of yearbook photo rules, sexist, anti-gay, cruel and stupid. Jessica isn’t dressed inappropriately or unkempt; in fact, she looks great. She took care to make herself presentable for her yearbook, and succeeded. Quite reasonably, however, she decided to appear in clothing that made her feel comfortable, given her sexual orientation, for she is reputedly gay. Tuxes are not a gay uniform by any means; hetero and gay women have worn them as fashion for decades. Below are, clockwise, Ellen Paige, Kim Kardashian, Madonna, super-model Danielle Luquet de St Germain, and the immortal Marlene Dietrich:

Celebs in Tux

I know: yecchhh! How disgusting!

Seriously–there is nothing, nothing, provocative, inappropriate or wrong with Jessica’s attire. She is nicely groomed, her clothing is impeccable, the photograph is impeccable, and she looks cute and happy. The school officials knew what to do about that.
Continue reading

More Proof, As If More Were Needed, That The American Education System Breeds Hopelessly Dim And Foolish Administrators Who Understand Neither Children, Education, Childhood, Or Life, And Therefore Should Not And Must Not Be Entrusted With The Welfare Of Our Young In Any Way, Since These Fools Possess Neither Common Sense Nor The Judgment Possessed By The Average Garden Slug:

Kindergarten-1

Here’s the easy-reading version:

April 25, 2014

Dear Kindergarten Parents and Guardians,

We hope this letter serves to help you better understand how the demands of the 21st century are changing schools, and, more specifically, to clarify, misperceptions about the Kindergarten show. It is most important to keep in mind is [sic] that this issue is not unique to Elwood. Although the movement toward more rigorous learning standards has been in the national news for more than a decade, the changing face of education is beginning to feel unsettling for some people. What and how we teach is changing to meet the demands of a changing world.

The reason for eliminating the Kindergarten show is simple. We are responsible for preparing children for college and career with valuable lifelong skills and know that we can best do that by having them become strong readers, writers, coworkers and problem solvers. Please do not fault us for making professional decisions that we know will never be able to please everyone. But know that we are making these decisions with the interests of all children in mind.

 

Continue reading

“Noah” Ethics

God

There is nothing unethical about “Noah,” the biblical spectacular that harkens back to the grand old days when Cecil B. DeMille reigned supreme. I haven’t seen the movie, and yet I can say that with absolute certainty. The reason I can say it that there is no way on earth that a movie about Noah and the Ark, in this day and age, could possibly be unethical. Even if the Old Testament were literal fact, which it is not, cannot be and in all likelihood was never intended to be, “Noah” couldn’t possibly be unethical, because it is a movie.

Never mind that of all the Biblical fables, with the possible exception of Adam and Eve, the tale of Noah is perhaps the most obviously impossible. The movie is art—of one kind or another—and does not represent itself as a documentary or make any factual assertions whatsoever. Thus it can be distinguished from a truly unethical film like Oliver Stone’s “JFK,” which intentionally misrepresented recent historical facts to “prove” a theory of the Kennedy assassination that was irresponsible and almost certainly false. Is “Noah” dishonest? It is impossible to be dishonest about a presumptively non-historical event about which there is no direct evidence whatsoever, and when there is no intention to deceive. Is it disrespectful? Art has no duty to be respectful. Is it fair? Fair to who? An artist’s stakeholders are those who appreciate his or her art. Does it do harm, or intend to? No. Continue reading